Child Naming Practice and Changing Trends in Modern Japan
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Japan's Secretive Death Penalty Policy
Japan’s Secretive Death Penalty Policy: Contours, Origins, Justifications, and Meanings♦ David T. Johnson I. ABSTRACT...................................................................................................62 II. “REIKO IN WONDERLAND” .....................................................................63 A. SECRECY AND SILENCE ..............................................................................70 III. ORIGINS .......................................................................................................76 A. MEIJI BIRTH ...............................................................................................76 B. THE OCCUPATION’S “CENSORED DEMOCRACY” ........................................80 C. POSTWAR ACCELERATION..........................................................................87 IV. JUSTIFICATIONS ........................................................................................97 V. MEANINGS.................................................................................................109 A. SECRECY AND LEGITIMACY......................................................................109 B. SECRECY AND SALIENCE ..........................................................................111 C. SECRECY AND DEMOCRACY.....................................................................117 D. SECRECY AND LAW ..................................................................................119 VI. CONCLUSION.............................................................................................123 -
The Interpreter
Japan: grasping for hope in a new imperial era | The Interpreter https://www.lowyinstitute.org/the-interpreter/japan-grasping-hope-ne... Tets Kimura Japan has three New Year’s Days this year. 1 January, the calendar new year was the obvious beginning, then followed 1 April, the start of the financial and academic year that is famously symbolised by seasonal cherry blossoms – and now 1 May, the once-only celebration of the first day of what will be known as the Reiwa era of imperial reign. The transition from the current Heisei era to the next era of Reiwa will occur as the Reigning Emperor has decided to abdicate his position to the Crown Prince, even though this was not constitutionally permissible. No Emperor has stepped down from the position in Japan in the last 200 years, but it was the Emperor’s wish to do so as he found it difficult to be responsible in his role at his age. He is 85. Tuesday will be his last day as the Emperor, and under the “one generation, one title” rule, the era of Heisei will consequently end. According to the newspaper Yomiuri Shimbun, 58% of Japanese think Japan will move to a better direction in the new era of Reiwa, whereas 17% see a negative future. The current era of Heisei started on 8 January 1989, a day after the Showa Emperor passed away. When the dramatic Showa era (1926-1989) ended, a time in which Japan experienced wars, the Allied Occupation, and the rapid post- Second World War recovery, Japan decided to name the following imperial reign period Heisei. -
Collecting Karamono Kodō 唐物古銅 in Meiji Japan: Archaistic Chinese Bronzes in the Chiossone Museum, Genoa, Italy
Transcultural Perspectives 4/2020 - 1 Gonatella Failla "ollecting karamono kod( 唐物古銅 in Mei3i Japan: Archaistic Chinese 4ronzes in the Chiossone Museum, Genoa, Ital* Introduction public in the special e>hibition 7ood for the The Museum of Oriental Art, enoa, holds the Ancestors, 7lo#ers for the ods: Transformations of !apanese and Chinese art collections #hich Edoardo Archaistic 4ronzes in China and !apan01 The e>hibits Chiossone % enoa 1833-T()*( 1898) -athered during #ere organised in 5ve main cate-ories: archaistic his t#enty-three-year sta* in !apan, from !anuary copies and imitations of archaic ritual 2ronzes; 1875 until his death in April 1898. A distinguished 4uddhist ritual altar sets in archaistic styleC )aramono professor of design and engraving techniques, )od( hanaike, i.e0 Chinese @o#er 2ronzes collected in Chiossone #as hired 2* the Meiji -overnment to !apan; Chinese 2ronzes for the scholar’s studioC install modern machinery and esta2lish industrial !apan’s reinvention of Chinese archaismB 2ronze and production procedures at the Imperial Printing iron for chanoyu %tea ceremony), for 2unjincha %tea of 4ureau, T()*(, to instruct the youn- -eneration of the literati,, and for @o#er arrangement in the formal designers and engravers, and to produce securit* rik)a style0 printed products such as 2anknotes, state 2ond 4esides documenting the a-es-old, multifaceted certificates, monopoly and posta-e stamps. He #as interest of China in its o#n antiquit* and its unceasing #ell-)no#n also as a portraitist of contemporaneous revivals, the Chiossone 2ronze collection attests to historic 5-ures, most nota2ly Philipp-7ranz von the !apanese tradition of -athering Chinese 2ronzes 9ie2old %1796-1866, and Emperor Meiji %1852-1912, r. -
Crime and Criminal Policy in Japan Analysis and Evaluation of the Showa Era, 1926–1988
M. Shikita, S. Tsuchiya Crime and Criminal Policy in Japan Analysis and Evaluation of the Showa Era, 1926–1988 Series: Research in Criminology The Showa Era in Japan commenced in December 1926, when Emperor Showa ascended the Throne, and came to an end in January 1989, when His Majesty passed away, ushering in the new Heisei Era. The Showa Era was marked by drastic changes in the economy, society, and political and legal sys tems, which brought about an ebb and flow in criminality and precipitated various criminal policies. From an economical, political, and criminological perspective, the Showa Era stands out as a remarkable period in Japanese his tory. The Research and Training Institute of the Ministry of Justice, which has annually published the White Paper on Crime in Japan since 1960, received Cabinet approval to introduce a special topic section, "Criminal Policy in Sho wa" in the White Paper for 1989, which was published in October the same year. This White Paper is the first comprehensive publication that deals not only with the crime situation but also with the various activities of the criminal justice system, including the police, public 1992, XXXVIII, 415 p. prosecutors' offices, courts, correctional institutions, and probation and parole supervision organisations for 63 years. Printed book Hardcover ▶ 169,99 € | £149.99 | $219.99 ▶ *181,89 € (D) | 186,99 € (A) | CHF 200.50 eBook Available from your bookstore or ▶ springer.com/shop MyCopy Printed eBook for just ▶ € | $ 24.99 ▶ springer.com/mycopy Order online at springer.com ▶ or for the Americas call (toll free) 1-800-SPRINGER ▶ or email us at: [email protected]. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
Ethnobotanical Study on Wild Edible Plants Used by Three Trans-Boundary Ethnic Groups in Jiangcheng County, Pu’Er, Southwest China
Ethnobotanical study on wild edible plants used by three trans-boundary ethnic groups in Jiangcheng County, Pu’er, Southwest China Yilin Cao Agriculture Service Center, Zhengdong Township, Pu'er City, Yunnan China ren li ( [email protected] ) Xishuangbanna Tropical Botanical Garden https://orcid.org/0000-0003-0810-0359 Shishun Zhou Shoutheast Asia Biodiversity Research Institute, Chinese Academy of Sciences & Center for Integrative Conservation, Xishuangbanna Tropical Botanical Garden, Chinese Academy of Sciences Liang Song Southeast Asia Biodiversity Research Institute, Chinese Academy of Sciences & Center for Intergrative Conservation, Xishuangbanna Tropical Botanical Garden, Chinese Academy of Sciences Ruichang Quan Southeast Asia Biodiversity Research Institute, Chinese Academy of Sciences & Center for Integrative Conservation, Xishuangbanna Tropical Botanical Garden, Chinese Academy of Sciences Huabin Hu CAS Key Laboratory of Tropical Plant Resources and Sustainable Use, Xishuangbanna Tropical Botanical Garden, Chinese Academy of Sciences Research Keywords: wild edible plants, trans-boundary ethnic groups, traditional knowledge, conservation and sustainable use, Jiangcheng County Posted Date: September 29th, 2020 DOI: https://doi.org/10.21203/rs.3.rs-40805/v2 License: This work is licensed under a Creative Commons Attribution 4.0 International License. Read Full License Version of Record: A version of this preprint was published on October 27th, 2020. See the published version at https://doi.org/10.1186/s13002-020-00420-1. Page 1/35 Abstract Background: Dai, Hani, and Yao people, in the trans-boundary region between China, Laos, and Vietnam, have gathered plentiful traditional knowledge about wild edible plants during their long history of understanding and using natural resources. The ecologically rich environment and the multi-ethnic integration provide a valuable foundation and driving force for high biodiversity and cultural diversity in this region. -
Yu Buyu: a Curatorial Studio: a Business Plan 2019-2024 Jing Mei Yu
Sotheby's Institute of Art Digital Commons @ SIA MA Projects Student Scholarship and Creative Work 2018 Yu Buyu: A Curatorial Studio: A Business Plan 2019-2024 Jing Mei Yu Follow this and additional works at: https://digitalcommons.sia.edu/stu_proj Part of the Arts Management Commons, and the Fine Arts Commons YU BUYU: A Curatorial Studio A Business Plan 2019-2024 Chengdu, China Jing Mei Yu MA Art Business Master’s Project December, 2018 Word Count: 4256 words Abstract The paper proposed a five-year business plan for establishing a curatorial studio in Chengdu, China - YU BUYU. It analysed the current statues of contemporary art in Chengdu from different perspectives, for example, in terms of museums, galleries, art fair, and etc. By analysing the situation, the paper identified Chengdu’s area of improvement - to grow the local art ecosystem between museums, galleries, artists and individual collectors by strengthen the connections and relationships between different sectors and increase interactions with wider art community. The paper thus proposed the curatorial studio as an active gathering place to exhibit emerging art, to connect local art institutions, to promote educational programs, and to help build up the contemporary art ecosystem of Chengdu. Table of Content 1.0 Executive Summary 1 2.0 Background Analysis 3 2.1 Art Landscape in Chengdu 3 2.1.1 Museums 4 2.1.2 Galleries 6 2.1.3 Art Fair 7 2.1.4 Art Districts 8 2.1.5 Artist 8 3.0 Program Description 10 4.0 Marketing Plan 13 5.0 Operation and Development Plans 15 6.0 Basic Financials 18 7.0 Conclusion 20 8.0 Bibliography 21 Illustration Fig 1. -
Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected]
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2006 Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected] Follow this and additional works at: http://commons.emich.edu/honors Recommended Citation Endresak, David, "Girl Power: Feminine Motifs in Japanese Popular Culture" (2006). Senior Honors Theses. 322. http://commons.emich.edu/honors/322 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. Girl Power: Feminine Motifs in Japanese Popular Culture Degree Type Open Access Senior Honors Thesis Department Women's and Gender Studies First Advisor Dr. Gary Evans Second Advisor Dr. Kate Mehuron Third Advisor Dr. Linda Schott This open access senior honors thesis is available at DigitalCommons@EMU: http://commons.emich.edu/honors/322 GIRL POWER: FEMININE MOTIFS IN JAPANESE POPULAR CULTURE By David Endresak A Senior Thesis Submitted to the Eastern Michigan University Honors Program in Partial Fulfillment of the Requirements for Graduation with Honors in Women's and Gender Studies Approved at Ypsilanti, Michigan, on this date _______________________ Dr. Gary Evans___________________________ Supervising Instructor (Print Name and have signed) Dr. Kate Mehuron_________________________ Honors Advisor (Print Name and have signed) Dr. Linda Schott__________________________ Dennis Beagan__________________________ Department Head (Print Name and have signed) Department Head (Print Name and have signed) Dr. Heather L. S. Holmes___________________ Honors Director (Print Name and have signed) 1 Table of Contents Chapter 1: Printed Media.................................................................................................. -
Identity Under Japanese Occupation
1 “BECOMING JAPANESE:” IDENTITY UNDER JAPANESE OCCUPATION GRADES: 9-12 AUTHOR: Katherine Murphy TOPIC/THEME: Japanese Occupation, World War II, Korean Culture, Identity TIME REQUIRED: Two 60-minute periods BACKGROUND: The lesson is based on the impact of the Japanese occupation of Korea during World War II on Korean culture and identity. In particular, the lesson focuses on the Japanese campaign in 1940 to encourage Koreans to abandon their Korean names and adopt Japanese names. This campaign was known as “sōshi-kaimei." The purpose of this campaign, along with campaigns requiring Koreans to recite an oath to the Japanese Emperor and bow at Shinto shrines, were to make the Korean people “Japanese” and hopefully, loyal subjects of the Japanese Empire by abandoning their Korean identity and loyalties. These cultural policies and campaigns were key to the Japanese war effort during World War II. The lesson draws from the students’ lives as well as two books: Lost Names: Scenes from a Korean Boyhood by Richard E. Kim and Under the Black Umbrella: Voices from Colonial Korea 1910-1945 by Hildi Kang. CURRICULUM CONNECTION: The lesson is intended to use the major themes from the summer reading book Lost Names: Scenes from a Korean Boyhood to introduce students to one of the five essential questions of the World History II course: How is identity constructed? How does identity impact human experience? In first investigating the origin of their own names and the meaning of Korean names, students can begin to explore the question “How is identity constructed?’ In examining how and why the Japanese sought to change the Korean people’s names, religion, etc during World War II, students will understand how global events such as World War II can impact an individual. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
Tetsugaku International Journal of the Philosophical Association of Japan
ISSN 2432-8995 Tetsugaku International Journal of the Philosophical Association of Japan Volume 2 2018 Special Theme Philosophy and Translation The Philosophical Association of Japan The Philosophical Association of Japan PRESIDENT KATO Yasushi (Hitotsubashi University) CHIEF OF THE EDITORIAL COMITTEE ICHINOSE Masaki (Musashino University) Tetsugaku International Journal of the Philosophical Association of Japan EDITORIAL BOARD CHIEF EDITOR NOTOMI Noburu (University of Tokyo) DEPUTY CHIEF EDITORS Jeremiah ALBERG (International Christian University) BABA Tomokazu (University of Nagano) SAITO Naoko (Kyoto University) BOARD MEMBERS DEGUCHI Yasuo (Kyoto University) FUJITA Hisashi (Kyushu Sangyo University) MURAKAMI Yasuhiko (Osaka University) SAKAKIBARA Tetsuya (University of Tokyo) UEHARA Mayuko (Kyoto University) ASSISTANT EDITOR TSUDA Shiori (Hitotsubashi University) SPECIAL THANKS TO Beverly Curran (International Christian University), Andrea English (University of Edingburgh), Enrico Fongaro (Tohoku University), Naomi Hodgson (Liverpool Hope University), Leah Kalmanson (Drake University), Sandra Laugier (Paris 1st University Sorbonne), Áine Mahon (University College Dublin), Mathias Obert (National University of Kaohsiung), Rossen Roussev (University of Veliko Tarnovo), Joris Vlieghe (University of Aberdeen), Yeong-Houn Yi (Korean University), Emma Williams (University of Warwick) Tetsugaku International Journal of the Philosophical Association of Japan Volume 2, Special Theme: Philosophy and Translation April 2018 Edited and published