DOCSLIB.ORG

Where We Read: a Project by Amir Zaki Artist Amir Zaki Is Curious About Where We Read and How We See Our Personal Environment Afer Being Engrossed in a Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Where We Read: a Project by Amir Zaki Artist Amir Zaki Is Curious About Where We Read and How We See Our Personal Environment Afer Being Engrossed in a Book Search Tumblr where-we-read Log in SignFollow up Trending Blogs Trending Sta Picks More a Follow A 1 black lives 3 bts 5 ateez maer #blackpink i #blm #stray kids Follow #blacklivesmaer i euro seventeen l 2 stop asian hate 4 6 Follow #asian lives 2020 L maer #black #soccer #spain li Follow T ollow insomniac-dot-ink Follow quotemadness Follow Show more the goal of hoarding notebooks as a blogs writer is not to USE theWhere notebooks but WeThe Read: concern A is the to feel like they could be used, a mental bolstering tacticProject such as byrelationship Amir Zaki to dragons collecting gold but never Curate your spending it. Artist Amir Zaki is curious aboutlife. where we read and howown we see our personal environment aer being engrossed in a book. His posts Dashboard #writeblr #writingproject Where We Read, commissionedSören Kierkegaard by the Orange County Mu- You’ll never be #writing memesseum #jokes of Art, gathers pairs of photographs from the public to ex- chell #glados bored again. Source: quotemadness.com 4,918 notes #Sören Kierkegaard #quotesSign me up #quote #lit #literature mobpsycho100 Follow 272 notes ets Follow Change Palee tiktoksthataregood-is Follow h #gif #devilman 449 notes mes #funny where-we-read Follow me #memes #tweet tinsnip Follow comedy When we’re new to llow adulthood, it doesn’t immediately occur to all of n with a horribly owe everything i us that you’re almost ity and being a always allowed to leave a . the trans girl i teaching me how situation, because growing ause my dad up we’re forced to stay in h friend giving me situations until someone to look and act ays to flirt with dismisses us and/or takes ng them feel us home, or if we do leave e queer women Where We Read: A cate for my name on our own accord there’s school and someone waitingProject at home by Amircatasters ZakiFollow clothing with a Artist Amir Zaki is curious about where we read and how we see n friend in to say “we don’t quit in this our personal environment aer being engrossed in a book. His the man i am family!” Boring party? You #tiktok #videos #video #tiktoks project Where We Read, commissioned by the Orange County Mu- eer women in my #meme #high pitch sound #1k can leave.seum You of don’t Art, gathers like pairs of photographs from the public to ex- queer women ily #2k #5k the lecture? You can walk 6,299 notes out. New doctor not working out? You can end the appointment, you don’t w need to waitExpand for them to #adulthood #took me ages to realize this #i was definitely an adult and still didn't quite get that i could just... not 28,793 notes Source: pin.it #cat #animals #funny #pets #meow #cats #lol #cute 3,067 notes where-we-read Follow nny #pets #cute Where We Read: A Project by Amir Zaki Artist Amir Zaki is curious about where we read and how we see our personal environment aer being engrossed in a book. His project Where We Read, commissioned by the Orange County Mu- seum of Art, gathers pairs of photographs from the public to ex-.
Load more

Recommended publications
  • K-Pop: South Korea and International Relations S1840797
    Eliana Maria Pia Satriano [email protected] s1840797 Word count: 12534 Title: K-pop: South Korea and International Relations s1840797 Table of Contents: 1. Chapter 1 K-pop and International Relations………………………………..……..…..3-12 1.1 Introduction ……………………………………………………………………..…..3-5 1.2 K-pop: from the National to the International Market: The History of K-pop………5-6 1.3 The Drivers Behind the K-pop Industry..………………………………….….….…6-10 1.4 The Involvement of the South Korean Government with Cultural Industries.…… 10-12 2. Chapter 2 Soft Power and Diplomacy, Music and Politics ……………………………13-17 2.1 The Interaction of Culture and Politics: Soft Power and Diplomacy………………13-15 2.2 Music and Politics - K-pop and Politics……………………………………………15-17 3. Chapter 3 Methodology and the Case Study of BTS……………………………..……18-22 3.1 Methodology………………………………………………………………….……18-19 3.2 K-Pop and BTS……………………………………………………………….……19-20 3.3 Who is BTS?………………………………………………………………….……20-22 3.4 BTS - Beyond Korea……………………………………………………………….…22 4. Chapter 4 Analysis ……………………………………………………….…….…….. 23-38 4.1 One Dream One Korea and Inter-Korea Summit……….…………………..……..23-27 4.2 BTS - Love Myself and Generation Unlimited Campaign…………………….…..27-32 4.3 Korea -France Friendship Concert..………………………………………..….…..33-35 4.4 Award of Cultural Merit…………………………………………….………….…..35-37 4.5 Discussion and Conclusion…………………………………………………….…..37-38 Bibliography…………………………………………………………………………….….39-47 !2 s1840797 CHAPTER 1: K-pop and International Relations (Seventeen 2017) 1.1 Introduction: South Korea, despite its problematic past, has undergone a fast development in the past decades and is now regarded as one of the most developed nations. A large part of its development comes from the growth of Korean popular culture, mostly known as Hallyu (Korean Wave).
    [Show full text]
  • JYP Entertainment (035900 KQ ) a Safer Alternative
    JYP Entertainment (035900 KQ ) A safer alternative Entertainment Maintain Buy and TP of W46,500 Results Comment We maintain our Buy call and target price of W46,500 on JYP Entertainment. Following a prolonged period of weakness, profits have been gradually improving , driven by the March 12, 2019 launch of a series of successful artists since 2016. We think the recent successful debut of ITZY is likely to further sustain the period of profit improvement. At a time when a number of risks related to entertainment stocks have come into focus, we believe JYP Entertainment will gain attention as a relatively safe bet, given: 1) (Maintain) Buy the profitability of its existing lineup; 2) new artists’ growing fan bases; 3) upcoming local artist debuts; and 4) sector-wide effects of the expansion of global platforms. Target Price (12M, W) 46,500 4Q18 review: In line with expectations Share Price (03/11/19, W) 31,200 For 4Q18, JYP Entertainment reported consolidated revenue of W36.3bn (+5.9% YoY) and operating profit of W9.9bn (+29.4% YoY). Contrary to recent market concerns, operating profit was broadly in line with our estimate (W10.7bn) and the consensus (W8.6bn). Expected Return 49% Revenue from global platforms such as YouTube also continued robust growth. For album revenue, the company recognized domestic sales of 95 0,000 copies, led by OP (18P, Wbn) 29 TWICE (560,000 copies), GOT7 (210,000 copies), and Stray Kids (one year since debut; Consensus OP (18F, Wbn) 28 130,000 copies). For TWICE’s Japanese concerts (about which there were uncertainties regarding the timing of revenue recognition), the company recognized revenue for the EPS Growth (18P, %) 45.2 May-June shows (four arena concerts) in 4Q18.
    [Show full text]
  • Kata Pengantar
    KATA PENGANTAR Puji syukur atas kehadirat Allah SWT atas segala rahmat dan karunianya yang diberikan pada peneliti, sehingga peneliti dapat menyelesaikan laporan Skripsi ini yang merupakan salah bagian dari mata kuliah dan syarat kelulusan pada studi Strata- 1 (S1) Fakultas Ilmu Komunikasi, Universitas Esa Unggul. Dalam menyusun laporan Skripsi ini, banyak pihak yang membantu, mendukung serta memberikan bimbingan kepada peneliti. Oleh karena itu peneliti mengucapkan terimakasih kepada: 1. Allah SWT yang selalu memberkahi setiap langkah peneliti dalam mengerjakan tugas-tugas kuliah dan selalu memberikan yang terbaik untuk peneliti. 2. Orang tua peneliti. Abah & mama yang selalu mendukung financial dalam kelancaran kuliah serta selalu memanjatkan doa untuk peneliti kepada Allah SWT. 3. Terimakasih kepada seluruh pihak Universitas Esa Unggul dan seluruh pihak Fakultas Ilmu Komunikasi yang pernah membantu peneliti untuk mempermudah proses dan memberikan materi di kelas sebagai acuan dalam penelitian ini. 4. Dosen pembimbing peneliti yaitu Ibu Euis Nurul Bahriyah, SE, M.Si terimakasih ibu sudah mau membimbing peneliti dalam menyelesaikan tugas akhir ini. 5. Terimakasih kepada sahabat-sahabat peneliti dan teman-teman Fikom angkatan 2014 yang secara bersama-sama kita berjuang disetiap tugas-tugas ii mulai dari tugas di kelas hingga kita sampai di tugas akhir ini. Banyak pengalaman yang peneliti dapatkan diantara kita satu sama lain. 6. Terimakasih kepada seluruh staff PT. Indosiar Visual Mandiri, terutama Bapak Nurohmat, Bapak Jaya, dan Ibu Aliyah yang berada di divisi Acquition, Bapak Hero selaku HRD yang memberikan kesempatan kepada peneliti untuk magang di Indosiar selama 3 bulan sehingga memberikan pengalaman kerja yang berarti bagi peneliti secara pribadi selain untuk memenuhi tugas Kuliah Kerja Praktek yang merupakan syarat awal sebelum menuju Skripsi.
    [Show full text]
  • Gender Discrimination in the K-Pop Industry
    Journal of International Women's Studies Volume 22 Issue 7 Gendering the Labor Market: Women’s Article 2 Struggles in the Global Labor Force July 2021 Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry Liz Jonas Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Jonas, Liz (2021). Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry. Journal of International Women's Studies, 22(7), 3-18. Available at: https://vc.bridgew.edu/jiws/vol22/iss7/2 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2021 Journal of International Women’s Studies. Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry By Liz Jonas1 Abstract This paper explores the ways in which the idol industry portrays male and female bodies through the comparison of idol groups and the dominant ways in which they are marketed to the public. A key difference is the absence or presence of agency. Whereas boy group content may market towards the female gaze, their content is crafted by a largely male creative staff or the idols themselves, affording the idols agency over their choices or placing them in power holding positions. Contrasted, girl groups are marketed towards the male gaze, by a largely male creative staff and with less idols participating.
    [Show full text]
  • JYP Entertainment (035900.KS) BUY / TP KRW 46,500 November 22, 2018
    Company Note JYP Entertainment (035900.KS) BUY / TP KRW 46,500 November 22, 2018 Leisure/Entertainment/Small-Cap Peter Yoo +822-3787-2574 [email protected] Localization strategy to win more hearts Share price (KRW, Nov 21) 33,500 1) Investment highlights Upside (%) 39.4 - We initiate coverage of JYP with BUY and a target price of KRW46,500. Market cap (KRW bn) 1,178 - The agency’s most popular girl group Twice will pick up activities globally, starting with the Japanese Shares outstanding (’000) 35,327 dome tour. Paid-in capital (KRW bn)/ Face value (KRW) 17/500 - JYP is prepping for the debut of a girl group in Korea, another girl group in Japan, and a boy group in 52-week high/low (KRW) 39,150/10,500 China next year. 60-day avg. daily T/O (KRW bn) 33 - A contract with global music distributor Orchard means growth in digital music sales overseas. Foreign ownership (%) 10.75 Major shareholders (%) Park Jin young and 3 2) Major issues and earnings outlook persons 18.38 - Twice is scheduled to begin the dome tour in Japan in 1Q19. Previously, other popular girl acts such as Price performance 1M 3M 6M Kara and Girl’s Generation were able to fill the Japanese domes but it is notable that Twice achieved Absolute (%) -12.0 16.4 50.9 such a milestone so quickly. Twice will also begin the US leg of the tour next year. Relative (%p) -6.3 31.7 89.3 - Several girl and boy groups are slated to debut in 1Q19 in various countries: a girl group in Korea, K-IFRS, consolidated another girl group in Japan, and a boy group in China.
    [Show full text]
  • © Copyright 2020 Young Dae
    © Copyright 2020 Young Dae Kim The Pursuit of Modernity: The Evolution of Korean Popular Music in the Age of Globalization Young Dae Kim A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2020 Reading Committee: Shannon Dudley, Chair Clark Sorensen Christina Sunardi Program Authorized to Offer Degree: Music University of Washington Abstract The Pursuit of Modernity: The Evolution of Korean Popular Music in the Age of Globalization Young Dae Kim Chair of the Supervisory Committee: Shannon Dudley School of Music This dissertation examines the various meanings of modernity in the history of Korean pop music, focusing on several crucial turning points in the development of K-pop. Since the late 1980s, Korean pop music has aspired to be a more advanced industry and establish an international presence, based on the economic leap and democratization as a springboard. Contemporary K-pop, originating from the underground dance scene in the 1980s, succeeded in transforming Korean pop music into a modern and youth-oriented genre with a new style dubbed "rap/dance music." The rise of dance music changed the landscape of Korean popular music and became the cornerstone of the K-pop idol music. In the era of globalization, K-pop’s unique aesthetics and strategy, later termed “Cultural Technology,” achieved substantial returns in the international market. Throughout this evolution, Korean Americans were vital players who brought K-pop closer to its mission of modern and international pop music. In the age of globalization, K-pop's modernity and identity are evolving in a new way.
    [Show full text]
  • Santa Fe Discussion Group
    WEEK 3 TS62 Newsletter SANTA FE DISCUSSION GROUP 23-30 JUNE 2019 BREWSTER ACADEMY The Brown center...............................................1 Farewell P'Arun.................................................3 The mock Thanksgiving......................................4 Boston trip........................................................6 Wombat TS talk.................................................7 HOWDY! P'Purim................................................8 MONDAY JUNE,24TH THE BROWNE CENTER The part of University of New Hampshire WHAT WE DID... at the Browne Center On Monday 24th June, we went to the Browne Center for our recreation time. We developed leadership skills, creativity, and unity by doing group activities and adventure activities such as climbing the ropes course, together. EXPLORE WHAT'S INSIDE THIS ISSUE: Taking interior design photos - 3 1 2 Q: Do you have anything to tell all TS62? A: It’s been very fun to get to know all of you Farewell guys over 2 and a half weeks. You guys are very fun, intelligent and interesting people with a lot of fascinating thoughts, majors and passion. I want to let you know that you will P'Arun be together for a long time, so make sure you are friends with everyone here and go to talk with them because this is a family. Nobody in LEFT FOR ENGLAND prep schools or Thailand will know much about TS and nobody will understand what TS Q: Why did you decide to become a TA here goes through. You will go through a lot of at Brewster? problems in prep schools, and these are the A: It was such a wonderful 3 months in my life people you’ll get to talk to and become very last year at Brewster, so I wanted to come close to one another.
    [Show full text]
  • JYP Entertainment (035900.KQ) BUY / TP KRW46,500 March 13, 2019 Leisure/Entertainment/Small-Cap Peter Yoo +822-3787-2574 [email protected]
    Company Note JYP Entertainment (035900.KQ) BUY / TP KRW46,500 March 13, 2019 Leisure/Entertainment/Small-Cap Peter Yoo +822-3787-2574 [email protected] Strong 4Q18 results Share price (KRW, Mar 12) 29,950 1) Investment highlights Upside (%) 55.3 - We maintain BUY and our target price of KRW46,500 on JYP Entertainment. Market cap (KRW bn) 1,060 - Earnings from Japan, which we initially thought would be carried forward to 1Q19, were recognized in Shares outstanding (’000) 35,394 4Q18. Paid-in capital (KRW bn)/ Face value (KRW) 17/500 - JYP’s new girl group Itzy will start to monetize in 2020. 52-week high/low (KRW) 39,150/19,050 - Twice will begin a Japanese dome tour while GOT7 and Stray Kids pick up activities overseas. 60-day avg. daily T/O (KRW bn) 20 Foreign ownership (%) 12.41 2) Major issues and earnings outlook Major shareholders (%) Park Jin young and 4 - JYP posted 4Q18 sales of KRW36bn (+4.8% YoY) and operating profit of KRW9.8bn (+29% YoY), which others 18.44 was higher than market expectations. Price performance 1M 3M 6M - Album sales of 950K units (Twice and GOT7) were recognized in 4Q18. The four concerts that Twice had Absolute (%) 1.2 -2.1 -11.8 in Japan in May and June were also recognized, unlike the initial forecast which would have recognized Relative (%p) -2.1 -12.3 -3.4 them in 1Q19. Sales from YouTube stood at KRW800mn in 4Q18; for the full year, it surged 80% YoY to K-IFRS, consolidated KRW3.6bn from KRW2bn in 2017.
    [Show full text]
  • GPMS Gazette March, 2019
    The Official Newsletter of Gregory-Portland Middle School: Home of the World’s Greatest Students! Academic UIL winners: Brodie Mitchel, Diego Aguillon, Adrian Galvan, Natalie DeLeon, Emma Denton & Erin Ebers. More details inside! Photo by Brooke Moreno Visit www.g-pisd.org/gpms/community to view, GPMS Gazette download, and/or print your own copies in… March, 2019 Brought to you by students in the GPMS Press Corps! Jonathon Martinez Executive Editor March “color” by Jessie Riojas GPMS NEWS News Editor: Faith Pitts (with help from Toonie, the Press Corps Broonie) Math Counts By Melany Castillo Photos provided by Collen Johnson 3rd-place winners (left-to-right, above) Lleyton Davidson, Elisabeth Miller, Eli Gerick and Elena Miller represented GPMS at the February 2, 2019 Math Counts meet. The team was selected by Mrs. Biediger, and some volunteered. The team can only have 4 students. Mrs. Biediger selected them from her UIL team. There were additional students who went to the November practice round. Eight students participated in the practice meet last fall. (Continued on next page) (Math Counts, continued from previous page) The Nueces Chapter of the Texas Society of Professional Engineers and some local companies sponsor the event each year to challenge 6th-8th grade students with engineering-type problem solving. The competition consists of several different tests and a team test, like the UIL Math competitions. Currently they provide a stipend of up to $500 each competition year to up to two teachers per school for attendance at a free workshop in the fall with continuing education credits ($100), the practice ($200) and the competition ($200).
    [Show full text]
  • Lotte Duty Free Launches New Video for Its "Let's Do Something Fun" Campaign
    Lotte Duty Free launches new video for its "Let's Do Something Fun" campaign By Elena Owyong on July, 22 2019 | Retailers Lotte Duty Free’s "Let's Do Something Fun" new campaign video features singer Hwang Chi-yeol who is one of the retailer’s ambassadors Lotte Duty Free has released a new marketing video for its “Let’s Do Something Fun” campaign to strengthen its customer engagement. The new campaign video, consisting of a total of nine episodes, including the teaser, is released once every two weeks from July 2 to October 22. The video features Lotte Duty Free ambassadors such as TWICE, EXO, Hwang Chi-yeol, Ji Chang-wook, Stray Kids and ITZY. All the campaign videos will be produced in four languages – Korean, Chinese, English and Japanese. They will be released simultaneously on various on and offline channels, including Lotte’s YouTube channel "LDF TV", Facebook page and major theaters in downtown Seoul. In addition, Lotte Duty Free will also be hosting video-related quiz events to encourage customer participation. The video is a continuation of Lotte Duty Free’s effort to better engage its overseas customers. Starting this year, Lotte Duty Free has added the English 'Let's Do Something Fun' and Chinese '乐多福, Le Duo Fu' slogans as part of its global marketing efforts. 1 Copyright DutyFree Magazine. All rights reserved. Lotte DutyFree has added the English 'Let's Do Something Fun' and Chinese '乐多福, Le Duo Fu' slogans as part of its global marketing efforts On May 4, Lotte Duty Free invited 60 famous local and overseas influencers to promote the Korean tourism industry through real-time broadcasts during various events, including the Lotte World Tower Fireworks Festival.
    [Show full text]
  • August 2021 MTV Japan Grid 2021/6/23
    August 2021 MTV Japan Grid 2021/6/23 Mon 7/26 Tue 7/27 Wed 7/28 Thu 7/29 Fri 7/30 Sat 7/31 Sun 8/1 6:00 6:00 Otona no Seishun Meikyoku BAR (Re) 7:00 7:00 8:00 8:00 9:00 9:00 KARAOKEE Top50 (P) 10:00 10:00 11:00 11:00 12:00 12:00 13:00 13:00 14:00 14:00 15:00 15:00 16:00 16:00 MTV 40th Anniv. BEST HIT SPECIAL 17:00 1981-2021 17:00 (P) 18:00 18:00 19:00 19:00 20:00 20:00 21:00 21:00 22:00 22:00 23:00 MTV 40th Anniv. 23:00 Flashback Int'l: POP ICON HISTORY (P) 24:00 24:00 25:00 25:00 26:00 26:00 27:00 ANIME THEME 27:00 PLAYLIST (Re) 28:00 28:00 29:00 29:00 August 2021 MTV Japan Grid 2021/6/23 Mon 8/2 Tue 8/3 Wed 8/4 Thu 8/5 Fri 8/6 Sat 8/7 Sun 8/8 山の日 6:00 6:00 Flashback Japan ULTRA HITS Otona no Seishun (P) (P) Meikyoku BAR (Re) 7:00 7:00 2021 First Half 2021 First Half MTV Top20 Download Int'l JAPAN Top20 KARAOKEE Top20 TopHits Japan (P) 8:00 (Re) Top20 (Re) 8:00 (Re) (Re) 9:00 9:00 ULTRA HITS JAPAN Top50 (P) (P) KARAOKEE Top50 (P) 10:00 10:00 2021 First Half 2021 First Half MTV Top20 JAPAN Top20 US Top20 KARAOKEE Top20 11:00 (Re) (Re) 11:00 (Re) (Re) 12:00 12:00 JAPAN Top50 (Re) BEST SUMMER KARAOKEE SP(Re) BEST SUMMER KARAOKEE SP(Re) 13:00 13:00 US Top50 14:00 (P) 14:00 Flashback Int'l 2021 First Half 2021 First Half 2011 UK Top20 JAPAN Top20 KARAOKEE Top20 15:00 Top20 (P) 15:00 (Re) Flashback Japan (Re) (P) (P) SUMMER HYPER HITS KARAOKEE 16:00 16:00 Legend Collection: (P) ANIME THEME PLAYLIST (Re) A-ha (P) 17:00 17:00 ULTRA HITS MTV Unplugged: A-ha (P) (Re) Kobukuro VideoSelects 18:00 BEST ARTIST COLLECTION: YOASOBI BEST ARTIST 18:00
    [Show full text]
  • Walter Yetnikoff Was a Wolf Among 'Hit Men,' but That Was
    Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE AUGUST 13, 2021 Page 1 of 24 INSIDE Walter Yetnikoff Was a • Don’t Expect Radio to Start Paying Wolf Among ‘Hit Men,’ But That Artists Anytime Soon Was His Undoing • Amid Delta Variant Spike, Mexico Goes Ahead With Baja BY FREDRIC DANNEN Beach Fest A Music King’s Shattering Fall. It was September and plates, boozing to excess, cavorting with a bevy • Can Riot Grrrl 1990, and Time magazine’s lead business story related of girlfriends he dubbed his “shiksa farm,” and once TikTok Re-Imagine a Flawed Scene? that Walter Yetnikoff had been fired as CBS Records’ threatening to punch out Mick Jagger over a contract chief executive. Then the world’s largest record label, dispute. (“Hell’s bells,” lawyer and manager Eric • Britney Spears’ CBS had issued many of the top-selling albums of Kronfeld exclaimed after reading that account. Dad Jamie Spears the 1980s, among them, Michael Jackson’s Thrill- “What middle-aged record executive wants to get into Agrees to Step Down as Conservator of er, Bruce Springsteen’s Born in the USA, and George a fistfight with an artist?”) All of Yetnikoff’s excesses, Her Estate Michael’s Faith. The Time article proposed that the and a good number of my anecdotes about him, were bosses at Sony, CBS Records’ parent company since confirmed in his confessional 2004 memoir Howling • Cardi B Signs With 1988, were scandalized by the depiction of Yetnikoff at the Moon. Indeed, his self-portrait made my own Warner Chappell Music Publishing as a “crude, tantrum-throwing egomaniac” in Hit portrayal of him seem tame, including as it did details Men, my nonfiction account of the music indus- I had been unable to nail down, such as cocaine binges • K-Pop Powerhouse try, published two months earlier.
    [Show full text]