Pet Shop Boys Catalogue Free

Total Page:16

File Type:pdf, Size:1020Kb

Pet Shop Boys Catalogue Free FREE PET SHOP BOYS CATALOGUE PDF Chris Heath,Philip Hoare | 336 pages | 31 May 2017 | Thames & Hudson | 9780500286944 | English | United States Catalogue – Pet Shop Boys – Product The complete PSB visuals: Every aspect of their work is featured: elegantly designed sleeve artwork and packaging; stills and behind-the-scenes shots from every video, film, concert, and theater show; experimental stage sets and cutting-edge fashion and costume designs; collaborations; publications; merchandising; photo shoots; and even their personally designed invitations and Christmas cards. Short texts by music journalist Chris Heath and historian Philip Hoare accompany hundreds of illustrations and provide illuminating insights into the genesis and creation of each project. Pet Shop Boys Catalogue Share on Facebook Share on Twitter. Catalogue 16 October I Pet Shop Boys Catalogue wanna. Monkey business. Burning the heather radio edit. Dreamland - remixes. Inner Sanctum Pet Shop Boys. Agenda Pet Shop Boys. Annually Pet Shop Boys. Say it to me Pet Shop Boys. Inner Sanctum vinyl inch. The Pop Kids. Fluorescent Record Store Day 12". Thursday featuring Example. Love is a bourgeois construct. Memory of Pet Shop Boys Catalogue future. The Most Incredible Thing. Ultimate Pet Shop Boys. Beautiful people. Did you see me coming? Love etc. The Loving Kind Girls Aloud. Disco 4. Read My Mind The Killers. A life in Pet Shop Boys Catalogue. Rudebox Robbie Williams. Sorry Madonna. Battleship Potemkin. Somewhere Live at The Savoy. Love to love you, baby Kiki Kokova. Disco 3. I get along. Home and dry. Please Further listening Actually Further listening Introspective Further listening Behaviour Further listening Very Further listening Bilingual Further listening Closer to Heaven. Mope The Bloodhound Gang. Jerusalem Fat Les New York City boy. Psycho - Soundtrack. No Regrets Robbie Williams. Twentieth Century Blues Noel Coward. Film star Suede. Bilingual Special Edition. A red letter day. Wildest Dreams Tina Turner. Hallo Spaceboy David Bowie. Pet Shop Boys versus America. Discovery Live in Rio. Paninaro Disco 2. Yesterday, when I was mad. Absolutely fabulous. Kylie Minogue Kylie Minogue. I wouldn't normally do this kind of thing. Very Relentless. Go West. Pet Shop Boys, Literally. Can you forgive her? The crying game Boy George. Disappointed Electronic. Future boy Cicero. Was it worth it? DJ Culturemix. DJ Culture. Electronic Electronic. Where the streets have no name I can't take my eyes off you. How can you expect to be taken seriously? Highlights Pet Shop Boys on tour. Being boring. So hard. Reputation Dusty Springfield. Love pains Liza Minnelli. Getting away with it Electronic. In private Dusty Springfield. So sorry, I said Liza Minnelli. Results Liza Minnelli. Losing My Mind Liza Pet Shop Boys Catalogue. Left to my own devices. Domino dancing. Pet Shop Boys, annually. Always on my mind. What have I done to deserve this? Disco — the remix album. Opportunities Second release. Love comes quickly. West End girls. Opportunities First release. Pet Shop Boys | Hotspot - The New Album On their 14th studio album, the best-selling duo in UK pop dampen the euphoria; the result is a tuneful, wan album that lands somewhere in the Pet Shop Boys Catalogue of their rich catalogue. For more than 35 years, Pet Shop Boys singer-keyboardist Neil Tennant has returned to a question of world-historic import: Do I stay in or do I go out? Pet Shop Boys do. No other act has so richly documented the cautious development of lonely queer boys whose ambitions—sexual and economic—are as huge as the beats they heard at the club Pet Shop Boys Catalogue Saturday night. On the dancefloor, these boys rehearse how to deal with other boys checking them out or abandoning them for hunkier alternatives. On Hotspot, the best-selling duo in UK Pet Shop Boys Catalogue dampen the euphoria; the result is a tuneful, wan album: a mid-tier effort. The mid-tempo tunes keep their top buttons buttoned, muted and wary like the sixtysomethings Tennant and Lowe have become. Hotspot stumbles when Tennant and Lowe convince themselves they need a good time. Why then is this song such an inoffensive racket? Perhaps the inoffensiveness is the point. So much uncertainty requires consistency. Buy: Rough Trade. Pitchfork may earn a commission from purchases made through affiliate links on our site. Skip to content Search query All Results. Pitchfork is the most trusted voice in music. Share on Facebook Share on Twitter Open share drawer. Buy: Rough Trade Pitchfork may earn a commission from purchases made through affiliate links on our site. Final batch of ‘Catalogue’ reissues out now – Pet Shop Boys – News Released inActually opens with a seemingly disparate drum roll, Dancing Queen glissando and the squeal of Pet Shop Boys Catalogue tyres, and rockets into a succinct 10 songs that bring the lecture hall to the club. Rather than sticking to mindless hooks and vapid lyricism as some of their contemporaries did, the Pet Shop Boys elegantly delved into big issues. It has the feel of a quivering lip in a stoic face, a reasoned argument when all you want to do is rage. The strings were arranged by Angelo Badalamenti, but recorded on a Fairlight when nobody remembered to book an actual orchestra. The beauty of the Pet Shop Boysand of Actually in particular, is the deftness with which they manoeuvre from all-out pop to elegiac melancholy and back again. They understood, instinctively, that pop music was not to be underestimated, revelling in it rather than sneering or cynically exploiting it for commercial gain. Sparklingly clever and skirting naff like a strobe light on a dancefloor, Actually is that rare thing: a second album that pleased everyone. Being Boring tracks the move from adolescence to adulthood and, in parallel, from health to death. Behaviour has come to be seen as a gateway from the 80s Pets into 90s Pets. It saw them experimenting with musical arrangements that hinted at their future theatrical aspirations, albeit under woozy synthscapes. The brief producer Stuart Price received was: Electric was to be a dance record. It is near impossible to listen to Electric without closing your eyes and feeling the dancefloor around you; the lights swirling behind your eyelids, the feel of bodies pressing against you from all angles. The Pet Shop Boys love remixes. Some tracks from Please and some B-sides were reworked by the Pets themselves and frequent Pets producers Julian Mendelssohn and Shep Pettibone, among others. Spotify users, use the playlist below or click here. Apple Music users, click here. Literally, by Pet Shop Boys Catalogue Heath In possibly the greatest music book ever written, journalist Chris Heath Pet Shop Boys Catalogue the Pet Shop Boys on tour in Japan in the late 80s and spends hours talking with them about absolutely everything. There is a lot of shopping. This article contains affiliate links, which means we may earn a small commission if a reader clicks through and makes a purchase. All our journalism is independent and is in no way influenced by any Pet Shop Boys Catalogue or commercial initiative. By clicking on an affiliate link, you accept that third-party cookies will be set. More information. The album to Pet Shop Boys Catalogue with Actually. Facebook Twitter Pinterest. Topics Pet Shop Boys Listener's digest. Pop and rock Electronic music Dance music features. Reuse this content. Order by newest oldest recommendations. Show 25 25 50 All. Threads collapsed expanded unthreaded. Loading comments… Trouble loading? Most popular..
Recommended publications
  • Sexuality, Spirituality and the 'Song of Songs'
    setup 10-31-05-web 10/20/05 11:39 AM Page 8 October 31, 2005 America Vol. 193 No. 13, Whole No. 4709 Sexuality, Spirituality and the ‘Song of Songs’ – BY CHRISTOPHER PRAMUK – Only through the body does the way, the ascent to the life of blessedness, lie open to us. — St. Bernard of Clairvaux, Sermons on the Song of Songs HE SONG OF SONGS has long held a privileged place in the mystical theolo- gy and monastic tradition of the church. Commentary on this erotically charged, enigmatic love poetry of the Bible runs like a thread from Origen (d. 254) through St. Bernard (d. 1153) and up to St. John of the Cross (d. T1591). In more contemporary figures, too, like the Trappist monk and spiritual writer Thomas Merton, we find the song like a shimmering veil between the lines of his PHOTO BY TATYANA BORODINA CHRISTOPHER PRAMUK, the author of Surviving the Search: Sexuality, Spirituality and Love (Living the Good News, 1998), lives with his wife and two children in South Bend, Ind. 8 America October 31, 2005 setup 10-31-05-web 10/20/05 11:39 AM Page 9 poems and prayers. The regular reader of Merton expects composed over a period of 18 years—is rightly revered as the to find even in his prose spontaneous, canticle-like verses of masterpiece of medieval monastic literature. Like many others praise, or the dream-like yearning for “one whom my heart before and after him, Bernard saw the song as a sublime alle- loves.” gory on the love of God that can be experienced through con- It is natural to wonder why the Song of Songs has exert- templation.
    [Show full text]
  • Pet Shop Boys Introspective (Introspectivo) Mp3, Flac, Wma
    Pet Shop Boys Introspective (Introspectivo) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Introspective (Introspectivo) Country: Ecuador Released: 1988 Style: Synth-pop MP3 version RAR size: 1773 mb FLAC version RAR size: 1773 mb WMA version RAR size: 1819 mb Rating: 4.9 Votes: 443 Other Formats: MP3 MMF ASF ADX AHX AC3 VQF Tracklist Hide Credits Hago Lo Que Se Me Antoja (Left To My Own Devices) A1 Producer – Stephen Lipson, Trevor HornVocals – Sally Bradshaw Quiero Un Perro (I Want A Dog) A2 Mixed By – Frankie Knuckles La Danza Del Dominó (Domino Dancing) A3 Mixed By – Lewis A. Martineé, Mike Couzzi, Rique AlonsoProducer – Lewis A. Martineé No Tengo Miedo (I'm Not Scared) B1 Producer – David Jacob (Siempre En Mi Mente / En Mi Casa) (Always On My Mind / In My House) B2 Producer – Julian MendelsohnWritten-By – Christopher*, James*, Thompson* Está Bien (It's Alright) B3 Producer – Stephen Lipson, Trevor HornWritten-By – Sterling Void Companies, etc. Manufactured By – Ifesa Distributed By – Fonorama Other versions Category Artist Title (Format) Label Category Country Year PCS 7325, 79 Pet Shop Introspective (LP, Parlophone, PCS 7325, 79 UK 1988 0868 1 Boys Album) Parlophone 0868 1 Pet Shop Introspectivo (Cass, 66312 EMI 66312 Argentina 1988 Boys Album, RE) Pet Shop Introspectivo (Cass, 20059 EMI 20059 Argentina 1988 Boys Album) 080 79 0868 Parlophone, 080 79 0868 Pet Shop Introspective (LP, 1, 080 7 EMI, 1, 080 7 Spain Unknown Boys Album) 90868 1 Parlophone, EMI 90868 1 Introspective (CD, Pet Shop Not On Label 13421 Album,
    [Show full text]
  • DOCUMENT RESUME ED 262 129 UD 024 466 Hawaiian Studies
    DOCUMENT RESUME ED 262 129 UD 024 466 TITLE Hawaiian Studies Curriculum Guide. Grades K-1. INSTITUTION Hawaii State Dept. of Education, Honolulu. Office of Instructional Services. PUB DATE Dec 83 NOTE 316p.; For the Curriculum Guides for Grades 2,3, and 4, see UD 024 467-468, and ED 255 597. "-PUB TYPE Guides Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Community Resources; *Cultural Awareness; *Cultural Education; *Early Childhood Education; Grade 1; Hawaiian; *Hawaiians; Instructional Materials; Kindergarten; *Learning Activities; Pacific Americans; *Teacher Aides; Vocabulary IDENTIFIERS *Hawaii ABSTRACT This curriculum guide suggests activities and educational experiences within a Hawaiian cultural context for kindergarten and Grade 1 students in Hawaiian schools. First, a introduction-discusses the contents of the guide, the relations Hip of - the classroom teacher and the kupuna (ljawaiian-speaking elder); the identification and scheduling of Kupunas; and how to use the ide. The remainder of the guide is divided into two major sections. Each is preceded by an overview which outlines the subject areas into which Hawaiian Studies instruction is integrated; the emphases or major lesson topics taken up within each subject, area; the learning objectives addressed by the instructional activities; and a key to the unit's appendices, which provide cultural information to supplement the activities. The activities in Unit I focus on the "self" and the immediate environment. They are said to give children ___Dppor-tumit-ies to investigate and experience feelings and ideas and then to determine whether they are acceptable within classroom and home situations. The activities of Unit II involve the children in experiences dealing with the "'ohana" (family) by having them identify roles, functions, dependencies, rights, responsibilities, occupations, and other cultural characteristics of the 'ohana.
    [Show full text]
  • Spanish Language Broadcasting Collection
    Spanish Language Broadcasting Collection NMAH.AC.1404 IrMarie Fraticelli, Edwin A. Rodriguez, and Justine Thomas This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Gilda Mirós, (bulk 1950 - 2016, undated) (bulk 1950 - 2016, undated).................................................................................................................... 4 Series 2: Hector Aguilar, 1940 - 2002, undated....................................................
    [Show full text]
  • Nightlife, Djing, and the Rise of Digital DJ Technologies a Dissertatio
    UNIVERSITY OF CALIFORNIA, SAN DIEGO Turning the Tables: Nightlife, DJing, and the Rise of Digital DJ Technologies A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Communication by Kate R. Levitt Committee in Charge: Professor Chandra Mukerji, Chair Professor Fernando Dominguez Rubio Professor Kelly Gates Professor Christo Sims Professor Timothy D. Taylor Professor K. Wayne Yang 2016 Copyright Kate R. Levitt, 2016 All rights reserved The Dissertation of Kate R. Levitt is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ _____________________________________________ Chair University of California, San Diego 2016 iii DEDICATION For my family iv TABLE OF CONTENTS SIGNATURE PAGE……………………………………………………………….........iii DEDICATION……………………………………………………………………….......iv TABLE OF CONTENTS………………………………………………………………...v LIST OF IMAGES………………………………………………………………….......vii ACKNOWLEDGEMENTS…………………………………………………………….viii VITA……………………………………………………………………………………...xii ABSTRACT OF THE DISSERTATION……………………………………………...xiii Introduction……………………………………………………………………………..1 Methodologies………………………………………………………………….11 On Music, Technology, Culture………………………………………….......17 Overview of Dissertation………………………………………………….......24 Chapter One: The Freaks
    [Show full text]
  • Bobby in Movieland Father Francis J
    Xavier University Exhibit Father Francis J. Finn, S.J. Books Archives and Library Special Collections 1921 Bobby in Movieland Father Francis J. Finn S.J. Xavier University - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/finn Recommended Citation Finn, Father Francis J. S.J., "Bobby in Movieland" (1921). Father Francis J. Finn, S.J. Books. Book 6. http://www.exhibit.xavier.edu/finn/6 This Book is brought to you for free and open access by the Archives and Library Special Collections at Exhibit. It has been accepted for inclusion in Father Francis J. Finn, S.J. Books by an authorized administrator of Exhibit. For more information, please contact [email protected]. • • • In perfect good faith Bobby stepped forward, passed the dir­ ector, saying as he went, "Excuse me, sir,'' and ignoring Comp­ ton and the "lady" and "gentleman," strode over to the bellhop. -Page 69. BOBBY IN MO VI ELAND BY FRANCIS J. FINN, S.J. Author of "Percy Wynn," "Tom Playfair," " Harry Dee," etc. BENZIGER BROTHERS NEw Yonx:, Cmcnrn.ATI, Cmc.AGO BENZIGER BROTHERS CoPYlUGBT, 1921, BY B:n.NZIGEB BnoTHERS Printed i11 the United States of America. CONTENTS CHAPTER 'PAGB I IN WHICH THE FmsT CHAPTER Is WITHIN A LITTLE OF BEING THE LAST 9 II TENDING TO SHOW THAT MISFOR- TUNES NEVER COME SINGLY • 18 III IT NEVER RAINS BUT IT PouRs • 31 IV MRs. VERNON ALL BUT ABANDONS Ho PE 44 v A NEW WAY OF BREAKING INTO THE M~~ ~ VI Bonny ENDEA vo:r:s TO SH ow THE As­ TONISHED CoMPTON How TO BE- HAVE 72 VII THE END OF A DAY OF SURPRISES 81 VIII BonnY :MEETS AN ENEMY ON THE BOULEVARD AND A FRIEND IN THE LANTRY STUDIO 92 IX SHOWING THAT IMITATION Is NOT AL­ WAYS THE SINCEREST FLATTERY, AND RETURNING TO THE MISAD- VENTURES OF BonBY's MoTHER.
    [Show full text]
  • Straight from the Source — What Works
    Straight from the Source What Works for First-Generation College Students THE PELL INSTITUTE FOR THE STUDY OF OPPORTUNITY IN HIGHER EDUCATION The Pell Institute for the Study of Opportunity in Higher Education The Pell Institute, sponsored by Senior Scholars the Council for Opportunity Adolfo Bermeo in Education, conducts and Marshall Grigsby disseminates research and Thomas Mortenson policy analysis to encourage Lana Muraskin policymakers, educators, and the Congressman Louis Stokes public to improve educational Vincent Tinto opportunities and outcomes of Wayne Upshaw low-income, first-generation, and disabled college students. Advisory Committee The Pell Institute is the first Sonya Anderson, research institute to specifically The Oprah Winfrey Foundation examine the issues affecting educational opportunity for Estela Bensimon, University of Southern this growing population. California For further information contact: Betsy Brand, American Youth Colleen O’Brien, Director Policy Forum THE PELL INSTITUTE Alberto Cabrera, for the Study of Opportunity University of Maryland, in Higher Education College Park 1025 Vermont Avenue, NW Heather Eggins, Suite 1020 Staffordshire University (UK) Washington, DC 20005 David Evans, Tel: 202-638-2887 Educational Policy Consultant Fax: 202-638-3808 Donald Heller, www.pellinstitute.org Pennsylvania State University Scott Miller, Pennsylvania Higher Education Assistance Agency Barmak Nassirian, American Association of Collegiate Registrars and Admissions Officers Raymund Paredes, Texas Higher Education Coordinating Board Thomas Wolanin, Institute for Higher Education Policy Straight from the Source What Works for First-Generation College Students DECEMBER 2006 THE PELL INSTITUTE FOR THE STUDY OF OPPORTUNITY IN HIGHER EDUCATION by Jennifer Engle, Adolfo Bermeo, and Colleen O’Brien Acknowledgements This report was written by Jennifer Engle, Research Analyst; Adolfo Bermeo, Senior Scholar; and Colleen O’Brien, Director, at the Pell Institute.
    [Show full text]
  • Pet Shop Boys&Quot
    TV Paraná Turismo - Rádio e Televisão Educativa do Paraná - A dupla bem-sucedida da história do pop "Pet Shop Boys" em Curitiba Notícias Postado em: 19/09/2017 Por mais de 25 anos, os shows do Pet Shop Boys foram considerados os mais inovadores e modernos, pois incorporavam multimídia e elementos teatrais em suas produções. A Live Curitiba recebe, no dia 21 de setembro, a dupla mas bem-sucedida da história do pop, Pet Shop Boy. O duo conquistou ao longo de seus 13 álbuns uma unanimidade pouco comum. Suas músicas rolam no fervo do underground mais secreto, mas também são sucesso nas festas de firma ou no casamento daquela prima careta. São ativistas dos direitos gays desde sempre e sua plateia é formada por héteros e gays que estão pouco ligando para o que vão falar se forem vistos dançando abraçados e cantando hinos como Go West, Domino Dancing, Suburbia, It's a Sin, What Have I Done to Deserve This e tantas outras. Vai ser especialmente incrível se eles tirarem da cartola a faixa Se A Vida É, de 1996, que mostra o amor deles pelo público brasileiro. Os Pet Shop Boys sofisticaram a dance music com seus arranjos, capricharam em letras inteligentes e doses certas de bom humor e leveza. Com isso, conquistaram boa parte do mundo. Um dos maiores sucessos do pop inglês dos anos 80 e 90, o Pet Shop Boys já teve 36 músicas no Top-20 e 22 músicas no Top-10 da Inglaterra em toda sua carreira. Considerada a maior dupla de pop eletrônico pela imprensa britânica, o Pet Shop Boys já recebeu duas indicações ao Grammy Awards: melhor música dance, com "I'm with stupid" e melhor álbum dance/eletrônica com "Fundamental".
    [Show full text]
  • “Being an Asian American Male Is Really Hard Actually”: Cultural Psychology of Asian American Masculinities and Psychological Well-Being
    “BEING AN ASIAN AMERICAN MALE IS REALLY HARD ACTUALLY”: CULTURAL PSYCHOLOGY OF ASIAN AMERICAN MASCULINITIES AND PSYCHOLOGICAL WELL-BEING by Jennifer Young Yim A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Psychology and Women’s Studies) in The University of Michigan 2009 Doctoral Committee: Associate Professor Ramaswami Mahalingam, Chair Associate Professor Edward C. Chang Associate Professor Anthony S. Chen Associate Professor Elizabeth R. Cole © Jennifer Young Yim 2009 This dissertation is dedicated to my parents, my ancestors, and my teachers. ii ACKNOWLEDGMENTS I would like to offer gratitude and thanks to my mentor, advisor, and committee chair, Dr. Ramaswami Mahalingam, for his unconditional mentorship. I would also like to thank the members of my committee, Drs. Edward Chang, Elizabeth Cole, and Anthony Chen, for their generous support in this project. I also give thanks to the members of the Immigrant Psychology Research Lab for sharing their perspectives on the use of intersectionality and social marginality in different contexts. And I would like to thank the Program on Intergroup Relations for their unflagging support and enthusiasm. I would like to acknowledge the grants that funded this research from the University of Michigan Psychology Department, Women’s Studies Program, and Rackham School of Graduate Studies, which made this project possible. I would also like to acknowledge Apple for allowing me to use iTunes gift cards to promote this study and reach a wider population. Thank you also to Tyler Dancer and Madi Wachman for their assistance with data maintenance and proofreading. And thank you to my students who have all challenged me to think differently about what masculinity means to college students and for pursuing their dreams to be forces of positive change.
    [Show full text]
  • Smith, Troy African & African American Studies Department
    Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 2-3-2006 Smith, Troy African & African American Studies Department. Troy Smith Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Smith, Troy. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham University. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewer: Mark Naison, Andrew Tiedt Interviewee: Troy Smith February 3, 2006 - 1 - Transcriber: Laura Kelly Mark Naison (MN): Hello, this is the 143rd interview of the Bronx African American History Project. It’s February 3, 2006. We’re at Fordham University with Troy Smith who is one of the major collectors of early hip hop materials in the United States and the lead interviewer is Andrew Tiedt, graduate assistant for the Bronx African American History Project. Andrew Tiedt (AT): Okay Troy, first I wanna say thanks for coming in, we appreciate it. Your archive of tapes is probably one of the most impressive I’ve ever seen and especially for this era. Well before we get into that though, I was wondering if you could just tell us a little bit about where you’re from. Where did you grow up? Troy Smith (TS): I grew up in Harlem on 123rd and Amsterdam, the Grant projects, 1966, I’m 39 years old now.
    [Show full text]
  • KD-ADV49/KD-AVX44 RÉCEPTEUR DVD/CD RECEPTOR CONDVD/CD DVD/CD RECEIVER Pour L’Installationetlesraccordements,Seréféreraumanuelséparé
    ENGLISH DVD/CD RECEIVER RECEPTOR CON DVD/CD RÉCEPTEUR DVD/CD ESPAÑOL KD-ADV49/KD-AVX44 FRANÇAIS For canceling the display demonstration, see page 7. Para cancelar la demonstración en pantalla, consulte la página 7. Pour annuler la démonstration des affichages, référez-vous à la page 7. For installation and connections, refer to the separate manual. For customer Use: Para la instalación y las conexiones, refiérase al manual separado. Enter below the Model No. Pour l’installation et les raccordements, se référer au manuel séparé. and Serial No. which are located on the top or bottom of the cabinet. Retain this information for future INSTRUCTIONS reference. MANUAL DE INSTRUCCIONES MANUEL D’INSTRUCTIONS Model No. Serial No. LVT1797-001B [J/C] CCover_KDADV49AVX44[JC].inddover_KDADV49AVX44[JC].indd 2 008.2.188.2.18 110:45:380:45:38 AAMM Thank you for purchasing a JVC product. Please read all instructions carefully before operation, to ensure your complete understanding and to obtain the best possible performance from the unit. IMPORTANT FOR LASER PRODUCTS 1. CLASS 1 LASER PRODUCT ENGLISH 2. CAUTION: Do not open the top cover. There are no user serviceable parts inside the unit; leave all servicing to qualified service personnel. 3. CAUTION: (For U.S.A.) Visible and/or invisible class II laser radiation when open. Do not stare into beam. (For Canada) Visible and/or invisible class 1M laser radiation when open. Do not view directly with optical instruments. 4. REPRODUCTION OF LABEL: CAUTION LABEL, PLACED OUTSIDE THE UNIT. INFORMATION (For U.S.A.) WARNINGS: This equipment has been tested and found to To prevent accidents and damage comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.
    [Show full text]
  • Cue Point Aesthetics: the Performing Disc Jockey In
    CUE POINT AESTHETICS: THE PERFORMING DISC JOCKEY IN POSTMODERN DJ CULTURE By Benjamin De Ocampo Andres A Thesis Presented to The Faculty of Humboldt State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in Sociology Committee Membership Dr. Jennifer Eichstedt, Committee Chair Dr. Renee Byrd, Committee Member Dr. Meredith Williams, Committee Member Dr. Meredith Williams, Graduate Coordinator May 2016 ABSTRACT CUE POINT AESTHETICS: THE PERFORMING DISC JOCKEY IN POSTMODERN DJ CULTURE Benjamin De Ocampo Andres This qualitative research explores how social relations and intersections of popular culture, technology, and gender present in performance DJing. The methods used were interviews with performing disc jockeys, observations at various bars, and live music venues. Interviews include both women and men from varying ages and racial/ethnic groups. Cultural studies/popular culture approaches are utilized as the theoretical framework, with the aid of concepts including resistance, hegemony, power, and subcultures. Results show difference of DJ preference between analog and digital formats. Gender differences are evident in performing DJ's experiences on and off the field due to patriarchy in the DJ scene. ii ACKNOWLEDGEMENTS First and Foremost, I would like to thank my parents and immediate family for their unconditional support and love. You guys have always come through in a jam and given up a lot for me, big up. To "the fams" in Humboldt, you know who you are, thank you so much for holding me down when the time came to move to Arcata, and for being brothers from other mothers. A shout out to Burke Zen for all the jokes cracked, and cigarettes smoked, at "Chinatown." You help get me through this and I would have lost it along time ago.
    [Show full text]