The Guardian, October 24, 2001
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Culture Collide (LA) Corona Capital
o1*A *Añ ño1 1 *A ño ñ A o * 1 1 * A o ñ ñ o A 1 * * 1 A o ñ ñ o A 1 * * 1 A o ñ ñ o A 1 * * 1 A #o ñ ñ o A 1 1* Coberturas Especiales Culture Collide (L.A.) Corona Capital (D.F.) Editorial ™ Bienvenidos… La música forma parte fundamental del ser humano gracias al papel que ha jugado y juega en todas las culturas del mundo. Es una constante en la historia de la humanidad. Los instrumentos y sonidos podrán cambiar, pero en esencia siempre será expresión de emociones y sentimientos. México es el punto de enlace entre la música latinoamericana y la estadounidense; somos un país con un gran interés y pasión por la música de todas partes del continente y del orbe. Esa pasión se refleja en las bandas que crean canciones, remixes, covers, en los medios y sobre todo en la audiencia: que asiste a conciertos, busca lo más nuevo, pero que también celebra encontrarse en todo momento con las grandes bandas del pasado. Hoy, y tras una década de existencia, Filter Magazine, la publicación originaria de Estados Unidos, llega a México para compartir lo más actual y relevante, pero también para impulsar a las bandas referentes cuyo legado siempre está allí… esperando ser descubierto. Así que, es un honor presentarles el trabajo que después de varios meses de planeación se consagra en este primer número de Filter México, que cabe resaltar, será la primera publicación musical gratuita de nuestro país, porque sabemos que el modelo editorial tradicional no es viable para un melómano nómada. -
The Strokes Share New Episode of Pirate Radio Series Featuring Colin Jost and Gordon Raphael
THE STROKES SHARE NEW EPISODE OF PIRATE RADIO SERIES FEATURING COLIN JOST AND GORDON RAPHAEL “BAD DECISIONS” CLIMBING TOP 10 AT ALT RADIO FIRST ALBUM IN SEVEN YEARS THE NEW ABNORMAL OUT NOW VIA CULT/RCA RECORDS TO CRITICAL ACCLAIM July 23, 2020—Today, The Strokes share a new installment of their ongoing pirate radio series, “Five Guys Talking About Things They Know Nothing About”—watch it HERE. The new episode is the third installment of the show, and the first in a series in which the band will speak with the producers of their albums. The episode airing today features The Strokes in conversation with Gordon Raphael—who produced their debut EP The Modern Age, their first two LPs Is This It and Room On Fire and contributed to their third LP First Impressions Of Earth—as well as their longtime friend, SNL’s Colin Jost. The band’s new album The New Abnormal, their first in seven years, was released in April to widespread critical acclaim. The album’s lead single, “Bad Decisions,” is currently Top 10 at Alternative radio and still climbing, marking the band’s first Alternative Top 10 since 2006 and setting the record for the most time between Alternative Top 10 entries. Additionally, “Bad Decisions,” went #1 on AAA in April. Upon release, The New Abnormal debuted at #1 on Billboard’s Top Album Sales Chart and reached #8 on the Billboard 200, #1 Current Rock Album, #1 Top Current Album, #1 Current Alternative Album and #1 Vinyl Album. Of The New Abnormal, The Times of London praises “The Strokes give us their second masterpiece,” while The -
TAS Retrospective Harman Kardon Citation 16 Power Amplifier
IN THIS ISSUE ISSUE 161 I APRIL/MAY 2006 122 COVER STORY Mark Levinson No.326S Preamplifier and No.432 Power Amplifier Listening to Levinson’s latest, Robert Harley finds the company’s tradition of excellence not just upheld but improved upon. 85 Basic Repertoire: South African and West African Pop Derk Richardson dips into a richly varied musical culture, and recommends essential recordings. 22 A Higher High End—The 2006 22 Consumer Electronics Show Join us on a trip to Las Vegas, where our staff shows you a bounty of fascinating new gear and reports on the state of the high end. EQUIPMENT REPORTS 14 Absolute Analog: Lamm Industries LP2 Deluxe Phonostage and Clearaudio Titanium Cartridge Spin a few LPs with Jonathan Valin, who is savoring some tasty analog goods. 97 Sonus Faber Concerto Domus Loudspeaker Neil Gader on an Italian speaker that makes you feel right at home. 101 Thule Audio Spirit IA350B Integrated Amplifier and Space DVA250B DVD/CD Player Sallie Reynolds on two sweet performers from Denmark. 106 Esoteric X-03 CD/SACD Player Jacob Heilbrunn listens to the latest from TEAC’s high-end division. 112 Channel Islands Audio D-200 Monoblock Amplifier Class D amps are all the rage. Chris Martens listens to another offering in 97 this rapidly growing field. 118 Krell SACD Standard CD/SACD Player Fred Kaplan explains how one player changed a critic’s mind about the SACD format. 130 HP’s Workshop Memoirs of the CES: What happened in Las Vegas doesn’t stay in Las Vegas—this time around. -
UNIVERSIDAD DE CUENCA Facultad De Artes
UNIVERSIDAD DE CUENCA Facultad de Artes - Carrera de Artes Musicales TESIS PREVIA A LA OBTENCIÓN DEL TÍTULO DE LICENCIADO EN INSTRUCCIÓN MUSICAL. TEMA: “Composición de una canción de rock para formato de batería, bajo, guitarras y voz, basado en la estructura melódico- armónica de Soda Stereo y The Strokes”. AUTOR: LUIS ALFONSO MORENO MORA C.I. 0704607530 DIRECTOR: Mst. WALTER VINICIO NOVILLO ALULEMA C.I. 0103844171 CUENCA - ECUADOR 2017 Universidad de Cuenca RESUMEN La música, y todas las expresiones culturales están expuestas a modificaciones y apropiaciones de elementos externos, el rock no escapa a esta tendencia, de ahí que este trabajo efectúa la composición de una canción de rock para formato de batería, bajo, guitarras y voz, basado en la estructura melódico-armónica de Soda Stereo y The Strokes. Para ello se ha realizado un estudio previo del recorrido que siguió la historia de la música rock y sus relaciones con las ciencias, así como las fusiones, mezclas e hibridaciones contenidas a lo largo de su desarrollo en el tiempo. La producción musical y sus procesos han tenido un apartado importante en este estudio, introduciendo todo un despliegue de nuevas tecnologías aplicadas al mundo de la música. Las etapas de producción musical, es decir, la composición, la grabación, la mezcla y la masterización fueron objeto de estudio cuidadoso. La investigación se reafirmó al profundizar en los elementos musicales tales como: el ritmo, la armonía, la melodía y el tiempo. Las canciones escogidas de los grupos tomados como referencia para luego formar la canción que sirvieron de base a este trabajo se analizaron desde su estructura hasta su progresión armónica, dando paso a la creación de una nueva obra como ejercicio de producción musical con base de hits, lo que serviría para dar luz a un mejor manejo de parámetros musicales. -
Der Gute Rock Von Manhattan
Kultur treu bleibt: In rasanten 33 Minuten und 13 Sekunden spielt die Band elf Stücke lang jenen ebenso nervösen wie melodischen Rock’n’Roll, der sie berühmt gemacht hat. Natürlich werden pophistorisch gebilde- te Schlaumeier wieder die Altväter her- aushören, bei denen sich die fünf Knaben bedient haben; Bands wie Television, The Modern Lovers und The Cars gehören dazu – aber geht es darum wirklich? Ent- scheidend ist, dass es die Strokes geschafft haben, die Popwelt so nachhaltig zu be- eindrucken wie vor ihnen lange keine an- dere Band. Scharen von Garagen-Rockern, ob aus Schweden oder Neuseeland, Kanada oder England, nahmen sich die minimalistischen Rock-Nummern von „Is This It“ zum Vor- bild, die so scheppernd klangen, als seien sie mit einem maroden Diktiergerät aufge- nommen. Leicht zu erkennen sind diese Nachahmer in der Regel an einem „The“ vor dem Namen: Die erfolgreicheren heißen The Hives, The White Stripes, The Vines, The Datsuns oder The Libertines – aber auch „The“-freie beherzte Neo-Lär- KEITH MORRIS / BMG KEITH mer wie das Punk-Trio Yeah Yeah Yeahs Strokes-Sänger Casablancas (M.), Band-Kollegen*: Ein Scheppern wie vom Diktiergerät brachten es zu erstaunlichen Verkaufszah- len und frischem Ruhm. Ganz besonders aktiv wurden die Ta- POP lentjäger der Plattenfirmen in New York – noch in der schäbigsten Musikkaschemme fahndeten sie nach dem guten Rock von Der gute Rock von Manhattan Manhattan, was beispielsweise Luke Jen- ner, Sänger und Gitarrist der New Yorker Gitarrenrocker sind im Musikgeschäft die Helden des Herbstes: Band The Rapture, „absolut irre“ findet: „Jeder unserer Freunde, der eine Gitarre Die New Yorker Band The Strokes tritt nun mit neuem Album gegen halten kann und in einer Band spielt, hat die gefeierten Provinz-Newcomer von Kings of Leon an. -
Mick Jagger © Felix Aeppli 04-2020 / 09-2021
Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance. -
19 Like a Gang
19 LIKE A GANG JESSE MALIN: The thing with the Strokes is they were a real band. A band should be a gang, running down the street, chasing a bus, breaking windows, breaking hearts. Those guys had that. NICK VALENSI: We felt like a gang. NIKOLAI FRAITURE: We thought that’s what a band was. ALBERT HAMMOND JR.: That was something we actually really thought about. I remember being like, “No, we have to all go together.” When we walk down the street and they see five guys, people would yell out, “The Beatles!” The idea is, if they’re yelling that out and they don’t even know who we are, they’ll come to the show. One day they’ll see something in Time Out and be like, “Oh, I remember those guys, they’re always hanging out and getting drunk.” Plus, it makes it easier if you’re trying to meet a girl: “Here’s a flyer.” It’s a starting point for a conversation. We made really, really cool flyers. JOE LEVY: I first met them at a Weezer show at Irving Plaza. Albert and Fab followed me into the bathroom to give me a gig flyer while I was at the urinal. J. P. BOWERSOCK: They had branding before people even talked about branding. One of them would mail out these elaborate postcards with brilliant graphics. And somewhere along the line, Julian had tried working for his father’s modeling agency, which didn’t work out, but when they had shows he persuaded some of the models to come. -
The Strokes Finally Get Grammy Love
ARAB TIMES, FRIDAY-SATURDAY, JANUARY 8-9, 2021 NEWS/FEATURES 13 People & Places Media 2020 hit publishing world ‘Books are resilient in year of upheaval’ By Hillel Italie ook publishing in 2020 was a story of how much Ban industry can change and how much it can, or wants to, remain the same. “A lot of what has happened this past year - if it were a novel, I would say that it had a little too much plot,” said Simon & Schuster CEO Jonathan Karp. Three narratives ran through the book world for much of the year: an industry pressed to acknowledge that the status quo was unacceptable, an industry of- fering comfort and enlightenment during traumatic times, and an industry ever more consolidated around the power of Penguin Random House and Amazon. com. To its benefi t and to its dismay, publishing was drawn into the events of the moment. The pandemic halted and threatened to wipe out a decade of growth for in- dependent bookstores, forced the postponement of countless new releases and led to count- less others being forgotten. The annual national conven- tion, BookExpo, was called off and may be gone permanently after show organizers Reed Ex- hibitions announced they were “retiring” it. Winfrey The industry had long re- garded itself as a facilitator of open expression and high ideals, but in 2020 debates over diversity and #MeToo highlighted blind spots about race and gender and challenged the reputations of everyone from poetry publishers to Oprah Win- frey, from book critics to the late editor of Ernest Hem- ingway. -
The Winonan - 2010S the Winonan – Student Newspaper
Winona State University OpenRiver The Winonan - 2010s The Winonan – Student Newspaper 4-6-2011 The Winonan Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan2010s Recommended Citation Winona State University, "The Winonan" (2011). The Winonan - 2010s. 36. https://openriver.winona.edu/thewinonan2010s/36 This Newspaper is brought to you for free and open access by the The Winonan – Student Newspaper at OpenRiver. It has been accepted for inclusion in The Winonan - 2010s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. WINONAN Wednesday, April 6, 2011 Volume 89 Issue 22 otxp„, STATE TisipENT SENATE Student Senate elections set for spring Amy Brinkman its spring general elections Wednesday, April 14 at noon. said. "The state mandates that Student Life funds. It also Winonan process, in which, ultimately, Student Senate serves a vital all major campus decisions approves all campus fees and the student body will decide role in students' lives at Winona be consulted by the Student changes to tuition, Linehan said. Next week, Winona State which students will serve State, which few students Senate," including initiatives If the Student Senate University students have the as president, vice president, outside the Senate could such as the bike rental serves as a voice for students, power — the power to elect their treasurer and various senator likely articulate. According program and campus financing students must be willing to fellow students to some of the positions for the next year. to Jack Linehan, current and construction projects. share their concerns with the university's most influential The elections committee vice president of Student The Student Senate also Senate. -
Web Access to Social Sites at Top Schools, 2006 Applicant Pool Is
THE NATION'S OLDEST ON THE WEB: COUNTRY DAY SCHOOL www.pingry.org/stu- NEWSPAPER dents/therecord.html VOLUME CXXXII, NUMBER 3 The Pingry School, Martinsville, New Jersey MARCH 10, 2006 Web Access to Social Sites Denied on Campus Computers sons and daughters could be shouldnʼt.” By CHANTAL BERMAN (VI) posting and accessing profan- While Mr. Vo said that there In a break with the non-fil- ity, personal information and is “no hard data” detailing how tering technology policy that inappropriate pictures during many students were access- has existed school hours. ing sites such as Facebook at Pingry for The decision to filter these from school computers, Upper the past sev- sites was deliberated and car- School Head Mr. Jon Leef said eral years, ried out by the Administrative that much of the evidence cited the admin- Group, consisting of Mr. Cox, by the Administrative Group istration and Mr. Leef, Mr. Conard, Mrs. was anecdotal, coming from the tech team Geacintov, Mr. Pratt, Mr. Cor- teachers and other faculty quietly imposed a web filter in vino Sr, Miss Boisvert, Miss members who witnessed stu- the days before winter break Hoffman, Mr Vanasse, and dents using these sites during on such social networking Mr. Vo. their frees and sometimes dur- websites as MySpace.com, On the reasons for the ban, ing class time. Courtesy of the Development Office Facebook.com and Xanga. Mr. Leef said, “There was re- Mr. Leef insisted that the The Rebel Poor stage a revolution in Urinetown, the winter musical. com. As a result, students can ally a wide spectrum of things web filter doesnʼt reflect the no longer access these websites taken into account, the primary administrationʼs trust in stu- from any computer currently reason being that these sites dents. -
Volume 29, in the Year of the Lord 2008
concordia’s independent newspaper bromancing The Aquinian since 1980 Disclosing the debt: CSU INVESTIGATION UNDER WAY IN LIGHT OF MISMANAGEMENT OF STUDENT FUNDS • PAGE 3 • News page 4 ConU’s big dig: tunnel under de Maisonneuve in the works • Features page 8 Better than a nail in the face, Concordia student brings the side-show home Men’s hockey team off to perfect start in second half of the season • Sports page 16 volume 29, issue 18 • Tuesday, January 13, 2009 • thelinknewspaper.ca volume 29, issue 18 • Tuesday, THE LINK • JANUARY 13, 2009 • THELINKNEWSPAPER.CA/NEWS NEWS 03 2006-07 Negligence pushes CSU (433,488) deficit over $500,000 Former employee spent union into the red during 2005, 2006, 2007 • TERRINE FRIDAY where we are by far,” Leroy said. The current numbers provided by Keyana Kashfi says she’s concerned the CSU are those available to all under- about rumours surrounding the graduate students and not those written Concordia Student Union’s finances and in the financial investigation report how undergraduate students may inter- launched by former VP finance Fauve pret them. Castagna in June of 2007, which the Kashfi, president of the CSU, wants CSU has refused to disclose. to put allegations and questions regard- ing the finances of the CSU to rest by A non-bargain opening up to the student press. In addition to the deficit incurred for This comes in light of various accusa- the 2005-2007 academic years, the tions made against the student union, alleged culprit may be held accountable which include everything from embez- for other damages. -
The Strokes Debut New Track “Bad Decisions” the New Abnormal Lp out April 10 Via Cult/Rca
THE STROKES DEBUT NEW TRACK “BAD DECISIONS” THE NEW ABNORMAL LP OUT APRIL 10 VIA CULT/RCA Photo credit: Jason McDonald (New York—February 18, 2020) Today, The Strokes unveil a new song, “Bad Decisions;” Listen HERE and watch the video HERE. The track is the second to be released from their forthcoming album, The New Abnormal, out April 10 via Cult/RCA, their first in seven years. “At The Door,” the first single from the highly anticipated new album, debuted during their performance at Senator Bernie Sanders’ University of New Hampshire rally last week. Listen to “At The Door” HERE and watch the video HERE. The New Abnormal is The Strokes’ sixth studio album and was recorded at Shangri-La Studios in Malibu and produced by Rick Rubin. The album’s cover artwork is a painting by Jean-Michel Basquiat, Bird on Money. THE NEW ABNORMAL TRACK LIST 1. The Adults Are Talking 2. Selfless 3. Brooklyn Bridge To Chorus 4. Bad Decisions 5. Eternal Summer 6. At The Door 7. Why Are Sundays So Depressing 8. Not The Same Anymore 9. Ode To The Mets Ahead of the release, The Strokes will play a run of very special shows in the U.K., Europe, and North America preceding a clutch of new U.S dates and festival shows around the world later this year. THE STROKES LIVE February 14—Berlin, DE—Columbiahalle February 18—Paris, FR—Olympia February 19—London, UK—The Roundhouse February 24—Belfast, UK—Waterfront Hall March 5—Vancouver, BC—Pepsi Live at Rogers Arena* March 9—Seattle, WA—WaMu Theater* March 14—Los Angeles, CA—The Forum*† *with Alvvays † King Princess The Strokes are singer Julian Casablancas, guitarists Nick Valensi and Albert Hammond Jr, bassist Nikolai Fraiture and drummer Fabrizio Moretti.