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Recollections and Reflections, a Professional Autobiography
... • . .... (fcl fa Presented to the LIBRARY of the UNIVERSITY OF TORONTO from the estate of MARION WALKER RECOLLECTIONS AND REFLECTIONS. RECOLLECTIONS AND REFLECTIONS OF J. E. PLANCHE, (somerset herald). ^ |]rofcssiona( gaifobbcjrapbtr. " I ran it through, even from my boyish days, To the very moment that he bade me tell it." Othello, Act i., Scene 3. IN TWO VOLUMES. VOL. II. LONDON: TINSLEY BROTHERS, 18, CATHERINE STREET, STRAND. 1872. ..4^ rights reserved. LONDON BRADBURV, EVANS, AND CO., PRINTERS, WHITBFRIAR,-!. ——— CONTENTS. CHAPTER I. VAGK Another Mission to Paris—Production of " Le Domino Noir"— Mr. and Mrs. Charles Gore—Dinner at Lord Lyndhurst's Mons. Allou, Vice-President of the Society of Antiquaries of France—The Duke D'Istrie and his Collection of Armour Her Majesty's Coronation—" Royal Records "—Extension of Licence to the Olympic and Adelphi Theatres—" The Drama's Levee"—Trip to Calais with Madame Yestris and Charles Mathews previous to their departure for America—Visit to Tournehem—Sketching Excursion with Charles Mathews Marriage of Madame Vestris and Charles Mathews—They sail for New York—The Olympic Theatre opened under my Direc- tion—Farren and Mrs. Nisbett engaged—Unexpected return of Mr. and Mrs. Mathews—Re-appearance of the latter in " Blue Beard "— " Faint Heart never won Fair Lady "—"The Garrick Fever"—Charles Mathews takes Covent Garden Theatre CHAPTER II. Death of Haynes Bayly—Benefit at Drury Lane for his Widow and Family—Letters respecting it from Theodore Hook and Mrs. Charles Gore—Fortunate Results of the Benefit—Tho Honourable Edmund Byng—Annual Dinner established by him in aid of Thomas Dibdin—Mr. -
PICKWICK PAPERS Charles Dickens
HUMANITIES INSTITUTE Frederic Will, Ph.D. PICKWICK PAPERS Charles Dickens Overview An episodic novel—the first novel by Charles Dickens—published in serial form in 1836-7, and in book form in l837. Dickens had become popular through his Sketches by Boz(1816), which were a series of sketches of London life, with strong emphasis on character portrayal. The kind of sociological- ironic tone of the present novel, part journalism and part work in the great tradition of the novel, shows the overwhelming passion of Dickens forsocial character analysis. The powerful portraits to come— in David Copperfield, Great Expectations, or Oliver Twist—are heralded in The Pickwick Papers. Story Mr. Samuel Pickwick is the organizing principle of this episodic novel which tracks some of the adventures of its protagonist. Samuel Pickwick is not a dominating figure, but rather a spirited enthusiast (in the spirit of his time) for the English countryside and country ways, a sentimentalist, and a compassionate appreciator of the eccentricities and local colorings of the English people. Not only is Pickwick wealthy, but he is ‘administrative,’ for it is he who enlists three of his friends to join him on coach jaunts throughout the English countryside. In appearance and manner Pickwick is, like all Dickens’ characters, a broad caricature: the man ‘who had agitated the scientific world with his Theory of Tittlebats,’ an amateur naturalist picking up, as were many in the times of Wordsworth, privileged amateurism, and the thoughts of Charles Darwin. Travelling throughout England by coach, stopping at Inns for the night, Pickwick is in constant touch with what seems to him the most agreeable face of his land. -
Edward Ardizzone Papers, 1935-1966
http://oac.cdlib.org/findaid/ark:/13030/tf1w1004hc No online items Finding Aid for the Edward Ardizzone Papers, 1935-1966 Processed by UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections UCLA Library Special Collections staff Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 1997 The Regents of the University of California. All rights reserved. Note Arts and Humanities --Book ArtsArts and Humanities --Fine Arts --DrawingArts and Humanities --Fine Arts --PaintingGeographical (By Place) --Europe --United Kingdom Finding Aid for the Edward 268 1 Ardizzone Papers, 1935-1966 Finding Aid for the Edward Ardizzone Papers, 1935-1966 Collection number: 268 UCLA Library Special Collections UCLA Library Special Collections staff Los Angeles, CA Contact Information UCLA Library Special Collections staff UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Phyllis Herzog, 7 July 1965 Encoded by: Caroline Cubé Online finding aid edited by: Josh Fiala, May 2002 © 1997 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Edward Ardizzone Papers, Date (inclusive): 1935-1966 Collection number: 268 Creator: Ardizzone, Edward, 1900- Extent: 1 box (0.5 linear ft.) Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Abstract: Edward Ardizzone (1900-1979) was born in Haiphong, French Indochina. -
In Celebration of Charles Dickens
Charles Dickens spent the last years of his life, from 1853 to 1870 living at Higham, Rochester. He died while writing The Mystery of Edwin Drood in his Swiss Chalet (pictured, from the collections of the Medway Archives and Local Studies Centre.), in the grounds of his house, Gad’s Hill Place. DICKES AT HIGHAM, 1870 Thames Marshes with Issue Number 26: May 2012 Meandering twisting ditches £2.00 ; free to members Giving way to Copperfields and hills, By Rudge and Barn, In Celebration of Charles Dickens No Bleak Houses, No Cities here – Just Little Droody Dorritts With Martins and swallows Nesting in Chuzzley Nicks Until, at last, a-top the Gadding Hill Picking Carols to celebrate St. Nicholas And Expecting more imagination, Dickens Sits in his Swiss Chalet. Odette Buchanan Some Dickens characters. From the collections of the Medway Archives and Local Studies Centre. If undelivered, please return to: Medway Archives office, th Civic Centre, Strood, Rochester, Kent, To commemorate the 200 birthday of local author Charles Dickens ME2 4AU. (1812–1870), The Clock Tower looks at some lesser known aspects of his association with the Medway Towns. Photograph from the Percy Fitzgerald Collection at the Medway Archives and Local Studies Centre. Colour picture postcard entitled Charles Dickens at Home, Gad’s Hill, Kent comprising view northern elevation of Gadshill Place, Gravesend Road, Higham, looking from north-east corner of garden, showing in foreground part of lawn, drive, shrubs and gaunt male figure looking at artist and in background house, porch, shrubs and trees. On rear, message from Alice [-] to a Miss Gurney, Rede Court, Strood, wishing her many happy returns. -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Inimitable? The Afterlives and Cultural Memory of Charles Dickens’s Characters England, Maureen Bridget Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 08. Oct. 2021 1 INIMITABLE? THE AFTERLIVES AND CULTURAL MEMORY OF CHARLES DICKENS’S CHARACTERS Maureen Bridget England King’s College London Candidate Number: 1233164 Thesis for PhD in English Literature 2 This paper is dedicated to the two doctors in my life who inspired me to pursue this dream: Martin England and Jenna Higgins 3 ‘Any successfully evoked character, no matter how apparently insignificant, stands a good chance of surviving its creator.’ David Galef, The Supporting Cast (1993) 4 Table of Contents TABLE OF CONTENTS ........................................................................................................ -
Edward Ardizzone: Artist and Illustrator Free
FREE EDWARD ARDIZZONE: ARTIST AND ILLUSTRATOR PDF Alan Powers | 208 pages | 01 May 2017 | Lund Humphries Publishers Ltd | 9781848221826 | English | London, United Kingdom Edward Ardizzone - Wikipedia Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. Home 1 Books 2. Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. Overview Edward Ardizzone RA was one of relatively few British artists who defined the field of illustration for their generation. Although his work as an artist and illustrator was wide-ranging, it is for his illustrated children's books, almost continuously available since they were first published from the late s onwards, that he is best known. This book provides the first fully illustrated survey of Ardizzone's work, analysing his activity as an artist and illustrator in the context of 20th- century British art, illustration, printing and publishing. Copiously illustrated with many previously unpublished images, Edward Ardizzone: Artist and Illustrator also contributes more broadly to the Edward Ardizzone: Artist and Illustrator reassessment and investigation of midth-century British art Edward Ardizzone: Artist and Illustrator illustration. Alan Powers author of the bestselling Eric Ravilious: Artist and Designer has written a critically considered text which draws for the first time on the family's archives, those of Ardizzone's publishers, and conversations with those who knew the artist. -
Charles' Childhood
Charles’ Childhood His Childhood Charles Dickens was born on February 7, 1812 in Portsmouth. His parents were John and Elizabeth Dickens. Charles was the second of their eight children . John was a clerk in a payroll office of the navy. He and Elizabeth were an outgoing, social couple. They loved parties, dinners and family functions. In fact, Elizabeth attended a ball on the night that she gave birth to Charles. Mary Weller was an early influence on Charles. She was hired to care for the Dickens children. Her bedtime stories, stories she swore were quite true, featured people like Captain Murder who would make pies of out his wives. Young Charles Dickens Finances were a constant concern for the family. The costs of entertaining along with the expenses of having a large family were too much for John's salary. In fact, when Charles was just four months old the family moved to a smaller home to cut expenses. At a very young age, despite his family's financial situation, Charles dreamed of becoming a gentleman. However when he was 12 it looked like his dreams would never come true. John Dickens was arrested and sent to jail for failure to pay a debt. Also, Charles was sent to work in a shoe-polish factory. (While employed there he met Bob Fagin. Charles later used the name in Oliver Twist.) Charles was deeply marked by these experiences. He rarely spoke of this time of his life. Luckily the situation improved within a year. Charles was released from his duties at the factory and his father was released from jail. -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
The Voice of Objects in the Old Curiosity Shop
The Voice of Objects in The Old Curiosity Shop Michael Hollington Curiosities are objects on sale in an antique dealer’s - bric à brac, knick-knacks, souvenirs, mementos. So The Old Curiosity Shop is about what we can think of as commodities, objects on display and for sale. A fine new book by Catherine Waters, Commodity Culture in Household Words, offers plenty of material for a new focus on objects in Dickens which reinvigorates past, and some of it rather crude, Marxist criticism of Dickens’s works. Its focus is Dickens’s journalism, and that of the staff of the magazine he edited between 1850 and 1859, but its arguments can be used, as I do here, to provide an insight into the fiction. Even if the discussion of Dickens’s novel takes precedence here, and the consideration of its possible critical and theoretical underpinning is brief and largely confined to the end of the essay, my approach here is in fact an attempt to combine Waters’s work, both with an important but still little known essay on The Old Curiosity by the significant German philosopher and critic Theodor Adorno, and with some aspects of recent work by Bill Brown about what he calls ‘thing theory’. The essential thing I have to emphasise is how thoroughly and pervasively Dickens confuses the categories of persons and things. It is a kind of trademark of his imagination. Just as an initial example, the vicious lawyer Sampson Brass is described in chapter xii (100) as “the ugliest piece of goods in all the stock” at the Old Curiosity Shop, making him an item on sale like any other. -
1 CHAPTER I INTRODUCTION A. Background of the Research A
11 CHAPTER I INTRODUCTION A. Background of the Research A writer or an author is going to express their idea through their writing or text, such as in poem, novel. It is interesting because an author will tell it in beauty of words, phrases, sentences even passages and books. They may express about themselves, their surrounding, environment, society condition, nature, politic, history or criticism of something. According to Engels which rewritten by Laurenson and Swingewood (1972), he stated that literature as reflection of social processes. It means that literature as written language product is related to society that gives colors in the work. Basing on explanation above, it is clear that literary work is product of society. An author is not able to be separated from the society or environment, they relate each others, and it is harmony. In creating literary work, he will be influenced by surrounding, and the result of writing, literary work, is going to influence the readers as society members. According to Wellek and Warren (1948: 3), literature is “creative, an art”. In this term, they stated that literature is a creativity work in art. This term is still wide and common. Then, Cuddon (1999: 472) defines literature as “a vague term which usually denotes works which belong to the major genres: epic, drama, lyric, novel, short story ode.” Cuddon is able to give explanation clearer than Wellek and Warren, he give the types or work of it. 1 2 In several literary works express many features of thought and feeling on subjects as varied as social class, work, love, religion, nature, and art. -
Caricature in the Novel, 1740-1840 a Dissertation Submitted in Part
UNIVERSITY OF CALIFORNIA Los Angeles Sentiment and Laughter: Caricature in the Novel, 1740-1840 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Leigh-Michil George 2016 © Copyright by Leigh-Michil George 2016 ABSTRACT OF THE DISSERTATION Sentiment and Laughter: Caricature in the Novel, 1740-1840 by Leigh-Michil George Doctor of Philosophy in English University of California, Los Angeles, 2016 Professor Jonathan Hamilton Grossman, Co-Chair Professor Felicity A. Nussbaum, Co-Chair This dissertation examines how late eighteenth- and early nineteenth-century British novelists—major authors, Laurence Sterne and Jane Austen, and lesser-known writers, Pierce Egan, Charles Jenner, and Alexander Bicknell—challenged Henry Fielding’s mid-eighteenth-century critique of caricature as unrealistic and un-novelistic. In this study, I argue that Sterne, Austen, Egan, and others translated visual tropes of caricature into literary form in order to make their comic writings appear more “realistic.” In doing so, these authors not only bridged the character-caricature divide, but a visual- verbal divide as well. As I demonstrate, the desire to connect caricature with character, and the visual with the verbal, grew out of larger ethical and aesthetic concerns regarding the relationship between laughter, sensibility, and novelistic form. ii This study begins with Fielding’s Joseph Andrews (1742) and its antagonistic stance towards caricature and the laughter it evokes, a laughter that both Fielding and William Hogarth portray as detrimental to the knowledge of character and sensibility. My second chapter looks at how, increasingly, in the late eighteenth century tears and laughter were integrated into the sentimental experience. -
St Patrick's Recommended Reading List
St Patrick’s Recommended Reading list At St Patrick’s we want your children to be confident readers and more importantly enjoy reading! We have put together a list of books that we feel your child will enjoy and suitable for their reading level! Red, Yellow, Blue, Green and Orange bands (Working within Foundation stage or stage 1) Title Author Each Peach Pear Plum Janet and Allen Ahlberg Mr Gumpy’s Outing John Burningham Rosie’s Walk’ Pat Hutchins The Very Hungry Caterpillar’ Eric Carle Mister Magnolia’ Quentin Blake Owl Babies’ Martin Waddel Alfie Gets in First’ Shirley Hughes Elmer David McKee Brown Bear, Brown Bear what do you see? Bill Martin and Eric Carle We’re going on a bear hunt Michael Rosen and Helen Oxenbury My cat likes to hide in boxes’ Lynley Dodd ‘Peepo’ Janet and Allen Ahlberg Meg and Mog’ Helen Nicoll and Jan Pienkowski Dear Zoo’ Rod Campbell Kipper Mick Inkpen The Pig in the Pond’ Martin Waddell and Jill Barton Oh Dear!’ Rod Campbell Where’s Spot’ Eric Hill This is the Bear’ and ‘This is the Bear and Sarah Hayes and Helen Craig the Picnic Lunch’ Not Now Bernard’ David McKee Where the Wild Things Are’ Maurice Sendak Gorilla Anthony Browne A Dark, Dark Tale’ Ruth Brown 1 Turquoise, Purple, Gold and silver bands (Working within stages 2 or 3) Frog and Toad are Friends’ Arnold Lobel and other Frog and Toad stories Mrs Plug the Plumber’ and Allan Ahlberg other stories in this series Solomon’s Secret’ Saviour Pirotta Peace at last Jill Murphy The Tiger who came to tea’ Judith Kerr Hairy Maclary from Lynley Dodd Donoldson’s