John Galsworthy
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Study of John Galsworthy's Justice As a Realistic Exposure of the English
==================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 19:5 May 2019 India’s Higher Education Authority UGC Approved List of Journals Serial Number 49042 ==================================================================== Study of John Galsworthy’s Justice as a Realistic Exposure of the English Society Kailas Vijayrao Karnewar, M.A., NET College Road, Snehnagar, Vasmath Dist.- Hingoli. Pin- 431512 [email protected] ================================================================== Abstract John Galsworthy was an English playwright of 20th century. Alike G. B. Shaw he used drama as a vehicle for assigning communal criticism in each of his plays, he uncovered some social illness or other. John Galsworthy’s conception of drama is grounded on realism and general sense of morals. He supposed that drama is a noteworthy art form and capable of inspiring the attention and conveying consciousness of honorable ideologies in human life. Being a law graduate he was conscious of the severe restriction of a legalistic approach to men and matters. Galsworthy also becomes victim of rigid law and rigid society, since he was not married to his lover, Ada. In Justice he exposes all evil of the society like rigid divorce law, rigidity of society, solitary confinement and injustice done to prisoner. Galsworthy presented it by using naturalistic technique. Therefore, basic aim of this paper is to study the ills of English society which caused the demise of the main character Falder. Keywords: John Galsworthy, Justice, Realistic, English society, naturalistic technique, rigid law Introduction John Galsworthy is the best eminent problem writer and novelist in the 20th century. Like Bernard Shaw and his forerunner Ibsen, Galsworthy also presented some boiling problems or other in all his plays. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
The Moral Basis of Family Relationships in the Plays of Shakespeare and His Contemporaries: a Study in Renaissance Ideas
The Moral Basis of Family Relationships in the plays of Shakespeare and his Contemporaries: a Study in Renaissance Ideas. A submission for the degree of doctor of philosophy by Stephen David Collins. The Department of History of The University of York. June, 2016. ABSTRACT. Families transact their relationships in a number of ways. Alongside and in tension with the emotional and practical dealings of family life are factors of an essentially moral nature such as loyalty, gratitude, obedience, and altruism. Morality depends on ideas about how one should behave, so that, for example, deciding whether or not to save a brother's life by going to bed with his judge involves an ethical accountancy drawing on ideas of right and wrong. It is such ideas that are the focus of this study. It seeks to recover some of ethical assumptions which were in circulation in early modern England and which inform the plays of the period. A number of plays which dramatise family relationships are analysed from the imagined perspectives of original audiences whose intellectual and moral worlds are explored through specific dramatic situations. Plays are discussed as far as possible in terms of their language and plots, rather than of character, and the study is eclectic in its use of sources, though drawing largely on the extensive didactic and polemical writing on the family surviving from the period. Three aspects of family relationships are discussed: first, the shifting one between parents and children, second, that between siblings, and, third, one version of marriage, that of the remarriage of the bereaved. -
Notions of the Gothic in the Films of Alfred Hitchcock. CLARK, Dawn Karen
Notions of the Gothic in the films of Alfred Hitchcock. CLARK, Dawn Karen. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19471/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version CLARK, Dawn Karen. (2004). Notions of the Gothic in the films of Alfred Hitchcock. Masters, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE ProQuest Number: 10694352 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694352 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Notions of the Gothic in the Films of Alfred Hitchcock Dawn Karen Clark A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Master of Philosophy July 2004 Abstract The films of Alfred Hitchcock were made within the confines of the commercial film industries in Britain and the USA and related to popular cultural traditions such as the thriller and the spy story. -
The BBC Television Audience Research Reports, 1957-1979: Recorded Opinions and Invisible Expectations
The BBC Television Audience Research Reports, 1957-1979: recorded opinions and invisible expectations Article Accepted Version Smart, B. (2014) The BBC Television Audience Research Reports, 1957-1979: recorded opinions and invisible expectations. Historical Journal of Film, Radio and Television, 34 (3). pp. 452-462. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2014.937187 Available at http://centaur.reading.ac.uk/71886/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://dx.doi.org/10.1080/01439685.2014.937187 To link to this article DOI: http://dx.doi.org/10.1080/01439685.2014.937187 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online THE BBC TELEVISION AUDIENCE RESEARCH REPORTS, 1957-79: RECORDED OPINIONS AND INVISIBLE EXPECTATIONS. Dr Billy Smart Introduction Between the 1950s and the 1980s, the BBC’s internal Audience Research Unit compiled up to 700 Audience Research Reports for television per annum, attempting to cover the complete spectrum of BBC TV programming. This article considers the form, value and possible future application of this material, reflections inspired by my own use of the collection when researching BBC adaptations of theatrical classics in order to examine the use of space in these dramas in the 1970s; the locations that programmes were made in, the fictional settings represented onscreen, and viewers’ spatial understanding of these programmes. -
Morocco Quits Libya Treaty Over Criticism
MANCHESTER CONNECTICUT SPORTS MCC gears up Murray Gold gets Carter kills Sox; for another year 25-year sentence lead is cut to ZV2 |MIQ0 3 ... page 11 anrhratrrManchester — A City ol Village Charm linnlh ^ ^ 25 Cents A Claims Morocco quits get tough Libya treaty U scrutiny over criticism Insurance crisis R ABAT, Morocco (AP) — King endangers town Hassan’s meeting July 22-23 in Hassan II said in a letter released Ifrane with Israeli Prime Minister G Friday that he was abrogating a Shimon Peres. By George Loyng 1984 treaty of union with Libya ■'The terms of the Syrian-Libyan Herald Reporter ■ because of Col. Moammar Gadha- communique, published ... at the fi’s criticism of a meeting last end of the visit of (Syrian) When a Glastonbury couple month between Hassan and Israeli President Hafez el-Assad to Libya, notified the town of Manchester Prime Minister Shimon Peres. do not allow our country to earlier this month that they Hassan said in the letter written continue on the path of the union of intended to sue over injuries their Thursday to Gadhafi that the states instituted with your coun teenage son suffered while using a criticism contained in a joint try,” Hassan said in the letter. rope swing at the Buckingham Libyan-Syrian statement issued Hassan became the only Arab Reservoir, it made some officials the day before had reached "the head of state outside Egypt to meet angry. threshold of the intolerable." publicly with the head of the The boy, Matthew Lawrence, He said it was not possible to Jewish nation. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Simply-Hitchcock-1587911892. Print
Simply Hitchcock Simply Hitchcock DAVID STERRITT SIMPLY CHARLY NEW YORK Copyright © 2017 by David Sterritt Cover Illustration by Vladymyr Lukash Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-17-9 Brought to you by http://simplycharly.com Dedicated to Mikita, Jeremy and Tanya, Craig and Kim, and Oliver, of course Contents Praise for Simply Hitchcock ix Other Great Lives xiii Series Editor's Foreword xiv Preface xv Acknowledgements xix 1. Hitch 1 2. Silents Are Golden 21 3. Talkies, Theatricality, and the Low Ebb 37 4. The Classic Thriller Sextet 49 5. Hollywood 61 6. The Fabulous 1950s 96 7. From Psycho to Family Plot 123 8. Epilogue 145 End Notes 147 Suggested Reading 164 About the Author 167 A Word from the Publisher 168 Praise for Simply Hitchcock “With his customary style and brilliance, David Sterritt neatly unpacks Hitchcock’s long career with a sympathetic but sharply observant eye. As one of the cinema’s most perceptive critics, Sterritt is uniquely qualified to write this concise and compact volume, which is the best quick overview of Hitchcock’s work to date—written with both the cineaste and the general reader in mind. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
Statistics Concerning Printings of Galsworthy's Novels in Britain, Germany, Austria and France
Appendix: Statistics Concerning Printings of Galsworthy's Novels in Britain, Germany, Austria and France UNITED KINGDOM Mr Charles Pick, Managing Director, William Heinemann, and Mr R. Davies, Sales Manager, Penguin Books, provided the following information and figures. It is quite astonishing to note the number of copies of Galsworthy novels printed in recent years, compared with similar figures for other contemporary writers. On 11 November 1970, Mr Pick wrote: We have always had The Forsyte Saga, A Modern Comedy and End of the Chapter (the Forsyte trilogies) in print. Up to the time of the first showing of the TV series we were selling a steady 2,000/2,500 copies a year of the Forsyte Saga. Since 1 January 1967 we have sold 107,000 copies and 42,000 copies of A Modern Comedy and 28,000 copies of End of the Chapter. In addition Penguin have sold 1.8 million copies of the nine individual titles (we did not give them the trilogy rights). As a result of the increase in the reading of the Forsyte Chronicles, we have now put back into print as single volumes the following titles: Beyond, The Country House, The Dark Flower, Fraternity, The Island Pharisees, The Man of Property and Saint's Progress. I understand in other countries where the TV films were being shown, sales of the Forsyte Chronicles have been just as dramatic and all publishers seem to comment on the fact that young people have taken to reading Galsworthy again. 205 206 Appendix Penguin books (dates in brackets are those of the first Penguin editions) Title 1967 1968 1969 1970 -
Chronical Evaluation of John Galsworthy As a Modern Playwright
International Journal of Applied Research 2017; 3(3): 110-112 ISSN Print: 2394-7500 ISSN Online: 2394-5869 Impact Factor: 5.2 Chronical evaluation of John Galsworthy as a modern IJAR 2017; 3(3): 110-112 www.allresearchjournal.com playwright Received: 25-01-2017 Accepted: 27-02-2017 Shaurabh Dubey Shaurabh Dubey Lecturer -SD College, Kanpur Abstract University, Uttar Pradesh, India John Galsworthy is universally acclaimed as one of the most eminent playwrights in English drama. th Born in 1867, Galsworthy had firsthand experience of the socio-economic reality of both 19 as well as th 20 century, as he left the world for his heavenly abode in 1933. With his analytical mind and keen observation, Galsworthy could capture the inner essence of the reality behind the veil. He had the spirit of rebellion against the socio-economic inequalities, exploitation, hunger, the gulf between has and has not, the capitalist system, the uncaring attitude of society towards. The plight of the poor and miserable, and the sub-human working conditions of industrial workers. Keywords: Socio-economic inequalities, exploitation, industrial worker Introduction Owing to his attitude of championing the cause of the underdogs and the under-privileged sections of society, he has often been accused of being propagandist and a socialist. However, the fact is that Galsworthy was humanist whose heart and pen echoed the sorrows, miseries and pains of the poor and the helpless people in society. Galsworthy’s purpose as a playwright was not to propagate the socialist or communist ideas, but to create public awareness about the existence of unparadoxable wrong doing in society. -
1 Hp0103 Roy Ward Baker
HP0103 ROY WARD BAKER – Transcript. COPYRIGHT ACTT HISTORY PROJECT 1989 DATE 5th, 12th, 19th, 26th, October and 6th November 1989. A further recording dated 16th October 1996 is also included towards the end of this transcript. Roy Fowler suggests this was as a result of his regular lunches with Roy Ward Baker, at which they decided that some matters covered needed further detail. [DS 2017] Interviewer Roy Fowler [RF]. This transcript is not verbatim. SIDE 1 TAPE 1 RF: When and where were you born? RWB: London in 1916 in Hornsey. RF: Did your family have any connection with the business you ultimately entered? RWB: None whatsoever, no history of it in the family. RF: Was it an ambition on your part or was it an accidental entry eventually into films? How did you come into the business? RWB: I was fairly lucky in that I knew exactly what I wanted to do or at least I thought I did. At the age of something like fourteen I’d had rather a chequered upbringing in an educa- tional sense and lived in a lot of different places. I had been taken to see silent movies when I was a child It was obviously premature because usually I was carried out in scream- ing hysterics. There was one famous one called The Chess Player which was very dramatic and German and all that. I had no feeling for films. I had seen one or two Charlie Chaplin films which people showed at children's parties in those days on a 16mm projector.