DOCSLIB.ORG

253 INDEX © in This Web Service Cambridge

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
253 INDEX © in This Web Service Cambridge Cambridge University Press 978-0-521-86059-8 - The Cambridge Companion to the Arthurian Legend Edited by Elizabeth Archibald and Ad Putter Index More information INDEX Accolon 210 nineteenth 6, 15, 28, 108–17, 120, 166, Agravain 189 177 Alain of Lille, commentary on the Prophecies twentieth 28, 94, 120 of Merlin 4 twenty-first 128 Alcock, Leslie 31 claim to Rome 178 Alfred, King 222 conception and legitimacy 42, 85, 177 alliteration 88 coronation 191 ‘Alliterative Revival’ 78 court of 9, 14, 42, 49, 53, 73, 74, 97, 139, Alnwick 219, 224 142, 143, 154, 156, 160, 163, 172, amplification 70 175, 207 Amr/Anir 23 crown of 15, 231–2 Anderson, Dennis Lee, Arthur, King 126 daughter – see Gyneth Anderson, Graham 30 death of 15, 41, 59, 104, 180, 203, 204 Andreas Capellanus, De Amore 10, dog (Cabal / Cafal) 23, 24, 37 141–2 dux bellorum 22, 23, 222 Anjou 174 emperor 11–12, 40, 87–8, 112, 164, Annales Cambriae 25, 33, 223 171–86, 178–9, 221 Apollinaire, Guillaume, L’Enchanteur geography associated with 15, 163–5, pourrissant 132–3 218–33 archaeology 30, 225, 232 English traditions 220 Archer, James 115 French traditions 219–20 Ariosto, Ludovico, Orlando Furioso 104 linguistic demarcation within 219–20 Armes Prydein 26 rivers 222–4 Armstead, H. H. 115 grave of 15, 31, 84, 96, 104, 228–30, 233 Arnold, Matthew, Tristan and Isolde heir 198 117 historicity 23, 25, 32, 53, 92, 230, 232 art 16n7, 115, 176 homosexual 130 Arthour and Merlin 62, 70, 85, 103 incest 191–2 Arthur, King marginalised in legend 140, 197 adultery of 13, 190–200 military icon 104 body of 14, 197–8 once and future king 4, 8, 95, 98, 122, centuries, representations in 126, 204, 213, 227, 229–30 twelfth 26, 36–50, 139, 157–9, 189 origins of legend 3–4, 9, 21–34, 85, 104 thirteenth 53–67, 159, 189 passing of 43, 95–100, 149 fourteenth 69–82, 161–3 political uses of 15 fifteenth 84–100, 160, 221 scholarship on, growth of 7 sixteenth 103–13 seal of 231 seventeenth 104–7 sons 198; see also Amr/Anir; Loholt; eighteenth 107–8 Mordred 253 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86059-8 - The Cambridge Companion to the Arthurian Legend Edited by Elizabeth Archibald and Ad Putter Index More information index Arthur, King (cont.) Bliocadran 54, 55–6 stellification 95, 100 Bodel, Jean 1, 60 superhuman 28–30 Boccaccio, Giovanni, De Casibus virorum sword of 8, 14, 15, 29, 183, 185, 209, illustrium 71, 84, 95 210, 223, 232 Bond, James Bond 13 usurper 85 Bors 212 vampire 129 Boyle, John Magor, Gorlaye 111 vulnerability 198–9 Bradley, Marion Zimmer, The Mists of Arthur, Prince, son of Henry VII 100, 104 Avalon 12, 15, 125, 150, 184–5, 192, Arthurian Annals 121 216, 230 ‘Artognou’ slate 32, 218, 232 Brennius 40 Ascham, Roger, The Scholemaster 6, 103 Brewer, Elisabeth 112 Ashe, Laura 147, 223 Bridgend 233 Âtre périlleux 65 Brittany 24 Aucassin and Nicolette 182 Broceliande, forest of 47 Auerbach, Erich 151 Bromwich, Rachel 24 Augustine of Canterbury 40 Brooke-Rose, Christine, Textermination Augustine of Hippo 202 129 Aurelius Ambrosius 24, 40 Brown, Dan, The Da Vinci Code 131 Austin, Alfred 116 Bruckner, Matilda Tomaryn 49, 61 Avalon 77, 143, 150, 185, 204, 227 Brut, Prose 69 Brutus 40 Badbury 223 Builth 23, 24, 27, 231 Badon, battle of 3, 4, 22, 24, 26, 223 Bulwer-Lytton, Edward, King Arthur 112 Bale, John 103 Burgundy, Dukes of 88 Balin 6 Burne-Jones, Edward 109, 115 Balliol, John 232 Byatt, A.S., Possession 127 Bamburgh 224–5 Ban, King of Benoyc 61 Cabal / Cafal 23, 24, 37 Bannerman, Anne 110 Cadbury 31, 232 Barber, Richard 41 Caesar, Julius 173 Barczewski, Stephanie 109 Calogrenant 47 Barjavel, René, L’Enchanteur 133 Camelford 223 Barthelme, Donald, The King 126, 151 Camelot 9, 15, 156–7, 178, 183, 219–20, Bath 219, 223 220–2 Beard, Dan 165 Camelot (Alan Jay Lerner and Frederick ‘Beddau englynion’ 203 Loewe) 124, 181 Bede 25, 40 Cameron, Julia Margaret 115 Bedivere 229 Camille, Saxon lover of Arthur 14, 190, Bédier, Joseph, Le Roman de Tristan et Iseut 192–4, 197 132 Camlann, battle of 11, 26, 38, 223 Bel Inconnu, Le – see Renaut de Beaujeu Canaanites 25 Bellus 40 Caradoc of Llancarfan, Vita Gildae 225, 229 Benoît de Sainte-Maure, Roman de Troie 58 Cardiff 220 Beowulf 43 Carduino (Italian) 76, 77, 78 Berger, Thomas, Arthur Rex 125 Carl of Carlisle 86 Berners, Lord, Arthur of Little Britain 104 Carlisle 219, 220 Biddle, Martin 221 Castle Dore 31 Biket, Robert, Lai du Cor 143 Castle of Maidens 141 Bladud 40 Cathars 131 Blackmore, Sir Richard 107 Catholicism 15, 214 King Arthur 106 Catraeth, battle of 27 Prince Arthur 106–7 Caxton, William 84, 88, 176, 230–1 254 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86059-8 - The Cambridge Companion to the Arthurian Legend Edited by Elizabeth Archibald and Ad Putter Index More information index Celidon wood 22, 38, 223 conjointure 44, 45, 58, 63, 79 Celtic nationalism 109 Constantine 176 Chapel Perilous 212 Continuations – see Chrétien de Troyes Chapman, Vera, King Arthur’s Daughter 125 Cooper, Helen 104, 210 Charlemagne 1, 8 Cooper, Susan 123–4, 126 charters 36 Cornwall 226; see also Tintagel Chaucer, Geoffrey Cornwell, Bernard 216 Canterbury Tales 73–4, 76, 77, 86, 147–8, Crane, R. S. 104 182, 202 crusades 71, 77, 171, 176, 183, 205 ‘Nun’s Priest’s Tale’ 148 Culhwch and Olwen 8, 9, 23–4, 26, 38 ‘Squire’s Tale’ 148 cultural imperialism 180 ‘Wife of Bath’s Tale’ 148 cyclicity 5, 56, 58, 62–3, 84 Troilus and Criseyde 12 Cherryh, C. J., Port Eternity 127 Dark, Ken 33 Chester 223 Dark Ages 23, 28, 32, 225 Chester, Robert, Loves Martyr/The Annals of David, Peter 126 Great Britain 105 De Ortu Waluuanii (The Rise of Gawain) Chestre, Thomas 10, 141 Lybeaus Desconus 50, 80, 81 Deal, Babs, The Grail: A Novel 128 Sir Launfal 77, 109, 143 Dee, John 111 Chevalier à l’épée, Le 50, 65 Delay, Florence 133 children’s literature 7–8, 123 Dinadan 91, 148–9, 166 chivalry 7–8, 9, 97, 128, 147, 150, 161–3, Dinas 91 201, 205, 207 Disney, Walt 7–8 Chrétien de Troyes 4, 5, 10, 11, 12, 36, 44, Doré, Gustave 115 53, 58, 61, 65, 133, 140–1, 146, Dorst, Tancred, Merlin oder das Wüste Land 158–9, 160, 163, 172, 205, 219 134 Le Chevalier au lion (Yvain) 37, 44, 47, Draco Normannicus 163 74–5, 145, 168–9, 182, 205 Drayton, Michael, Poly-Olbion 4, 104 Le Chevalier de la charrete (Lancelot) Dronke, Peter 152n7 48–9, 60, 140, 158–9, 188–200, 205 Dryden, John 106, 107 Cligés 48, 172 King Arthur 7, 105–6 Le Conte du Graal (Perceval) 37, 49, 54, Virgil’s Aeneid 178 76, 79, 144, 157, 184, 205 Dubglas, river 22 Continuations 50, 54, 56, 206; First Duby, Georges 139 Continuation (including Livre de Dumville, David 21 Caradoc) 54, 58, 79, 86, 87; Second Dunlop, John 109–13 Continuation (Wauchier de Denain) Dyce, William 115 54–5, 57; Third Continuation Dyer, S. N., ‘Knight Squadron’ 129 (Manessier) 55; Fourth Continuation (Gerbert de Montreuil) 55 Echard, Siân 142 Erec et Enide 13, 37, 44–6, 47, 113, 158 Eco, Umberto, Baudolino 131 Christ, cross of 26 Edinburgh 28 Cistercians 59 education 180–1 Claudel, Paul, Partage de midi 133 Edward I 15, 69, 219, 221, 224, 231–2 clerical authorship 5, 24, 44, 60, 144, 147 Edward III 5, 69, 71, 219, 225 Cocteau, Jean 133 Edward IV 100 Les Chevaliers de la Table Ronde 133 Elaine of Astolat 87–91, 90–92, 108–9, Colchester 232 109–13; see also Tennyson, Alfred: Coleridge, Samuel Taylor 108 ‘The Lady of Shalott’, ‘Elaine’ ‘Coming of K –, The’ (S. O. Beeton, Elaine of Corbenic 210 A. A. Dowty, S. R. Emerson) 116 Eleanor of Aquitaine 43 computer games 157, 174 Eleanor of Castile 221 255 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86059-8 - The Cambridge Companion to the Arthurian Legend Edited by Elizabeth Archibald and Ad Putter Index More information index Elias, Norbert 6 Frere, John Hookham, The Monks and the Eliot, T. S., The Waste Land 15, 122, 215 Giants 108–9 Ellis, George 109 Freud, Sigmund 156 Elucidation 54, 55 Froissart, Jean 73 Enfances Gauvain 65 Meliador 73 Erec (Burgundian) 46, 160–1 Fry, Christopher, Thor, with Angels 121 Erec en prose 46 Frye, Northrop 2 Erex (Norse) 46 Fuetrer, Ulrich, Buch der Abenteuer 84 Ergyng 23, 27 ethics 8, 11, 41, 49, 98, 105, 114, 123, 124, Galahad 6, 10, 59, 61–2, 64, 92–3, 94, 115, 125, 139, 154–5, 156, 157, 161–3 159, 166, 184, 213 Evans, Simon 24 Gareth 13, 198, 210 Excalibur 8, 14, 15, 29, 183, 185, 209, 210, Gawain 10, 13, 43, 44, 48, 49–50, 54, 55, 223, 232 65, 66, 86–7, 89, 98, 104, 112, 140, 141, 146, 147–8, 159, 198 failure 45, 48, 81, 147–8, 149–50, 184, 210 grave of 36 Fair Unknown motif 2, 10, 13, 78, 141 Geffrei Gaimar 224 False Guinevere 14, 190, 192, 194–5, 197 Geoffrey of Monmouth 11, 12, 33, 36, fantasy 91, 155, 157, 163–5, 173, 183 38–43, 53, 60, 62, 69, 71, 84–100, Fawcett, Edgar, The New King Arthur: An 103, 104, 107, 111, 203–4, 219, 222, Opera Without Music 116 223, 224, 225, 227 Field of the Cloth of Gold 104 History of the Kings of Britain 1, 4, 9, 12, Field, P.
Load more

Recommended publications
  • The Pen and the Pennon: Political and Social Comment
    THE PEN AND THE PENNON: POLITICAL AND SOCIAL COMMENT INSCRIBED WITHIN CHIVALRIC ROMANCE A DISSERTATION IN English and History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by LARRY MICHAEL MCCLOUD B.A., Iowa State University, 1997 MLA, Baker University, 1999 Kansas City, Missouri 2016 © 2016 LARRY MICHAEL MCCLOUD ALL RIGHTS RESERVED THE PEN AND THE PENNON: POLITICAL AND SOCIAL COMMENT INSCRIBED WITHIN CHIVALRIC ROMANCE Larry Michael McCloud, Candidate for the Doctor of Philosophy Degree University of Missouri-Kansas City, 2016 ABSTRACT Study of the Medieval English romance has burgeoned in recent years, with a focus on the world outside of the texts being central to the resurgence. I offer in this dissertation a reading of four of these works (Athelston, Sir Gawain and the Green Knight, Sir Cleges, and Sir Gowther) that considers each of them in the environment in which they are presented. Utilizing the contexts of manuscript placement, contemporary social and legal issues, and sociological changes affecting the audience, this work explores an analytical reading of each work that establishes possible meanings for each romance and possible motivations for their unnamed authors. Each work is ascribed its own chapter, focusing on a particular issue of English knighthood being interrogated. Chapter three suggests that Sir Gawain and the Green Knight repurposes the character of Gawain to observe the importance of oath taking and the bonds formed by knights from the practice of such. Chapter four focuses on the message of Athelston and argues that the work repositions the power of the crown beneath iii that of a regularized judicial system in which knights function as jurists.
    [Show full text]
  • The Latin Reception of the De Gestis Britonum
    Chapter 7 The Latin Reception of the De gestis Britonum Siân Echard Gerald of Wales famously skewered the veracity of Geoffrey of Monmouth’s his- tory in his story of Meilyr, an illiterate man who could spot falsehood, thanks to devils dancing on the offending tongues or pages. Meilyr’s tormentors could be driven away by the Gospel of John, but when a copy of the De gestis Britonum was placed on his lap, the devils returned in ever greater numbers. Gerald’s anecdote, written in his Itinerary Through Wales in the 1190s, is a witness to the incredible popularity of the DGB less than 50 years after Geoffrey’s death, and that popularity would only grow, as the story was taken up in the vernacular translations discussed in Chapter Eight. Gerald’s skepticism is of a piece with the reactions from other Latin authors dealt with in Chapter Six, but as the present chapter will show, the rise of Arthurian literature as a vernacular phe- nomenon, and the dismissal of Geoffrey’s work (and Arthur’s historicity) by some Anglo-Latin historians, give a potentially misleading impression about the importance that the DGB continued to have in the Latin tradition, well into the early modern period. First, while the centrality of the Arthuriad to the DGB cannot be overstated, Geoffrey is also responsible for promulgating several other highly popular and influential myths, of interest to both Latinate and vernacular readers in the Middle Ages and beyond; that is, Geoffrey’s impor- tance reaches beyond the Arthurian tradition. And second, while some Latin writers may have reacted negatively to Geoffrey’s work, others set about com- menting on it, supplementing it, and even writing their own Latin Arthurian narratives.
    [Show full text]
  • Female Arthurian Scholars: an Initial Collection of Tributes
    JIAS 2019; 7(1): 3–41 Samantha J. Rayner* Female Arthurian Scholars: An Initial Collection of Tributes https://doi.org/10.1515/jias-2019-0002 When we sent out for help with a piece on female Arthurian scholars, we had no idea what a rich set of responses we would receive. What follows is an eclectic collection of over twenty short pieces on international female Arthurian schol- ars, past and present: some are very personal reminiscences, some more formal appreciations, but together they constitute the start of a wonderful bank of infor- mation recording the impact female scholars have made on our field. This is not a comprehensive, or selective, survey: we hope this initial chapter will be the inspi- ration for more submissions for future issues of JIAS, so we can continue to collect these histories. Please get in touch if you would like to offer an entry; meanwhile, we hope you enjoy this compendium, and send thanks to all our valiant contribu- tors who responded with such speed and enthusiasm to our SOS! Samantha Rayner ELIZABETH ARCHIBALD Elizabeth F. Archibald’s continuing contribution to the field of Arthurian studies is as rich as it is, in part, because it belongs to a larger contribution she is making to medieval studies generally. Also trained as a classicist, she is one of our most perspicacious readers of medieval Latin texts and traditions. Besides her mono- graph Apollonius of Tyre: Medieval and Renaissance Themes and Variations (Cam- bridge: D. S. Brewer, 1991), she has published on ancient romance, the Ruodlieb, and fifteenth-century macaronic poetry.
    [Show full text]
  • The Cambridge Companion to the Arthurian Legend Edited by Elizabeth Archibald and Ad Putter Frontmatter More Information
    Cambridge University Press 978-0-521-67788-2 - The Cambridge Companion to the Arthurian Legend Edited by Elizabeth Archibald and Ad Putter Frontmatter More information The Cambridge Companion to the Arthurian Legend For more than a thousand years, the adventures of King Arthur and his knights of the Round Table have been retold across Europe. They have inspired some of the most important works of European literature, particularly in the medieval period: the romances of Chrétien de Troyes, Wolfram von Eschenbach’s Parzival, Sir Gawain and the Green Knight and Malory’s Morte Darthur. In the nineteenth century, interest in the Arthurian legend revived with Tennyson, Wagner and Twain. The Cambridge Companion to the Arthurian Legend outlines the evolution of the legend from the earliest documentary sources to the musical Spamalot, and analyses how some of the major motifs of the legend have been passed down in both medieval and modern texts. With a map of Arthur’s Britain, a chronology of key texts and a guide to further reading, this volume will contribute to the continuing fascination with King Arthur and his many legends. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-67788-2 - The Cambridge Companion to the Arthurian Legend Edited by Elizabeth Archibald and Ad Putter Frontmatter More information by Edward Burne-Jones. By permission of the Museo De Arte De Ponce, Puerto Rico. Arte De Ponce, By permission of the Museo De by Edward Burne-Jones. Avalon Arthur in The Sleep of King Frontispiece
    [Show full text]
  • Thesis Cover
    University of Cambridge Faculty of English Romance Motifs and Ethics in Malory’s ‘Book of Sir Tristram’ Suxue Zhang Magdalene College Supervisor: Dr James Wade This dissertation is submitted for the degree of Doctor of Philosophy, June 2017 Dissertation Title: Romance Motifs and Ethics in Malory’s ‘Book of Sir Tristram’ Name: Suxue Zhang Summary Sir Thomas Malory’s ‘Book of Sir Tristram’, a condensation of the Old French Tristan en prose, has not received the attention it deserves. Previous studies notice the two texts’ differences in characterisation, style, moral emphasis, structural arrangements, and so on, but no study has sufficiently demonstrated the overall strategy and the moral purposes behind Malory’s changes. This thesis offers an evaluation of both texts’ approaches to some ethical questions, including identity, violence, justice, and passion, through a close analysis of their presentation of romance motifs. The comparison draws on traditional treatments of these motifs and reveals that the authors of romance can incorporate stratified perspectives to voice ideological interpretations. Malory’s treatment of the moral discourse in the ‘Tristram’ articulates the chivalric ideal in the characters’ expressions of how they understand identity, honour, courtesy, courage, faithfulness, justice, compassion, and love. This analysis shows how Malory renews the meaning of the romance motifs borrowed from his sources by changing the characters’ response to the ethical problems underlying the archetypal actions. Thus, Malory’s narrative generates experiential edification, as it engages the reader in the active moral evaluation of the events. Declaration of Length This dissertation is the result of my own work, produced exclusively for the degree for which it is submitted.
    [Show full text]
  • A Welsh Classical Dictionary
    A WELSH CLASSICAL DICTIONARY GADEON ap CYNAN. See Gadeon ab Eudaf Hen. GADEON ab EUDAF HEN. (330) Gadeon is probably the correct form of the name which appears in the tale of ‘The Dream of Macsen Wledig’ as Adeon ab Eudaf, brother of Cynan ab Eudaf. According to the tale, Adeon and Cynan followed Macsen to the continent and captured Rome for him. After that Macsen gave them permission to conquer lands for themselves, (see s.n. Cynan ab Eudaf), but Adeon returned to his own country (WM 187, 189-191, RM 88, 90-92). According to Jesus College MS.20 the wife of Coel Hen was the daughter of Gadeon ab Eudaf Hen (JC 7 in EWGT p.45), and this is probably correct although later versions make her the daughter of Gadeon (variously spelt) ap Cynan ab Eudaf, and she is given the name Ystradwel (variously spelt) (ByA §27a in EWGT p.90). Also in the various versions of the ancestry of Custennin ap Cynfor and Amlawdd Wledig we find Gadeon (variously spelt) ap Cynan ab Eudaf (JC 11, ByA §30b, 31, ByS §76 in EWGT pp.45, 93, 94, 65). Similarly in MG §5 in EWGT p.39, but Eudaf is misplaced. The various spellings show that the name was unfamiliar: Gadean, Gadvan, Gadiawn, Kadeaun, Cadvan, Kadien, Kadiawn. See EWGT passim. It seems probable that Gadeon ab Cynan is an error for Gadeon ab Eudaf, rather than to suppose two such persons (PCB). GAFRAN ab AEDDAN. He appears in Bonedd Gwŷr y Gogledd (§11 in EWGT p.73) as Gafran ab Aeddan Fradog ap Dyfnwal Hen.
    [Show full text]
  • Durham Research Online
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Durham Research Online Durham Research Online Deposited in DRO: 24 April 2018 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Archibald, Elizabeth (2014) 'Variations on romance themes in the 'Historia Meriadoci'.', Journal of the International Arthurian Society., 2 (1). pp. 3-19. Further information on publisher's website: https://doi.org/10.1515/jias-2014-0001 Publisher's copyright statement: The nal publication is available at www.degruyter.com Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 http://dro.dur.ac.uk JIAS 2014; 2(1): 3–19 Elizabeth Archibald Variations on romance themes in the Historia Meriadoci Abstract: The little known Latin Arthurian narrative Historia Meriadoci pre- sents many challenges. Was it written in the twelfth century, in which case it is an early example of Arthurian romance, or is it later, in which case it reflects already developed motifs? It uses numerous romance themes – separated family, dispossessed heir, young knight arriving at Arthur’s court – but the protagonist leaves the Arthurian milieu quite early on, and pursues a military career more characteristic of epic on the continent.
    [Show full text]
  • U...” .-1 T: .1-“ MILHIUI‘U‘ Olnuu
    _ I (uh-fit! 0.5:... .I ‘3‘ .. Ir- . .. $553 s .1.) L.» :11. .. .lul. 4 g? I‘l-I-n 1‘ ' .4... 5%ufiazwd. §§X3 t1 .1 1.51.4:55454 . ix. .w. .. 41...: 5.. :- .01! call!“ . 01.7.!) n! L . sl:‘...:..'..(t 3‘ .. u 1...: . ‘11.}.1: 1.: ......5: x! . V . .1 «1:11. ‘n \l a w A‘CI .2! I) . in. I . .. .. .1 . .4 g Q l {I .. A .. u .‘ I . ... ~ ». 5 .H. l1\\i.... ~ .. A .1 .v. ‘ ‘42:; 1 9:1! 2! .\ .zxiwstl...1. 9...}. .531: ...CA ‘6 .It..£. 712...). :0 1:... w . I ~ x... s . I; if! ...I.§ . I. 110.. .31.. Q \1. 2...: 4 A.a 3.... S .5... .I‘ :1... :2... 52;... .55: D.) v ii ’2 1 1 3.221.! .~ 1.73s 5 Q 7:}... $531 s . 1‘ .. .2 it 35“: ‘i :11 . .. 5:1 1... i 1.1... 9.. ¢ 3:. 5.... ..3! . .5... ¢ 4 «R £.J.l£._.\. : . .. .I . .fi 1.. {195.51. A 3 It 233...: 2 a . ( .3..:.\i3.=. 13:9: 2471?. w .‘u‘d . w: v .15... .3 :1 4‘4 1.3:... a u s. 1 C .3. (31¢ 2 . i. .-l {I usiiizzzx... i 1 1 2: l9... «AT-1‘ s u ‘3‘}? 34:: 13:1. a... iv er. s 1. .5. C l. .. .1 V t: L. 54v.l;..1. .\ a. u u...” s.-- .3 3...; b . ‘ . A . «V ~ .-1 S . c‘ . V A - ‘ i 3 0‘.- to a I. v . 1 A I. a .5 ‘ 0 . - . .‘ I: A I» :|~ ¢ ! . 3. n ‘ 331:5}.
    [Show full text]
  • 1 King Arthur Is the Figure at the Heart of the Arthurian Legends. He Is Said to Be the Son of Uther Pendragon and Igraine of Co
    King Arthur is the figure at the heart of the Arthurian legends. He is said to be the son of Uther Pendragon and Igraine of Cornwall. Arthur is a near mythic figure in Celtic stories such as Culhwch and Olwen . In early Latin chronicles he is presented as a military leader, the dux bellorum . In later romance he is presented as a king and emperor. One of the questions that has occupied those interested in King Arthur is whether or not he is a historical figure. The debate has raged since the Renaissance when Arthur's historicity was vigorously defended, partly because the Tudor monarchs traced their lineage to Arthur and used that connection as a justification for their reign. Modern scholarship has generally assumed that there was some actual person at the heart of the legends, The Enthroned though not of course a king with a band of knights in shining Arthur , from Lancelot du Lac armor--though O.J. Padel in " The Nature of Arthur " argues that (French, early fourteenth "historical attributes of just the kind that we find attached to century) Arthur can be associated with a figure who was not historical to start with." If there is a historical basis to the character, it is clear that he would have gained 1 fame as a warrior battling the Germanic invaders of the late fifth and early sixth centuries. Since there is no conclusive evidence for or against Arthur's historicity, the debate will continue. But what can not be denied is the influence of the figure of Arthur on literature, art, music, and society from the Middle Ages to the present.
    [Show full text]
  • Variations on Romance Themes in the Historia Meriadoci
    Durham Research Online Deposited in DRO: 24 April 2018 Version of attached le: Published Version Peer-review status of attached le: Peer-reviewed Citation for published item: Archibald, Elizabeth (2014) 'Variations on romance themes in the 'Historia Meriadoci'.', Journal of the International Arthurian Society., 2 (1). pp. 3-19. Further information on publisher's website: https://doi.org/10.1515/jias-2014-0001 Publisher's copyright statement: The nal publication is available at www.degruyter.com Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk JIAS 2014; 2(1): 3–19 Elizabeth Archibald Variations on romance themes in the Historia Meriadoci Abstract: The little known Latin Arthurian narrative Historia Meriadoci pre- sents many challenges. Was it written in the twelfth century, in which case it is an early example of Arthurian romance, or is it later, in which case it reflects already developed motifs? It uses numerous romance themes – separated family, dispossessed heir, young knight arriving at Arthur’s court – but the protagonist leaves the Arthurian milieu quite early on, and pursues a military career more characteristic of epic on the continent.
    [Show full text]
  • Introduction
    Cambridge University Press 978-0-521-67788-2 - The Cambridge Companion to the Arthurian Legend Edited by Elizabeth Archibald and Ad Putter Excerpt More information AD PUTTER AND ELIZABETH ARCHIBALD Introduction When Laʒamon , a Worcestershire priest, wrote around 1200 (quoting Merlin) that Arthur would be food for storytellers till the end of time, he prophesied more truly than he could have imagined.1 Eight hundred years later, Arthur still has very extensive name recognition. Continuously from the twelfth century to the present day, authors and artists using various modes – romances, poetry, plays, novels, sculptures, manuscript illumina- tions, frescoes, paintings, operas, films, graphic novels, cartoons – have pro- duced variations on the basic theme of the great king who saved Britain from enemies at home and abroad, conquered much of the Continent (even Rome, according to some sources), and established a court which became a magnet for the best and bravest knights in the world, only to be brought low by treachery in the end, like many other legendary rulers. Fortune’s wheel , such a potent symbol in the Middle Ages, turns inexorably, carrying him up to the very top, and then throwing him down. The Arthurian legend became one of the dominant narrative themes of the later Middle Ages. According to Jean Bodel , there were three: the Matter of Rome (from the fall of Troy to Æneas’ establishment of the Roman Empire), the Matter of France (the deeds of Charlemagne and his lords), and the Matter of Britain (the story of Arthur and his Round Table ).2 The story of Alexander was also very popular, but more often as a cautionary tale of excessive ambition.
    [Show full text]
  • A Companion to Geoffrey of Monmouth Brill’S Companions to European History
    A Companion to Geoffrey of Monmouth Brill’s Companions to European History volume 22 The titles published in this series are listed at brill.com/bceh A Companion to Geoffrey of Monmouth By Georgia Henley Joshua Byron Smith LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/ by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www .knowledgeunlatched.org. Cover illustration: © The British Library Board (Egerton MS 3028, f. 25r). Library of Congress Cataloging-in-Publication Data Names: Henley, Georgia, editor. | Byron-Smith, Joshua, editor. Title: A companion to Geoffrey of Monmouth / by Georgia Henley, Joshua Byron Smith. Other titles: Brill’s companions to European history ; v. 22. Description: Leiden ; Boston : Brill, 2020. | Series: Brill’s companions to European history, 22127410 ; volume 22 | Includes bibliographical references and index. Identifiers: LCCN 2019057692 (print) | LCCN 2019057693 (ebook) | ISBN 9789004405288 (hardback) | ISBN 9789004410398 (kindle edition) Subjects: LCSH: Geoffrey, of Monmouth, Bishop of St.
    [Show full text]