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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Morocco Quits Libya Treaty Over Criticism
MANCHESTER CONNECTICUT SPORTS MCC gears up Murray Gold gets Carter kills Sox; for another year 25-year sentence lead is cut to ZV2 |MIQ0 3 ... page 11 anrhratrrManchester — A City ol Village Charm linnlh ^ ^ 25 Cents A Claims Morocco quits get tough Libya treaty U scrutiny over criticism Insurance crisis R ABAT, Morocco (AP) — King endangers town Hassan’s meeting July 22-23 in Hassan II said in a letter released Ifrane with Israeli Prime Minister G Friday that he was abrogating a Shimon Peres. By George Loyng 1984 treaty of union with Libya ■'The terms of the Syrian-Libyan Herald Reporter ■ because of Col. Moammar Gadha- communique, published ... at the fi’s criticism of a meeting last end of the visit of (Syrian) When a Glastonbury couple month between Hassan and Israeli President Hafez el-Assad to Libya, notified the town of Manchester Prime Minister Shimon Peres. do not allow our country to earlier this month that they Hassan said in the letter written continue on the path of the union of intended to sue over injuries their Thursday to Gadhafi that the states instituted with your coun teenage son suffered while using a criticism contained in a joint try,” Hassan said in the letter. rope swing at the Buckingham Libyan-Syrian statement issued Hassan became the only Arab Reservoir, it made some officials the day before had reached "the head of state outside Egypt to meet angry. threshold of the intolerable." publicly with the head of the The boy, Matthew Lawrence, He said it was not possible to Jewish nation. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
1 Hp0103 Roy Ward Baker
HP0103 ROY WARD BAKER – Transcript. COPYRIGHT ACTT HISTORY PROJECT 1989 DATE 5th, 12th, 19th, 26th, October and 6th November 1989. A further recording dated 16th October 1996 is also included towards the end of this transcript. Roy Fowler suggests this was as a result of his regular lunches with Roy Ward Baker, at which they decided that some matters covered needed further detail. [DS 2017] Interviewer Roy Fowler [RF]. This transcript is not verbatim. SIDE 1 TAPE 1 RF: When and where were you born? RWB: London in 1916 in Hornsey. RF: Did your family have any connection with the business you ultimately entered? RWB: None whatsoever, no history of it in the family. RF: Was it an ambition on your part or was it an accidental entry eventually into films? How did you come into the business? RWB: I was fairly lucky in that I knew exactly what I wanted to do or at least I thought I did. At the age of something like fourteen I’d had rather a chequered upbringing in an educa- tional sense and lived in a lot of different places. I had been taken to see silent movies when I was a child It was obviously premature because usually I was carried out in scream- ing hysterics. There was one famous one called The Chess Player which was very dramatic and German and all that. I had no feeling for films. I had seen one or two Charlie Chaplin films which people showed at children's parties in those days on a 16mm projector. -
British Nineteenth-Century Literature and the Hollywood Studio
ADAPTATION AS AN INTERTEXTUAL MODE OF PRACTICE: British Nineteenth-Century Literature and the Hollywood Studio Era Penny Chalk BA (Hons), MA This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth April 2018 1 DECLARATION While registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in the thesis are the work of the named candidate and have not been submitted for any other academic award. Signed……………………………………… Date…………………………………… Total word count 71,051 i ABSTRACT This thesis is an interdisciplinary study of adaptations produced in the Hollywood studio era, focussing on British nineteenth-century literature adapted between the years 1930 to 1949. Based on the critical fields of adaptation criticism and historical scholarship of film, it emphasizes adaptations in relation to production practices, examining how and why a range of British literary texts were adapted in this era. The study uses a specially-created dataset collected from the American Film Institute Catalog of Motion Pictures, and archival evidence from the Margaret Herrick library, New York Public Library and British Film Institute. The introductory chapter provides an overview of the period, considering the impact of economic constraints, censorship, and war. This chapter argues that adaptations were an integral part of the industry in this period, driving innovation and production trends. Following this overview of the period, five case studies are presented in order to consider the diverse range of strategies employed in the adaptation of literary texts. -
Catalog 033 Adstoyscoinopp
September 19 & 20 2015 • I II • Potter & Potter Auctions Public Auction #033 Advertising, Toys Coin-Op, and Posters Including Vending, Arcade, Slot, and Gum Machines; Vintage Chewing Gum Advertising; Circus Posters and Ephemera; Movie Posters & Memorabilia; Autographs, Photographs and Ephemera; Vintage Battery-Operated and Wind-Up Toys, Puzzles, and Vent Figures; Porcelain and Trade Signs, Vintage Advertising, Antiques, and Miscellaneous Collectibles Auction September 19 & 20 2015 v 10:00 Am Exhibition Sept 14 - 18 2015 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 1 3 4 5 6 2 7 2 • Potter & Potter Auctions 8 SESSION ONE - SEPTEMBER 19, 2015 AT 10AM CINEMA - BROADSIDES 5. Town Hall Hartlepool. Theatrical broadside (35 x 11”) 1. Argyle Theatre of Varieties. Liverpool, England: S. Griffith, for September 16, 1907, in a film exhibition by the Excelsior Printer, 1897. Theatrical letterpress broadside (30 x 10”) Animated Picture Company, including The Giant Cunard Liner advertising “The Marvel of the Century” – Edison’s latest Lusitania, released several years before the vessel was sunk; La Novelty: the Autograph, Life Size Pictures, 20 feet square. Ten Milo; and Life in the Sandwich Islands, a Hawaiian documentary; different Edison movies advertised. Edge-wear with some plus others. Very good condition except for edge chips not darkening, linen backed. B. affecting printed image. Linen mounted. B. 150/200 200/300 2. Palladium News Theatre. Hartlepool, England: F. W. Mason 6. Town Hall Hartlepool. Theatrical broadside (35 x 11”) for the Printer, ca. -
1942 – the “Year of Greer”
Greer Garson: “The Great Story of a Great Woman!” Gallant ladies, and British wartime femininity. Hannah Hamad During the first half of the 1940s Greer Garson was a star with extraordinarily high visibility, appeal and timely cultural resonance. Audiences responded enthusiastically to her persona and its dominant characteristics that seemed to embody home front fortitude and resilience, and which struck such a resonant chord during wartime, that Garson and the iconic character she played in Mrs Miniver (1942), came to epitomize England and womanhood to enormous success on both sides of the Atlantic. Garson’s persona was so of its time and context, that it both rose and fell in line with the start and end of World War II. “Metro’s Glorified Mrs” – The construction and success of Greer Garson’s persona. There are a handful of words and phrases that crop up time and again in the innumerable discussions of Greer Garson and her stardom that have appeared in print since her small but star making turn as Katherine Chipping in her inaugural screen role in Goodbye Mr Chips (1939). Through latter day retrospectives and the myriad obituaries that followed her death in 1996, Garson continues to be described as gracious, poised, dignified, gallant, self-sacrificing, a great lady, the perfect wife and mother, and lovely. In fact, Bosley Crowther, the New York Times film critic throughout the 1940s described Greer Garson as “lovely” in his reviews of her films on six consecutive occasions from Pride and Prejudice (1940) onwards up to and including Random Harvest (1942). (Crowther 1939, 33; 1940, 19; 1941a 14; 1941b 19; 1942a, 23; 1942b, 36). -
John Galsworthy
Bibliothèque Nobel 1932 Bernhard Zweifel John Galsworthy Year of Birth 1867 Year of Death 1933 Language Englisch Award for his distinguished art of narration which Justification: takes its highest form in The Forsyte Saga Supplemental Information Secondary Literature - Helmut Singer & Herbert Hager, A Selection from English Literature 1500 1950, S. 113 (1960) - H.V. Marrot, The Life and Letters of John Galsworthy (1935) - V. Dupont, John Galsworthy (1942) - R.H. Mottram, John Galsworthy (1953) - D. Baker, The Man of Principal (1963) - N. Croman, John Galsworthy (1970) - C. Dupré, John Galsworthy (1976) - R.H. Cotes, John Galsworthy as Dramatic Artist (1978) - A. Frechet, John Galsworthy (1982) - F.A. Mooty, The Language and Style of John Galsworthy (1982) - J. Gindin, John Galsworthy's Life and Art (1987) - S.V. Sternlicht, John Galsworthy (1987) Movie - The Forsyte Saga, That Forsyte Woman (1949), dir. by Compton Bennett; highly popular television drama in 26 parts was made in 1967, and influenced novelizations of the 1970s. Adaptor Lennox Philips, dir. by James Cellan Jones, David Giles. - The Skin Game, 1931, adapted and dir. by Alfred Hitchcock, starring VC France, Helen Haye, Jill Esmond, Edmund Gwenn, John Longden. - "This movie now seems little more than a curio, despite the themes of class warfare and land rights still being as relevant as ever. It just seems very clear that Hitchcock was terminally bored while making this film, and it's a great shame that his audience ends up equally bored for most of the time, too." (Paul Condon and Jim Sangster in The Complete Hitchcock, 1999) - Escape. 1930; 1948, dir. -
360 Degrees of Oscar
2020 SCHEDULE 360 Degrees of Oscar Saturday, February 1 6:00 AM The Entertainer (1960) (Laurence Olivier) 7:45 AM Wuthering Heights (1939) (Flora Robson) 9:30 AM Caesar and Cleopatra (1945) (Leo Genn) 11:45 AM Quo Vadis (1951) (Peter Ustinov) 2:45 PM Billy Budd (1962) (Terence Stamp) 5:00 PM Far From the Madding Crowd (1967) (Julie Christie) 8:00 PM Doctor Zhivago (1965) (Omar Sharif) 11:30 PM Funny Girl (1968) (Barbra Streisand) 2:15 AM The Way We Were (1973) (Robert Redford) 4:30 AM The Candidate (1972) (Melvyn Douglas) Sunday, February 2 6:30 AM Ninotchka (1939) (Richard Carle) 8:30 AM Morning Glory (1933) (C. Aubrey Smith) 10:00 AM Dr. Jekyll and Mr. Hyde (1941) (Barton MacLane) 12:00 PM The Maltese Falcon (1941) (Mary Astor) 2:00 PM Little Women (1949) (Elizabeth Taylor) 4:15 PM Lassie Come Home (1943) (Donald Crisp) 6:00 PM The Private Lives of Elizabeth and Essex (1939) (Errol Flynn) 8:00 PM The Adventures of Robin Hood (1938) (Olivia de Havilland) 10:00 PM Hold Back the Dawn (1941) (Charles Boyer) 12:15 AM All This, And Heaven Too (1940) (Bette Davis) 2:45 AM Dark Victory (1939) (George Brent) 4:45 AM 42nd Street (1933) (Una Merkel) 2020 SCHEDULE Monday, February 3 6:30 AM Born to Dance (1936) (Buddy Ebsen) 8:30 AM Broadway Melody of 1936 (1936) (Eleanor Powell) 10:45 AM Lady Be Good (1941) (Red Skelton) 12:45 PM Neptune's Daughter (1949) (Betty Garrett) 2:30 PM On the Town (1949) (Frank Sinatra) 4:15 PM The Tender Trap (1955) (Carolyn Jones) 6:15 PM The Bachelor Party (1957) (Don Murray) 8:00 PM Bus Stop (1956) (Marilyn Monroe) -
Titolo Anno Imdb ...All the Marbles 01/01/1981 10,000 Bc
TITOLO ANNO IMDB ...ALL THE MARBLES 01/01/1981 10,000 BC 01/01/2008 11TH HOUR 01/03/2008 15 MINUTES 01/01/2001 20,000 YEARS IN SING SING 01/01/1933 2001: A SPACE ODYSSEY 01/01/1968 2010 01/01/1984 3 MEN IN WHITE 01/01/1944 300 01/06/2007 300: RISE OF AN EMPIRE 01/05/2014 36 HOURS 01/01/1965 42 01/07/2013 42ND STREET 01/01/1933 50 MILLION FRENCHMEN 01/01/1931 6 DAY BIKE RIDER 01/01/1934 6,000 ENEMIES 01/01/1939 7 FACES OF DR. LAO 01/01/1964 7 WOMEN 01/01/1966 8 SECONDS 01/01/1994 A BIG HAND FOR THE LITTLE LADY 01/01/1966 A CERTAIN YOUNG MAN 01/01/1928 A CHILD IS BORN 01/01/1940 A CHRISTMAS CAROL 01/01/1938 A CHRISTMAS STORY 01/01/1983 A CINDERELLA STORY 01/02/2005 A CLOCKWORK ORANGE 01/01/2013 A COVENANT WITH DEATH 01/01/1967 A DATE WITH JUDY 01/01/1948 A DAY AT THE RACES 01/01/1937 A DISPATCH FROM REUTER'S 01/01/1940 A DISTANT TRUMPET 01/01/1964 A DOLPHIN TALE 01/03/2012 A DREAM OF KINGS 01/01/1970 A FACE IN THE CROWD 01/01/1957 A FAMILY AFFAIR 01/01/1937 A FAN'S NOTES 01/01/1972 A FEVER IN THE BLOOD 01/01/1961 A FINE MADNESS 01/01/1966 A FREE SOUL 01/01/1931 A FUGITIVE FROM JUSTICE 01/01/1940 A GLOBAL AFFAIR 01/01/1964 A GUY NAMED JOE 01/01/1943 A KISS IN THE DARK 01/01/1949 A LA SOMBRA DEL PUENTE 01/01/1948 A LADY OF CHANCE 01/01/1928 A LADY WITHOUT PASSPORT 01/01/1950 A LADY'S MORALS 01/01/1930 A LETTER FOR EVIE 01/01/1946 A LIFE OF HER OWN 01/01/1950 A LION IS IN THE STREETS 01/01/1953 A LITTLE JOURNEY 01/01/1927 A LITTLE PRINCESS 01/01/1995 A LITTLE ROMANCE 01/01/1979 A LOST LADY 01/01/1934 A MAJORITY OF ONE 01/01/1962 A MAN AND -
BY JOHN GALSWORTHY the NEW BBC RADIO 4 FULL-CAST ADAPTATION the Forsytes John Galsworthy
About BBC Audio For over 90 years the BBC’s radio drama, comedy Radio drama has also breathed fresh life into and talks programmes have been the envy of the the works of some of our most popular and world. Each day the output of BBC Radio 4, BBC significant writers including William Shakespeare, Radio 4 Extra and the BBC World Service delights Agatha Christie, Anthony Trollope, Arthur Conan and informs listeners all around the globe. Since Doyle, Samuel Pepys and Alan Bennett. Many the 1960s the very best of BBC radio’s spoken of those productions can now be bought and word output has been available to own, first on enjoyed anywhere, time after time, so that your record and cassette and now on CD and digital companions in travel and adventure may include download. In addition to its extensive backlist Hercule Poirot, Sherlock Holmes, Miss Marple, catalogue, BBC Audio continues to publish a wide Charles Paris or the estimable Paul Temple. range of entertainment drawn from recent radio programming and the BBC archive. If history, science and culture interest you, some of the finest factual radio epics of recent years Situation comedy from a golden bygone age, such include A History of the World in 100 Objects, This as Hancock’s Half Hour, The Goon Show, Round the Sceptred Isle and Germany - Memories of a Nation. Horne and Dad’s Army, is joined by more recent The many facets of our global cultural life are hits such as Cabin Pressure, Ed Reardon’s Week and explored in A History of Childhood, The Making Gloomsbury.