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De L'opéra À La Chanson

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De L'opéra À La Chanson 1 NATALIE DESSAY De l’opéra à la chanson 1 « Si Harpo Marx était né sous l’étoile d’une soprano colorature, il aurait été Natalie Dessay. Car aucune Fille dans La Fille du Régiment n’a été aussi comique. Par contre, il est difficile d’imaginer, 2 depuis Maria Callas, une soprano plus dramatique en Lucia ou plus hypnotique dans La Sonnambula. Tragédienne ou Comédienne, Natalie a régné en souveraine dans notre théâtre. » Peter Gelb Directeur du Metropolitan Opera - New York “If Harpo Marx had been born a coloratura soprano, he would have been Natalie Dessay. As the Daughter in The Daughter of the Regiment, no soprano has ever been physically funnier. But for that matter, it is hard to imagine any soprano since Callas to be more dramatic in Lucia or more hypnotic in La Sonnambula. When it comes to both tragedy and comedy, Natalie has reigned supreme on our stage.” Peter Gelb General Manager of the Metropolitan Opera House-New York City 2 LÉO DELIBES 1836-1891 VINCENZO BELLINI 1801-1835 1 Les Filles de Cadix, chanson espagnole. 4.42 7 La Sonnambula : Ah! non credea mirarti... De Berliner Sinfonie-Orchester · Michael Schønwandt Ah non3 giunge (acte II, scène II) 2 Lakmé : Tu m’as donné le plus doux rêve Amina, Elvino, chœur . 8.22 Avec Francesco Meli Elvino (acte III) Lakmé. 2.18 Orchestre National du Capitole de Toulouse · Michel Plasson Orchestre et Chœurs de l’Opéra de Lyon · Evelino Pidò (Chef des chœurs : Alan Woodbridge) GIUSEPPE VERDI 1813-1901 WOLFGANG AMADEuS MOzArT 1756-1791 La traviata 8 Zaïde : ruhe sanft, mein holdes Leben (acte I) Zaïde ���������� 6.21 3 È strano!... Ah, fors’è lui... Follie! Follie!... Orchestra of the Age of Enlightenment · Louis Langrée Sempre libera (acte I) Violetta, Alfredo ���������������������������������������������������������������8.48 Avec Roberto Alagna Alfredo Die Zauberflöte Concerto Köln · Evelino Pidò 9 O zittre nicht, mein lieber Sohn (acte I) 4 Rigoletto : Gualtier Maldé... Caro nome (acte I) La Reine de la nuit . 4.36 Gilda, Borsa, Ceprano, Coro, Marullo. 6.41 10 Air de la reine de la nuit : Der hölle rache Avec Roberto Alagna Borsa · Franck Ferrari Marullo · (acte II) La Reine de la nuit ���������������������������������������������������������������������������������������������������������������������������� 3.17 Matthew Rose Ceprano Les Arts Florissants · William Christie Europäischer Kammerchor (Chef des chœurs : Michael Reif) Concerto Köln · Evelino Pidò GeorG FrIEDrICh hAENDEL 1685-1759 5 I Vespri siciliani : Bolero : 11 Alcina : Tornami a vagheggiar (acte I) Morgana ���������������������������������� 5.07 Les Arts Florissants · William Christie Mercè, Dilette Amiche (acte V) Elena ���������������������������������������������������������������3.41 Concerto Köln · Evelino Pidò 12 Giulio Cesare in Egitto : Se pietà (acte II) Cleopatra ���������������� 9.36 Le Concert d’Astrée · Emmanuelle Haïm AMBrOISE Thomas 1811-1896 6 Hamlet : Scène de la folie : À vos jeux mes amis… JEAN-PHILIPPE RAMEAU 1683-1764 l’opéraOphélie ���������������������������������������������������������������������������������������������������������������������������������������������10.45 (acte IV) 13 Les Indes galantes : Danse du Calumet de la Paix Orchestre National du Capitole de Toulouse · Michel Plasson et duo Forêts paisibles Zima, Adario, Chœur des sauvages ���� 5.02 Avec Stéphane Degout Adario Le Concert d’Astrée · Emmanuelle Haïm 3 JOhANN Sebastian BACh 1685 - 1750 CLAUDE DEBUSSY 1862-1918 14 Cantate « Jauchzet Gott in allen Landen », BWV 51 : 22 Nuit d’étoiles ������������������������������������������������������������������������������������������������������������������������������������������������������������������ 3.07 IV Chorale : Sei Lob und Preis mit Ehren - V. Finale : Philippe Cassard piano Alleluja!. 5.17 Le Concert d’Astrée · Emmanuelle Haïm JOhANN Sebastian BACh 23 Bist du bei mir �������������������������������������������������������������������������������������������������������������������������������������������������������������� 4.06 GeorG FrIEDrICh hAENDEL Avec Rolando Villazón ténor 15 Dixit dominus, hWV 232 : Orchestre4 Symphonique Bel Arte · Philippe Rombi De torrente in via bibet sopranos I & II, chœur ���������������������������������������3.29 Avec Véronique Gens soprano Heitor VILLA-Lobos 1887-1959 Le Concert d’Astrée · Emmanuelle Haïm 24 Bachianas Brasileiras n° 5: Aria (Cantilena) . 4.53 Liat Cohen guitare CLAuDIO MONTEVErDI 1567-1643 16 Lamento della ninfa (Madrigali guerrieri, et amorosi) CARloS JOBIM 1927-1994 / GEORGES MOustaki 1934-2013 à la . 5.16 Le Concert d’Astrée · Emmanuelle Haïm 25 Les eaux de Mars. 3.25 Liat Cohen guitare WOLFGANG AMADEuS MOzArT 17 Messe en ut mineur, K.427 : III. Credo : Et incarnatus HAROLD ARLEN 1905-1986 est. 7.35 26 Somewhere (Over the Rainbow). 6.46 Le Concert d’Astrée · Louis Langrée Mathieu Herzog · Quatuor Ebène 18 No, che non sei capace, air de concert K.419. 4.35 MICHEL LEGRAND Né en 1932 Orchestre de l’Opéra National de Lyon · Theodor Guschlbauer 27 Les moulins de mon cœur (tiré du film The Thomas Crown Affair) ������������������������������������������������������������������������������������ 3.06 JOHANNES BRAHMS 1833-1897 19 Ein deutsches Requiem, Op. 45 : 28 Le Cinéma ������������������������������������������������������������������������������������������������������������������������������������������������������������������������������ 3.07 V. Ihr habt nun Traurigkeit (Langsam) . 6.54 29 Chanson de Delphine Frankfurt radio Symphony Orchestra · Paavo Järvi chanson(tiré du film Les Demoiselles de Rochefort) �������������������������������������������������������������������� 3.24 Michel Legrand chant et piano rIChArD STrAuSS 1864-1949 20 Amor . Brentano Lieder, Op. 68 n° 5 �������������������������������������������������������������������3.04 COLE POrTEr 1891-1964 Orchestra of the royal Opera house, Covent Garden · Antonio 30 What is this thing called love (arr. Raphaël Merlin) ������������������������ 4.12 Pappano Shani Diluka piano CArL OrFF 1895-1982 hErmeto Pascoal Né en 1936 21 Carmina Burana : III. Cours d’amour : In trutina . 2.11 31 Bebê . 3.48 Orchestre National du Capitole de Toulouse · Michel Plasson Liat Cohen guitare Enregistrement inédit – septembre 2014 Natalie Dessay soprano 4 5 5 natalie DESSAY De l’opéra à la chanson6 Insaisissable Natalie Dessay ! En vingt ans, la multi-soprano a Natalie Dessay defies categorisation. Over a 20-year career the déjoué tous les pièges. Elle a incarné avec brio les grands rôles multi-faceted soprano has risen to the most diverse challenges, de coloratures romantiques tout en s’adonnant au bonheur brilliantly fleshing out the great romantic coloratura roles, de la musique baroque, et est passée avec le même aplomb savouring the delights of the Baroque, and moving with equal de l’opéra comique au bel canto, de la mélodie française à la aplomb from comic opera to bel canto and from French art song chanson - française et brésilienne. reine de la Nuit « humaine to French (and Brazilian) pop song. An uncommonly human trop humaine » de La Flûte enchantée mozartienne, elle a Queen of the Night in Die Zauberflöte, she has sparkled lovingly allumé les étoiles au ciel amoureux de Lakmé, épousé jusqu’à in Lakmé and descended into harrowing madness as Ophélie l’hallucination la folie d’Ophélie (Hamlet) ou celle de Lucia and Lucia di Lammermoor; and just as she has brought Manon (Lucia di Lammermoor), donné à Manon les couleurs de la vie, to vivid life, she has experienced all Violetta’s passion and pain éprouvé jusqu’au dernier souffle le désir de La Traviata. in La traviata. Petit bout de femme incandescent aux grands yeux dorés, With her shining eyes, Dessay is a tiny slip of woman who Natalie Dessay a souvent fait la forte tête, balayant les préjugés radiates charisma. She has often taken a stand against operatic du genre lyrique, cassant les codes de la diva. Elle a cultivé un convention and diva clichés, impudently daring to talk about côté Gavroche sur les barricades de l’opéra, osé dire ce que the trials of her profession, including stagefright and the frantic beaucoup taisent : les difficultés du métier, le trac, le triangle demands of juggling the roles of star, woman and mother. Then infernal de la cantatrice star, de la femme, et plus encore de la there is her recurring frustration at the essential mismatch mère de famille. Sans parler de cette impatience ontologique between a dramatic temperament suited to the great tragic devant les limites d’une voix a priori incompatible avec un heroines and a voice predisposed to the roles of singing doll tempérament dramatique plus volontiers enclin à chanter or willing victim. But though her voice has always been light, les grands rôles d’héroïnes tragiques que ceux des poupées it has never been lacking in juice, and the purity of her top mécaniques ou de consentantes victimes. une voix légère notes – cleaving like daggers – her quicksilver virtuosity, and certes, mais pulpeuse comme un fruit, la pureté d’aigus aussi her supreme musicianship have given her the power to cast an redoutables que des poignards, une virtuosité vif-argent, le génie irresistible spell. It took years for her to accept herself for what 6 d’une grande musicienne ont fait d’elle une enchanteresse. Elle she had always been. In 1997, when she told an interviewer that a mis des années à accepter son entière singularité - le fameux “There is more to life than top notes”, people thought she was « Il n’y a pas que les aigus dans la vie » de 1997 qui lui
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