The History of Cribbage

Total Page:16

File Type:pdf, Size:1020Kb

The History of Cribbage THE HISTORY OF CRIBBAGE Origins The game of cribbage has been beloved by men for centuries. It is believed to have been invented by British soldier and poet Sir John Suckling . In the 1630’s Suckling, also a famous courtier and gambler altered an earlier similar game of “noddy” by inventing the crib, which is basically an extra hand the dealer gets to play. (Noddy first appeared in the Oxford English Dictionary in 1589.) Suckling spent several years in France and Italy and returned to England in 1630 to be knighted by the King." Suckling inherited his father's fortune when he was only 18. Rich, handsome and generous, Suckling was very popular and regarded as the best card player and bowler in Britain, if not all Europe. In 1641 he led a conspiracy to rescue a friend who was jailed in the Tower of London. When the plot was discovered, he was accused of treason and fled to France. A year later - unable to return to his beloved England, the unhappy poet took poison and died. Cribbage in 1822 © The Trustees of the British Museum. Cribbage was brought to American shores by English settlers where it became quite popular in the colonies, especially in New England. Requiring only two players, it was readily adopted by sailors and fishermen as a way to pass the time. Cribbage boards, which have either 61 or 121 holes, were crafted from a variety of materials and could be quite unique and elaborate in form and style. Eskimos would make cribbage boards out of walrus tusks to trade with the sailors and fishermen who made port near their villages. Cribbage boards were often made from walrus tusks. Photo source. A Game That Led to a Naval Tradition Cribbage was a common pastime in the navy during World War II, especially among American submariners patrolling for Japanese ships. The most famous incident of cribbage in the Navy occurred in 1943 aboard one of the war’s most celebrated submarines, the USS Wahoo. For the Wahoo’s fourth war patrol, it was ordered to head to the extreme northern reaches of the Yellow Sea, an area where no sub had gone before. To take their minds off the tension, the sub’s commander, Dudley “Mush” Morton and his executive officer, Richard “Dick” O’Kane, began a game of cribbage. On the first deal, Morton dealt O’Kane a “Perfect 29” hand - four fives and a Jack - the highest possible score for combinations in a single cribbage deal. Back-of-the-envelope calculations were done, and 216,000 to 1 were the odds thrown out as to the chances of that happening. The crew’s spirits were bolstered by what they felt was a very lucky omen. O’Kane had his fellow officers sign the five cards and he framed them. Good fortune did prevail on the patrol – at its end the Wahoo had set a record for the number of ships sunk. O’Kane’s lucky cribbage board has become an important submariner tradition. Since WWII it has been passed along to the oldest active submarine in the United States Pacific Fleet. Once the sub is decommissioned, it is given to the next oldest submarine, where it is placed in the wardroom. See this famous board in this brief video. Sources: https://www.artofmanliness.com/articles/the-manly-history-of-cribbage-and-how-to-play-the-game/ https://www.cribbagesupply.com/crhi.html Trivia • The cribbage board actually predates cribbage and was used for scoring other games, such as whist, and a similar board was even found in an Egyptian pyramid. • The pegs for scoring are also known as “spilikins” • The American Cribbage Congress was founded in January 1980 • During the 2016 World Series, Cleveland Indians Manager Terry Francona played cribbage daily in the dugout • Every March, the World’s Largest Cribbage Tournament attracts 600-700 players who battle it out at the Sands Regency in Reno, Nevada • Cribbage has been immortalized in Charles Dickens’ “The Old Curiosity Shop”, as the eccentric shopkeeper plays cribbage and teaches a young servant girl he dubs “the Marchioness,” how to play the game. Dick Swiveller and the Marchioness, “The Old Curiosity Shop,” Illustration by Charles Green .
Recommended publications
  • This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Inimitable? The Afterlives and Cultural Memory of Charles Dickens’s Characters England, Maureen Bridget Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 08. Oct. 2021 1 INIMITABLE? THE AFTERLIVES AND CULTURAL MEMORY OF CHARLES DICKENS’S CHARACTERS Maureen Bridget England King’s College London Candidate Number: 1233164 Thesis for PhD in English Literature 2 This paper is dedicated to the two doctors in my life who inspired me to pursue this dream: Martin England and Jenna Higgins 3 ‘Any successfully evoked character, no matter how apparently insignificant, stands a good chance of surviving its creator.’ David Galef, The Supporting Cast (1993) 4 Table of Contents TABLE OF CONTENTS ........................................................................................................
    [Show full text]
  • The Voice of Objects in the Old Curiosity Shop
    The Voice of Objects in The Old Curiosity Shop Michael Hollington Curiosities are objects on sale in an antique dealer’s - bric à brac, knick-knacks, souvenirs, mementos. So The Old Curiosity Shop is about what we can think of as commodities, objects on display and for sale. A fine new book by Catherine Waters, Commodity Culture in Household Words, offers plenty of material for a new focus on objects in Dickens which reinvigorates past, and some of it rather crude, Marxist criticism of Dickens’s works. Its focus is Dickens’s journalism, and that of the staff of the magazine he edited between 1850 and 1859, but its arguments can be used, as I do here, to provide an insight into the fiction. Even if the discussion of Dickens’s novel takes precedence here, and the consideration of its possible critical and theoretical underpinning is brief and largely confined to the end of the essay, my approach here is in fact an attempt to combine Waters’s work, both with an important but still little known essay on The Old Curiosity by the significant German philosopher and critic Theodor Adorno, and with some aspects of recent work by Bill Brown about what he calls ‘thing theory’. The essential thing I have to emphasise is how thoroughly and pervasively Dickens confuses the categories of persons and things. It is a kind of trademark of his imagination. Just as an initial example, the vicious lawyer Sampson Brass is described in chapter xii (100) as “the ugliest piece of goods in all the stock” at the Old Curiosity Shop, making him an item on sale like any other.
    [Show full text]
  • Uni International 300 N
    INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete.
    [Show full text]
  • DICKENS FINAL with ILLUS.Ppp
    The Dickens Calendar 2012 The Dickens Calendar 2012 Celebrating the bicentenary of Dickens’s birth. £6.00 each or £10.00 for 2 (plus postage) Contact Jarndyce to order your copy: Email: [email protected] Phone: 020 7631 4220 35 _____________________________________________________________ Jarndyce Antiquarian Booksellers 46, Great Russell Street Telephone: 020 - 7631 4220 (opp. British Museum) Fax: 020 - 7631 1882 Bloomsbury, Email: [email protected] London WC1B 3PA V.A.T. No. GB 524 0890 57 _____________________________________________________________ CATALOGUE CXCV WINTER 2011-12 THE DICKENS CATALOGUE Catalogue: Joshua Clayton Production: Carol Murphy All items are London-published and in at least good condition, unless otherwise stated. Prices are nett. Items on this catalogue marked with a dagger (†) incur VAT (current rate 20%) A charge for postage and insurance will be added to the invoice total. We accept payment by VISA or MASTERCARD. If payment is made by US cheque, please add $25.00 towards the costs of conversion. Email address for this catalogue is [email protected]. JARNDYCE CATALOGUES CURRENTLY AVAILABLE, price £5.00 each include: Social Science Parts I & II: Politics & Philosophy and Economics & Social History. Women III: Women Writers J-Q; The Museum: Books for Presents; Books & Pamphlets of the 17th & 18th Centuries; 'Mischievous Literature': Bloods & Penny Dreadfuls; The Social History of London: including Poverty & Public Health; The Jarndyce Gazette: Newspapers, 1660 - 1954; Street Literature: I Broadsides, Slipsongs & Ballads; II Chapbooks & Tracts; George MacDonald. JARNDYCE CATALOGUES IN PREPARATION include: The Museum: Jarndyce Miscellany; The Library of a Dickensian; Women Writers R-Z; Street Literature: III Songsters, Lottery Puffs, Street Literature Works of Reference.
    [Show full text]
  • 'The World Is Too Much with Us, Early and Late'
    SUFFERING, SELF-CREATION AND SURVIVAL: VICTIMIZED CHILDREN IN THE NOVELS OF CHARLES DICKENS Mallory R. Cohn May 2, 2008 Presented to the English Department of Mount Holyoke College in partial fulfillment of the requirements for a degree of Bachelor of Arts with Honors Cohn 2 ACKNOWLEDGEMENTS Thanks, first of all, go to my wonderful, patient thesis adviser Jenny Pyke for taking a chance on an unknown kid, and for keeping me from giving up. Her sensitive, tough criticisms were just what the doctor ordered (she would hate that colloquialism, and also this parenthetical), and I also had a great time laughing with her in her office all year. This germ of this project came from one of those spectacular classes you never forget (in this case, a Dickens seminar), and huge thanks go to its tutor, Stephen James of the University of Bristol. He did all the voices. Most of the novels explored herein I read for the first time in his class. The ideas I brought back from England were encouraged ruthlessly by Peter Berek, without whom I surely would have gotten through my senior year relatively unscathed. His support has been invaluable, as has that of Bill Quillian, guru of the English department and my second reader, whose calming presence was often necessary. I also want to single out two professors who have had a deep impact on my academic work. Without Jeremy King‘s consistent encouragement of my writing, I might not have had the confidence to embark on such a big project. I am also indebted to my outside reader and mentor Jim Hartley for all of the time, talk and insight he has given me, from my second day of classes at Mount Holyoke to today.
    [Show full text]
  • The Angel Or the Monster: Presenting Patriarchal Ideology And
    Pakistan Social Sciences Review P-ISSN 2664-0422 April-June 2021, Vol. 5, No. 2 [68-80] O-ISSN 2664-0430 RESEARCH PAPER The Angel or the Monster: Presenting Patriarchal Ideology and Representation of the First World Women in Charles Dickens’ The Old Curiosity Shop Hassan Bin Zubair 1 Asma Kashif Shahzad* 2 Masroor Sibtain 3 1. Ph. D Scholar, Department of English, National University of Modern Languages, Islamabad, Pakistan 2. Assistant Professor, Department of Humanities, COMSATS University Islamabad, Vehari Campus, Punjab, Pakistan 3. Assistant Professor of English, Govt. College of Science, Multan, Punjab, Pakistan PAPER INFO ABSTRACT Received: This research explores the representation of women in a February 28, 2021 patriarchal society by representing the female characters in Accepted: Charles Dickens' novel The Old Curiosity Shop. Dickens’ attitude May 01, 2021 towards women is always contradictory. Dickens is ambiguous. Online: He is sympathetic as well as biased towards women which are May 15, 2021 depicted in his novel The Old Curiosity Shop. He is an emotional Keywords: social critic who shows his deep sympathy towards helpless Metaphorical, women in distress which makes him a supporter of women but Ideology, at the same time, he shows his deep respect to the patriarchal Society, norms and values and become socially biased towards them Victorian Age, when he metaphorically represents them as angel and monster Women, in the family. Other female characters like Miss Nell and Miss Patriarchy Quilip have surrendered themselves to the patriarchal ideology *Corresponding who is depicted as an angel in a family where the strong and Author revolutionary kind of women like Miss Brass who denies herself to follow the patriarchal ideology is occasionally referred to as a asmashahzad@c female dragon.
    [Show full text]
  • “Reviewing the Situation”: Oliver! and the Musical Afterlife of Dickens's
    “Reviewing the Situation”: Oliver! and the Musical Afterlife of Dickens’s Novels Marc Napolitano A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2009 Approved by Advisor: Allan Life Reader: Laurie Langbauer Reader: Tom Reinert Reader: Beverly Taylor Reader: Tim Carter © 2009 Marc Napolitano ALL RIGHTS RESERVED ii ABSTRACT Marc Napolitano: “Reviewing the Situation”: Oliver! and the Musical Afterlife of Dickens’s Novels (Under the direction of Allan Life) This project presents an analysis of various musical adaptations of the works of Charles Dickens. Transforming novels into musicals usually entails significant complications due to the divergent narrative techniques employed by novelists and composers or librettists. In spite of these difficulties, Dickens’s novels have continually been utilized as sources for stage and film musicals. This dissertation initially explores the elements of the author’s novels which render his works more suitable sources for musicalization than the texts of virtually any other canonical novelist. Subsequently, the project examines some of the larger and more complex issues associated with the adaptation of Dickens’s works into musicals, specifically, the question of preserving the overt Englishness of one of the most conspicuously British authors in literary history while simultaneously incorporating him into a genre that is closely connected with the techniques, talents, and tendencies of the American stage. A comprehensive overview of Lionel Bart’s Oliver! (1960), the most influential Dickensian musical of all time, serves to introduce the predominant theoretical concerns regarding the modification of Dickens’s texts for the musical stage and screen.
    [Show full text]
  • The Old Curiosity Shop Read by Anton Lesser
    Charles Dickens The Old Curiosity Shop Read by Anton Lesser CLASSIC FICTION 6 CDs NA689212 Old Curiosity shop booklet.indd 1 24/7/08 12:13:08 CD 1 1 The Old Curiosity Shop 8:16 2 We had scarcely begun our repast… 7:33 3 After combating, for nearly a week… 6:09 4 The child was closely followed… 8:27 5 Mr Quilp could scarcely be said… 6:48 6 The next day, Daniel Quilp caused himself… 5:10 7 So far from being sustained by this… 5:06 8 Mrs Quilp departed according to order… 6:56 9 ‘Fred!’ said Mr Swiveller… 4:57 10 The child, in her confidence… 5:08 11 The child uttered a suppressed shriek… 5:13 12 ‘I couldn’t do it really,’ said Quilp… 5:44 Total time on CD 1: 75:27 2 NA689212 Old Curiosity shop booklet.indd 2 24/7/08 12:13:08 CD 2 1 Quiet and solitude… 6:08 2 Mr Quilp took a friendly leave… 5:05 3 Daniel Quilp of Tower Hill… 6:03 4 Richard Swiveller was utterly aghast… 4:50 5 Bless us, what a number of gentlemen… 5:25 6 The two pilgrims… 7:38 7 Another bright day… 7:19 8 At length the weary child prevailed… 7:36 9 There was but one lady… 5:48 10 Kit turned away… 8:02 11 This candid declaration… 7:07 12 Having revolved these things in his mind… 7:12 Total time on CD 2: 78:13 3 NA689212 Old Curiosity shop booklet.indd 3 24/7/08 12:13:08 CD 3 1 It was not until they were quite exhausted… 6:19 2 After a sound night’s rest… 7:15 3 Almost broken… 7:04 4 At first the two travellers spoke little… 6:42 5 Sleep hung upon the eyelids of the child… 5:33 6 The night being warm… 5:49 7 At length the play came to an end… 7:36 8 With steps more faltering
    [Show full text]
  • GROWING up (Hamish Hamilton, 1943)
    GROWING UP (Hamish Hamilton, 1943) (Penny Aldred and Hilary Temple, 2008) There are references throughout to August Folly, The Brandons, Summer Half, Growing Up, Northbridge Rectory and Marling Hall. Chapter I 5 The station at Winter Overcotes : see notes on August Folly, Worsted, Somercotes, Bluebell Line, etc. Hornby, Bassett-Lowke : Rival manufacturers of model railways. Hornby also made Meccano, the construction toy. All was vanity : “Vanity of Vanities”, saith the Preacher, “All is vanity.” Ecclesiastes, I, ii. 6 English locomotives sent abroad : 138 of them were abandoned in France in 1940, while 151 were sent to Persia in 1941. 9 Darkness made visible : “No light, but rather darkness visible”, Description of Hell, John Milton, Paradise Lost , Bk I. 11 Calling out the name of the darkened station : signposts and station names had been removed, and blackout was in force. 11-12 an alien race without the law : “lesser breeds without the law”, Rudyard Kipling, Recessional. 14 stew ponds : mediaeval equivalent of a fish farm. 16 His lines had fallen in pleasant places: The lines are fallen unto me in pleasant places; yea, I have a goodly heritage. Psalm 16.6. Also Miss Bunting p.125. 17 Dear Sophy : Dickens, but is this Traddles’s “dearest girl” in David Copperfield , or Dick Swiveller’s Sophy Wackles in The Old Curiosity Shop ? Neither fits the description of crying without sniffing. 18 Cerecloth : cloth coated with wax, used for wrapping the dead. 19 Mutta Kundra : a joke, I’m sure, but what? 20 pin-larded : larding is to insert strips of pork fat into the skin of a joint of meat, usually in neat rows, often by using a larding needle.
    [Show full text]
  • Charles Dickens the Old Curiosity Shop Oxford World's Classics
    -- OXFORD WORLD'S CLASSICS CHARLES DICKENS THE OLD CURIOSITY SHOP OXFORD WORLD'S CLASSICS CHARLES DICKENS The Old Curiosity Shop With the Original Illustrations Edited with an Introduction by ELIZABETH M. BRENNAN OXFORD UNIVERSITY PRESS INTRODUCTION In the ten years from 1827 to 1837 Charles Dickens rose from 15-year­ old solicitors' clerk to 25-year-old author, known for a remarkably wide range of journalistic and literary work. His firststories and sketches of people and places, contributed to newspapers and magazines from 1833 onwards, were collected as Sketches by Boz in February 1836 and Sketches by Boz: Second Series that December. Subsequently issued­ as Pickwick Papers and Nicholas Nick/eby had been-in twenty monthly parts, in I 839 they were published complete in one volume. Between 1837 and 1839 Dickens edited and contributed to Bentley's Miscellany-a monthly magazine published by Richard Bentley­ wrote the second half of Pickwick Papers, all of Oliver Twist (for serial­ ization in Bentley's Miscellany)--and the first half of Nicholas Nickleby. He had also signed a contract to deliver Barnaby Rudge to Bentley on I January 1840. However, as his friendand biographer John Forster recorded, Dickens felt that his public was 'likely to tire of the same twenty numbers over again'. Unwilling to embark on the composition of another long story 'with all its strain on his fancy',1 he conceived the idea of producing his own weekly periodical of miscellaneous items­ stories, sketches, and satirical commentary on life--organized round an elderly cripple, Master Humphrey, and his friends,and called, with reference to the clock-case in which their work was stored, Master Humphrey's Clock.
    [Show full text]
  • Charles Dickens
    https://TheVirtualLibrary.org Dickens’ Stories about Children Charles Dickens The John C. Winston Co., Philadelphia, 1909 Images of the original pages are available through Internet Archive. See Note: http://www.archive.org/details/dickensstoriesab00dick CHARLES DICKENS. DICKENS’ STORIES ABOUT CHILDREN EVERY CHILD CAN READ EDITED BY REV. JESSE LYMAN HURLBUT, D.D. ILLUSTRATED EVERY CHILD’S LIBRARY THE JOHN C. WINSTON CO. PHILADELPHIA Copyright, 1909, By THE JOHN C. WINSTON CO. PREFACE. TO THE YOUNG READER: Charles Dickens was one of the greatest among the many story-writers of “the Victorian age;” that is, the middle and latter part of the Nineteenth Century, when Victoria was Queen of Great Britain. Perhaps he was the greatest of them all for now, a generation after he passed away, more people read the stories of Dickens than those by any other author of that period. In those wonderful writings are found many pictures of child-life connected with the plan of the novels or stories. These child-stories have been taken out of their connections and are told by themselves in this volume. By and by you will read for yourselves, “The Christmas Carol,” “The Chimes,” “David Copperfield,” “The Old Curiosity Shop,” and the other great books by that fascinating writer, who saw people whom nobody else ever saw, and made them real. When you read those books you will meet again these charming children, and will remember them as the friends of your childhood. JESSE L. HURLBUT. CONTENTS. PAGE TROTTY VECK AND MEG. From “The Chimes” 9 TINY TIM. From “Christmas Carol” 24 THE RUNAWAY COUPLE.
    [Show full text]
  • The Old Curiosity Shop
    PICT CLASSIC THEATRE At WQED’s Fred Rogers Studio Adapted by Alan Stanford from the novel by Charles Dickens Nov. 23 - Dec. 15, 2018 Directed by Alan Stanford explore PICT Classic Theatre presents examine The Old Curiosity Shop experience Directed by Alan Stanford starring Martin Giles* Matt Henderson James FitzGerald* Calema Graham Karen Baum* Jordan Ross Weinhold Jonathan Visser* Sean Lenhart Ken Bolden* Patrick Conner Jeff Monahan* Kendra McLaughlin Caroline Lucas Kaitlin Kerr Jacob Epstein Production Assistant Stage Scenic Artist Stage Manager Manager Deborah Thomas Cory F. Goddard* Catherine Kolos* Sound Designer Lighting Designer Master Electrician Kris Buggey Keith A. Truax Nicole White Technical Director Production Assistant Costume Designer Maggie Crockarell Anna Cunningham Joan Markert .. most of all expect the extraordinary Production Manager from WQED. Liam Nute WQED is member supported. wqed.org/donate *Member of the Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. www.wqed.org Cast Martin Giles* ......................... Quilp James FitzGerald* .................. Brass Karen Baum* .......................... Sally Brass Jonathan Visser* ....................... Showman 1/Short/Garland Ken Bolden* .............................. Showman 2/Codlin/Witherden Jeff Monahan* ........................... Single Gent Caroline Lucas ......................... Nell Jacob Epstein ............................ Kit Matt Henderson ....................... The Boy Calema Graham ......................
    [Show full text]