DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 91, 1971

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 91, 1971 BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY - SATURDAY 1 THURSDAY A 1 TUESDAY A 1 NINETY-FIRST SEASON 1971-1972 ADimRI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN ERWIN D. CANHAM EDWARD G. MURRAY RICHARD P. CHAPMAN JOHN T. NOONAN ABRAM T. COLLIER MRS JAMES H. PERKINS MRS HARRIS FAHNESTOCK IRVING W. RABB THEODORE P. FERRIS SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR Manager Assistant Managers THOMAS W. MORRIS DAVID ROCKEFELLER JR Business Affairs Audience and Public Affairs MARY H. SMITH Concerts and Artists FORRESTER C. SMITH DANIEL R. GUSTIN Director of Development Administrator of Educational Affairs DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood RICHARD C WHITE Assistant to the Manager program copyright © 1971 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS Accompanist to: The Boston Symphony Baldwin Piano & Organ Company 160 Boylston Street • Boston, Massachusetts 02116 BALDWIN Telephone: 426-0775 PIANOS • ORGANS BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC ERWIN D. CANHAM Chairman VERNON ALDEN Vice-Chairman LEONARD KAPLAN Secretary HAZEN H. AYER DAVID O. IVES MRS FRANK G. ALLEN MRS C. D. JACKSON ROBERT C ALSOP HOWARD W. JOHNSON LEO L. BERANEK W. SEAVEY JOYCE DAVID W. BERNSTEIN MRS LOUIS I. KANE MRS CURTIS B. BROOKS GEORGE H. KIDDER J. CARTER BROWN LEON KIRCHNER MRS LOUIS W. CABOT MAURICE LAZARUS MRS NORMAN L. CAHNERS LAWRENCE K. MILLER LEVIN H. CAMPBELL III FRANK E. MORRIS GEORGE H. A. CLOWES JR MRS STEPHEN V. C. MORRIS SILVIO O. CONTE JOHN T. G. NICHOLS JOHN L. COOPER LOUVILLE NILES ROBERT CUTLER DAVID R. POKROSS NELSON J. DARLING JR MRS BROOKS POTTER HENRY B. DEWEY HERBERT W. PRATT RICHARD A. EHRLICH MRS FAIRFIELD E. RAYMOND BYRON K. ELLIOTT PAUL C. REARDON ARCHIE C EPPS III MRS GEORGE R. ROWLAND PAUL FROMM MRS GEORGE LEE SARGENT CARLTON P. FULLER DONALD B. SINCLAIR MRS ALBERT GOODHUE MRS L. LEE STANTON MRS JOHN L GRANDIN JR JOHN HOYT STOOKEY STEPHEN W. GRANT STOKLEY P. TOWLES SAMUEL A. GROVES ROBERT G. WIESE FRANCIS W. HATCH JR VINCENT C ZIEGLER SYMPHONY HALL BOSTON MASSACHUSETTS 5 BOSTON • CHESTNUT HILL • NORTHSHORE SHOPPING CENTER • SOUTH SHORE PLAZA • BURLINGTON MALL • WELLESLEY BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor JOSEPH SILVERSTEIN Assistant Conductor first violins cellos bassoons Joseph Silverstein Jules Eskin Sherman Walt concertm aster Philip R. Allen chair Ernst Panenka Charles Munch chair Martin Hoherman Matthew Ruggiero Alfred Krips Mischa Nieland Max Hobart Stephen Geber contra bassoon Rolland Tapley Robert Ripley Roger Shermont Luis Leguia Richard Plaster Max Winder Carol Procter Harry Dickson Jerome Patterson horns Gottfried Wilfinger Ronald Feldman Charles Yancich Fredy Ostrovsky Joel Moerschel Harry Shapiro Leo Panasevich Jonathan Miller David Ohanian Noah Bielski Thomas Newell Stanley Benson basses Ralph Pottle Sheldon Rotenberg Henry Portnoi Alfred Schneider Gerald Gelbloom William Rhein trumpets Hearne Raymond Sird Joseph Armando Ghitalla Ikuko Mizuno Bela Wurtzler Roger Voisin Leslie Martin Cecylia Arzewski Andre Come John Salkowski Gerard Goguen second violins John Barwicki Clarence Knudson Robert Olson trombones Fahnestock chair Lawrence Wolfe William Marshall William Gibson Michel Sasson flutes Ronald Barron Ronald Knudsen Doriot Anthony Dwyer Gordon Hallberg Leonard Moss Walter Piston chair William Waterhouse James Pappoutsakis tuba Pinto Ayrton Paul Fried Chester Schmitz Amnon Levy Laszlo Nagy piccolo timpani Michael Vitale Everett Firth Spencer Larrison Lois Schaefer Marylou Speaker Darlene Gray oboes percussion Ronald Wilkison Ralph Gomberg Charles Smith Harvey Siegel Arthur Press John Holmes assistant timpanist Wayne Rapier violas Thomas Gauger Burton Fine Frank Epstein Charles S. Dana chair english horn Reuben Green Laurence Thorstenberg harps Eugene Lehner Bernard Zighera George Humphrey clarinets Ann Hobson Jerome Lipson Harold Wright Robert Karol librarians Bernard Kadinoff Pasquale Cardillo Vincent Mauricci Peter Hadcock Victor Alpert Eb clarinet Earl Hedberg William Shisler Joseph Pietropaoio Robert Barnes bass clarinet stage manager Yizhak Schotten Felix Viscuglia Alfred Robison personnel manager William Moyer Music and money have one thing in common. Time. Proper timing can be as important to money management as it is to music. A great performance from an investment depends upon entrances and exits made at the right time. Even financial planning benefits from good timing. The Boston Safe Deposit and Trust Company has been managing money successfully for almost a century. Perhaps it's time you talked to us. BOSTON SAFE DEPOSIT ANDTRUST COMB4NY one boston place, boston, Massachusetts 02106 ^¥ffim%^ CONTENTS Program for September 24, 25, 30 and October 5 1971 11 Future programs Friday - Saturday series 58 Thursday A series 59 Tuesday A series 59 Program notes Beethoven - Symphony no. 6 in F op. 68 'Pastoral' 23 by James Lyons Einem - Violin concerto op. 33 27 by Andrew Raeburn Hindemith - Symphony 'Mathis der Maler' 40 by Klaus C. Roy The Isenheim altarpiece of Matthias Grunewald 45 The Music Director 49 The soloist 50 Program Editor ANDREW RAEBURN NINETY- FIRST SEASON 1971-1972 Friday afternoon September 24 1971 at 2 o'clock Saturday evening September 25 1971 at 8.30 Thursday evening September 30 1971 at 8.30 Tuesday evening October 5 1971 at 8.30 WILLIAM STEINBERG conductor BEETHOVEN Symphony no. 6 in F op. 68 'Pastoral' Awakening of happy feelings on reaching the countryside: allegro ma non troppo At the brook's edge: andante molto mosso Festive gathering of the country people: allegro Thunderstorm: allegro Shepherd's song - happy and thankful feelings after the storm: allegretto intermission EINEM Violin concerto op. 33 Andante Allegro ma non troppo - sostenuto Presto - andante Adagio CHRISTIANE EDINGER first performance in America HINDEMITH Symphony 'Mathis der Maler' Angelic concert Entombment Temptation of St Anthony The concert on Friday will end about 4 o'clock; those on Saturday, Thursday and Tuesday about 10.30 The Boston Symphony Orchestra records exclusively for Deutsche Grammophon BALDWIN PIANO DEUTSCHE GRAMMOPHON AND *RCA RECORDS 11 1970 NEW ENGLAND MUTUAL LIFE INSURANCE COMPANY, BOSTC -' SUBSIDIARY: NEL EQUITY SERVICES COB AFFILIATE: LOOMIS, SAYLES &. CO., INVESTMENT COUNSELOI 'My insurance company? New England Life, of course. Why?' 12 When horse drawn carriages were speeding along at ten miles an hour Napoleon III was Emperor of France and Abraham Lincoln was a struggling lawyer in Springfield, Illinois, Edward Kakas and Sons, Inc. opened their Boston store to manufacture and sell the finest in furs. Since that day 1 13 years ago, and five generations later, "KAKAS OF NEWBURY STREET" has built an unmatchable reputation for their quality furs. f&6al 93 NEWBURY STREET, BOSTON • ORIGINATED 1858 INDUSTRIAL SCHOOL FOR CRIPPLED CHILDREN 241 ST. BOTOLPH STREET BOSTON Provides For The Handicapped Child In A Free, Private, Day School A 12 Year Academic Program Vocational Training • Recreation Health Program • Transportation The Industrial School for Crippled Children solicits funds for its operation either through Bequests, Annuities or Life Insurance. In case of a life agreement a donor gives capital to the Industrial School for Crippled Children and in return receives income for life. Donors are invited to discuss these matters with the Treasurer. Treasurer, CHARLES E. COTTING, 10 Post Office Square, Boston CHARLES H. TAYLOR MRS. CHARLES E. COTTING President Chairman Ladies Committee 13 r There are discerning devotees who want pre-Symphony dining to be a bravura performance. The Ritz is for them. The Ritz-Carlton Boston BOSTON THE PLACE TO BUY Tel. 742-4142 EVERYTHING FROM WHAT'S IN STYLE to what's traditional OPEN THURSDAY EVENINGS UNTIL 8:30 Upload's Internationally Famous Ita I ia n Resta u ra nts 1-HOUR FREE PARKING at the Church Street Garage (right next door) HYANNIS 31 CHURCH ST. • CAMBRIDGE Tel. 775-6700 UNiversity 4-2300 the old PRINT & FRAME shop.
Load more

Recommended publications
  • Boston Symphony Orchestra Archives
    Pftft.. Slower • .. ina• alumna •••• ■■••••■•••=411• 'I 4 mp • • ••• •• Mman•IMMIln. • ■•••••■•■ ••••■••■•••■•••■■ •••• =Mr • NOW". • • =Mir • 11••■••••■••1111••••1•11• ■•111•141•111111 NUM/ 11/MIIMIN MAIMM•MIM / •• la. ••MINM/ ..MIN MI ••`' GAM MI =MO OW GM womall AMMONIUM mm,•••• ■• ".••••• rnio gradually taster 111•^ •IIMI ._./Mat MINNIP MUM OM -AM DINIIMINIMP MAIIIIIMINIMIMM•••••■ •1•1 MM. IMMIMMIIMMIO MM. MIIMMIMMO IMMIN••••••• OPP"' a tempo (lively) 111111.1. -.la a ••••••••■• • •• . • •■•■ 011•1111111MMIMINIAMmIM m••• ■ ■ ■ ■ ■ ■ ■ ■ np. ••••• •••• A •• •• •••• • •• •11 OM MI MI MOM MOMMIll NI . •• maim ININIMIMMIM. ••• s4•4411•1• / a Ma . (1.• • •,41411•1~m MIHM11.11•••• 0 ■• IL • u damns. ••••■••••••••••• ••••• • •-••••,••• .ma• • ...•••■•••••••• mar- ••••• • • •••111111 • 4 . • 11.1111.1111111 Man a 4.M1 ... OM • 1■•••• ■••■=1IN•1•11••11 •IIMMIMIMMINIIIIIIMINIM-1• •••••••••••••••• NOMIM MAIM AMU MIMI MID IIIMIIIIP - IIIIIIMMIDIMIU•MIME V- • . • • 1•■•••■•••• al•IIMIMIIIII••••••••• ••••■••••••••• V M-4111•1111•111•IM • MS MI••••••■ •••• MMUMMIIMINAMMOMIIM •■•• • ••••■•• MINIam•• • • M ■•■•■ ••••••111M4•• IIIMIll. 111111.111. 511111.1111 111 ads MIIMNIM■• ■ • I 1••••••• IMAMS •111.401MMIIIIMI IIMI ■MIIIMMIMIMM • -.MMMMIMI ••• MINIMMOINNIMMIIMMMIIIMUM- ONO WM. Boston Symphony Orchestra Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor 16, 18, 21 October 1975 at 8:30 pm 17 October 1975 at 2:00 pm 25 November 1975 at 7:30 pm Symphony Hall, Boston Ninety-fifth season
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer
    m^^^^j^^fjSjmggU ^^If0jisdii^ Accompanist to Boston Symphony Orchestra Berkshire Festival • Berkshire Music Center and to these Tanglewood 1971 artists Leonard Bernstein • Arthur Fiedler • Byron Janis • Ruth Laredo Seiji Ozawa • Gunther SchuIIer • Michael Tilson Thomas • Earl Wild BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 TANGLEWOOD 1971 SEIJI OZAWA, GUNTHER SCHULLER Artistic Directors LEONARD BERNSTEIN Advisor THIRTY-FOURTH BERKSHIRE FESTIVAL THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ABRAM T. COLLIER HENRY A. LAUGHLIN PHILIP K. ALLEN Vice-President MRS HARRIS FAHNESTOCK EDWARD G. MURRAY ROBERT H. GARDINER Vice-President THEODORE P. FERRIS JOHN T. NOONAN JOHN L. THORNDIKE Treasurer FRANCIS W. HATCH MRS JAMES H. PERKINS ALLEN G. BARRY HAROLD D. HODGKINSON IRVING W. RABB RICHARD P. CHAPMAN E. MORTON JENNINGS JR SIDNEY STONEMAN EDWARD M. KENNEDY TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ERWIN D. CANHAM Chairman HENRY B. DEWEY LAWRENCE K. MILLER VERNON ALDEN Vice-Chairman RICHARD A. EHRLICH FRANK E. MORRIS LEONARD KAPLAN Secretary/ BYRON K. ELLIOTT MRS STEPHEN V. C. MORRIS HAZEN H. AYER ARCHIE C. EPPS III JOHN T. G. NICHOLS MRS FRANK G. ALLEN PAUL FROMM LOUVILLE NILES ROBERT C. ALSOP CARLTON P. FULLER DAVID R. POKROSS LEO L. BERANEK MRS ALBERT GOODHUE MRS BROOKS POTTER DAVID W. BERNSTEIN MRS JOHN L. GRANDIN HERBERT W. PRATT MRS CURTIS B. BROOKS STEPHEN W. GRANT MRS FAIRFIELD E. RAYMOND J. CARTER BROWN SAMUEL A. GROVES PAUL C. REARDON MRS LOUIS W.
    [Show full text]
  • University Musical Society Oslo Philharmonic
    UNIVERSITY MUSICAL SOCIETY OSLO PHILHARMONIC ORCHESTRA MARISS JANSONS Music Director and Conductor FRANK PETER ZIMMERMANN, Violinist Sunday Evening, November 17, 1991, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM Concerto in E minor for Violin and Orchestra, Op. 64 . Mendelssohn Allegro molto appassionata Andante Allegretto non troppo, allegro molto vivace Frank Peter Zimmermann, Violinist INTERMISSION Symphony No. 7 in C major, Op. 60 ("Leningrad") ..... Shostakovich Allegretto Moderate Adagio, moderate risoluto Allegro non troppo CCC Norsk Hydro is proud to be the exclusive worldwide sponsor IfiBUt of the Oslo Philharmonic Orchestra for the period 1990-93. The Oslo Philharmonic and Frank Peter Zimmermann are represented by Columbia Artists Management Inc., New York City. The Philharmonic records for EMl/Angel, Chandos, and Polygram. The box office in the outer lobby is open during intermission for tickets to upcoming Musical Society concerts. Twelfth Concert of the 113th Season 113th Annual Choral Union Series Program Notes Violin Concerto in E minor, Op. 64 root tone G on its lowest note, the flute and FELIX MENDELSSOHN (1809-1847) clarinets in pairs are entrusted with the gentle melody. On the opening G string, the solo uring his short life of 38 years, violin becomes the fundament of this delicate Mendelssohn dominated the passage. The two themes are worked out until musical world of Germany and their development reaches the cadenza, exercised the same influence in which Mendelssohn wrote out in full. The England for more than a gener­ cadenza, in turn, serves as a transition to the ationD after his death. The reason for this may reprise.
    [Show full text]
  • William Steinberg Conducting the Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op
    William Steinberg Bolero, La Valse, Pavane Pour Une Infante Defunte mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Bolero, La Valse, Pavane Pour Une Infante Defunte Country: UK Released: 1959 Style: Impressionist MP3 version RAR size: 1841 mb FLAC version RAR size: 1290 mb WMA version RAR size: 1716 mb Rating: 4.8 Votes: 202 Other Formats: DTS APE MP1 AA AC3 XM AIFF Tracklist Hide Credits Bolero A1 –William Steinberg Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra Pavane Pour Une Infante Defunte B1 –W. Steinberg* Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra La Valse B2 –W. Steinberg* Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra Companies, etc. Printed By – Garrod & Lofthouse Ltd. Other versions Category Artist Title (Format) Label Category Country Year William Steinberg Conducting William Steinberg The Pittsburgh Symphony Conducting The Orchestra / Maurice Ravel - Capitol P8475 Pittsburgh P8475 US 1959 Bolero, La Valse, Pavane Pour Records Symphony Orchestra Une Infante Defunte (LP, / Maurice Ravel Album, Mono) Related Music albums to Bolero, La Valse, Pavane Pour Une Infante Defunte by William Steinberg Mendelssohn - Bruch - Nathan Milstein, The Pittsburgh Symphony Orchestra, William Steinberg - Concerto In E Minor Op. 64, Concerto No.1 In G Minor, Op. 26 Beethoven / Steinberg Conducting The Pittsburgh Symphony Orchestra - Beethoven Symphony No. 7 Strauss : William Steinberg Conducting The Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op. 28 / Death And Transfiguration, Op. 24 Milstein, Pittsburgh Symphony Orchestra, Steinberg, Tchaikovsky - Violin Concerto In D Major Steinberg Conducts The Pittsburgh Symphony Orchestra - Beethoven - Symphony No. 6 "Pastoral" William Steinberg Conducting The Pittsburgh Symphony Orchestra - Symphony No.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1961-1962
    Music Shed — Tanglewood Lenox, Massachusetts Thursday, August 2, 1962, at 8:00 For the Benefit of the Berkshire Music Center THE BOSTON POPS ARTHUR FIEDLER, Conductor Soloist EARL WILD, Piano PROGRAM *The Stars and Stripes Forever Sousa *Suite from "Le Cid" Massenet Castiliane — Aragonaise — Aubade — Navarraise #Mein Lebenslauf ist Lieb' und Lust, Waltzes Josef Strauss Pines of Rome Respighi I. The Pines of the Villa Borghese II. The Pines near a Catacomb III. The Pines of the Janiculum IV. The Pines of the Appian Way Intermission *Concerto in F for Piano and Orchestra Gershwin I. Allegro II. Adagio; Andante con moto III. Allegro agitato Soloist: Earl Wild *Selection from "West Side Story" Bernstein I Feel Pretty — Maria — Something's Coming — Tonight — One Hand, One Heart — Cool — A-mer-i-ca Mr. Wild plays the Baldwin Piano Baldwin Piano *RCA Victor Recording Special Event at Tanglewood Thursday, August 23 A GALA EVENING of Performances by the Students For the Benefit of the Berkshire Music Center ORDER OF EVENTS 4 :00 Chamber Music in the Theatre 5 :00 Music by Tanglewood Composers in the Chamber Music Hall 6:00 Picnic Hour 7 :00 Tanglewood Choir on the Main House Porch 8 :00 The Berkshire Music Center Orchestra Concert in the Shed In Mahler's Third Symphony, with the Festival Chorus and Florence Kopleff, Contralto Conductor—Richard Burgin Admission tickets . (All seats unreserved except boxes) $2.50 — Box Seats $5.00 Grounds open for admission at 3 :00 p.m. REMAINING FESTIVAL CONCERTS (The final concerts of Charles Munch as Music Director of the Boston Symphony Orchestra) EVENINGS — 8 :00 P.M.
    [Show full text]
  • Boston Symphony Orchestra
    Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New
    [Show full text]
  • Boston Symphony Orchestra Archives
    .ff Boston Symphony Orchestra Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor 26 November 1975 at 8:30 p.m. (Wednesday) 28 November 1975 at 2:00 p.m. 29 November 1975 at 8:30 p.m. 2, 4 December 1975 at 8:30 p.m. Symphony Hall, Boston Ninety-fifth season Baldwin Piano Deutsche Grammophon Records Program Program Notes Colin Davis conducting Felix Mendelssohn (1809-1847) Incidental Music from 'A Midsummer Night's Dream' Mendelssohn: Incidental Music from 'A Midsummer Night's Dream' The Incidental Music to Shakespeare's comedy was per- formed complete under Seiji Ozawa's direction at the 1975 I. Overture Berkshire Festival, and these excerpts were last played by II. Scherzo the Boston Symphony with Erich Leinsdorf in 1962. III. Nocturne The instrumentation calls for 2 flutes, 2 oboes, 2 clarinets, IV. Wedding March 2 bassoons, 2 horns, 2 trumpets, tuba, timpani, cymbals, triangle and strings. Sibelius: Tapiola, Tone Poem Op. 112 Youthful miracles are seldom repeated. Mendelssohn composed his Overture to 'A Midsummer Night's Dream' Intermission at seventeen (1826), with a miraculous deftness and deli- cacy, an elfin imagination and humor then unmatched. Yet, near the end of his life (1843), Mendelssohn did match the Sibelius: Symphony No. 6 Op. 104 miracle. He was invited by the King of Prussia to compose incidental music for a Berlin production of Ein Sommernachts- I. Allegro molto moderato traum. His youthful enthusiasm for Shakespeare surged II. Allegretto moderato back. With the most felicitous ease he wove the early III. Poco vivace themes into new pieces and ideas flowed with the Roman- Allegro molto N.
    [Show full text]
  • CFIA/ ACIA # CFIA Dairy Products ACIA Produits Laitiers Butter
    CFIA/ CFIA Dairy Products ACIA Produits laitiers ACIA # Butter - Beurre 100 100 - 001 BUTTER BEURRE 100 - 002 WHEY BUTTER BEURRE DE LACTOSÉRUM 100 - 003 BUTTER CUTTING COUPAGE DE BEURRE SEULEMENT 100 - 004 DAIRY SPREAD AND WHIPPED DAIRY TARTINADE LAITIÈRE ET TARTINADE SPREAD LAITIÈRE 100 - 005 CALORIE REDUCED BUTTER FOUETTE 100 - 006 LITE BUTTER BEURRE RÉDUIT EN CALORIES / BEURRE LÉGER 100 - 007 WHIPPED BUTTER BEURRE FOUETTÉ 100 - 008 BUTTER REDDIES, PATTIES, CUPS BEURRE EN PLAQUETTES, BARQUETTES AND MICROPRINTS ET MICROPAINS 100 - 009 BUTTER OIL HUILE DE BEURRE 100 - 010 ANHYDROUS BUTTER OIL HUILE DE BEURRE ANHYDRE 100 - 011 FLAVOURED BUTTERS BEURRES ASSAISONNÉS Cheese - Fromage 200 200 - 001 CHEDDAR CHEESE FROMAGE CHEDDAR 200 - 002 ALPINA CHEESE FROMAGE ALPINA 200 - 003 ASIAGO CHEESE FROMAGE ASIAGO 200 - 004 BLUE CHEESE FROMAGE BLEU 200 - 005 BOCCONCINI CHEESE FROMAGE BOCCONCINI 200 - 006 BUTTER CHEESE (BUTTIRI) FROMAGE BUTIRRO 200 - 007 BRA AND NEW BRA CHEESE FROMAGE BRA ET NOUVEAU BRA 200 - 008 BRICK CHEESE FROMAGE BRICK 200 - 009 BRIE CHEESE FROMAGE BRIE 200 - 010 CACIOCAVALLO CHEESE FROMAGE CACIOCAVALLO 200 - 011 CACIOTTA CHEESE FROMAGE CACIOTTA 200 - 012 CAMEMBERT CHEESE FROMAGE CAMEMBERT 200 - 013 COLBY CHEESE FROMAGE COLBY 200 - 014 COOK CHEESE FROMAGE COOK 200 - 015 COULOMMIERS CHEESE FROMAGE COULOMMIERS 200 - 016 CREAM CHEESE FROMAGE A LA CRÈME 200 - 017 DANBO CHEESE FROMAGE DANBO 200 - 018 DRY RICOTTA CHEESE FROMAGE RICOTTA SEC 200 - 019 EDAM CHEESE FROMAGE EDAM 200 - 020 EMMENTALER (EMMENTAL) CHEESE FROMAGE EMMEMTAL 200 -
    [Show full text]
  • Scandinavian Cheeses Malcom Jarvis Quesodiego Cheese Club, 19 February 2013
    Scandinavian Cheeses Malcom Jarvis QuesoDiego Cheese Club, 19 February 2013 Scandinavia is a historical region in Northern Europe characterized by a common ethno- cultural Germanic heritage and related languages. This region encompasses three kingdoms of Denmark, Norway, and Sweden. Modern Norway and Sweden proper are situated on the Scandinavian Peninsula, whereas modern Denmark is situated on the Danish islands and Jutland. Sometimes the term Scandinavia is also taken to include Iceland, the Faroe Islands, and Finland, on account of their historical association with the Scandinavian countries. Such usage, however, may be considered inaccurate in the area itself, where the term Nordic countries instead refers to this broader group. The vast majority of the human population of Scandinavia are Scandinavians, descended from several (North) Germanic tribes who originally inhabited the southern part of Scandinavia and what is now northern Germany, who spoke a Germanic language Pairing wines and cheeses from the same region is a good, “safe” place to start wine and cheese combinations. Unfortunately, the Scandinavian countries do not make any good wine that I am aware of. Cheeses Of Norway Gammelost It is a traditional Norwegian ripened table cheese with irregular blue veins made principally in the counties of Hardanger and Sogn. It is rich in protein with low fat content, measuring 1% fat and 50% protein. Moisture, not more than 52 percent (usually 46 to 52 percent) ash, 2.5 percent; and salt (in the ash), 1 percent Its name translates as "old cheese" because the rind grows a mould that makes it look old before its time.
    [Show full text]
  • Magda Tagliaferro (1893-1986) a Discography1
    MAGDA TAGLIAFERRO (1893-1986) A DISCOGRAPHY1 By Philippe Rougier The pianistic career of Magda Tagliaferro was one of the longest, spanning more than eighty years-from her first public concert in 1902 in Sao Paulo to her last in Brasilia in 1985. Born of French parents near Rio de Janeiro, she divided her life between Brazil and France and she held both citizenships. She received first prize in piano at the Conservatoire National in Paris when she was fourteen. There she became acquainted with the director, Gabriel Faure, who around 1908 chose her to perform several of his works with him on tour. She was the protegee of the Cortot-Thibaud-Casals trio and worked regularly with her "venerated master," Alfred Cortot, whose musical aesthetics she adopted and perpetuated throughout her life. Prior to World War II, she lived in Paris and enjoyed a very brilliant career embracing Europe and South America, playing with conductors such as Furtwaengler, Weingartner, Ansermet, Munch, Paray and others. She was an activist for French music abroad and championed the contemporary composers that she had known personally: Prokofief, d'Indy (she performed his Symphonie sur un Chant montagnard under his baton), Ravel, Poulenc, Roussel, Schmitt, Falla, Albeniz, and others. She premiered or was the dedicatee of many works, including pieces for piano and orchestra by Heitor Villa-Lobos, Reynaldo Hahn, Georges Dandelot, Daniele Amfitheatrof; and solo pieces by Migot, Rivier, Pierne, Rosenthal, Inghelbrecht, and Mignone, among others. Mme. Tagliaferro also played an important role as a pedagogue. She was appointed professor at the Paris Conservatoire in 1937, remaining until the war, and founded a school in Paris and two more in Brazil (the Escola Magda Tagliaferro still exists in Sao Paulo) where she lived from 1940 until 1949.
    [Show full text]
  • Chronology 1916-1937 (Vienna Years)
    Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere
    [Show full text]
  • Swr2-Musikstunde-20110817.Pdf
    ___________________________________________________________________________ 2 Musikstunde Mittwoch, den 17. August 2011 Mit Susanne Herzog Auf den Leib geschrieben: Opern und Sinfonik für die Staatskapelle Dresden „Dieses Orchester ist eine anspruchsvolle Braut, die weiß, was sie will.“ – sagt Christian Thielemann, ab 2012 neuer Chef der Sächsischen Staatskapelle Dresden. Und schwärmt weiter: „Sie haben Mendelsohnsche Leichtigkeit, Wagnerische Opulenz und Strausssche Brillanz.“ 0’17 1. Musik Franz Lehar Ausschnitt aus: Die lustige Witwe <8> aufblenden bei 2’45 rausgehen bei 4’20 [frei 1’35] Sächsische Staatskapelle Dresden Christian Thielemann, Ltg. Titel CD: New Year’s Eve Concert DG, 00289 477 9540, LC 0173 WDR 5183 032 Franz Léhar: ein Ausschnitt aus einem Tanzduett aus „Der Lustigen Witwe“. Gespielt von der Sächsischen Staatskapelle Dresden mit ihrem zukünftigen Chef Christian Thielemann beim letzten Sylvesterkonzert. „Wie Glanz von altem Gold“ so beschrieb Herbert von Karajan den Klang der Kapelle. Und die blickt inzwischen auf eine lange Geschichte zurück: 1548 wurde sie durch Kurfürst Moritz von Sachsen gegründet. Zahlreiche berühmte Kapellmeister standen seitdem am Pult: viele von ihnen komponierten auch für ihr Orchester: man denke an Carl Maria von Weber, Richard Wagner und Richard Strauss. Wenngleich der letzte zwar ein hervorragender Dirigent war, seine Werke für die Dresdner aber dem Dirigenten Ernst von Schuch überließ. Der war 42 Jahre lang Chef der Kapelle. Heute also hier in der SWR 2 Musikstunde die Sächsische Staatskapelle Dresden und ihre Komponisten im Fokus. 2 3 Auch wenn der Kapelle immer noch der Ruf des Strauss-Orchesters vorauseilt – immerhin fanden neun Uraufführungen von Strauss Opern mit der Staatskapelle Dresden statt: ja dennoch: ihre glanzvolle Zeit begann wesentlich früher.
    [Show full text]