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Article Fairy Marriages in Tolkien’S Works GIOVANNI C
article Fairy marriages in Tolkien’s works GIOVANNI C. COSTABILE Both in its Celtic and non-Celtic declinations, the motif the daughter of the King of Faerie, who bestows on him a of the fairy mistress has an ancient tradition stretching magical source of wealth, and will visit him whenever he throughout different areas, ages, genres, media and cul- wants, so long as he never tells anybody about her.5 Going tures. Tolkien was always fascinated by the motif, and used further back, the nymph Calypso, who keeps Odysseus on it throughout his works, conceiving the romances of Beren her island Ogygia on an attempt to make him her immortal and Lúthien, and Aragorn and Arwen. In this article I wish husband,6 can be taken as a further (and older) version of to point out some minor expressions of the same motif in the same motif. Tolkien’s major works, as well as to reflect on some over- But more pertinent is the idea of someone’s ancestor being looked aspects in the stories of those couples, in the light of considered as having married a fairy. Here we can turn to the often neglected influence of Celtic and romance cultures the legend of Sir Gawain, as Jessie Weston and John R. Hul- on Tolkien. The reader should also be aware that I am going bert interpret Gawain’s story in Sir Gawain and the Green to reference much outdated scholarship, that being my pre- Knight as a late, Christianised version of what once was a cise intent, though, at least since this sort of background fairy-mistress tale in which the hero had to prove his worth may conveniently help us in better understanding Tolkien’s through the undertaking of the Beheading Test in order to reading of both his theoretical and actual sources. -
The Pen and the Pennon: Political and Social Comment
THE PEN AND THE PENNON: POLITICAL AND SOCIAL COMMENT INSCRIBED WITHIN CHIVALRIC ROMANCE A DISSERTATION IN English and History Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by LARRY MICHAEL MCCLOUD B.A., Iowa State University, 1997 MLA, Baker University, 1999 Kansas City, Missouri 2016 © 2016 LARRY MICHAEL MCCLOUD ALL RIGHTS RESERVED THE PEN AND THE PENNON: POLITICAL AND SOCIAL COMMENT INSCRIBED WITHIN CHIVALRIC ROMANCE Larry Michael McCloud, Candidate for the Doctor of Philosophy Degree University of Missouri-Kansas City, 2016 ABSTRACT Study of the Medieval English romance has burgeoned in recent years, with a focus on the world outside of the texts being central to the resurgence. I offer in this dissertation a reading of four of these works (Athelston, Sir Gawain and the Green Knight, Sir Cleges, and Sir Gowther) that considers each of them in the environment in which they are presented. Utilizing the contexts of manuscript placement, contemporary social and legal issues, and sociological changes affecting the audience, this work explores an analytical reading of each work that establishes possible meanings for each romance and possible motivations for their unnamed authors. Each work is ascribed its own chapter, focusing on a particular issue of English knighthood being interrogated. Chapter three suggests that Sir Gawain and the Green Knight repurposes the character of Gawain to observe the importance of oath taking and the bonds formed by knights from the practice of such. Chapter four focuses on the message of Athelston and argues that the work repositions the power of the crown beneath iii that of a regularized judicial system in which knights function as jurists. -
Arch : Northwestern University Institutional Repository
NORTHWESTERN UNIVERSITY Myth and the Modern Problem: Mythic Thinking in Twentieth-Century Britain A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of History By Matthew Kane Sterenberg EVANSTON, ILLINOIS December 2007 2 © Copyright by Matthew Kane Sterenberg 2007 All Rights Reserved 3 ABSTRACT Myth and the Modern Problem: Mythic Thinking in Twentieth-Century Britain Matthew Sterenberg This dissertation, “Myth and the Modern Problem: Mythic Thinking in Twentieth- Century Britain,” argues that a widespread phenomenon best described as “mythic thinking” emerged in the early twentieth century as way for a variety of thinkers and key cultural groups to frame and articulate their anxieties about, and their responses to, modernity. As such, can be understood in part as a response to what W.H. Auden described as “the modern problem”: a vacuum of meaning caused by the absence of inherited presuppositions and metanarratives that imposed coherence on the flow of experience. At the same time, the dissertation contends that— paradoxically—mythic thinkers’ response to, and critique of, modernity was itself a modern project insofar as it took place within, and depended upon, fundamental institutions, features, and tenets of modernity. Mythic thinking was defined by the belief that myths—timeless rather than time-bound explanatory narratives dealing with ultimate questions—were indispensable frameworks for interpreting experience, and essential tools for coping with and criticizing modernity. Throughout the period 1900 to 1980, it took the form of works of literature, art, philosophy, and theology designed to show that ancient myths had revelatory power for modern life, and that modernity sometimes required creation of new mythic narratives. -
The Mists of Avalon
King Stags and Fairy Queens Modern religious myth in Marion Zimmer Bradley’s The Mists of Avalon Aili Bindberg A60 Literary Seminar Autumn 2006 Department of English Centre for Languages and Literature Lund University Supervisor: C. Wadsö Lecaros Table of contents INTRODUCTION.........................................................................................................................................................1 SACRIFICE OF THE DIVINE KING ......................................................................................................................4 FAIRIES AS KEEPERS OF THE OLD RELIGION .............................................................................................8 FEMALE POWER AND RELIGION .....................................................................................................................12 CONCLUSION............................................................................................................................................................17 WORKS CITED..........................................................................................................................................................19 Introduction The Mists of Avalon is a retelling of the Arthurian saga, seen from the perspective of the female characters. Set at the time of the Saxon invasions, it focuses on the conflict between the Old Religion of the Druids and priestesses of the Goddess, and the spreading Christianity. Christianity is gaining strength, and the only hope of the pagans in -
Frustrated Redemption: Patterns of Decay and Salvation in Medieval Modernist Literature
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 Frustrated Redemption: Patterns of Decay and Salvation in Medieval Modernist Literature Shayla Frandsen CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/519 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Frustrated Redemption: Patterns of Decay and Salvation in Medieval and Modernist Literature Shayla Frandsen Thesis Advisor: Paul Oppenheimer Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York Table of Contents Preface 1 The Legend of the Fisher King and the Search for the 5 Modern Grail in The Waste Land, Paris, and Parallax “My burden threatens to crush me”: The Transformative Power 57 of the Hero’s Quest in Parzival and Ezra Pound’s Hugh Selwyn Mauberley Hemingway, the Once and Future King, 101 and Salvation’s Second Coming Bibliography 133 Frandsen 1 Preface “The riddle of the Grail is still awaiting its solution,” Alexander Krappe writes, the “riddle” referring to attempts to discover the origin of this forever enigmatic object, whether Christian or Folkloric,1 yet “one thing is reasonably certain: the theme of the Frustrated Redemption” (18).2 Krappe explains that the common element of the frustrated redemption theme is “two protagonists: a youth in quest of adventures and a supernatural being . -
The Latin Reception of the De Gestis Britonum
Chapter 7 The Latin Reception of the De gestis Britonum Siân Echard Gerald of Wales famously skewered the veracity of Geoffrey of Monmouth’s his- tory in his story of Meilyr, an illiterate man who could spot falsehood, thanks to devils dancing on the offending tongues or pages. Meilyr’s tormentors could be driven away by the Gospel of John, but when a copy of the De gestis Britonum was placed on his lap, the devils returned in ever greater numbers. Gerald’s anecdote, written in his Itinerary Through Wales in the 1190s, is a witness to the incredible popularity of the DGB less than 50 years after Geoffrey’s death, and that popularity would only grow, as the story was taken up in the vernacular translations discussed in Chapter Eight. Gerald’s skepticism is of a piece with the reactions from other Latin authors dealt with in Chapter Six, but as the present chapter will show, the rise of Arthurian literature as a vernacular phe- nomenon, and the dismissal of Geoffrey’s work (and Arthur’s historicity) by some Anglo-Latin historians, give a potentially misleading impression about the importance that the DGB continued to have in the Latin tradition, well into the early modern period. First, while the centrality of the Arthuriad to the DGB cannot be overstated, Geoffrey is also responsible for promulgating several other highly popular and influential myths, of interest to both Latinate and vernacular readers in the Middle Ages and beyond; that is, Geoffrey’s impor- tance reaches beyond the Arthurian tradition. And second, while some Latin writers may have reacted negatively to Geoffrey’s work, others set about com- menting on it, supplementing it, and even writing their own Latin Arthurian narratives. -
The Logic of the Grail in Old French and Middle English Arthurian Romance
The Logic of the Grail in Old French and Middle English Arthurian Romance Submitted in part fulfilment of the degree of Doctor of Philosophy Martha Claire Baldon September 2017 Table of Contents Introduction ................................................................................................................................ 8 Introducing the Grail Quest ................................................................................................................ 9 The Grail Narratives ......................................................................................................................... 15 Grail Logic ........................................................................................................................................ 30 Medieval Forms of Argumentation .................................................................................................. 35 Literature Review ............................................................................................................................. 44 Narrative Structure and the Grail Texts ............................................................................................ 52 Conceptualising and Interpreting the Grail Quest ............................................................................ 64 Chapter I: Hermeneutic Progression: Sight, Knowledge, and Perception ............................... 78 Introduction ..................................................................................................................................... -
Scribal Authorship and the Writing of History in Medieval England / Matthew Fisher
Interventions: New Studies in Medieval Culture Ethan Knapp, Series Editor Scribal Authorship and the Writing of History in SMedieval England MATTHEW FISHER The Ohio State University Press • Columbus Copyright © 2012 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Fisher, Matthew, 1975– Scribal authorship and the writing of history in medieval England / Matthew Fisher. p. cm. — (Interventions : new studies in medieval culture) Includes bibliographical references and index. ISBN-13: 978-0-8142-1198-4 (cloth : alk. paper) ISBN-10: 0-8142-1198-4 (cloth : alk. paper) ISBN-13: 978-0-8142-9299-0 (cd) 1. Authorship—History—To 1500. 2. Scribes—England—History—To 1500. 3. Historiogra- phy—England. 4. Manuscripts, Medieval—England. I. Title. II. Series: Interventions : new studies in medieval culture. PN144.F57 2012 820.9'001—dc23 2012011441 Cover design by Jerry Dorris at Authorsupport.com Typesetting by Juliet Williams Type set in Adobe Minion Pro and ITC Cerigo Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 CONTENTS List of Abbreviations vi List of Illustrations vii Acknowledgments ix INTRODUCTION 1 ONE The Medieval Scribe 14 TWO Authority, Quotation, and English Historiography 59 THREE History’s Scribes—The Harley Scribe 100 FOUR The Auchinleck Manuscript and the Writing of History 146 EPILOGUE 188 Bibliography 193 Manuscript Index 213 General Index 215 ABBrEviationS ANTS Anglo-Norman Text Society BL British Library CUL Cambridge University Library EETS Early English Text Society (OS, Original Series, ES, Extra Series, SS Supplementary Series) LALME A Linguistic Atlas of Late Medieval English, ed. -
Female Arthurian Scholars: an Initial Collection of Tributes
JIAS 2019; 7(1): 3–41 Samantha J. Rayner* Female Arthurian Scholars: An Initial Collection of Tributes https://doi.org/10.1515/jias-2019-0002 When we sent out for help with a piece on female Arthurian scholars, we had no idea what a rich set of responses we would receive. What follows is an eclectic collection of over twenty short pieces on international female Arthurian schol- ars, past and present: some are very personal reminiscences, some more formal appreciations, but together they constitute the start of a wonderful bank of infor- mation recording the impact female scholars have made on our field. This is not a comprehensive, or selective, survey: we hope this initial chapter will be the inspi- ration for more submissions for future issues of JIAS, so we can continue to collect these histories. Please get in touch if you would like to offer an entry; meanwhile, we hope you enjoy this compendium, and send thanks to all our valiant contribu- tors who responded with such speed and enthusiasm to our SOS! Samantha Rayner ELIZABETH ARCHIBALD Elizabeth F. Archibald’s continuing contribution to the field of Arthurian studies is as rich as it is, in part, because it belongs to a larger contribution she is making to medieval studies generally. Also trained as a classicist, she is one of our most perspicacious readers of medieval Latin texts and traditions. Besides her mono- graph Apollonius of Tyre: Medieval and Renaissance Themes and Variations (Cam- bridge: D. S. Brewer, 1991), she has published on ancient romance, the Ruodlieb, and fifteenth-century macaronic poetry. -
Kandid a T Uppsa Ts
Engelska (61-90) 30 hp KANDIDAT A Harlot at Camelot Female Power and Sexuality in The Mists of Avalon UPPSATS Christine Arve Engelska 15 hp Halmstad 2016-12-29 Högskolan i Halmstad Spring 2016 School of Humanities English (61-90) Term paper, 15 credits A HARLOT AT CAMELOT FEMALE POWER AND SEXUALITY IN THE MISTS OF AVALON Author: Christine Arve Supervisor: Kristina Hildebrand Table of Contents Introduction ........................................................................................................................... 2 A Brief Background on the Author ..................................................................................... 2 1.2 Literature Review ......................................................................................................... 2 1.3 Theory and Definition of Terms.................................................................................... 2 1.3.1 Reader-response theory .......................................................................................... 2 1.3.2 Female sexuality ..................................................................................................... 2 2 Analysis.............................................................................................................................. 2 2.1 Women Defined by Relationships ................................................................................. 2 2.2 Women and the Obligation to Care for Others .............................................................. 2 2.3 Women as Objects and Posessions -
The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. -
THE INTERACTION BETWEEN LANDSCAPE and MYTH in the NOVELS of JOHN COWPER POWYS by GWYNETH F. MILES MA Bryn Mawr College, 196?
c . \ THE INTERACTION BETWEEN LANDSCAPE AND MYTH IN THE NOVELS OF JOHN COWPER POWYS by GWYNETH F. MILES M.A. Bryn Mawr College, 196? A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1973 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver 8, Canada i Abstract Powys' novels are deeply rooted in a sense of place; much of their conflict develops through the effect of a particular locality upon the characters who live there or come there. This thesis demonstrates how Powys' sense of place is com• pounded of both a feeling for the physical landscape, and an awareness of the historical and mythical traditions which form its human past. Powys finds correspondences between the scenery and legends of a locality and the psychological states of his personae, and thus uses landscape and myth for symbolic purposes. The interaction of myth and landscape largely creates the characteristic atmosphere of the five novels studied here.