DOCSLIB.ORG

Updated As on 31-03-2021)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Mandatory Disclosure (Updated as on 31-03-2021) AICTE File No F.No. South-West/1-4261842864/2019/EOA AICTE ID 1-1691341 Date & Period of last approval 28th June 2020, 2020-21 1. Name of the Institution Name of the Institution Rajagiri School of Engineering & Technology Rajagiri School of Engineering & Technology, Rajagiri Valley, Rajagiri Valley Address of the Institution P. O Kochi-39, Kerala. City & Pin Code Ernakulam, Pin-682 039 State / UT Kerala State Longitude & Latitude Longitude-76.3576, Latitude-9.9932 Phone number with STD code 0484 2660999 FAX number with STD code 0484 2426241 Office hours at the Institution 8.00 A.M -5.00 P.M. Academic hours at the Institution 8.30A.M -4.30 P.M. Email [email protected] Website www.rajagiritech.ac.in Nearest Railway Station (distance in Km) Ernakulam Town (15 kms) Nearest Airport (distance in Km) Cochin International Airport (25 kms) 2. Name of the organization running the Institution. Name of the organization running the Rajagiri Educational & Charitable Trust Institution Type of the organization Trust S. H. Province, Rajagiri P.O, Kalamassery, Address of the organization Ernakulam, Pin- 683104 Registered with Government of Kerala 3. Name of Principal/Director Name of Principal/Director Dr. Sreejith P. S Exact Designation Principal Phone number with STD code 0484- 2427160 FAX number with STD code 0484-2426241 Email [email protected] Highest Degree Ph.D. Field of Specialization Mechanical Engineering 4. Name of the affiliating University Name of the affiliating University APJ ABDUL KALAM TECHNOLOGICAL UNIVERSITY Address CET Campus, Thiruvananthapuram Kerala -695016 Website www.ktu.edu.in Latest affiliation period 2020-21 5. Governance Governing Board Members https://www.rajagiritech.ac.in/Home/aboutus/GB.asp Academic Advisory Body https://www.rajagiritech.ac.in/Home/aboutus/AC.asp Frequency of meetings Once in a semester Mechanism/ Norms and Procedure for Available democratic/ good Governance Student Feedback on Institutional Available Governance/ Faculty performance Grievance Redressal mechanism for Available Faculty, staff and students Establishment of Anti Ragging Available Committee Establishment of Online Grievance Available Redressal Mechanism Establishment of Grievance Available Redressal Committee in the Institution and Appointment of OMBUDSMAN by the University Establishment of Internal Complaint Available Committee (ICC) Establishment of Committee for SC/ ST Available Internal Quality Assurance Cell Available Organizational chart and processes 6. Programmes Name of Status of Number Fee Duration Placement Facilities Programmes Accreditation of seats approved by of the AICTE Courses Applied Placement statistics of last 3 Electronics and 75,000 60+12* 4 years: Instrumentation Accredited per year Engineering https://www.rajagiritech.ac.in/ Home/Placement/ Computer 75,000 Science and Accredited 180+36* 4 per year Placement_Stat.asp Engineering Electrical and Major recruiters: 75,000 Electronics Accredited 60+12* 4 https://www.rajagiritech.ac.in/ per year Engineering Home/Placement/company.asp Electronics and 75,000 Communications Accredited 4 List of students placed 180+36* per year Engineering (B.Tech): 75,000 Information Accredited 60+12* 4 https://www.rajagiritech per year Technology .ac.in/Home/Placement/ Artificial 75,000 Placed.asp Intelligence and Not Eligible 60+12* 4 per year Data Sciences List of students placed Computer (M.Tech): Science and 65,000 Eligible-not 2 https://www.rajagiritech Information 24 per sem applied System .ac.in/Home/Placement/ VLSI and Eligible- not 75,000 mplaced.asp Embedded 2 applied 24 per year Average Salary: Systems 2018-19-3.3lakh/annum Eligible- not 65,000 Industrial drives 2 applied 24 per sem 2019-20- 3.4lakh/ annum and control 2020-21- 3.5 lakh/annum Eligible- not 65,000 Network 2 applied 18 per sem Engineering 75,000 Mechanical Accredited 4 120+24* per year Engineering Eligible- 75,000 Civil 4 Applied 60+12* per year Engineering Eligible-not 65,000 2 Communication applied 24 per sem Engineering 7. Faculty Branch wise list https://www.rajagiritech.ac.in/Home/Faculty.asp?dept=%27AEI%27 Faculty members https://www.rajagiritech.ac.in/Home/Faculty.asp?dept=%27CE%27 https://www.rajagiritech.ac.in/Home/Faculty.asp?dept=%27CSE%27 https://www.rajagiritech.ac.in/Home/Faculty.asp?dept=%27EEE%27 https://www.rajagiritech.ac.in/Home/Faculty.asp?dept=%27ECE%27 https://www.rajagiritech.ac.in/Home/Faculty.asp?dept=%27IT%27 https://www.rajagiritech.ac.in/Home/Faculty.asp?dept=%27ME%27 https://www.rajagiritech.ac.in/Home/Faculty.asp?dept=%27DBS%27 https://www.rajagiritech.ac.in/Home/Faculty.asp?dept=%27DMA%27 Permanent Faculty 182 nos Adjunct Faculty 6 nos Permanent Faculty: 1:17 Student Ratio Number of Faculty Faculty employed during last 3 years: 35, employed and left during Faculty left during last 3 years:12 the last three years 8. Profile of Vice Chancellor/ Director/ Principal/ Faculty Name of Principal Dr. Sreejith P. S Date of birth 30/05/1959 Unique id 1-9378304291 Education qualifications B.Sc (Engg), M. Tech, Ph.D Work experience Teaching Research Industry Others 34 yrs 24 yrs 3 yrs 0 Area of specialization Mechanical Engineering (Manufacturing Science) Research guidance: No: of papers published / National International journals Conferences Research publications 6 39 47 Research projects guided PG: 23 UG: 30 Ph.D: 10 Patents Nil 9. Fee Details of fee, as Time No. of Fee Number Criteria for Estimated approved by schedule for waivers /Details of fee waivers/ cost of State Fee payment of granted with scholarship scholarship Boarding Committee, for fee for the amount and offered by the and the Institution entire name of Institution, Lodging programme students duration and in Hostels amount (i) Tuition Fee: Yearly fee of TFW-AEI-3, https://www.r Rs. 70000 Rs. 65000 IT-3, EEE- 3, MERIT Rs.1,50,000 ajagiritech.ac per annum (ii) Refundable should be paid CE-3, CSE-9, SCHOLARSHIP Caution Deposit: ECE- 9, ME- S PROVIDED .in/home/adm during the Rs. 10000 6, AI&DS-3, BY COLLEGE ission202020 (iii) Admission commenceme SC/ST/OEC Fee: Rs. 500 nt of odd students are KEAM 2020 20/btech.asp (iv) University semester (June exempted score greater than fee: Rs. 1,500 July period of from the or equal to 576, (v) Special fee every year) payment of annual fee is Rs. (Industrial fees at the 22000. training/ Addon time of courses): Rs. admission. KEAM 2020 10000 Their score greater than scholarship or equal to 480 MHRD GATE but less than 576, scholarship for will be annual fee is Rs. qualified sanctioned by students. the welfare 28000. https://www.raj Department • Will be of the continued in the agiritech.ac.in/h Government. higher semesters ome/admission2 subject to the 0202020/btech.a condition that the sp candidate maintains an SGPA of 7.5 in every semester. Interest free refundable deposit of Rs. 1,00,000 is waived. www.rajagiritec h.ac.in/home/ad mission2020/mte ch.asp 10. Admission Number of seats Number of Students Number of applications received during sanctioned with admitted under various last two years for admission under the year of categories each year in Management Quota and number approval the last three years admitted Year Total Number of Year Application Admitted Students admitted received B.Tech-864 2020-21 B.Tech 2020-21 B.Tech: B.Tech: 781 M.Tech- 132 GM 331 2250 M.Tech:75 CM 278 M.Tech: 320 NRI 120 PIO 52 B.Tech-864 2019-20 B.Tech 2019-20 B.Tech: 2468 B.Tech: 806 M.Tech- 132 GM 339 M.Tech:365 M.Tech:66 CM 277 NRI 127 PIO 63 B.Tech-864 2018-19 B.Tech 2018-19 B.Tech: 2805 B.Tech: 717 M.Tech- 132 GM 307 M.Tech:374 M.Tech:91 CM 270 NRI 123 PIO 17 GM- General Merit CM- College Merit/Management Quota NRI- Non-resident Indians PIO-People of Indian Origin 11. Admission Procedure Admission test being followed, http://www.cee-kerala.org/ name and address of the Test Agency and its URL Number of seats allotted to Nil different Test Qualified candidate separately (AIEEE/ CET (State conducted test/ University tests/ CMAT/ GPAT)/ Association conducted test) B.Tech 2nd May 2020 Last date of request for applications th Last date of submission of 25 May 2020 applications Dates for announcing final results 5th June 2020 Release of admission list 5th June 2020 Calendar for admission against Date for acceptance by the candidate 12th June 2020 Management/vacant seats: (time given shall in no case be less than 15 days) Last date for closing of admission 17th July 2020 Starting of the Academic session 1st Dec 2020 The waiting list shall be activated only on the expiry of date of main list The policy of refund of the fee, in case AICTE refund policy of withdrawal followed https://www.rajagiritec h.ac.in/home/admissio n20202020/btech.asp M. Tech Last date of request for applications 8th May 2020 Last date of submission of applications 29th May 2020 Calendar for admission against th Management/vacant seats: Dates for announcing final results 5 June 2020 Release of admission list 19th June 2020 Date for acceptance by the candidate 03rdJuly 2020 (time given shall in no case be less than 15 days) Last date for closing of admission 31st July 2020 Starting of the Academic session 1st Aug 2020 The waiting list shall be activated only on the expiry of date of main list The policy of refund of the fee, in AICTE refund policy case of withdrawal 12. Criteria and Weightages for Admission Describe each criterion with its respective weightages i.e., Admission Test, marks in qualifying examination etc. Mention the minimum level of acceptance if any https://www.rajagiritech.ac.in/home/admission20 202020/btech.asp Mention the cut-off levels of percentage and 2020-21 - 50% percentile score of the candidates in the 2019-20 - 50% admission test for the last three years 2018-19 - 56 % 13.
Recommended publications
  • 2018 Holds a Spectacular Lineup of Films from All Around the World in Store for You, and Two Special Performances

    2018 Holds a Spectacular Lineup of Films from All Around the World in Store for You, and Two Special Performances

    “IT MUST BE LOVE ON THE BRAIN” “IT MUST BE LOVE ON THE BRAIN” t the 9th edition of BQFF, hosted along with our beloved partners the Goethe-Institut/Max Mueller Bhavan (GI / MMB), we present a staggering A89 films from over 30 countries. Like every previous year, this year’s festival will be breathless, wild, fun, strange and intense. It will put you on social overdrive, because let’s face it: some of you come just to meet your friends. Watch out for our three specially curated packages. One set of films brought to us by GI / MMB, including our Saturday night Centrepiece, Ein Weg (Paths), comes from the prestigious Berlinale festival in Germany. Another package of LGBT shorts from the UK is brought to us by a British Council international touring programme in association with BFI Flare. For the second time in our history, BQFF is collaborating with the film curator and archivist Thomas Waugh, founder-director of the Queer Media Database Canada-Québec. He will introduce and screen a package called “I Confess”, autobiographical shorts from the Canadian Queer Film Archive. This year we have something über special to announce: in 2017 The Bangalore Queer Festival Trust was set up as an independent entity that will work solely for the festival in the years to come, starting with the 10th Anniversay splash in 2019! We hope you will all stay with as collaborators, supporters, film lovers, performers and just generally a marvellously ragtag bunch of travellers in the future! To give you a quick recap of last year’s festival, BQFF 2017 (24-26 February 2017) was held at Alliance Française de Bangalore and the Goethe-Institut /Max Mueller Bhavan.
  • General Awareness-6

    General Awareness-6

    UNIQUE IAS ACADEMY-GENERAL AWARENESS-6 GENERAL AWARENESS Unique IAS Academy 1st Street Gandhipuram Coimbatore-12 IAS/IPS, TNPSC, BANKING, TET,etc., 0422 4204182, 9884267599, 9843167599 AWARDS Awards and their fields First award receivers from india 2015 india awards list 2015 international awards Some important awards in the world SPACE RESEARCH & DEFENCE Space centers in india Indian space research organization Other organizations Famous indian missiles Important defence exercises between india & world AWARDS AWARDS AND THEIR FIELDS 1. Grammy – Music 2. Tansen Award- Music 3. Magsaysay Award- Public Service, Leadership, Journalism, Literature and creative arts and international understanding 4. Man Booker prize: Authors of Novels 0422 4204182,9884267599,1st Street,Gandhipuram,Coimbatore. Page 1 UNIQUE IAS ACADEMY-GENERAL AWARENESS-6 5. Pulitzer – Journalism and Literature 6. Bowelay – Agriculture 7. Right Livelihood Award: Field of environment and social justics 8. Kalinga – Science 9. Dhanwantri – Medical science 10. Bhatnagar – Science 11. Nobel prize – Peace, Literature, Economics, Physics, Chemistry, Medical science 12. Shaurya Chakra- Civilian or Military Personnel 13. Ashok Chakra: Civilians 14. Param Vir Chakra- Military 15. Abel-Maths 16. Kalidas Samman- Classical Music, Classical Dance and Arts 17. Vyas Samman- Literature 18. Merlin-Magic 19. Bharat ratna-Art, Science, Public services, Sports 20. Bhartiya Jnanpeeth Award: Literary 21. Sahitya Akademi Award: Literary 22. Dhanvantri Award: Medical Sciences 23. R.D. Birla Award: Medical sciences 24. Lenin Peace Prize: Peace and Friendship 25. Juliet Curie Award: Peace 26. Sahitya Akademi Award- Books in Indian Languages and Ebnglish 27. Shanti Swarup Bhatnagar Award- Science and Technology 28. Sangeet-Natak Akademi Award- Music, dance and Drama 29.
  • In the Contemporary Malayalam Cinema

    In the Contemporary Malayalam Cinema

    JAC : A Journal Of Composition Theory ISSN : 0731-6755 THE KALEIDOSCOPIC ‘TRANSGRESSSIONS’ OF ‘NOUVEAU FEMME’ IN THE CONTEMPORARY MALAYALAM CINEMA Christina Mary Georgy MA English Language and Literature(2017-2019), Institute of English, University of Kerala, Trivandrum, Kerala, India. Abstract: In the present-daysituation, motion pictures, being one of the most resourcefulmass mediaexpressions,perform not only as a powerfulpodium for amusement but also as aproficient site of substantial ideological negotiation and contestation. The politics of representation of women on the silver screen has always been a problematic discourse, owing to the phallogocentric, hegemonic constructs of the society worldwide.This research paper makes use of insights provided by popular gender, media and cultural studies theorists to map out the distinctive features of the ‘nouveau femme’ by tracing out the history and politics of representation of women in Malayalam cinemaover the decades. This paper also attempts to read against the grain of female transgressions in Mollywood with special reference to select critically acclaimed Malayalam films of post 2015 era. Keywords: Cinema, Gender, Media, Modernity, Representation, Woman Representation of Women in Malayali Public and Private Sphere The position of women in Malayali public and private sphere has always been a stimulating discourse in the academic milieu. Kerala has had an age old history of a Volume XIV, Issue VII, JULY 2021 Page No: 10 JAC : A Journal Of Composition Theory ISSN : 0731-6755 matrilineal system of inheritance which used to function as a "surrogate patriarchy” of sorts with actual power being vested on the ammavan or the maternal uncle, functioning as the kaaranavar of the tharavad .
  • The Case of Tamil Nadu

    The Case of Tamil Nadu

    CINEMATIC CHARISMA AS A POLITICAL GATEWAY IN SOUTH INDIA: THE CASE OF TAMIL NADU Dhamu Pongiyannan, MA Submitted to the Faculty of Humanities and Social Sciences In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) at The University of Adelaide 2012 Table of Contents Table of Contents ............................................................................................................... i List of Figures .................................................................................................................. iv Abstract............. ............................................................................................................... vi Declaration. ..................................................................................................................... vii Acknowledgements ........................................................................................................ viii Dedication....... ............................................................................................................... viii Situating Tamil Nadu in the Subcontinent ........................................................................ x Preface................ ............................................................................................................. xi Introduction ....................................................................................................................... 1 Ordinary Tamils, extraordinary celebrity devotion .................................................
  • TAMIL CINEMA Tamil Cinema

    TAMIL CINEMA Tamil Cinema

    TAMIL CINEMA Tamil cinema (also known as Cinema of Tamil Nadu, the Tamil film industry or the Chennai film industry) is the film industry based in Chennai, Tamil Nadu, India, dedicated to the production of films in the Tamil language. It is based in Chennai's Kodambakkam district, where several South Indian film production companies are headquartered. Tamil cinema is known for being India's second largest film industry in terms of films produced, revenue and worldwide distribution,[1] with audiences mainly including people from the four southern Indian states of Tamil Nadu, Kerala, Andra Pradesh, and Karnataka. Silent films were produced in Chennai since 1917 and the era of talkies dawned in 1931 with the film Kalidas.[2] By the end of the 1930s, the legislature of the State of Madras passed the Entertainment Tax Act of 1939.[3] Tamil cinema later had a profound effect on other filmmaking industries of India, establishing Chennai as a secondary hub for Telugu cinema, Malayalam cinema, Kannada cinema, and Hindi cinema. The industry also inspired filmmaking in Tamil diaspora populations in other countries, such as Sri Lankan Tamil cinema and Canadian Tamil cinema.[6] Film studios in Chennai are bound by legislation, such as the Cinematography Film Rules of 1948,[7] the Cinematography Act of 1952,[8] and the Copyright Act of 1957.[9] Influences Tamil cinema has been impacted by many factors, due to which it has become the second largest film industry of India. The main impacts of the early cinema were the cultural influences of the country. The Tamil language, ancient than the Sanskrit, was the medium in which many plays and stories were written since the ages as early as the Cholas.
  • Mohanlal Filmography

    Mohanlal Filmography

    Mohanlal filmography Mohanlal Viswanathan Nair (born May 21, 1960) is a four-time National Award-winning Indian actor, producer, singer and story writer who mainly works in Malayalam films, a part of Indian cinema. The following is a list of films in which he has played a role. 1970s [edit]1978 No Film Co-stars Director Role Other notes [1] 1 Thiranottam Sasi Kumar Ashok Kumar Kuttappan Released in one center. 2 Rantu Janmam Nagavally R. S. Kurup [edit]1980s [edit]1980 No Film Co-stars Director Role Other notes 1 Manjil Virinja Pookkal Poornima Jayaram Fazil Narendran Mohanlal portrays the antagonist [edit]1981 No Film Co-stars Director Role Other notes 1 Sanchari Prem Nazir, Jayan Boban Kunchacko Dr. Sekhar Antagonist 2 Thakilu Kottampuram Prem Nazir, Sukumaran Balu Kiriyath (Mohanlal) 3 Dhanya Jayan, Kunchacko Boban Fazil Mohanlal 4 Attimari Sukumaran Sasi Kumar Shan 5 Thenum Vayambum Prem Nazir Ashok Kumar Varma 6 Ahimsa Ratheesh, Mammootty I V Sasi Mohan [edit]1982 No Film Co-stars Director Role Other notes 1 Madrasile Mon Ravikumar Radhakrishnan Mohan Lal 2 Football Radhakrishnan (Guest Role) 3 Jambulingam Prem Nazir Sasikumar (as Mohanlal) 4 Kelkkatha Shabdam Balachandra Menon Balachandra Menon Babu 5 Padayottam Mammootty, Prem Nazir Jijo Kannan 6 Enikkum Oru Divasam Adoor Bhasi Sreekumaran Thambi (as Mohanlal) 7 Pooviriyum Pulari Mammootty, Shankar G.Premkumar (as Mohanlal) 8 Aakrosham Prem Nazir A. B. Raj Mohanachandran 9 Sree Ayyappanum Vavarum Prem Nazir Suresh Mohanlal 10 Enthino Pookkunna Pookkal Mammootty, Ratheesh Gopinath Babu Surendran 11 Sindoora Sandhyakku Mounam Ratheesh, Laxmi I V Sasi Kishor 12 Ente Mohangal Poovaninju Shankar, Menaka Bhadran Vinu 13 Njanonnu Parayatte K.
  • AR Rahman and the Global Routes of Indian Popular Music

    AR Rahman and the Global Routes of Indian Popular Music

    BEYOND KITSCH: A. R. RAHMAN AND THE GLOBAL ROUTES OF INDIAN POPULAR MUSIC Stephanie Lou Jackson A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: David Harnish, Advisor Esther Clinton Jeremy Wallach © 2010 Stephanie Jackson All Rights Reserved iii ABSTRACT David Harnish, Advisor At the 2009 Academy Awards, A. R. Rahman became the first Indian composer to win Best Score and Best Song (“Jai Ho”) for his music in the film, Slumdog Millionaire (2008). This event not only granted Rahman another prestigious accolade for his accomplishments as a popular film music composer (i.e., he has been awarded many times over in India for his music), but it gave Rahman new star-status recognition among a Western audience. Although enormously famous in India and well-known among the South Asian diaspora located throughout many parts of the world, Rahman remained, up until that time, virtually unknown among mainstream U.S. audiences. U.S. audiences today are perhaps more likely than a decade ago to recognize the sounds and images of Indian cinema known as Bollywood, a cultural artifact, once considered “kitsch,” that increasingly traverses international popular cultures. Consequently, the appeal of Rahman’s Bollywood music among a wider global audience (as presented in Slumdog Millionaire) coincides with the global circulation and consumption of Bollywood films and music in recent years. I suggest that the appeal for Rahman’s music outside of India cannot be explained by the Western fascination with the exotic “Other," but instead involves a cultural affinity for a type of style and sound set forth in Rahman’s music.
  • Accounts of Early Migrants from Kerala in the Gulf in the Post-Oil Era

    Accounts of Early Migrants from Kerala in the Gulf in the Post-Oil Era

    Memories and Narrations of “Nations” Past: Accounts of Early Migrants from Kerala in the Gulf in the Post-Oil Era M.H. Ilias This paper investigates a set of narratives revolving around the experiences of early post- oil migrants from Kerala to the Gulf States. These narratives take different forms such as individuals’ spoken memories, recollections, perspectives, and narrative accounts of events and experiences. Their themes range widely from the simple renditions of experience of travel to their subjective account of the history of nation-building in the host countries. As witnesses to many seminal events in the history of the Gulf states, memories of migrants from Kerala must not be merely seen as personal storytelling about the past. Rather, they could be interpreted as a collective effort to retell history in an alternative way. They are particularly useful as they open a window into the early South Asian ordinary migrants’ perceptions about a plethora of historical events, such as post-colonial transition of Gulf societies, state formation, and nation-building. Such narratives are generally absent from the “standard” records of history of the region. Introduction Migration of people from Kerala, South India, to the Arab Gulf region has generated various forms of oral histories and local narratives, both in the migrant’s host countries and in Kerala. Narratives revolving around the early post-oil migration that began in the 1940s possess especially interesting dimensions. The primary intention of this article is to analyse the testimonials and personal narratives of some of the early migrants from Kerala to the Gulf States.
  • SRO 1288 Dated 22 December 2015

    SRO 1288 Dated 22 December 2015

    EXTRAORDINARY PUBLISHED BY AUTHORITY ______________________________________________________________________________ ISLAMABAD, TUESDAY, December 29, 2015 ______________________________________________________________________________ Part II Statutory Notifications (S.R.O.) Government of Paksitan MINISTRY OF FOREIGN AFFAIRS ORDER Islamabad the 22 December 2015 S.R.O.1288 (I)/2015. – WHEREAS the United Nations Security Council vide its Resolutions Nos. 1267(1999), 1333 (2000), 1373 (2001), 1390 (2002), 1455 (2003), 1526 (2004), 1617 (2005), 1735 (2006), 1822 (2008), 1904 (2009), 1988 (2011), 1989 (2011), 2082 (2012), 2083 (2012), 2133 (2014), 2160 (2014), 2161 (2014) 2170(2014), 2178(2014), 2199 (2015) and 2253 (2015) has directed to apply travel restrictions, arms embargo and to freeze the funds and other financial resources of certain individuals and entities; 2. AND WHEREAS through paragraph 1 of United Nations Security Council resolution 2253(2015) adopted on 17 December 2015 under Chapter VII of the United Nations Charter, the United Nations Security Council has decided that, from the date of adoption of this resolution, the 1267/1989 Al-Qaida Sanctions Committee shall henceforth be known as the “1267/1989/2253 ISIL (Da’esh) and Al-Qaida Sanctions Committee” and the Al-Qaida Sanctions List shall henceforth be known as the ISIL (Da’esh) and Al-Qaida Sanctions List; 3. AND WHEREAS through paragraph 2 of United Nations Security Council resolution 2253 (2015) adopted under Chapter VII of the United Nations Charter, the United Nations Secuirty
  • SCREENING SCHEDULE (Dominican Republic / Qatar / 2017 / 102) Poland / 2017 / 115) 2017 / 109) W Scr

    SCREENING SCHEDULE (Dominican Republic / Qatar / 2017 / 102) Poland / 2017 / 115) 2017 / 109) W Scr

    fk.in .if www NISHAGANDHI | TAGORE | KALABHAVAN KAIRALI | SREE | NILA | DHANYA | REMYA NEW THEATRE SCREEN 1, SCREEN 2, SCREEN 3 SREE PADMANABHA | AJANTA | KRIPA SCREENING SCHEDULE PARTNERS TECHNICAL PARTNERS EXHIBITION 07-15 December, 10.00 AM- 06.00 PM 90 Years of Malayalam Cinema at Kanakakkunnu Palace IN CONVERSATION 02.00-03.00 PM, Nila Theatre 9th December Mahamat Saleh Haroun in conversation with Veena Hariharan 10th December Trevor Jamieson in conversation with Bina Paul 12th December Alexander Sokurov in conversation with C S Venkiteswaran 13thDecember Anup Singh in conversation with K M Kamal 14th December K P Kumaran in conversation with Meera Sahib SEMINAR, SYMPOSIUM, PRESENTATION & DISCUSSIONS 09 December, 03.30 PM, Hotel Hycinth Technical Workshop: Challenges of Sync Sound Recording Keynote: Resul Pookutty Speakers: Manish Mundra (Drishyam Films) Bishwadeep (Sound Recordist), Anwar Rasheed (Filmmaker) 09th December, 06.00PM, Sree Theatre Homage: K R Mohanan & I V Sasi Speakers: P V Gangadharan, K P Kumaran, T V Chandran, Sathyan Anthikkad, Seema, V K Sreeraman 10th December, 06.00PM, Nila Theatre Aravindan Memorial Lecture Aparna Sen 11th December, 2.00-3.00 PM, Nila Theatre Panel Discussion on New Hong Kong Cinema 12-13 December,10.00AM, Hotel Apollo Dimora, Workshop for Women Filmmakers 14th December, 11.00 AM, Hotel Hycinth PK Nair Colloquium: Tradition of Dissent Speakers: N S Madhavan, Anita Dubey, Sadanand Menon, Anand Patwardhan, Alencier Ley Lopez 09-14 December, 3.30-4.30 PM, V C Harris Pavilion (Tagore Theatre) Meet the Directors 09-14 December, 04.30-06.00 PM, V C Harris Pavilion (Tagore Theatre) Open Forum Dec.
  • Building Stone Quarry of Mr Abdu Rahman

    Building Stone Quarry of Mr Abdu Rahman

    Building Stone Quarry of Mr Abdu Rahman 14 Building Stone Quarry of Mr Abdu Rahman Chapter- I Introduction 1.1 Brief Foreword of Project proponent and Project Site Mr Abdu Rahman has applied for environmental clearance of operating Granite Building Stone over an extent of 1.4054Ha at Survey No.1006 in Painkulam Village, Thalappilly Taluk, Thrissur District, Kerala. Possession, Tax Paid certificates are enclosed as Annexure No’s. 2, 3 Mining Plan for Granite Building Stone quarry of Mr Abdu Rahman at Survey No 1006 in Painkulam village, Thalappilly Taluk, Thrissur District, Kerala for total mine lease area of 1.4054 Ha is approved by District Geologist, Department of Mining and Geology, Thrissur. This Granite Building Stone Quarry to submit application to statutory authorities like Department of Mining & Geology, DEIAA and to receive Environmental Clearance from DEIAA, Kerala. Attested Copy of Photo ID of the Authorized Signatory is enclosed as Annexure No-4. This feasibility report for Granite Building Stone Quarry over an extent of 1.4054 Ha at Survey No 1006 in Painkulam village, Thalappilly Taluk, Thrissur District, is prepared towards getting environmental clearance from DEIAA Kerala. 15 Building Stone Quarry of Mr Abdu Rahman Chapter- II 2.1 Project Description Project Proponent Mr. Abdu Rahman Mailing Address Nachu veettil Kanjhiramukku (po) Malappuram-679584 Sy.No’s 1006 Location Painkulam village Thalappilly Taluk Thrissur District Kerala State Quarry lease Area 1.4054 Ha Type of land Private Land 2.2 Salient features of the study area Latitude 10°44'17.78"N to 10°44'22.81"N Longitude 76°17'23.83"E to 76°17'28.55"E Nearest Railway Station Vallathol Nagar Railway Station - 3Km Nearest River Bharathapuzha-3km Highest 115m above MSL.

  • Film Bazaar Online Co-Production Market 2020 SELECTED FILMS

    Film Bazaar Online | January16-21, 2021 Co-Production Market 2020 We are pleased to announce the official selection of projects for Co-Production Market 2020 at Film Bazaar Online. This year’s selection presents 21 projects from India, Bangladesh, Canada, China, France, Nepal, Netherlands and Sri Lanka. The line-up is an eclectic mix of stories in Hindi, English, Tamil, Bengali, Kannada, Khasi, Kumaoni, Kashmiri, Gujarati, Malayalam, Manipuri, Marathi, Nagamese, Pahadi, Sinhala, Urdu and Nepali. The selected filmmakers will be pitching their projects virtually to a curated audience of Indian and international producers, distributors, festival programmers, financiers and sales agents at the Open Pitch Online. The pitches will be played out virtually on the first day of Film Bazaar Online and will be available for delegates to watch in different time zones. This year, Film Bazaar has also collaborated with the French Embassy in India who will be sponsoring the French Institute Award for Co-Production Market at the Bazaar. This will be awarded to one selected CPM project. Co-Production Market at Film Bazaar is a programme developed for original projects from South Asian countries that are looking for co-production partners and financial collaborations. The market is also a focal point for festival directors, programmers, sales agents, producers and financiers to find fresh voices from South Asia. Films presented at previous editions of the Co-Production Market have gone on to receive national and international acclaim. Details of the selected projects for 2020 - 1. Baksho Bondi (How Long Is Tomorrow?) | Bengali | India ● Director- Tanushree Das Tanushree Das graduated from the University of Calcutta with a Masters in English Literature, and began her career as an active theatre person – directing as well as acting.