Introduction: Gasparo Contarini and Enduring Institutions
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The Failure of the Protestant Reformation in Italy
The Failure of the Protestant Reformation in Italy: Through the Eyes Adam Giancola of the Waldensian Experience The Failure of the Protestant Reformation in Italy: Through the Eyes of the Waldensian Experience Adam Giancola In the wake of the Protestant Reformation, the experience of many countries across Europe was the complete overturning of traditional institutions, whereby religious dissidence became a widespread phenomenon. Yet the focus on Reformation history has rarely been given to countries like Italy, where a strong Catholic presence continued to persist throughout the sixteenth century. In this regard, it is necessary to draw attention to the ‘Italian Reformation’ and to determine whether or not the ideas of the Reformation in Western Europe had any effect on the religious and political landscape of the Italian peninsula. In extension, there is also the task to understand why the Reformation did not ‘succeed’ in Italy in contrast to the great achievements it made throughout most other parts of Western Europe. In order for these questions to be addressed, it is necessary to narrow the discussion to a particular ‘Protestant’ movement in Italy, that being the Waldensians. In an attempt to provide a general thesis for the ‘failure’ of the Protestant movement throughout Italy, a particular look will be taken at the Waldensian case, first by examining its historical origins as a minority movement pre-dating the European Reformation, then by clarifying the Waldensian experience under the sixteenth century Italian Inquisition, and finally, by highlighting the influence of the Counter-Reformation as pivotal for the future of Waldensian survival. Perhaps one of the reasons why the Waldensian experience differed so greatly from mainstream European reactions has to do with its historical development, since in many cases it pre-dated the rapid changes of the sixteenth century. -
Scenario Book 1
Here I Stand SCENARIO BOOK 1 SCENARIO BOOK T A B L E O F C O N T E N T S ABOUT THIS BOOK ......................................................... 2 Controlling 2 Powers ........................................................... 6 GETTING STARTED ......................................................... 2 Domination Victory ............................................................. 6 SCENARIOS ....................................................................... 2 PLAY-BY-EMAIL TIPS ...................................................... 6 Setup Guidelines .................................................................. 2 Interruptions to Play ............................................................ 6 1517 Scenario ...................................................................... 3 Response Card Play ............................................................. 7 1532 Scenario ...................................................................... 4 DESIGNER’S NOTES ........................................................ 7 Tournament Scenario ........................................................... 5 EXTENDED EXAMPLE OF PLAY................................... 8 SETTING YOUR OWN TIME LIMIT ............................... 6 THE GAME AS HISTORY................................................. 11 GAMES WITH 3 TO 5 PLAYERS ..................................... 6 CHARACTERS OF THE REFORMATION ...................... 15 Configurations ..................................................................... 6 EVENTS OF THE REFORMATION -
Pope Paul III and the Cultural Politics of Reform Pope Paul III and the Cultural Politics of Reform
6 RENAISSANCE HISTORY, ART AND CULTURE Cussen Pope Paul III and the Cultural Politics of Reform of Politics Cultural the and III Paul Pope Bryan Cussen Pope Paul III and the Cultural Politics of Reform 1534-1549 Pope Paul III and the Cultural Politics of Reform Renaissance History, Art and Culture This series investigates the Renaissance as a complex intersection of political and cultural processes that radiated across Italian territories into wider worlds of influence, not only through Western Europe, but into the Middle East, parts of Asia and the Indian subcontinent. It will be alive to the best writing of a transnational and comparative nature and will cross canonical chronological divides of the Central Middle Ages, the Late Middle Ages and the Early Modern Period. Renaissance History, Art and Culture intends to spark new ideas and encourage debate on the meanings, extent and influence of the Renaissance within the broader European world. It encourages engagement by scholars across disciplines – history, literature, art history, musicology, and possibly the social sciences – and focuses on ideas and collective mentalities as social, political, and cultural movements that shaped a changing world from ca 1250 to 1650. Series editors Christopher Celenza, Georgetown University, USA Samuel Cohn, Jr., University of Glasgow, UK Andrea Gamberini, University of Milan, Italy Geraldine Johnson, Christ Church, Oxford, UK Isabella Lazzarini, University of Molise, Italy Pope Paul III and the Cultural Politics of Reform 1534-1549 Bryan Cussen Amsterdam University Press Cover image: Titian, Pope Paul III. Museo di Capodimonte, Naples, Italy / Bridgeman Images. Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 252 0 e-isbn 978 90 4855 025 8 doi 10.5117/9789463722520 nur 685 © B. -
CURRICULUM VITAE Nelson Hubert Minnich Born
CURRICULUM VITAE Nelson Hubert Minnich Born: 15 January 1942, Cincinnati, Ohio Addresses: 5713 37th Avenue Program in Church History Hyattsville, Maryland 20782 Catholic University of America Tel. (301) 277-5891 Washington, D.C. 20064 Tel. (202) 319-5702 (office) or 5079 (CHR) Education: 1959-63 Xavier University (Cincinnati, Ohio) -- part time (Humanities) 1963-65 Boston College (Chestnut Hill, Massachusetts) -- AB (Philosophy) 1965-66 Boston College (Chestnut Hill, Massachusetts) -- MA (History) 1968-70 Gregorian University (Roma, Italia) -- STB (Theology) 1970-77 Harvard University (Cambridge, Massachusetts) -- PhD (History) Dissertation: "Episcopal Reform at the Fifth Lateran Council (1512-17)" directed by Myron P. Gilmore Post-Graduate Distinctions: Foundation for Reformation Research: Junior Fellow (1971) for paleographical studies Institute of International Education: Fulbright Grant for Research in Italy (1972-73) full award for dissertation research -- resigned due to impending death in family Harvard University: Tuition plus stipend (1971-72), Staff Tuition Scholarship (1972-73, 1974- 76), Emerton Fellowship (1972-73), Harvard Traveling Fellowship (1973-74) for dissertation research Sixteenth Century Studies Conference: Carl Meyer Prize (1977) National Endowment for the Humanities: Summer Stipend (1978) to work on the "Protestatio" of Alberto Pio Villa I Tatti: The Harvard University Center for Italian Renaissance Studies: Fellowship for the summer (1979) to study Leo X's concern for doctrine prior to Luther American Academy -
5922F53627bed1.99452702.Pdf
Did you know? you Did YOUR BUSYCALENDAR FOR STARBUCKS,SOMEFAMOUSMUSIC,AND WE HAVETHESIXTEENTHCENTURYTOTHANK the Order of Friars Minor Capuchin, everyone ofFriarsMinorCapuchin,everyone the Order namewas Although theirofficial them. approved butin1528thepope suppressed, first theywere At Assisi. of Francis St. of ideals primitive to the hisfellowFranciscans ciscan, soughttoreturn 1520s whenMatteodaBascio(1495–1552),aFran the in arose order reforming This friars. chin ofCapu theorder surprisingly, deriving from, The word ONE LATTEANDAM came tobeassociatedwithcappuccinos. a Capuchinfriar,weseethebrown hoodwhosecolor HO LD THEWH cappuccino eled by later critics against the dramatic,eled bylatercriticsagainst shaped pearl”—originallyaninsultlev Portuguese the from itselfcame Theword name “Baroque.” century andwaseventuallygiventhe that wouldextendintotheseventeenth architecture and music, art, of ering a flow the arts,andithelpedtouchoff encouragedThe CatholicReformation IF shop order. foryournextcoffee tle background lit a have you Now monkey. of kind itisthenamefora kingdom, where to thedrink—andalsoanimal puccio hoods( their distinctivebrown called themsimply“Capuchins”after I PPED CREAM I T’S REALLYBAR ). Somehow, the name migrated thenamemigrated ). Somehow, is originally an Italian word isoriginallyanItalianword is originally an Italian word isoriginallyanItalianword O NK, PLEASE Inthis17th-c.imageof O barroco QUE…. , or “oddly, cap - - - - - - - Handel, andRembrandttestify. astheexamplesofBach, not immunetothetrend, were and “Picturingsaints,”pp.16–18).Protestants -
Reinhold C. Mueller
Reinhold C. Mueller Aspects of Venetian Sovereignty in Medieval and Renaissance Dalmatia [A stampa in Quattrocento Adriatico , Fifteenth Century Art of the Adriatic Rim , Papers from a colloquium, Florence, 1994, edited by Charles Dempsey (Villa Spelman Colloquia Series, 5), Bologna, Nuova Alfa Editoriale, 1996, pp. 29-56 – Distribuito in formato digitale da “Reti Medievali”] The reader is forewarned that this paper, which maintains the character of the original oral presentation, makes no attempt at covering completely such a vast subject, on which there is an extensive bibliography - much of it in Serbo-Croatian, a language I do not know. My intent is simply to offer for discussion some little-exploited historical materials on well-known themes that exemplify contacts between the two coasts of the Adriatic Sea, especially - but not only - during the Quattrocento. Following an overview of the history of Venetian sovereignty in that part of the Stato da mar, attention will turn to aspects of politics and society, that is, to the political, financial and monetary administration of the subject territories and to the movement of people and peoples across the Adriatic. I. AN OVERVIEW OF HISTORY AND MYTH Venetian efforts at domination of the eastern Adriatic can be said to have begun in the year 1000, with the naval expedition commanded personally by doge Pietro II Orseolo, which put an end to the activity of pirates installed at the mouth of the Narenta River and first avowed control over the Adriatic as the “Gulf of Venice.” Lordship over the Adriatic was central to Venetian historiography and mythology over the centuries: from the supposed papal grant of lordship at the peace of 1177 with Barbarossa and the ceremony each Ascension day of the doge wedding the sea, to invocations of Jove and Neptune - all depicted as part of a political program in the redecoration of the Ducal Palace after the fire of 1577 As late as the eighteenth century, Tiepolo still represented Neptune and the sea as the source of Venice’s wealth, when that was already history. -
Universalist Aspirations of the Utraquist Church
194 Zdeněk V. David Universalist Aspirations of the Utraquist Church Zdeněk V. David (Washington, D.C.) An important legacy of Utraquism to the subsequent Czech political culture was its universalist outlook. This conclusion may appear paradoxical consider - ing that the national accent seemed so strong in the Bohemian Reformation and especially during the Bohemian religious wars. Such an assumption of national exclusivity led to the mistaken view that the Bohemians might be sat - isfied with an exceptional ecclesiastical status, as Rome saw it at the Council of Basel in 1434-1436 and in the issuance of a special privilege of the lay chalice for the Bohemians by Pope Pius IV in 1564. These tactics of appeasement, however, failed. They ignored the basic fact that the Bohemians’ goal was to reform the (Western) Church as a whole. In the eyes of the Utraquists, the purpose of the Czech nation was not to assert a peculiar set of ethnically grounded beliefs, but to serve as a vehicle for the realisation of a universal purpose. Subsequently, this outlook harmonised with the cosmopolitan character of the Enlighten - ment and eventually with that of political liberalism. In an earlier article, I discussed the Utraquist legacy of liberal ecclesiology. 1 In this paper the Utraquists’ universalism is treated in terms of their contin - ued, albeit qualified, attachment to the Roman Church, as well as their rela - tionship to other groups that sought to reform the entire scope of Western Christendom along the lines of liberal Catholicism. 2 This essay also seeks to answer the charges that the Utraquists’ ambition to reform the Church of Rome revealed signs of sycophancy, quixotic idiosyncrasy, and megalomania in their actions. -
Venetian Foreign Affairs from 1250 to 1381: the Wars with Genoa and Other External Developments
Venetian Foreign Affairs from 1250 to 1381: The Wars with Genoa and Other External Developments By Mark R. Filip for the Degree of Bachelor of Arts in History College of Liberal Arts and Sciences University of Illinois Urbana, Illinois 1988 Table of Contents Major Topics page Introduction 1 The First and Second Genoese Wars 2 Renewed Hostilities at Ferrara 16 Tiepolo's Attempt at Revolution 22 A New Era of Commercial Growth 25 Government in Territories of the Republic 35 The Black Death and Third ' < 'ioese War 38 Portolungo 55 A Second Attempt at Rcvoiut.on 58 Doge Gradenigo and Peace with Genoa 64 Problems in Hungary and Crete 67 The Beginning of the Contarini Dogcship 77 Emperor Paleologus and the War of Chioggia 87 The Battle of Pola 94 Venetian Defensive Successes 103 Zeno and the Venetian Victory 105 Conclusion 109 Endnotes 113 Annotated Bibliography 121 1 Introduction In the years preceding the War of Chioggia, Venetian foreign affairs were dominated by conflicts with Genoa. Throughout the thirteenth and fourteenth centuries, the two powers often clashed in open hostilities. This antagonism between the cities lasted for ten generations, and has been compared to the earlier rivalry between Rome and Carthage. Like the struggle between the two ancient powers, the Venetian/Gcnoan hatred stemmed from their competitive relationship in maritime trade. Unlike land-based rivals, sea powers cannot be separated by any natural boundary or agree to observe any territorial spheres of influence. Trade with the Levant, a source of great wealth and prosperity for each of the cities, required Venice and Genoa to come into repeated conflict in ports such as Chios, Lajazzo, Acre, and Tyre. -
Knowing Friends, Knowing God
Cambridge University Press 052184987X - Erasmus, Contarini, and the Religious Republic of Letters Constance M. Furey Excerpt More information Introduction: Knowing Friends, Knowing God But what a sidetrack our discourse is taking! My intention was to outline a way of life for you, not a course of study. Erasmus, Enchiridion (1503) his disclaimer should give us pause. elsewhere in erasmus’s T great handbook of lay piety he tells Christians that they need knowledge as well as prayer to persevere against the forces of evil, and Erasmus was himself a great scholar. Together with his celebration of an interior piety accessible to lay people, his emphasis on the spiritual meaning of the Bible, and his critiques of ritualism, this assertion that learning is the cornerstone of a good Christian way of life is widely viewed as a hallmark of Erasmian spirituality. There are pungent critiques of scholarship in the Enchiridion, but this is because, as John O’Malley explains, Erasmus thought that so much scholarship was badly done. Like many other Catholic intellectuals, Erasmus blamed scholasticism for promoting the notion that theology was a contemplative discipline, divorced frompietyandministry.Contemporarytheologians,hethought,subsequently promoted an arid intellectualism.1 The easiest way to interpret Erasmus’s claim that he had gotten waylaid by talking about scholarship, then, is to conclude that he was trying to get his readers to think about the relationship between learning and life. His basic message seems clear: People should look beyond narrowly defined academic disciplines in order to embrace the sort of knowledge that encourages virtuous living. But Erasmus’s dismayed outburst also betrays a notable uncertainty lurking at the edges of his confident message – an uncertainty about exactly how schol- arship and spirituality ought to be merged. -
Introduction: the Spirituali and Their Goals
NOT BY FAITH ALONE: VITTORIA COLONNA, MICHELANGELO AND REGINALD POLE AND THE EVANGELICAL MOVEMENT IN SIXTEENTH CENTURY ITALY A Thesis Submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Studies Christopher Allan Dunn, J.D. Georgetown University Washington, D.C. March 19, 2014 NOT BY FAITH ALONE: VITTORIA COLONNA, MICHELANGELO AND REGINALD POLE AND THE EVANGELICAL MOVEMENT IN SIXTEENTH CENTURY ITALY Christopher Allan Dunn, J.D. MALS Mentor: Michael Collins, Ph.D. ABSTRACT Beginning in the 1530’s, groups of scholars, poets, artists and Catholic Church prelates came together in Italy in a series of salons and group meetings to try to move themselves and the Church toward a concept of faith that was centered on the individual’s personal relationship to God and grounded in the gospels rather than upon Church tradition. The most prominent of these groups was known as the spirituali, or spiritual ones, and it included among its members some of the most renowned and celebrated people of the age. And yet, despite the fame, standing and unrivaled access to power of its members, the group failed utterly to achieve any of its goals. By 1560 all of the spirituali were either dead, in exile, or imprisoned by the Roman Inquisition, and their ideas had been completely repudiated by the Church. The question arises: how could such a “conspiracy of geniuses” have failed so abjectly? To answer the question, this paper examines the careers of three of the spirituali’s most prominent members, Vittoria Colonna, Michelangelo and Reginald Pole. -
Medieval Mediterranean Influence in the Treasury of San Marco Claire
Circular Inspirations: Medieval Mediterranean Influence in the Treasury of San Marco Claire Rasmussen Thesis Submitted to the Department of Art For the Degree of Bachelor of Arts 2019 2 TABLE OF CONTENTS Page CHAPTER I. Introduction………………………...………………………………………….3 II. Myths……………………………………………………………………….....9 a. Historical Myths…………………………………………………………...9 b. Treasury Myths…………………………………………………………..28 III. Mediums and Materials………………………………………………………34 IV. Mergings……………………………………………………………………..38 a. Shared Taste……………………………………………………………...40 i. Global Networks…………………………………………………40 ii. Byzantine Influence……………………………………………...55 b. Unique Taste……………………………………………………………..60 V. Conclusion…………………………………………………………………...68 VI. Appendix………………………………………………………………….….73 VII. List of Figures………………………………………………………………..93 VIII. Works Cited…………………………………………………...……………104 3 I. Introduction In the Treasury of San Marco, there is an object of three parts (Figure 1). Its largest section piece of transparent crystal, carved into the shape of a grotto. Inside this temple is a metal figurine of Mary, her hands outstretched. At the bottom, the crystal grotto is fixed to a Byzantine crown decorated with enamels. Each part originated from a dramatically different time and place. The crystal was either carved in Imperial Rome prior to the fourth century or in 9th or 10th century Cairo at the time of the Fatimid dynasty. The figure of Mary is from thirteenth century Venice, and the votive crown is Byzantine, made by craftsmen in the 8th or 9th century. The object resembles a Frankenstein’s monster of a sculpture, an amalgamation of pieces fused together that were meant to used apart. But to call it a Frankenstein would be to suggest that the object’s parts are wildly mismatched and clumsily sewn together, and is to dismiss the beauty of the crystal grotto, for each of its individual components is finely made: the crystal is intricately carved, the figure of Mary elegant, and the crown vivid and colorful. -
The Evolution of Landscape in Venetian Painting, 1475-1525
THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters.