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Boston Symphony Orchestra Concert Programs, Season 91, 1971

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BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY - SATURDAY 1 THURSDAY A 1 TUESDAY A 1 NINETY-FIRST SEASON 1971-1972 ADimRI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN ERWIN D. CANHAM EDWARD G. MURRAY RICHARD P. CHAPMAN JOHN T. NOONAN ABRAM T. COLLIER MRS JAMES H. PERKINS MRS HARRIS FAHNESTOCK IRVING W. RABB THEODORE P. FERRIS SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR Manager Assistant Managers THOMAS W. MORRIS DAVID ROCKEFELLER JR Business Affairs Audience and Public Affairs MARY H. SMITH Concerts and Artists FORRESTER C. SMITH DANIEL R. GUSTIN Director of Development Administrator of Educational Affairs DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood RICHARD C WHITE Assistant to the Manager program copyright © 1971 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS Accompanist to: The Boston Symphony Baldwin Piano & Organ Company 160 Boylston Street • Boston, Massachusetts 02116 BALDWIN Telephone: 426-0775 PIANOS • ORGANS BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC ERWIN D. CANHAM Chairman VERNON ALDEN Vice-Chairman LEONARD KAPLAN Secretary HAZEN H. AYER DAVID O. IVES MRS FRANK G. ALLEN MRS C. D. JACKSON ROBERT C ALSOP HOWARD W. JOHNSON LEO L. BERANEK W. SEAVEY JOYCE DAVID W. BERNSTEIN MRS LOUIS I. KANE MRS CURTIS B. BROOKS GEORGE H. KIDDER J. CARTER BROWN LEON KIRCHNER MRS LOUIS W. CABOT MAURICE LAZARUS MRS NORMAN L. CAHNERS LAWRENCE K. MILLER LEVIN H. CAMPBELL III FRANK E. MORRIS GEORGE H. A. CLOWES JR MRS STEPHEN V. C. MORRIS SILVIO O. CONTE JOHN T. G. NICHOLS JOHN L. COOPER LOUVILLE NILES ROBERT CUTLER DAVID R. POKROSS NELSON J. DARLING JR MRS BROOKS POTTER HENRY B. DEWEY HERBERT W. PRATT RICHARD A. EHRLICH MRS FAIRFIELD E. RAYMOND BYRON K. ELLIOTT PAUL C. REARDON ARCHIE C EPPS III MRS GEORGE R. ROWLAND PAUL FROMM MRS GEORGE LEE SARGENT CARLTON P. FULLER DONALD B. SINCLAIR MRS ALBERT GOODHUE MRS L. LEE STANTON MRS JOHN L GRANDIN JR JOHN HOYT STOOKEY STEPHEN W. GRANT STOKLEY P. TOWLES SAMUEL A. GROVES ROBERT G. WIESE FRANCIS W. HATCH JR VINCENT C ZIEGLER SYMPHONY HALL BOSTON MASSACHUSETTS 5 BOSTON • CHESTNUT HILL • NORTHSHORE SHOPPING CENTER • SOUTH SHORE PLAZA • BURLINGTON MALL • WELLESLEY BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor JOSEPH SILVERSTEIN Assistant Conductor first violins cellos bassoons Joseph Silverstein Jules Eskin Sherman Walt concertm aster Philip R. Allen chair Ernst Panenka Charles Munch chair Martin Hoherman Matthew Ruggiero Alfred Krips Mischa Nieland Max Hobart Stephen Geber contra bassoon Rolland Tapley Robert Ripley Roger Shermont Luis Leguia Richard Plaster Max Winder Carol Procter Harry Dickson Jerome Patterson horns Gottfried Wilfinger Ronald Feldman Charles Yancich Fredy Ostrovsky Joel Moerschel Harry Shapiro Leo Panasevich Jonathan Miller David Ohanian Noah Bielski Thomas Newell Stanley Benson basses Ralph Pottle Sheldon Rotenberg Henry Portnoi Alfred Schneider Gerald Gelbloom William Rhein trumpets Hearne Raymond Sird Joseph Armando Ghitalla Ikuko Mizuno Bela Wurtzler Roger Voisin Leslie Martin Cecylia Arzewski Andre Come John Salkowski Gerard Goguen second violins John Barwicki Clarence Knudson Robert Olson trombones Fahnestock chair Lawrence Wolfe William Marshall William Gibson Michel Sasson flutes Ronald Barron Ronald Knudsen Doriot Anthony Dwyer Gordon Hallberg Leonard Moss Walter Piston chair William Waterhouse James Pappoutsakis tuba Pinto Ayrton Paul Fried Chester Schmitz Amnon Levy Laszlo Nagy piccolo timpani Michael Vitale Everett Firth Spencer Larrison Lois Schaefer Marylou Speaker Darlene Gray oboes percussion Ronald Wilkison Ralph Gomberg Charles Smith Harvey Siegel Arthur Press John Holmes assistant timpanist Wayne Rapier violas Thomas Gauger Burton Fine Frank Epstein Charles S. Dana chair english horn Reuben Green Laurence Thorstenberg harps Eugene Lehner Bernard Zighera George Humphrey clarinets Ann Hobson Jerome Lipson Harold Wright Robert Karol librarians Bernard Kadinoff Pasquale Cardillo Vincent Mauricci Peter Hadcock Victor Alpert Eb clarinet Earl Hedberg William Shisler Joseph Pietropaoio Robert Barnes bass clarinet stage manager Yizhak Schotten Felix Viscuglia Alfred Robison personnel manager William Moyer Music and money have one thing in common. Time. Proper timing can be as important to money management as it is to music. A great performance from an investment depends upon entrances and exits made at the right time. Even financial planning benefits from good timing. The Boston Safe Deposit and Trust Company has been managing money successfully for almost a century. Perhaps it's time you talked to us. BOSTON SAFE DEPOSIT ANDTRUST COMB4NY one boston place, boston, Massachusetts 02106 ^¥ffim%^ CONTENTS Program for September 24, 25, 30 and October 5 1971 11 Future programs Friday - Saturday series 58 Thursday A series 59 Tuesday A series 59 Program notes Beethoven - Symphony no. 6 in F op. 68 'Pastoral' 23 by James Lyons Einem - Violin concerto op. 33 27 by Andrew Raeburn Hindemith - Symphony 'Mathis der Maler' 40 by Klaus C. Roy The Isenheim altarpiece of Matthias Grunewald 45 The Music Director 49 The soloist 50 Program Editor ANDREW RAEBURN NINETY- FIRST SEASON 1971-1972 Friday afternoon September 24 1971 at 2 o'clock Saturday evening September 25 1971 at 8.30 Thursday evening September 30 1971 at 8.30 Tuesday evening October 5 1971 at 8.30 WILLIAM STEINBERG conductor BEETHOVEN Symphony no. 6 in F op. 68 'Pastoral' Awakening of happy feelings on reaching the countryside: allegro ma non troppo At the brook's edge: andante molto mosso Festive gathering of the country people: allegro Thunderstorm: allegro Shepherd's song - happy and thankful feelings after the storm: allegretto intermission EINEM Violin concerto op. 33 Andante Allegro ma non troppo - sostenuto Presto - andante Adagio CHRISTIANE EDINGER first performance in America HINDEMITH Symphony 'Mathis der Maler' Angelic concert Entombment Temptation of St Anthony The concert on Friday will end about 4 o'clock; those on Saturday, Thursday and Tuesday about 10.30 The Boston Symphony Orchestra records exclusively for Deutsche Grammophon BALDWIN PIANO DEUTSCHE GRAMMOPHON AND *RCA RECORDS 11 1970 NEW ENGLAND MUTUAL LIFE INSURANCE COMPANY, BOSTC -' SUBSIDIARY: NEL EQUITY SERVICES COB AFFILIATE: LOOMIS, SAYLES &. CO., INVESTMENT COUNSELOI 'My insurance company? New England Life, of course. Why?' 12 When horse drawn carriages were speeding along at ten miles an hour Napoleon III was Emperor of France and Abraham Lincoln was a struggling lawyer in Springfield, Illinois, Edward Kakas and Sons, Inc. opened their Boston store to manufacture and sell the finest in furs. Since that day 1 13 years ago, and five generations later, "KAKAS OF NEWBURY STREET" has built an unmatchable reputation for their quality furs. f&6al 93 NEWBURY STREET, BOSTON • ORIGINATED 1858 INDUSTRIAL SCHOOL FOR CRIPPLED CHILDREN 241 ST. BOTOLPH STREET BOSTON Provides For The Handicapped Child In A Free, Private, Day School A 12 Year Academic Program Vocational Training • Recreation Health Program • Transportation The Industrial School for Crippled Children solicits funds for its operation either through Bequests, Annuities or Life Insurance. In case of a life agreement a donor gives capital to the Industrial School for Crippled Children and in return receives income for life. Donors are invited to discuss these matters with the Treasurer. Treasurer, CHARLES E. COTTING, 10 Post Office Square, Boston CHARLES H. TAYLOR MRS. CHARLES E. COTTING President Chairman Ladies Committee 13 r There are discerning devotees who want pre-Symphony dining to be a bravura performance. The Ritz is for them. The Ritz-Carlton Boston BOSTON THE PLACE TO BUY Tel. 742-4142 EVERYTHING FROM WHAT'S IN STYLE to what's traditional OPEN THURSDAY EVENINGS UNTIL 8:30 Upload's Internationally Famous Ita I ia n Resta u ra nts 1-HOUR FREE PARKING at the Church Street Garage (right next door) HYANNIS 31 CHURCH ST. • CAMBRIDGE Tel. 775-6700 UNiversity 4-2300 the old PRINT & FRAME shop.
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  • Magda Tagliaferro (1893-1986) a Discography1

    Magda Tagliaferro (1893-1986) a Discography1

    MAGDA TAGLIAFERRO (1893-1986) A DISCOGRAPHY1 By Philippe Rougier The pianistic career of Magda Tagliaferro was one of the longest, spanning more than eighty years-from her first public concert in 1902 in Sao Paulo to her last in Brasilia in 1985. Born of French parents near Rio de Janeiro, she divided her life between Brazil and France and she held both citizenships. She received first prize in piano at the Conservatoire National in Paris when she was fourteen. There she became acquainted with the director, Gabriel Faure, who around 1908 chose her to perform several of his works with him on tour. She was the protegee of the Cortot-Thibaud-Casals trio and worked regularly with her "venerated master," Alfred Cortot, whose musical aesthetics she adopted and perpetuated throughout her life. Prior to World War II, she lived in Paris and enjoyed a very brilliant career embracing Europe and South America, playing with conductors such as Furtwaengler, Weingartner, Ansermet, Munch, Paray and others. She was an activist for French music abroad and championed the contemporary composers that she had known personally: Prokofief, d'Indy (she performed his Symphonie sur un Chant montagnard under his baton), Ravel, Poulenc, Roussel, Schmitt, Falla, Albeniz, and others. She premiered or was the dedicatee of many works, including pieces for piano and orchestra by Heitor Villa-Lobos, Reynaldo Hahn, Georges Dandelot, Daniele Amfitheatrof; and solo pieces by Migot, Rivier, Pierne, Rosenthal, Inghelbrecht, and Mignone, among others. Mme. Tagliaferro also played an important role as a pedagogue. She was appointed professor at the Paris Conservatoire in 1937, remaining until the war, and founded a school in Paris and two more in Brazil (the Escola Magda Tagliaferro still exists in Sao Paulo) where she lived from 1940 until 1949.
  • Chronology 1916-1937 (Vienna Years)

    Chronology 1916-1937 (Vienna Years)

    Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere
  • Swr2-Musikstunde-20110817.Pdf

    Swr2-Musikstunde-20110817.Pdf

    ___________________________________________________________________________ 2 Musikstunde Mittwoch, den 17. August 2011 Mit Susanne Herzog Auf den Leib geschrieben: Opern und Sinfonik für die Staatskapelle Dresden „Dieses Orchester ist eine anspruchsvolle Braut, die weiß, was sie will.“ – sagt Christian Thielemann, ab 2012 neuer Chef der Sächsischen Staatskapelle Dresden. Und schwärmt weiter: „Sie haben Mendelsohnsche Leichtigkeit, Wagnerische Opulenz und Strausssche Brillanz.“ 0’17 1. Musik Franz Lehar Ausschnitt aus: Die lustige Witwe <8> aufblenden bei 2’45 rausgehen bei 4’20 [frei 1’35] Sächsische Staatskapelle Dresden Christian Thielemann, Ltg. Titel CD: New Year’s Eve Concert DG, 00289 477 9540, LC 0173 WDR 5183 032 Franz Léhar: ein Ausschnitt aus einem Tanzduett aus „Der Lustigen Witwe“. Gespielt von der Sächsischen Staatskapelle Dresden mit ihrem zukünftigen Chef Christian Thielemann beim letzten Sylvesterkonzert. „Wie Glanz von altem Gold“ so beschrieb Herbert von Karajan den Klang der Kapelle. Und die blickt inzwischen auf eine lange Geschichte zurück: 1548 wurde sie durch Kurfürst Moritz von Sachsen gegründet. Zahlreiche berühmte Kapellmeister standen seitdem am Pult: viele von ihnen komponierten auch für ihr Orchester: man denke an Carl Maria von Weber, Richard Wagner und Richard Strauss. Wenngleich der letzte zwar ein hervorragender Dirigent war, seine Werke für die Dresdner aber dem Dirigenten Ernst von Schuch überließ. Der war 42 Jahre lang Chef der Kapelle. Heute also hier in der SWR 2 Musikstunde die Sächsische Staatskapelle Dresden und ihre Komponisten im Fokus. 2 3 Auch wenn der Kapelle immer noch der Ruf des Strauss-Orchesters vorauseilt – immerhin fanden neun Uraufführungen von Strauss Opern mit der Staatskapelle Dresden statt: ja dennoch: ihre glanzvolle Zeit begann wesentlich früher.