DOCSLIB.ORG

Idea Filmfare Awards 2013 Leven Years in the Industry, 36 (South) in Its 61St Year, It Was Only Emovies Last Year Alone, and Apt That Veterans Steal the Show

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Idea Filmfare Awards 2013 Leven Years in the Industry, 36 (South) in Its 61St Year, It Was Only Emovies Last Year Alone, and Apt That Veterans Steal the Show * SUNDAY TIMES OF INDIA, CHENNAI 2 TIMES CITY | AWARD NITE JULY 13, 2014 AT THE 61ST IDEA FILMFARE AWARDS (SOUTH) VETERANS STOLE THE SHOW, BAGGING SOME OF THE MAJOR AWARDS STARS OF THE SEASON 1 SHOW STOPPERS: 1 Performers dazzle at the awards ceremony 2 (L to R) Actor Anjali, Saira IDEA Thanga with husband AR Rahman 3 Actor Dhanush with wife Aishwarya FILMFARE Meengal AWARDS scores a 2 hat-trick TIMES NEWS NETWORK TIMES NEWS NETWORK ith the Idea Filmfare Awards 2013 leven years in the industry, 36 (South) in its 61st year, it was only Emovies last year alone, and apt that veterans steal the show. 105 song lyrics to his credit in BEST ACTOR Whether it was show-stopper 2013, lyricist Na Muthukumar was W FEMALE | chief guest Rekha or actor Kamal bound to strike gold in terms of Pics: S L Shanth Kumar Nayantara Haasan, Oscar winner AR Rahman or 59-year-old awards this year. First came the (Raja Rani) Satyaraj — this year it was the turn for seasoned 3 TAMIL National Award in April and now artistes to grab the spotlight. the Filmfare for his song ‘Ananda When the nominees for Best Music Director BEST CINEMATOGRAPHER | BEST DIRECTOR | Bala (Paradesi) Yazhai’ from the movie ‘Thanga (Tamil) were announced, the audience began Padma Shri Award winner and six-time Na- Rajiv Menon (Kadal) BEST ACTOR MALE | Adharva Meengal’. “It is one of my favourite screaming and whistling for AR Rahman even tional Award winning singer Chitra won her (Paradesi) songs,” said Muthukumar. BEST DEBUT before the other names were read out, until pre- sixth Filmfare award for Best Playback Singer BEST DEBUT FEMALE | Nazriya After the three-award haul at LIFETIME MALE | senter Khushbu asked the audience to announce (female) for the Telugu song ‘Seethamma Vak- (Neram) the National Awards this year, the the winner. As the auditorium screamed “AR itlo Sirimalle Chettu’, while Vijay Yesudas won ACHIEVEMENT Nivin Pauly Thanga Meengal team was back at Rahman”, he went on stage to pick up his 29th Best Playback Singer (male) for the Malayalam (posthumous) | (Neram) BEST SUPPORTING ACTOR MALE the 61st Idea Filmfare Awards Filmfare Award. Rahman thanked Mani Ratnam movie ‘Memories’, his third Filmfare award. Balu Mahendra Gautham | Satyaraj (Raja Rani) (South) winning another three for a making a beautiful movie (‘Kadal’), ending Among the veterans was a first-timer on stage Karthik BEST SUPPORTING ACTOR awards — one for best playback his speech with the words that went viral when who earned a standing ovation — Ahileshwari, (Kadal) FEMALE | Dhanshika (Paradesi) singer (male) and another for best he won the Oscar in 2009. “Ella Pugazhum Balu Mahendra’s wife, who accepted the Lifetime BEST MUSIC DIRECTOR | film apart from Muthukumar’s Iraivanukke (all glory to God),” said Rahman, as Achievement Award on behalf of her late hus- BEST LYRICS | A R Rahman (Kadal) win. “And to think”, says Rama, the audience went ecstatic. band. “All through my husband’s life, I have at- the movie’s director, “after my first Na Muthukumar BEST PLAYBACK SINGER At the ceremony held on Saturday at Jawa- tended award ceremonies, but never have I gone – Ananda movie ‘Kattradhu Thamizh’, peo- harlal Nehru Stadium, the veterans clearly knew on stage. I was nervous today but I was glad that FEMALE | Shakti Sree Gopalan – ple branded me a “weird” director, Yazhai (Thanga Nenjukulle (Kadal) how to get the audience going. “Ennama Kan- it was my husband’s friend Kamal Haasan who Meengal) who made only dark films. I want- nugala,” said Satyaraj, beginning his speech with presented the award to me. It was comforting,” ed to change my genre,” he added. BEST SINGER his famous movie line. “I won the Filmfare she said. ‘Thanga Meengal’, based on the MALE | Sriram Award 26 years ago for the movie ‘Vedam Pu- For the 61st Idea Filmfare Awards 2013 bond between a father and a Parthasarathy – dhithu’ and this is my second. It takes a lot for a (South), the title sponsor is Idea. Associate spon- daughter, also had the director Anada Yazhai director to make a commercial actor pull off a sors: NAC Jewellers and Reliance Trends; Tele- playing the lead because the pro- (Thanga character role and Atlee Kumar did that in ‘Raja cast partners: Asianet, Vijay TV, Swarna TV, and ducer felt that he understood the Meengal) Rani’. I thank him for this award,” said Satyaraj. Maa TV; Radio partner: Radio Mirchi; Beauty movie best. “I wrote the script with In Tamil, ‘Thanga Meengal’ was adjudged partner: Close up; Beverage partner: Signature, my daughter,” says Ram. best film. ‘Paradesi’ won Adharva the award for Packaged Drinking Water; Multiplex partner: BEST FILM | Thanga Meengal J Sathish Kumar, the produc- best actor (male) and Bala best director. Nay- Orienta Cine Advertising; and Trophy partner: er of the movie, said: “We’ve antara netted Best Actor (female) for ‘Raja Rani’. The Award Gallery. TELUGU MALAYALAM come up in more categories than we thought. The subject is close BEST FILM | Attarintiki Daredi BEST DIRECTOR | Trivikram FILMFARE AWARDS Srinivas (Attarintiki Daredi) to my heart and so the award is BEST ACTOR MALE | Mahesh more special.” Babu (Seethamma Vakitlo While there were a number of Sirimalle Chettu) big budget films in several catego- BEST ACTOR FEMALE | Nithya ries, some of the big-on-emotion- Menen (Gunde Jaari small- on-budget movies such as Gallanthayyinde) ‘Haridas’ (based on a father-son BEST SUPPORTING BEST FILM | Drishyam relationship) and ‘Thalai Mu- ACTOR MALE | BEST DIRECTOR | Shyamaprasad (Artist) raigal’ (based on a grandfather- grandson bond), managed to put Sunil (Tadakha) BEST ACTOR MALE | Fahad Fazil (North 24 up a fight for the awards. BEST Kadam) In Kannada, ‘Mynaa’ was de- SUPPORTING BEST ACTOR FEMALE | Ann Augustin (Artist) clared the best film, while Pawan ACTOR FEMALE | Kumar won Best Director for ‘Lu- Lakshmi Manchu BEST SUPPORTING ACTOR MALE | Murali cia’. “When I was young, I saw (Gundello Godari) Gopi (Left Right Left) many great people holding this BEST SUPPORTING ACTOR FEMALE | Asha BEST MUSIC DIRECTOR | Devi award but today it makes me feel Sharath (Drishyam) Sri Prasad (Attarintiki Daredi) special to be taking home one. Usu- BEST PLAYBACK SINGER MALE BEST MUSIC DIRECTOR | Jayachandran ally directors thank the audience | Kailash Kher—Pandagala (Celluloid) for watching their movie but I am Digivachavu (Mirchi) BEST PLAYBACK SINGER MALE | Vijay going to thank my audience for making this movie. ‘Lucia’ is the BEST PLAYBACK SINGER Yesudas—Thirayum theeravum (Memories) first crowd-funded feature film FEMALE | Chitra (Seethamma BEST PLAYBACK SINGER FEMALE | Vaikom and I thank everyone who was a Vaakitlo Sirimalle Chettu) Vijayalakshmi—Ottake Paadunna (Nadan) part of it,” said Kumar. The evening was livened by KANNADA the hosts Chinmayee and her hus- BEST FILM | Mynaa band Rahul Ravindran. Veteran actor Rekha, who presented the BEST ACTOR MALE | Prem Kumar (Charminar) lifetime achievement award (fe- BEST ACTOR FEMALE | Amulya (Shravani Subramanya) male) to Malayalam actor Jayab- BEST DIRECTOR | Pawan Kumar (Lucia) harathi, said, “When I wanted to become an actress, my mother BEST MUSIC DIRECTOR | Arjun Janya (Bhajarangi) asked me to learn a few things BEST SINGER MALE | Poorna Chandra Tejasvi – Thinbedakammi (Lucia) from actress Jayabharathi. I BEST SINGER FEMALE | Sowmya Raoh – Karagida Baanalli watched and learned a lot from (Simplag Ond Love Story) her dignity and grace and am very happy to be the one present- BEST SUPPORTING ACTOR MALE | Achyuth Kumar (Lucia) ing her the award for lifetime BEST SUPPORTING ACTOR FEMALE | Kalyani (Jayammana Maga) achievement.” SIDELIGHT SPOTLIGHT I WANTED TO DAD’S THE WAY STYLE HIGH COME HERE The artist dads were out in full force to While it’s usually sarees that are the dress code at PERSONALLY AND support their children. While Kamal the South Filmfare awards, fashion took centrestage Haasan stayed on till the very end to make at the 61st Idea Filmfare Awards (South). While RECEIVE THE sure he did not miss his Shruti Haasan dazzled in a ruffled Gaurav Gupta AWARD BECAUSE daughter Shruti’s beige and gold gown, Samantha went with a black performance, actor and white Gauri and Nainika outfit and actor Vikram THIS IS SUCH AN Karthik took the front row Prabhu looked dapper in his Gabbana Life. Chennai HONOUR. NOW I seat to cheer on his son designer Chaitanya Rao seemed to be another Gautham Karthik who favourite with hosts Chinmayee and Rahul Ravindran WILL FOCUS ON bagged the award for as well as Best Supporting Actress (Telugu) Lakshmi GETTING MY VISION best male debut actor in Manchu wearing outfits designed by him. Actor Ajmal BACK AS I AM Tamil. “I’ve been where my son is now and too managed quite a bit of attention in his rather chic I know what it feels like to win a Filmfare black suit with a red shirt. As for the designer, “Um... VISUALLY IMPAIRED Award. That’s why I wanted to make sure I I just picked the design from an English magazine Vaikom Vijayalakshmi | SINGER was here to support my son,” said Karthik. and gave it to my personal designer,” says Ajmal..
Load more

Recommended publications
  • CONGRATULATIONS New World Team
    MARCH 2021 CONGRATULATIONS New World Team • A S ABILASH & NEETHU ABILASH, KODAKARA • BEGUM AZIZA & MOHAMMED IBRAHIM, HYDERABAD • A S BHAGYASHREE , DAVANGERE • BEGUM HASEENA & ABDUL SATTAR, SHIMOGA • A UMERA BANU , DODDABALLAPUR • BEHERA CHINMAY , CUTTACK • AASHIMA , HANSI • BELERI NAGAPPA & B S PRATIMADEVI, KOPPAL • ABASAHEB GARJE KANTILAL & ANITA KANTILAL GARJE, • BHAGAT JOLLY , AGRA AHMED NAGAR • BHANAP SAMPADA SUHAS , AURANGABAD • ABRAHAM BENNY , KANNUR • BHANGE ROHINI DNYANDEO & RAVINDRA BANDOPANT • AFZAAL AHMED KHAN ABU HURAIRAH , AURANGABAD BODAKHE, NEVASA • AGADI MUKTHUM SAB & BABIJAN MUKTHUMSAB • BHARATH KUMAR AKULA & A SWATHI, AGAGI, UTTARA KANNADA MAHABUBNAGAR • AGARWAL SHEETAL , SUNDERGARH • BHARGAVA UDBHAV , NEW DELHI • AGRAWAL SONIKA , JASHPUR • BHARGAVI R & R DINESHKUMAR, COIMBATORE • ALAPATI DIVYA , WEST GODAVARI • BHAVANA , KARNAL • ALI KASEM & NASIMA BEGUM, SONITPUR • BHAVSAR SIDDHI DHAVAL , AHMEDABAD • AMBIKA HD & HD NAGABHUSHANA, ANANTHAPUR • BINESH , NANMANDA • AMIL , MEERUT • BISWAS SHARMISTHA , BARDHAMAN • ANASUYAMMA & VENKATARAMAPPA, ANANTHAPUR • BOBBILI DHANPAL REDDY & BOBBILI SWETHA, • ANIRUDDHA B V , CHICKMAGALUR HYDERABAD • ANJALI , KARNAL • BODRAVARA MUNIRAJA & BASAMMA P, DAVANGERE • ANJUM SHABANA & SARWAR NISHAT, DHANBAD • BROJEN SINGH THONGAM & THONGAM SUNIBALA, • ANNAPOORANI V & A PARUMAL, COIMBATORE THOUBAL • ANWARHUSSAIN KAKHANDKI MOHAMMED KHALID , • BUNKAR MOHAN LAL , RAJSAMAND BAGALKOT • BURADE CHAYA RAVINDRA & RAVINDRA SURYAKANT • ARCHANA SHASHI & SATISH KUMAR, PATNA BURADE, SOLAPUR • ARI KISHORE KUMAR
    [Show full text]
  • Draft PROGRAMME October 16
    “Media and Entertainment Business Conclave” Draft PROGRAMME October 16 -17, 2012 As on October 8th, 2012 Time Theme Day – I : 16 October 2012 9am – 10am Registration 10 -11 am Inaugural Lighting of Lamp Welcome Address : Dr. Kamal Haasan, Chairman, Media & Entertainment Business Conclave, FICCI Release of FICCI –Deloitte Knowledge Report Keynote Address : Barrie Osborne, Oscar-winning Director-Producer, Hollywood Inaugural Address: Shri Uday K Varma, Secretary, Ministry of Information & Broadcasting, Government of India Vote of Thanks: P. Murari, Advisor to President, FICCI 1 Session chaired by Kamal Haasan, Chairman, FICCI MEBC 11:15 – MEBC Broadcast Industry Knowledge Series: Opportunities in the digitized era. 12:30 pm Policy-makers and industry stakeholders share their vision and knowledge on the scope and opportunities for the sector during the progress of digitization. N Parameshwaran, Principal Advisor, TRAI* K Madhavan, MD, Asianet Rahul Johri , Senior Vice President & General Manager- South Asia, Discovery Networks Asia-Pacific Narayan Rao, Executive Vice Chairman, NDTV Group Supriya Sahu, Joint Secretary, Ministry of Information & Broadcasting * Ashok Mansukhani, President, MSO Alliance Moderated by : Bhupendra Chaubey, National Bureau Chief, CNN IBN* 11:15 – Redefining Digital Production 12:30 pm The concept of what's 'eye candy' in feature films has evolved over time - films are about people, feelings, ideas, circumstances and relationships and the 'emotional quotient' is provided essentially by an able director through screenplay, actors, music, cinematography. However, one element has changed every aspect of this mix and that is "visual effects" which is now a source of inspiration from the "pre- production" stage itself. This session will look at making cutting-edge visual effects come alive with an energizing dialogue with experts from Hollywood and India.
    [Show full text]
  • Yash Chopra the Legend
    YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today.
    [Show full text]
  • Reg. No Name in Full Residential Address Gender Contact No
    Reg. No Name in Full Residential Address Gender Contact No. Email id Remarks 20001 MUDKONDWAR SHRUTIKA HOSPITAL, TAHSIL Male 9420020369 [email protected] RENEWAL UP TO 26/04/2018 PRASHANT NAMDEORAO OFFICE ROAD, AT/P/TAL- GEORAI, 431127 BEED Maharashtra 20002 RADHIKA BABURAJ FLAT NO.10-E, ABAD MAINE Female 9886745848 / [email protected] RENEWAL UP TO 26/04/2018 PLAZA OPP.CMFRI, MARINE 8281300696 DRIVE, KOCHI, KERALA 682018 Kerela 20003 KULKARNI VAISHALI HARISH CHANDRA RESEARCH Female 0532 2274022 / [email protected] RENEWAL UP TO 26/04/2018 MADHUKAR INSTITUTE, CHHATNAG ROAD, 8874709114 JHUSI, ALLAHABAD 211019 ALLAHABAD Uttar Pradesh 20004 BICHU VAISHALI 6, KOLABA HOUSE, BPT OFFICENT Female 022 22182011 / NOT RENEW SHRIRANG QUARTERS, DUMYANE RD., 9819791683 COLABA 400005 MUMBAI Maharashtra 20005 DOSHI DOLLY MAHENDRA 7-A, PUTLIBAI BHAVAN, ZAVER Female 9892399719 [email protected] RENEWAL UP TO 26/04/2018 ROAD, MULUND (W) 400080 MUMBAI Maharashtra 20006 PRABHU SAYALI GAJANAN F1,CHINTAMANI PLAZA, KUDAL Female 02362 223223 / [email protected] RENEWAL UP TO 26/04/2018 OPP POLICE STATION,MAIN ROAD 9422434365 KUDAL 416520 SINDHUDURG Maharashtra 20007 RUKADIKAR WAHEEDA 385/B, ALISHAN BUILDING, Female 9890346988 DR.NAUSHAD.INAMDAR@GMA RENEWAL UP TO 26/04/2018 BABASAHEB MHAISAL VES, PANCHIL NAGAR, IL.COM MEHDHE PLOT- 13, MIRAJ 416410 SANGLI Maharashtra 20008 GHORPADE TEJAL A-7 / A-8, SHIVSHAKTI APT., Male 02312650525 / NOT RENEW CHANDRAHAS GIANT HOUSE, SARLAKSHAN 9226377667 PARK KOLHAPUR Maharashtra 20009 JAIN MAMTA
    [Show full text]
  • Commencement Prayer an Invocation By: Alexander Levering Kern, Executive Director of the Center for Spirituality, Dialogue, and Service
    ommencement C 9 MAY 2021 CONTENTS This program is for ceremonial purposes only and is not to be considered an official confirmation of degree information. It contains only those details available at the publication deadline. History of Northeastern University 2 Program 5 Featured Speakers 10 Degrees in Course 13 Doctoral Degrees Professional Doctorate Degrees Bouvé College of Health Sciences Master's Degrees College of Arts, Media and Design Khoury College of Computer Sciences College of Engineering Bouvé College of Health Sciences College of Science College of Social Sciences and Humanities School of Law Presidential Cabinet 96 Members of the Board of Trustees, Trustees Emeriti, Honorary Trustees, and Corporators Emeriti 96 University Marshals 99 Faculty 99 Color Guard 100 Program Notes 101 Alma Mater 102 1 A UNIVERSITY ENGAGED WITH THE WORLD THE HISTORY OF NORTHEASTERN UNIVERSITY Northeastern University has used its leadership in experiential learning to create a vibrant new model of academic excellence. But like most great institutions of higher learning, Northeastern had modest origins. At the end of the nineteenth century, immigrants and first-generation Americans constituted more than half of Boston’s population. Chief among the city’s institutions committed to helping these people improve their lives was the Boston YMCA. The YMCA became a place where young men gathered to hear lectures on literature, history, music, and other subjects considered essential to intellectual growth. In response to the enthusiastic demand for these lectures, the directors of the YMCA organized the “Evening Institute for Young Men” in May 1896. Frank Palmer Speare, a well- known teacher and high-school principal with considerable experience in the public schools, was hired as the institute’s director.
    [Show full text]
  • Maharaja Chhatrasal Convention Centre‟ Has Recently Been Inaugurated in Which of These UNESCO World Heritage Locati
    Bankersadda.com Current Affairs Quiz for Bank Exams 2021 Adda247.com Quiz Date: 01st April 2021 Q1. The „Maharaja Chhatrasal Convention Centre‟ has recently been inaugurated in which of these UNESCO World Heritage locations? (a) Sanchi (b) Khajuraho (c) Konark (d) Hampi (e) Pattadakal Q2. Which team has won the maximum medals top finish at top place in medal table in the 2021 ISSF World Cup New Delhi? (a) China (b) USA (c) India (d) South Korea (e) Italy Q3. The first-ever Indo-Korean Friendship Park has been inaugurated at which place in India? (a) Rashtrapati Bhavan (b) Red Fort (c) Connaught Place (d) Delhi Cantonment (e) India Gate Q4. How many MoUs have been signed between India and Bangladesh recently during the visit of PM Modi? (a) 3 (b) 5 (c) 7 (d) 9 (e) 12 Q5. Which of the following bank has launched “UNI – CARBON CARD” with HPCL? (a) Union Bank of India (b) United Bank of India (c) UCO Bank (d) Indian Bank (e) City Union Bank Q6. Which of the following film has won the "Best Film" award at 66th Filmfare awards? (a) Chhappak (b) Angrezi Medium For any Banking/Insurance exam Assistance, Give a Missed call @ 01141183264 Bankersadda.com Current Affairs Quiz for Bank Exams 2021 Adda247.com (c) Tanhaji: The Unsung Warrior (d) Thappad (e) Malang Q7. A book titled "Names of the Women" authored by __________. (a) Ruskin Bond (b) Salman Rushdie (c) Vikram Seth (d) Shashi Tharoor (e) Jeet Thayil Q8. Noted Marathi writer _____________ will receive Saraswati Samman, 2020 for his book Sanatan.
    [Show full text]
  • Analysis of Trauma Theory in Goat Days and Khadamma SURYA S.KUMAR1, SONIA CHELLERIAN2 1Student,M.Phil
    Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 8951 - 8954 Received 25 April 2021; Accepted 08 May 2021. Expectation to Despair: Analysis of Trauma Theory in Goat Days and Khadamma SURYA S.KUMAR1, SONIA CHELLERIAN2 1Student,M.Phil. English,Department of English Language and LiteratureAmrita School of Arts and Sciences,KochiAmrita Vishwavidyapeetham, [email protected] 2Asst.Professor,Department of English LiteratureAmrita School of Arts and Sciences, Kochi [email protected] Abstract Literature influences human beings in different ways and also helps to give new perspectives regarding each and every matter. The language of literature has a power to get the attention of the readers. It has a room for memories, flashbacks and moments which are filled with discomfort, injury as well as trauma.Works like Khadammaand Goat days throw light into the inner skirts of the experiences that the characters go through and offer wide platform for the analysis of their mindscape. Traumacan be considered as an individual‟ssensitivereaction to a particularoccasion that annoysformernotions of aperson‟s sense of life. The central feature of trauma novel is the change of the self-ignited due to anexteriorfrightening occurrence.Ashwathy of Khadammaand Najeeb of Goat days are victims of trauma that dissect their identity. They experience a sense of disillusionment and loss of identity which leads them to a traumatic situation. Both the characters reached gulf in the hope of earning money but their journey of hope soon turned to despair with the cruel treatment of their sponsors. Their misery forced them into trauma where they questiontheir own identity.
    [Show full text]
  • Routledge Handbook of Indian Cinemas the Indian New Wave
    This article was downloaded by: 10.3.98.104 On: 28 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK Routledge Handbook of Indian Cinemas K. Moti Gokulsing, Wimal Dissanayake, Rohit K. Dasgupta The Indian New Wave Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 Ira Bhaskar Published online on: 09 Apr 2013 How to cite :- Ira Bhaskar. 09 Apr 2013, The Indian New Wave from: Routledge Handbook of Indian Cinemas Routledge Accessed on: 28 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 THE INDIAN NEW WAVE Ira Bhaskar At a rare screening of Mani Kaul’s Ashad ka ek Din (1971), as the limpid, luminescent images of K.K. Mahajan’s camera unfolded and flowed past on the screen, and the grave tones of Mallika’s monologue communicated not only her deep pain and the emptiness of her life, but a weighing down of the self,1 a sense of the excitement that in the 1970s had been associated with a new cinematic practice communicated itself very strongly to some in the auditorium.
    [Show full text]
  • Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
    MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78.
    [Show full text]
  • Clerks (Ibps Clerk Ix Process) - Notice Dtd 12.09.2019 List of Candidates Provisionally Selected and Allotted by Ibps for Post of Clerk
    BANK OF INDIA *HEAD OFFICE* RECRUITMENT DIVISION IBPS COMMON RECRUITMENT PROCESS 2020-21 RECRUITMENT OF CLERKS (IBPS CLERK IX PROCESS) - NOTICE DTD 12.09.2019 LIST OF CANDIDATES PROVISIONALLY SELECTED AND ALLOTTED BY IBPS FOR POST OF CLERK SR.NO STATE ROLL.NO. NAME POSTING ZONE 1 ANDAMAN & NICOBAR 1111000161 ANAND KUMAR JHA CHENNAI 2 ANDHRA PRADESH 1121000303 CHIGURUPATI SRILEKHA VIJAYAWADA 3 ANDHRA PRADESH 1121000651 NOONE ANJANI KUMAR VIJAYAWADA 4 ANDHRA PRADESH 1141000411 PALIVALA SHIVA SRINIVAS VISAKHAPATNAM 5 ANDHRA PRADESH 1141000633 BHAVISHYA PAKERLA VISAKHAPATNAM 6 ANDHRA PRADESH 1141000808 YARLAGADDA HEMA JAHNAVI VISAKHAPATNAM 7 ANDHRA PRADESH 1141001673 JOSYULA V S V PRASADARAO VISAKHAPATNAM 8 ANDHRA PRADESH 1151000411 GEDDALA KISHORE VIJAYAWADA 9 ANDHRA PRADESH 1151000886 GADDAM SRINIVAS VIJAYAWADA 10 ANDHRA PRADESH 1151001389 INKOLLU SAI PRAVEEN VIJAYAWADA 11 ANDHRA PRADESH 1151002556 CHIMATA RAMAKRISHNA VIJAYAWADA 12 ANDHRA PRADESH 1151003005 VUPPU ALIVELU VIJAYAWADA 13 ANDHRA PRADESH 1151004107 GUNTUR ABHISHEK VISAKHAPATNAM 14 ANDHRA PRADESH 1151004274 ABHINAYA SREE JITTA VIJAYAWADA 15 ANDHRA PRADESH 1151004515 ISUKAPALLI KEERTHI VIJAYAWADA 16 ANDHRA PRADESH 1151005023 VADLAMANI BHARANI KUMAR VIJAYAWADA 17 ANDHRA PRADESH 1161000066 LAKSHMAN ABHISHEK NAIDU CHINTAKUNTA VIJAYAWADA 18 ANDHRA PRADESH 1161001188 SINGANAMALA SHIREESHA VIJAYAWADA 19 ANDHRA PRADESH 1161002020 RAMESH REDDY YESIREDDY VIJAYAWADA 20 ANDHRA PRADESH 1161002630 PAPPIREDDY BHANU RAHUL REDDY VIJAYAWADA 21 ANDHRA PRADESH 1171000015 GUBBALA SUNANDA VISAKHAPATNAM
    [Show full text]
  • Malayalam Biopics: from Books to Films
    MALAYALAM BIOPICS: FROM BOOKS TO FILMS Gayatri Binu Registered Number: 1324032 A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Science in Communication Christ University Bengaluru 2015 Program Authorized to Offer Degree Department of Media Studies II Authorship Christ University Declaration Department of Media Studies This is to certify that I have examined this copy of a master’s thesis by Gayatri Binu Registered Number: 1324032 and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Committee Members: _____________________________________________________ _____________________________________________________ Date: __________________________________ III IV I, Gayatri Binu, confirm that this dissertation and the work presented in it are original. 1. Where I have consulted the published work of others this is always clearly attributed. 2. Where I have quoted from the work of others the source is always given. With the exception of such quotations this dissertation is entirely my own work. 3. I have acknowledged all main sources of help. 4. If my research follows on from previous work or is part of a larger collaborative research project I have made clear exactly what was done by others and what I have contributed myself. 5. I am aware and accept the penalties associated with plagiarism. Date: V VI Abstract Malayalam Biopics: From Books to Films Gayatri Binu MS in Communication, Christ University, Bangalore This article talks about the difficulties that emerge when considering biographical films that are focused around biographical or autobiographical works of writing utilizing careful investigations of three Malayalam films.
    [Show full text]
  • Keshav Naidu (Film Editor ) AF&VE Membership No. FGI/124 B-504
    Keshav Naidu (Film Editor ) AF&VE Membership No. FGI/124 B-504, Blue Diamond, Ranade Road, Dahisar (West), Mumbai – 400068 Cell – 9892575311/9967168996 Mail : [email protected] Born in 1944, joined eminent film editor Mr T.Krishna , who used to be the editor of legendary South Indian movie director Mr A. Subbarao in 1971. Have the distinct expertise in all formats of film editing ie moviola, stenback (Linear film format) as well as Avid, FCP (Non-linear Digital Editing) Had the blessed opportunity to work as editor for legendary film directors of India. Worked as Independent editor for classic movies of Padmashri Mr Govind Nihalani (Aakrosh,Vijeta) ,Mr Chetan Anand (Kudrat) ,Mr Mukul S. Anand (Aitbar-1985)and commercial superhit movies of Padma Bhushan Mr Yash Chopra(Silsila,Mashal,Fasle,Vijay,Lamhe,Chandni and Darr), Mr Sunny Deol (Dillagi), Mr Guddu Dhanoa (Shaheed), Mr Deepak Sareen (Jab Pyar Kisise Hota Hai, Albela, Aaina), Mr Atul Agnihotri (Dil ne Jise Pyar Kaha),Mr Tinu Verma (Baaz), Mr Manmohan Singh (Jee Aiya Noo, Yaraan Naal Baharan, Assanu Mann Watanda and Mr Anil Sharma (Gadar). Debut Film as Independent Editor, Aakrosh bagged National Award for Best Feature Film in Hindi (1980), Filmfare Best Director Award (1981) and the Golden Peacock for Best film at the International Film Festival of India,New Delhi in 1981.It was also debut film of Govind Nihalani as director. KUDRAT was a box office hit .Rajesh Khanna received the 1982 All India Critics Association Best Actor Award . It also won the Filmfare Award for Best Story for Chetan Anand Best Female Playback Award--Parveen Sultana and Best Cinematographer Award for Jal Mistry Received prestigious Filmfare Awards as Best Editor for Vijeta (1982).Vijeta also received Filmfare Best Cinematographer Award for Govind Nihalani and Filmfare Best Sound Award for Hitendra Ghosh Lamhe is regarded as a modern Masterpiece .
    [Show full text]