KENT, Melissa

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Melissa Kent Editor FEATURES DIRECTOR PRODUCERS PRODUCTION CO. / STUDIO TRAFFIK Deon Taylor Roxanne Avent, Mark Burg Hidden Empire Film Group AMERICAN PASTORAL Ewan McGregor Tom Rosenberg, Gary Lucchesi Lakeshore Entertainment / Lionsgate THE AGE OF ADALINE Lee Toland Krieger Tom Rosenberg, Gary Lucchesi Lakeshore Entertainment / Lionsgate CAPTIVE Jerry Jameson Terry Botwick, Jerrry Jameson 1019 Entertainment / Paramount LOUDER THAN WORDS Anthony Fabian Anthony Mastomauro Identity Films MAKE YOUR MOVE 3D Duane Adler Robert Cort, Eric Hetzel Robert Cort Prods. / Lionsgate Int’l THE VOW Michael Sucsy Jonathan Glickman Spyglass Entertainment / Screen Gems JUST WRIGHT Sanaa Hamri Debra Martin Chase Fox Searchlight Pictures FOUR CHRISTMASES (shared credit) Seth Gordon Jonathan Glickman New Line Cinema THE SISTERHOOD OF Sanaa Hamri Andrew Kosove, Broderick Johnson Alcon Entertainment / Warner Bros. THE TRAVELING PANTS 2 Denise Di Novi, Debra Martin Chase SOMETHING NEW Sanaa Hamri Stephanie Allain Focus Features CRAZY / BEAUTIFUL John Stockwell Harry J. Ufland, Rachel Pfeffer Touchstone THE VIRGIN SUICIDES Sofia Coppola Francis Ford Coppola, Julie Costanzo Paramount Classics SUPERNOVA Walter Hill Francis Ford Coppola MGM THE OUTSIDERS (additional editor) Francis Ford Coppola Kim Aubry Warner Bros. *2005 version THE RAINMAKER (co-editor) Francis Ford Coppola Fred Fuchs American Zoetrope / Paramount THE FANTASTICKS (additional editor) Michael Ritchie Michael Ritchie MGM / United Artists REACHING NORMAL Anne Heche Jana Sue Memel Showtime *Short Film—Sundance SOME GIRL Rory Kelly Boaz Davidson Millennium Films MIXED SIGNALS Sasha Gelbart, Eric Tipton Michael Burns, Leanna Creel HSX Films MY FAMILY (additional editor) Gregory Nava Francis Ford Coppola, Anna Thomas American Zoetrope / New Line Cinema TELEVISION A RAISIN IN THE SUN (MOW) Kenny Leon Craig Zadan, Neil Meron Storyline Entertainment / ABC *Sundance Premiere Emmy—Nominee (Best Made-for-TV Movie) 2008 AN AMERICAN CRIME Tommy O’Haver Christine Vachon, Jocelyn Hayes Killer Films / Showtime *Sundance Premiere OCTOBER ROAD (pilot) Gary Fleder Josh Applebaum, André Nemec Touchstone / ABC (Page 1 of 2) 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com Melissa Kent Editor TELEVISION (cont’d.) DIRECTOR PRODUCERS PRODUCTION CO. / STUDIO THE DEERINGS (pilot) Michael Lehmann Shawn Levy 20th Century Fox Television THE REAGANS Robert Allan Ackerman Craig Zadan, Neil Meron Storyline Entertainment / Showtime *ACE Eddie—Nominee Emmy—Nominee (Best Made-for-TV Movie) 2004 THE ROMAN SPRING OF MRS. STONE Robert Allan Ackerman Hilary Heath Showtime BABY Robert Allan Ackerman David Manson TNT HBO FIRST LOOK: THE RAINMAKER Eleanor Coppola Julie Costanzo American Zoetrope / Paramount (Page 2 of 2) 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space).
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RE: HB 6267 - CT TAX CREDITS Dear Finance Committee and Esteemed Members of the Connecticut Legislature My name is Jeff Bishop and I currently perform business recruitment and economic development functions here in the Greater Bridgeport area with the Bridgeport Regional Business Council. Prior to this I was with the Bridgeport Economic Resource Center’s Office of film, which was a public private organization working hand-in-hand with the City of Bridgeport’s Office of Planning and Economic Development. During the tenure of the Bridgeport Office of Film there were more than 30 major motion pictures and/or projects filmed in the City of Bridgeport and surrounding area. They came to our region not only because of the wonderful and diverse scenery available, but also because of the film and digital media tax credit program that was in place. These films and projects brought a tremendous amount of economic activity and energy into our communities on a regular basis. In addition to the “star power” that came to town, it attracted national attention in a positive way, generated civic pride and elevated our standing in the movie industry as a great place to do business. It seemed that the headlines in our local papers and in the media were more about the film projects that came into our town and took over with their film shooting instead of the other types of shootings. There was always a buzz in the air and a certain energy that is hard to quantify but was still there and on display for all to see.
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