DOCSLIB.ORG

Programme Information

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Programme Information Programme information Saturday 18th September to Friday 24th September 2021 WEEK 38 Photo credit: Mark Allan THE CLASSIC FM CONCERT with JOHN SUCHET: CLASSIC FM LIVE Thursday 23rd September, 8pm to 10pm John presents a very special broadcast of Classic FM Live, which returned to the Royal Albert Hall for the first time in almost two years (on Wednesday 22nd September). The spectacular celebration of classical music features favourites from the Classic FM Hall of Fame. Among the soloists on the night is Khatia Buniatishvili, who plays Rachmaninov’s enduringly romantic Piano Concerto No.2. They are joined by the Chineke! Orchestra (pictured), conducted by Damon Gupta, who perform the beautiful Ballade in A minor by Coleridge-Taylor and Tchaikovsky’s exhilarating 1812 Overture. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, on Global Player on your smart speaker (“play Classic FM”), iOS or Android device and at ClassicFM.com. 1 WEEK 38 SATURDAY 18TH SEPTEMBER 4pm to 7pm: MOIRA STUART’S HALL OF FAME CONCERT As students across the country begin a new university term, Moira celebrates three extraordinarily talented young musicians who made their mark on the concert stage from an early age. Julian Bliss, who is also a skilled instrument designer, plays Mozart’s Clarinet Concerto, before Benjamin Grosvenor shines in Chopin’s romantic Piano Concerto No.1. Later, one of the most in-demand soloists in the country, Nicola Benedetti – who also dedicates her time to supporting young music education – plays a former number one in the Classic FM Hall of Fame: Bruch’s Violin Concerto No.1. Jean Sibelius Finlandia Opus 26 Andrew Davis conducts the Bergen Philharmonic Orchestra Wolfgang Amadeus Mozart Clarinet Concerto in A major K.622 Clarinet: Julian Bliss Mario Vengazo conducts the Royal Northern Sinfonia Ralph Vaughan Williams 5 Variants of ‘Dives & Lazarus’ Andrew Manze conducts the Royal Liverpool Philharmonic Orchestra Leo Delibes Flower Duet (From Lakmé) Sopranos: Karine Deshayes & Patricia Petibon Yves Abel conducts the Lyon Opera Orchestra Ronald Binge The Watermill Oboe: Ruth Scott Ronald Corp conducts the New London Orchestra Frédéric Chopin Piano Concerto No.1 in E minor Opus 11 Piano: Benjamin Grosvenor Elim Chan conducts the Royal Scottish National Orchestra Modest Mussorgksy A Night on the Bare Mountain José Serebrier conducts the Bournemouth Symphony Orchestra Continued… 2 SATURDAY 18TH SEPTEMBER 4pm to 7pm: MOIRA STUART’S HALL OF FAME CONCERT Continued… George Geshwin Walking the Dog Iain Sutherland conducts the Iain Sutherland Concert Orchestra Max Bruch Violin Concerto No.1 in G minor Opus 26 Violin: Nicola Benedetti Jakub Hrůša conducts the Czech Philharmonic Orchestra Joseph Haydn Symphony No.101 in D major Colin Davis conducts the Royal Concertgebouw Orchestra 7pm to 9pm: SATURDAY NIGHT AT THE MOVIES with ANDREW COLLINS Andrew features a collection of scores from films with inspiring landscapes. There’s music from the highest peaks on earth with Dario Marianelli's soundtrack to Everest; sounds of the highlands with Julie Fowlis and Patrick Doyle's score to the Disney animation Brave and the incredible scenery of the Great Barrier Reef in Thomas Newman’s Finding Nemo. There's also time to trek the desert with Lawrence of Arabia scored by Maurice Jarre and visit New Zealand, famous for its diverse landscapes in The Lord of the Rings, composed by Howard Shore. 9pm to 10pm: DAVID MELLOR’S MELODIES To celebrate the return of Classic FM Live to London’s Royal Albert Hall on Wednesday, David features some of his favourite live recordings. He includes a live performance of the ‘Aria’ from Bach’s Goldberg Variations by the great John Ogden, as well as the Bournemouth Symphony Orchestra conducted by Constantin Silvestri playing Tchaikovsky’s ‘Manfred’ symphony. 3 SUNDAY 19TH SEPTEMBER 4pm to 7pm: JOHN HUMPHRYS John features a new release from pianist Vikingur Olafsson, once described as “Iceland’s Glenn Gould”. His latest album celebrates the music of Mozart, alongside some of his lesser known contemporaries. John chooses Olafsson’s sparkling new recording of Piano Sonata No.16, a work by Mozart that wasn’t published in the great composer’s lifetime. Then, John includes a performance from the first solo tenor in more than 20 years to debut at number one in the official classical album chart: the phenomenal Freddie de Tommaso. 7pm to 9pm: SMOOTH CLASSICS AT SEVEN with CHARLOTTE HAWKINS Guitarist Alexandra Whittingham is Charlotte's Young Classical Star. After studying at the world-renowned Chetham's School of Music, Alexandra went on to study at the Royal Academy of Music and graduated with first class honours. She has gained more than 190,000 YouTube subscribers and released her debut album in May, My European Journey, which topped the Classical Charts. Charlotte features a piece performed by Alexandra written by the Victorian composer Catharina Pratten. 9pm to 10pm: MOIRA STUART MEETS… (3 / 16) Moira continues the second season of her acclaimed interview series, speaking with some of the most well-known names from the worlds of sport, arts, entertainment and politics. She discusses their career defining moments and memories, as they choose the classical music that is important to them. The guest is TBC. 4 MONDAY 20TH SEPTEMBER 8pm to 10pm: THE CLASSIC FM CONCERT with JOHN SUCHET: LEEDS INTERNATIONAL PIANO COMPETITION – THE WINNER’S CIRCLE Following the finals of the Leeds International Piano Competition over the weekend, John presents a programme showcasing the talents of past finalists from the competition’s 60-year history. There’s a sparkling performance of Bach’s Keyboard Concerto in F major from 1972 winner Murray Perahia, who went on to win three Grammy Awards. Then, 1975 silver award holder Mitsuko Uchida plays Mozart’s Piano Concerto No.11. Another competitor, Myung-Whun Chung, shows his versatility in the role of conductor with the Bastille Opera Orchestra playing a suite of highlights from Bizet’s Carmen; Kathryn Stott plays Mendelssohn with long-time collaborator Yo-Yo Ma and there’s Chopin from 2018 winner Eric Lu. Johann Sebastian Bach Keyboard Concerto in F major BWV.1057 Murray Perahia directs the Academy of St Martin in the Fields from the keyboard Georges Bizet Carmen Suite Myung-Whun Chung conducts the Bastille Opera Orchestra Felix Mendelssohn Song Without Words in D major Opus 109 Cello: Yo-Yo Ma Piano: Kathryn Stott Wolfgang Amadeus Mozart Piano Concerto No.11 in F major K.413 Piano: Mitsuko Uchida Jeffrey Tate conducts the English Chamber Orchestra Frédéric Chopin Prelude in D-flat major Opus 28 No.15 (‘Raindrop’) Piano: Eric Lu Ludwig van Beethoven Triple Concerto in C major Opus 566 Violin: Christian Tetzlaff Cello: Tanja Tetzlaff Piano: Lars Vogt Royal Northern Sinfonia 5 TUESDAY 21ST SEPTEMBER 8pm to 10pm: THE CLASSIC FM CONCERT with JOHN SUCHET John marks the birthday of Gustav Holst, born on this day in 1874, with a performance of one of his lesser-known works. Though he himself described it as one of his “early horrors”, Holst’s Suite de Ballet is full of his characteristic folk-inspired melodies and dances. Elsewhere in the programme, there’s a Borodin favourite, Schubert’s Symphony No.6 played by the Chamber Orchestra of Europe, and a 16th century motet – but with a 20th century twist. Alexander Borodin In the Steppes of Central Asia Valery Gergiev conducts the Kirov Orchestra Joseph Haydn Keyboard Concerto in D major Hob.XVIII:11 Leif Ove Andsnes directs the Norwegian Chamber Orchestra from the keyboard Cristobal de Morales Parce mihi Domine Saxophone: Jan Garbarek Hilliard Ensemble Gustav Holst Suite de Ballet Opus 10 Richard Hickox conducts the Northern Sinfonia Gerald Finzi 5 Bagatelles Opus 23 Clarinet: Robert Plane Howard Griffiths conducts the Royal Northern Sinfonia Edvard Grieg Wedding Day in Troldhaugen Opus 65 No.6 Piano: Leif Ove Andsnes Franz Schubert Symphony No.6 in C major D.589 Claudio Abbado conducts the Chamber Orchestra of Europe 6 WEDNESDAY 22ND SEPTEMBER 8pm to 10pm: THE CLASSIC FM CONCERT with JOHN SUCHET: MIDWEEK MOOD LIFTERS John presents an evening of midweek mood lifters – the perfect mix of relaxing music to ease the working week. Beginning with a fairy-tale-inspired overture by Rossini, followed by more stories to be told in Rimsky-Korsakov’s Scheherazade, played by the Berlin Philharmonic Orchestra under the great Herbert von Karajan. There’s also elevating Bach, a sunny favourite by Tarrega and highlights from Show Boat by Jerome Kern. Gioachino Rossini La Cenerentola – Overture Carlo Rizzi conducts the Orchestra of the Royal Opera House, Covent Garden Jay Ungar The Ashokan Farewell Major JR Perkins conducts the Band of Her Majesty’s Royal Marines Nikolay Rimsky-Korsakov Scheherazade Opus 35 Herbert von Karjan conducts the Berlin Philharmonic Orchestra Francisco Tarrega Recuerdos de la Alhambra Guitar: Thibaut Garcia Antonio Vivaldi Violin Concerto in D major RV.208 Rachel Podger directs Brecon Baroque from the violin Johann Sebastian Bach Partita No.4 in D major BWV.828 – Allemande Piano: Charles Owen Jerome Kern Show Boat – Symphonic Selection Carl Davis conducts the Royal Liverpool Philharmonic Orchestra 7 THURSDAY 23RD SEPTEMBER 8pm to 10pm: THE CLASSIC FM CONCERT with JOHN SUCHET: CLASSIC FM LIVE John presents a very special broadcast of Classic FM Live. The classical concert returned to the Royal Albert Hall for the first time in almost two years in front of a sell- out audience, on Wednesday 22nd September. The spectacular celebration of classical music features favourites from the Classic FM Hall of Fame. Among the soloists on the night is Khatia Buniatishvili, who plays Rachmaninov’s enduringly romantic Piano Concerto No.2. They are joined by the Chineke! Orchestra, conducted by Damon Gupta, who perform the beautiful Ballade in A minor by Coleridge-Taylor and Tchaikovsky’s exhilarating 1812 Overture.
Load more

Recommended publications
  • Programme Information
    Programme information Saturday 17 February to Friday 23 February 2018 WEEK 08 NEW SERIES: TURNING POINTS on CLASSIC FM Saturday 17 February, 9pm to 10pm Tonight, we launch a brand new series on Classic FM in partnership with the Honda Jazz, exploring the biggest moments, changes and ‘turning points’ in the history of classical music. Who were the innovators? Who took the risks? Who challenged the norm – and what did they do? From Franz Liszt, whose radical approach made him the first true classical music ‘superstar’; to the invention of the printing press; to the revolutionary female composer Hildegard of Bingen, we’ll hear stories of extraordinary people – and the music that accompanied the most exciting moments in classical music over the last 600 years. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com and on the Classic FM app. 1 WEEK 08 SATURDAY 17 FEBRUARY 5pm to 7pm: SATURDAY NIGHT AT THE MOVIES with ANDREW COLLINS With the awards season in full flow, Andrew Collins presents the first of two special awards trivia shows, looking at the big winners, losers and surprises over the decades. Who was the first woman to win Best Picture at the Academy Awards? Who was the first actress to receive twenty nominations for acting? And which film composers have received Oscar nominations over the longest span of time – six decades to be precise? Expect two hours of fun facts and great film scores from the 1930s to the present day, including Toy Story, Gone With the Wind and Ben-Hur.
    [Show full text]
  • Diszkográfia Az Első Kötethez
    © Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus
    [Show full text]
  • PATRICIA PETIBON Franse Sopraan • Opleiding Studeerde Aan Het
    PATRICIA PETIBON Franse sopraan • Opleiding Studeerde aan het Conservatoire National de Musique de Paris bij Rachel Yakar • Rode draad van haar carrière Van de grote barokrollen naar de “verloren heldinnen” van de 19de en 20ste eeuw die ze met gloed vertolkt • Belangrijkste rollen Barokrepertoire: L’Amour (Hippolyte et Aricie), Phani & Zima (Les Indes Galantes) van Rameau, Dalinda & Ginevra (Ariodante, Handel), Morgana & Alcina (Alcina, Handel), L’Amour (Orphée et Eurydice, Gluck) Mozart: Giunia (Lucio Silla), Despina (Così fan tutte), Aspasia & Asteria (Mitridate), Susanna (Le Nozze di Figaro), Donna Anna (Don Giovanni) Maar ook: Lulu (Berg), Gilda (Rigoletto, Verdi), Blanche (Dialogues des Carmélites, Poulenc), creatie van La seconde fille (Au monde, Philippe Boesmans), Manon (Massenet)… • Podia Opéra national de Paris, Théâtre des Champs-Élysées & Opéra Comique (Parijs), Grand Théâtre de Genève, La Scala (Milaan), Wiener Staatsoper, Liceo (Barcelona), Bayerische Staatsoper (München), De Munt … Festivals: Salzburg, Aix-en-Provence… • Orkesten Wiener Philharmoniker & Radio-Symphonieorchester Wien, Staatskapelle Berlin, Symphonieorchester des Bayerischen Rundfunks & Münchner Philharmoniker, MDR Sinfonieorchester, Orchestre National de France, Orchestre de Paris, Orchestre national de Lyon, Les Talens Lyriques, Le Cercle de l’Harmonie, Le Concert d’Astrée, Ensemble Amarillis, La Cetra, Venice Baroque Orchestra, Il Giardino Armonico, Freiburger Barockorchester • Recitals Recitals in Parijs, in het Musikverein en het Konzerthaus Wien, voor
    [Show full text]
  • A MOZART GALA from Salzburg
    UNITEL and CLASSICA present A MOZART GALA from Salzburg PATRICIA PETIBON MAGDALENA KOŽENÁ EKATERINA SIURINA MICHAEL SCHADE THOMAS HAMPSON ANNA NETREBKO RENÉ PAPE DANIEL HARDING A MOZART GALA from Salzburg Patricia Petibon René Pape Daniel Harding Magdalena Kožená Thomas Hampson Ekaterina Siurina Anna Netrebko Michael Schade Music by Wolfgang Amadeus Mozart he most spectacular homage to Wolfgang Amadeus Mozart on his 250th birthday in 2006 was incontestably Conductor Daniel Harding the presentation of all of his operas and operatic Orchestra Wiener Philharmoniker T fragments at the Salzburg Festival, “Mozart22”. Recorded on Soloists Anna Netrebko film (available from Unitel Classica), this monumental project Magdalena Kožená has been preserved for posterity as a benchmark of Mozart Ekaterina Siurina interpretation in the early 21st century. Patricia Petibon Thomas Hampson The “Mozart Gala“ held at the Felsenreitschule on 30 René Pape July 2006, in the first days of the 2006 Salzburg Festival, Michael Schade presents a kind of microcosm of the Mozart festivities, with Directed by Brian Large a selection of arias and orchestral music performed by the Vienna Philharmonic under Daniel Harding and featuring Don Giovanni Overture some of the top vocalists of the 2006 Salzburg Festival. A “Madamina, il catalogo è questo“ (René Pape) sampling of exquisite hors d‘œuvres prepared by the most “Dalla sua pace“ (Michael Schade) outstanding musical chefs! Mitridate, Re di Ponto Internationally celebrated soprano Anna Netrebko lives “Nel grave tormento“ (Patricia Petibon) up to her reputation as a fiery, dramatic diva in her passionate La clemenza di Tito rendition of Elettra‘s aria “D‘Oreste, d‘Aiace” from Idomeneo.
    [Show full text]
  • Patricia Petibon La Belle Excentrique
    REPRÉSENTATION MUSIQUE CLASSIQUE 1h20 05 OCT. 17:00 - 18:30 Théâtre de Cornouaille BILLET Patricia Petibon La Belle excentrique Description Entre un nouvel enregistrement à paraître à l’automne chez Deutsche Grammophon et une série de concerts dans toute l’Europe, la pétillante soprano Patricia Petibon s’arrête à Quimper, le temps d’un récital exceptionnel. Mémorable et sulfureuse Lulu au Festival de Salzbourg, divine Donna Anna dans le Don Giovanni de Mozart, bouleversante Gilda dans Rigoletto à Munich…, très vite repérée par les plus grands chefs (William Christie, John Eliot Gardiner, Marc Minkowski), Patricia Petibon accomplit une brillante carrière internationale de soprano, récompensée à maintes reprises par des Victoires de la musique (« artiste lyrique de l’année » en 2001 et 2003). Tour à tour impétueuse et suave, grave et grandiose dans les rôles dramatiques, ou vive et charmante dans l’opéra bouffe, invariablement drôle, irrésistiblement sensuelle, Patricia Petibon met ses talents d’actrice et de chanteuse au service de la scène d’opéra. Elle ne manque pas de se produire également à l’occasion de concerts plus personnels tout aussi réjouissants.Pour ce récital intitulé La Belle excentrique, en référence à la Fantaisie sérieuse pour orchestre de Satie, Patricia Petibon explorera les recoins les plus originaux et fantasques du répertoire de la mélodie, en compagnie de la pianiste Susan Manoff et du percussionniste François Verly. En conviant Fauré, Satie, Poulenc et Rosenthal, la rouquine à la voix d’or et au tempérament de feu creuse son sillon, iconoclaste et libre. La soprano lyrique n’a pas son pareil pour conter les histoires.
    [Show full text]
  • Programme Information
    Programme information Saturday 3rd April to Friday 9th April 2021 WEEK 14 Clockwise from top left: John Suchet, Margherita Taylor, Bill Turnbull, Anne-Marie Minhall THE CLASSIC FM HALL OF FAME 2021 Saturday 3rd to Monday 5th April, 9am to 9pm Across the Easter weekend, we continue to count down the world’s biggest annual survey of classical music tastes: The Classic FM Hall of Fame. The chart, which is now in its 26th year, is compiled entirely by the public from votes received during the first months of 2021. From 9am to 9pm, across all four days, the 300 pieces of music the nation has chosen as its favourites are unveiled, with that all-important number one revealed just before 9pm on Easter Monday. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, on Global Player on your smart speaker (“play Classic FM”), iOS or Android device and at ClassicFM.com. 1 WEEK 14 SATURDAY 3RD APRIL 9am to 9pm: THE CLASSIC FM HALL OF FAME 2021 Across the Easter weekend, we continue to count down the world’s biggest annual survey of classical music tastes: The Classic FM Hall of Fame. The chart, which is now in its 26th year, is compiled entirely by the public from votes received during the first months of 2021 From 9am to 9pm, across all four days, the 300 pieces of music the nation has chosen as its favourites are unveiled, with that all-important number one revealed just before 9pm on Easter Monday. 9am to 12pm: THE CLASSIC FM HALL OF FAME with BILL TURNBULL 12pm to 3pm: THE CLASSIC FM HALL OF FAME with CATHERINE BOTT 3pm to 6pm: THE CLASSIC FM HALL OF FAME with JOHN BRUNNING 6pm to 9pm: THE CLASSIC FM HALL OF FAME with MARGHERITA TAYLOR 9pm to 10pm: THE CLASSIC FM CHRONICLES with MOIRA STUART (2 / 4) Moira continues her musical journey through the ages and tonight focuses on the Classical and Early romantic periods.
    [Show full text]
  • Programme Information
    Programme information Saturday 3rd October to Friday 9th October 2020 WEEK 41 Chi-chi Nwanoku | Classic FM CHI-CHI’S CLASSICAL CHAMPIONS (1 / 6) Sunday 4th October, 9pm to 10pm Classic FM launches a brand-new Sunday night series with Chi-chi Nwanoku OBE, the renowned double-bass player and founder of the Chineke! Foundation, who makes her presenting debut on the UK’s most popular classical music station. Chi-chi’s Classical Champions shines the spotlight on Black, Asian & ethnically diverse composers and performers – those who have enjoyed success, as well as those yet to receive recognition. Each week, Chi-chi champions brilliant music; tells the stories behind the works and performances, and plays a varied range of recordings – all personally chosen by her – by artists from diverse backgrounds from the 16th century up to the present day. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com, and on the Classic FM and Global Player apps. 1 WEEK 41 SATURDAY 3RD OCTOBER 3pm to 5pm: MOIRA STUART’S HALL OF FAME CONCERT Moira presents an all-British programme of music from the Classic FM Hall of Fame, beginning with John Barry, and his music from the film Dances with Wolves, which was released thirty years ago this month, before a moment for the clarinet to shine in Finzi’s 5 Bagatelles. Moira also shines the spotlight on some of the country’s greatest young musicians, as star cellist Sheku Kanneh-Mason plays Elgar’s Cello Concerto, and Edward Gardner conducts the National Youth Orchestra in Holst’s showstopper The Planets.
    [Show full text]
  • La Belle Excentrique» Patricia Petibon Soprano Susan Manoff Piano Récital Vocal Vendredi / Freitag / Friday 30.01.2015 20:00
    Récital vocal Vendredi / Freitag / Friday 30.01.2015 20:00 Salle de Musique de Chambre «La Belle Excentrique» Patricia Petibon soprano Susan Manoff piano Reynaldo Hahn «À Chloris» (1916) «Pholoé» (Études latines N° 8, 1900) Francis Poulenc «À sa guitare» FP 79 (1935) «Chanson dOrkenise» (Banalités FP 107 N° 1, 1940) Gabriel Fauré «Spleen» op. 51 N° 3 (1888) Manuel Rosenthal Trois Poèmes de Marie Roustan (1933) N° 1: «Rêverie» N° 2: «Pêcheur de lune» Gabriel Fauré «Les Berceaux» op. 23 N° 1 (1879) Francis Poulenc «Ba, be, bi, bo, bu» (La Courte Paille FP 178 N° 4, 1960) Manuel Rosenthal Chansons du Monsieur Bleu (1934) N° 2: «L’Éléphant du Jardin des Plantes» N° 11: «Bengali» Erik Satie «Air du poète» (Ludions N° 4, 1923) Francis Poulenc «Voyage à Paris» (Banalités FP 107 N° 4, 1940) «Hier» (Trois poèmes de Louise Lalanne N° 3, 1931) Erik Satie «Je te veux» (1897?) Francis Poulenc «Les gars qui vont à la fête» (Chansons villageoises FP 117 N° 2, 1942) ~45 — Henri Collet «En los jardines del amor» (Poema de un día op. 52, N° 5, 1921) Fernando Obradors Canciones clásicas españolas: «Con amores, la mi madre» «El vito» Manuel de Falla «Asturiana» (Siete canciones populares españolas N° 3, 1914) Joaquín Turina «Cantares» (Poema en forma de canciones op. 19, N° 3, 1918) Erik Satie Sur un vaisseau (Descriptions automatiques N° 1, 1913) Trois mélodies (1916) N° 1: «La statue de bronze» N° 3: «Daphénéo» Harold Arlen «Over the rainbow» (1939) Leonard Bernstein La Bonne Cuisine. Four recipes for voice and piano (1947) N° 1: «Plum Pudding» N° 2: «Queues de bœuf» (Ox Tails) N° 3: «Tavouk Guenksis» N° 4: «Civet à toute vitesse» (Rabbit at top speed) George Gershwin Prelude N° 2: Andante con moto e poco rubato (Three Preludes, 1926) Agustín Lara «Granada» (1932) ~45 «L’important, c’est d’être là» Entretien avec Patricia Petibon Propos recueillis par Dominique Escande Vous êtes déjà venue deux fois à la Philharmonie, la première dans un programme Haydn et Mozart, et la seconde, dans un premier récital de musique française.
    [Show full text]
  • A Prima Vista
    A PRIMA VISTA a survey of reprints and of recent publications 2011/2 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: + 31 (0)20 679 65 75 CDs: + 31 (0)20 675 16 53 / fax: + 31 (0)20 664 67 59 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2011/2 PAGE HEADING 03 PIANO LEFT-HAND, PIANO 2-HANDS 16 PIANO 4-HANDS 17 2 AND MORE PIANOS 18 HARPSICHORD, ORGAN 20 ACCORDION 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 20 VIOLIN SOLO, VIOLA SOLO, CELLO SOLO, DOUBLE BASS SOPLO 21 VIOLA DA GAMBA SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 21 VIOLIN with accompaniment 23 VIOLIN PLAY ALONG 24 VIOLA with accompaniment, VIOLA PLAY ALONG, CELLO with accompaniment 25 CELLO PLAY ALONG 26 DOUBLE BASS with accompanimemt, VIOLA DA GAMBA with accompaniment 26 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 30 FLUTE SOLO 32 OBOE SOLO, CLARINET SOLO 33 SAXOPHONE SOLO, TRUMPET SOLO, HORN SOLO, TROMBONE SOLO, TENORHORN SOLO 34 MOUTH ORGAN (HARMONICA) SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 34 PICCOLO with accompaniment, FLUTE with accompaniment 36 FLUTE PLAY ALONG 37 OBOE with accompaniment 38 COR ANGLAIS with accompaniment, CLARINET with accompaniment 39 CLARINET PLAY ALONG, 40 SAXOPHONE with accompaniment 41 SAXOPHONE PLAY ALONG 43 BASSOON with accompaniment, TRUMPET with accompaniment 44 TRUMPET PLAY ALONG, HORN with accompaniment 45 HORN PLAY ALONG, TROMBONE
    [Show full text]
  • Programm Opera National De Paris Englisch 2020 21.Pdf
    THURSDAY 10 SEPTEMBER 2020 AT 7:30PM DST Manon Opera comique in five acts (1884) When, in 1731, l’Abbé Prévost wrote L’Histoire du Music: Jules Massenet chevalier Des Grieux et de Manon Lescaut - the work Libretto: Henri Meilhac, Philippe Gille that inspired Massenet’s Manon - he portrayed an After l’abbé Prévost entire era, that of the Regency, which saw the old order fade away and a new order, full of the promise Musical direction: Dan Ettinger of unprecedented freedom, rise from its ashes. Stage direction: Vincent Huguet Manon must make her way between these two Sets: Aurélie Maestre worlds, fleeing the convent in order to embrace the Costumes: Clémence Pernoud paths of desire and transgression, throwing herself Lighting design: Bertrand Couderc headlong into a burning and destructive passion Chorography: Jean-François Kessler with Des Grieux. A parenthesis opens, only to close Dramaturgy: Louis Geisler again in suffering and obscurity. The director Vincent Chorus master: José Luis Basso Huguet casts the work’s customary taffeta aside in order to bring out its violence to the full. Paris Opera Orchestra and Chorus Manon, Pretty Yende Le Chevalier des Grieux, Benjamin Bernheim Lescaut, Ludovic Tézier Le Comte des Grieux, Roberto Tagliavini Guillot de Morfontaine, Rodolphe Briand De Brétigny, Pierre Doyen Poussette, Cassandre Berthon Javotte, Alix Le Saux Rosette, Jeanne Ireland L’Hôtelier, Philippe Rouillon Deux Gardes, Julien Joguet, Laurent Laberdesque New production 3:50 including two 20-min intervals In French, with EN/DE/IT/SP subtitles Presented by Alain Duault Recorded in March 2020 without any audience at the Opéra Bastille 8 THURSDAY 15 OCTOBER 2020 AT 7:30PM DST Salome Opera in one act (1905) Modern psychology made its first appearance on the Music: Richard Strauss opera stage with Richard Strauss’ masterpiece Libretto: Hedwig Lachmann Salome.
    [Show full text]
  • De L'opéra À La Chanson
    1 NATALIE DESSAY De l’opéra à la chanson 1 « Si Harpo Marx était né sous l’étoile d’une soprano colorature, il aurait été Natalie Dessay. Car aucune Fille dans La Fille du Régiment n’a été aussi comique. Par contre, il est difficile d’imaginer, 2 depuis Maria Callas, une soprano plus dramatique en Lucia ou plus hypnotique dans La Sonnambula. Tragédienne ou Comédienne, Natalie a régné en souveraine dans notre théâtre. » Peter Gelb Directeur du Metropolitan Opera - New York “If Harpo Marx had been born a coloratura soprano, he would have been Natalie Dessay. As the Daughter in The Daughter of the Regiment, no soprano has ever been physically funnier. But for that matter, it is hard to imagine any soprano since Callas to be more dramatic in Lucia or more hypnotic in La Sonnambula. When it comes to both tragedy and comedy, Natalie has reigned supreme on our stage.” Peter Gelb General Manager of the Metropolitan Opera House-New York City 2 LÉO DELIBES 1836-1891 VINCENZO BELLINI 1801-1835 1 Les Filles de Cadix, chanson espagnole. 4.42 7 La Sonnambula : Ah! non credea mirarti... De Berliner Sinfonie-Orchester · Michael Schønwandt Ah non3 giunge (acte II, scène II) 2 Lakmé : Tu m’as donné le plus doux rêve Amina, Elvino, chœur . 8.22 Avec Francesco Meli Elvino (acte III) Lakmé. 2.18 Orchestre National du Capitole de Toulouse · Michel Plasson Orchestre et Chœurs de l’Opéra de Lyon · Evelino Pidò (Chef des chœurs : Alan Woodbridge) GIUSEPPE VERDI 1813-1901 WOLFGANG AMADEuS MOzArT 1756-1791 La traviata 8 Zaïde : ruhe sanft, mein holdes Leben (acte I) Zaïde ���������� 6.21 3 È strano!..
    [Show full text]
  • Patricia Petibon Mardi 19 Juin 2018 – 20H30 PROGRAMME
    GRANDE SALLE PIERRE BOULEZ – PHILHARMONIE Patricia Petibon Mardi 19 juin 2018 – 20h30 PROGRAMME Wolfgang Amadeus Mozart Ouverture des Noces de Figaro « L’ho perduta, me meschina! » – extrait des Noces de Figaro « Porgi amor » – extrait des Noces de Figaro Ouverture de Mithridate, roi du Pont « Alma grande e nobil core » K. 578 « Nel grave tormento » – extrait de Mithridate, roi du Pont Christoph Willibald Gluck Introduction et Chaconne de Pâris et Hélène « Ah ! Si la liberté me doit être ravie » – extrait d’Armide « Non, cet affreux devoir je ne puis le remplir… Je t’implore et je tremble, ô déesse implacable » – extrait d’Iphigénie en Tauride ENTRACTE Joseph Martin Kraus Symphonie en do mineur Wolfgang Amadeus Mozart « Fra i pensier più funesti di morte » – extrait de Lucio Silla Christoph Willibald Gluck « Divinités du Styx » – extrait d’Alceste Wolfgang Amadeus Mozart Ouverture d’Idoménée, roi de Crète « Oh smania! Oh furie… D’Oreste, d’Ajace » – extrait d’Idoménée, roi de Crète La Cetra Barockorchester Basel Andrea Marcon, direction Patricia Petibon, soprano Coproduction Les Grandes Voix, Philharmonie de Paris. FIN DU CONCERT VERS 22H25. Retrouvez le livret en page 22. NPGS_02-09_Berliner-Rattle.indd 2 29/08/2017 18:01 LES ŒUVRES Wolfgang Amadeus Mozart (1756-1791) Extraits de Le Nozze di Figaro K. 492 [Les Noces de Figaro] Ouverture « L’ho perduta, me meschina! » (Barbarina) « Porgi amor » (La Comtesse) Ouverture, cavatine de Barbarina (n° 23, acte IV, scène 1) et air de La Comtesse (n° 10, acte II, scène 1) extraits des Noces de Figaro, opera buffa en quatre actes composé sur un livret de Lorenzo Da Ponte, d’après la comédie de Beaumarchais.
    [Show full text]