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Voix Nouvelles, Concert Des Lauréats
Concert Voix Nouvelles du mercredi Concert des lauréats du Concours Voix Nouvelles 2018 me 12 décembre 18h PROG_VOIX NOUVELLES_140190.indd 1 04/12/2018 16:22 Hélène Carpentier ©Harcourt Caroline Jestaedt ©DR Eva ZAÏCIK ©Philippe Biancotto Gilen Goicoechea ©DR Concert des lauréats du Concours Voix Nouvelles 2018 PROG_VOIX NOUVELLES_140190.indd 2 04/12/2018 16:22 Concert du Mercredi en Grande Salle Surtitré en français +/- 1h10 sans entracte Caroline Jestaedt ©DR Concert des lauréats du Concours Voix Nouvelles 2018 Voix Nouvelles Avec Hélène Carpentier soprano Caroline Jestaedt soprano Eva Zaïcik mezzo-soprano Gilen Goicoechea baryton Gilen Goicoechea ©DR Direction musicale Cyril Diederich Orchestre de Picardie Concert des lauréats du Concours Voix Nouvelles 2018 Le Concours Voix Nouvelles est co-organisé par le Centre Français de Promotion Lyrique, la Fondation Orange et la Caisse des Dépôts, avec le soutien du Ministère de la Culture, du Ministère des Outre-Mer et de l’Adami, en partenariat avec France 3, France Musique et TV5 Monde PROG_VOIX NOUVELLES_140190.indd 3 04/12/2018 16:22 ••• Programme Airs d’opéras de Wolfgang Amadeus Mozart (1756-1791) 1. Ouverture des Noces de Figaro 2. Air de Chérubin : « Voi che sapete » (Les Noces de Figaro) 3. Air du Comte : « Hai già vinta la causa » (Les Noces de Figaro) 4. Duo Comtesse et Susanne « Canzonetta sull’aria » (Les Noces de Figaro) 5. Air de Guglielmo : « Donne mie, la fate a tanti » (Così fan tutte) 6. Trio Fiordiligi, Dorabella, Alfonso : « Soave Sia il vento » (Così fan tutte) 7. Ouverture de Don Giovanni 8. Air de Zerline : « Vedrai carino, se sei buonino » (Don Giovanni) 9. -
Programme Haim.Indd
DESPERATE LOVERS LE CONCERT D’ASTRÉE ------- PROGRAMME DESPERATE LOVERS LE CONCERT D’ASTRÉE ------- Georg Friedrich Händel 2 PROGRAMME « Le Concert d’Astrée » du 10 avril 2019 DESPERATE Première partie /42’ Deuxième partie /33’ LOVERS Sandrine Piau soprano Tim Mead contre-ténor Rodelinda (1725) Orlando (1733) Le Concert d’Astrée 1. Ouverture – Menuet 8. Accompagnato Orlando « Ah, stigie larve » et Emmanuelle Haïm direction air « Vaghe pupille » (II,11) Tamerlano (1724) Airs et duos extraits des opéras Rodelinda, Tamerlano, Aci, 2. Air d’Andronico « Più d’una tigre altero » (II,8) Alcina (1735) Galatea e Polifemo, Rinaldo, Ariodante, Orlando, Alcina, 9. Alcina « Ah, mio cor » (II,8) G-F.Händel (1685-1759) Aci, Galatea e Polifemo (1708) 3. Aci « Verso già l’alma col sangue » Orlando 4. Concerto Grosso n°2 opus 3 en Sib majeur 10. Ouverture Vivace – Largo – Allegro – Menuet – Gavotte Rodelinda Rodelinda (1725) 11. Rodelinda-Bertarido « Io t’abbraccio » (II,7) 6 avril 2019 : Gran Teatre del Liceu, Barcelone 5. Air de Bertarido « Vivi, tiranno » (III,6) 10 avril 2019 : Victoria Hall, Genève Rinaldo (1711) 12 avril 2019 : KKL, Lucerne* Ariodante (1735) 12. Récit « Adorato mio sposo » et 14 avril 2019 : Abbaye de Vaucelles 6. Récit « Ingrato Polinesso » et duo Almirena-Rinaldo « Scherzano sul tuo volto » (I,6) 16 avril 2019 : Grand Théâtre de Provence, Aix-en-Provence (Festival de Pâques) air de Dalinda « Neghittosi, or voi che fate? » (III,2) 17 avril 2019 : Théâtre des Champs-Elysées, Paris 4 juin 2019 : Wiener Staatsoper Tamerlano 6 juin 2019 -
56 0809Englisch.Pdf
A Wien Holding Company Intendant Roland Geyer General sponsors of the Theater an der Wien The Theater an der Wien recieves subsidies from the Cultural Department of the City of Vienna insNoten130x205_4c_E_TheaterRZ 04.06.2008 13:53 Uhr Seite 1 „WHOEVER HEARS BUTTERFLIES LAUGHING, KNOWS THE SCENT OF CLOUDS“ (Novalis) he butterfly is a wonderful symbol of transformation and freedom. And this is a requirement that art repeatedly demands, too. The mysterious Tmetamorphosis of the ugly caterpillar into the magnificent butterfly has sti- mulated man’s imagination from time immemorial. Everyone who watches Where does a butterfly is struck by its beauty, elegance and lightness. The ancient ability to think in images and symbols is inside each one of us – and in the world of opera, too. The opera is a treasure-house of the music call the tune? irrational. It unfolds “our imagination’s most beautiful alternative world.” Mozart himself confessed, “I need only to hear talk about opera, I need only to be in the theatre and hear voices – it suffices to transport me utterly.” The Theater an der Wien, the new opera house, is aiding a development in our city that no one can now fail to notice: more and more people with an interest in culture, and younger people too, are going to the opera! They are looking for a space where dreams and longings can unfold freely with great emotion and even pathos – and the opera provides a meeting place for them: everything appears bathed in “bright” light, and in this light one is drawn in by enchanting sounds. -
Francesco Meli Is One of the Most Fascinating and Sought-After Tenors in the World
Saverio Clemente Andrea De Amici Luca Targetti Francesco Meli is one of the most fascinating and sought-after tenors in the world. He was born in Genoa in 1980 and began studying singing at the age of seventeen with the soprano Norma Palacios at the Conservatorio Paganini. He continued his studies with Vittorio Terranova and established himself at several competitions for opera singers, including the Caruso and the Zandonai competitions. In 2002 he debuted in Macbeth, the Petite Messe Solonelle and in Puccini's Messa di gloria at the Festival dei Due Mondi in Spoleto. This marked the start of an outstanding career performing a repertoire of Bel canto and Rossini. He made his debut at La Scala at the age of just 23 in Les Dialogues des Carmelites conducted by Maestro Riccardo Muti and has returned there over the years to perform in new productions of Otello, Idomeneo, Don Giovanni, Maria Stuarda and Der Rosenkavalier. To date, Francesco Meli Francesco Meli can count eighteen playbills at Milan's La Scala. In 2005 he operned the Rossini Opera Festival season with a new production of Tenor Bianca e Falliero and the Carlo Felice opera season in Don Giovanni. He made his debut in Il Barbiere di Siviglia in Zurich, in Don Giovanni at the Théatre des Champs-Elysées in Paris, La Sonnambula in Lyon for a Virgin recording with Natalie Dessay, in Così fan tutte under conductor Riccardo Muti in Vienna, where he also performed in Anna Bolena, in Maometto II in Tokyo and in Rigoletto in his debuts at Covent Garden and at the Metropolitan. -
Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Festival 2021
FESTIVAL 2021 leedslieder1 @LeedsLieder @leedsliederfestival #LLF21 LEEDS LIEDER has ‘ fully realised its potential and become an event of INTERNATIONAL STATURE. It attracts a large, loyal and knowledgeable audience, and not just from the locality’ Opera Now Ten Festivals and a Pandemic! In 2004 a group Our Young Artists will perform across the weekend of passionate, visionary song enthusiasts began and work with Dame Felicity Lott, James Gilchrist, programming recitals in Leeds and this venture has Anna Tilbrook, Sir Thomas Allen and Iain steadily grown to become the jam-packed season Burnside. Iain has also programmed a fascinating we now enjoy. With multiple artistic partners and music theatre piece for the opening lunchtime thousands of individuals attending our events recital. New talent is on evidence at every turn in every year, Leeds Lieder is a true cultural success this Festival. Ema Nikolovska and William Thomas story. 2020 was certainly a year of reacting nimbly return, and young instrumentalists join Mark and working in new paradigms. We turned Leeds Padmore for an evening presenting the complete Lieder into its own broadcaster and went digital. Canticles by Britten. I’m also thrilled to welcome It has been extremely rewarding to connect with Alice Coote in her Leeds Lieder début. A recital not audiences all over the world throughout the past 12 to miss. The peerless Graham Johnson appears with months, and to support artists both internationally one of his Songmakers’ Almanac programmes and known and just starting out. The support of our we welcome back Leeds Lieder favourites Roderick Friends and the generosity shown by our audiences Williams, Carolyn Sampson and James Gilchrist. -
Cast Amendment for Il Trovatore
8 DECEMBER 2015 CAST AMENDMENT IL TROVATORE (Giuseppe Verdi) 2, 4, 5, 7, 8, 9, 11, 12, 14 and 15 July at 7.15pm ; 17 July at 6.30pm Italian soprano Carmen Giannattasio has withdrawn from singing the role of Leonora in Il trovatore on 4, 7, 9, 12 and 15 July. The role will now be sung by Italian soprano Anna Pirozzi , who will make her Royal Opera debut in this new production by German director David Bösch . She will share the role with Armenian soprano Lianna Haroutounian (2, 5, 8, 11, 14 and 17 July) as previously announced. Anna Pirozzi was born in Naples and studied at the Istituto Musicale in Valle d’Aosta and at the Turin Conservatory with Silvana Moyso. She has won widespread acclaim for her performances as Abigaille ( Nabucco ), the role in which she made her Salzburg Festival debut in 2013 conducted by Riccardo Muti and which she has sung in Florence, Bologna, Parma, Leipzig, Stuttgart, Tel Aviv, Beijing, Valencia, and for Arena di Verona. Her other engagements include Amelia ( Un ballo in maschera ) for Teatro Regio, Turi, and in Parma, Lady Macbeth ( Macbeth ) in São Paulo and Bologna, Leonora (Il trovatore ) in Bologna, Santuzza ( Cavalleria rusticana ) for Rome Opera and Teatro di San Carlo, Naples, Elvira ( Ernani ) in Rome, Tosca for Deutsche Oper Berlin and in Leipzig and Turin, Luisa Miller in Genoa, Leonora and Maddalena ( Andrea Chénier ) for Teatro di San Carlo, Santuzza and Nedda ( Pagliacci ) in Macerata, Aida in Turin, and Elisabetta ( Roberto Devereux ) at the ABAO Bilbao. The rest of the cast remains unchanged, -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
PATRICIA PETIBON Franse Sopraan • Opleiding Studeerde Aan Het
PATRICIA PETIBON Franse sopraan • Opleiding Studeerde aan het Conservatoire National de Musique de Paris bij Rachel Yakar • Rode draad van haar carrière Van de grote barokrollen naar de “verloren heldinnen” van de 19de en 20ste eeuw die ze met gloed vertolkt • Belangrijkste rollen Barokrepertoire: L’Amour (Hippolyte et Aricie), Phani & Zima (Les Indes Galantes) van Rameau, Dalinda & Ginevra (Ariodante, Handel), Morgana & Alcina (Alcina, Handel), L’Amour (Orphée et Eurydice, Gluck) Mozart: Giunia (Lucio Silla), Despina (Così fan tutte), Aspasia & Asteria (Mitridate), Susanna (Le Nozze di Figaro), Donna Anna (Don Giovanni) Maar ook: Lulu (Berg), Gilda (Rigoletto, Verdi), Blanche (Dialogues des Carmélites, Poulenc), creatie van La seconde fille (Au monde, Philippe Boesmans), Manon (Massenet)… • Podia Opéra national de Paris, Théâtre des Champs-Élysées & Opéra Comique (Parijs), Grand Théâtre de Genève, La Scala (Milaan), Wiener Staatsoper, Liceo (Barcelona), Bayerische Staatsoper (München), De Munt … Festivals: Salzburg, Aix-en-Provence… • Orkesten Wiener Philharmoniker & Radio-Symphonieorchester Wien, Staatskapelle Berlin, Symphonieorchester des Bayerischen Rundfunks & Münchner Philharmoniker, MDR Sinfonieorchester, Orchestre National de France, Orchestre de Paris, Orchestre national de Lyon, Les Talens Lyriques, Le Cercle de l’Harmonie, Le Concert d’Astrée, Ensemble Amarillis, La Cetra, Venice Baroque Orchestra, Il Giardino Armonico, Freiburger Barockorchester • Recitals Recitals in Parijs, in het Musikverein en het Konzerthaus Wien, voor -
Alfredo Kraus Alfredo Kraus Mp3, Flac, Wma
Alfredo Kraus Alfredo Kraus mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Alfredo Kraus Country: Spain Released: 1983 Style: Opera MP3 version RAR size: 1102 mb FLAC version RAR size: 1233 mb WMA version RAR size: 1947 mb Rating: 4.5 Votes: 374 Other Formats: AUD MP3 WMA XM AA AC3 DMF Tracklist A1 Granada 4:27 A2 Estrellita 4:08 A3 La Picara Molinera 3:35 A4 Valencia 3:05 A5 Los Gavilanes 3:30 A6 Amapola 2:36 B1 Ay, Ay, Ay 4:32 B2 Princesita 4:02 B3 La Alegria Del Batallon 4:12 B4 El Trust De Los Tenorios 2:50 B5 Alma De Dios 3:10 B6 Doña Francisquita 2:25 Companies, etc. Record Company – Serdisco Manufactured By – Sonic, S.A. Phonographic Copyright (p) – Serdisco Credits Orchestra – Orquesta de Cámara de Madrid Notes Producido en España por Sonic S.A. Barcode and Other Identifiers Rights Society: SGAE Depósito Legal: M. 23.996-1983 Other (Impuesto de Lujo a Metalico): Permiso numero 7770 Other versions Category Artist Title (Format) Label Category Country Year Alfredo Kraus Of Spain (LP, FM-111 Alfredo Kraus Montilla FM-111 US 1959 Album, Mono) Alfredo Kraus Of Spain (LP, FM-111 Alfredo Kraus Montilla FM-111 Venezuela Unknown Album) Alfredo Kraus Of Spain (LP, FM-111 S Alfredo Kraus Montilla FM-111 S Spain 1963 Album, RE) Alfredo Kraus Of Spain (LP, FM-111 Alfredo Kraus Montilla FM-111 Spain 1959 Album, Mono) FM-111 S Alfredo Kraus Alfredo Kraus (LP, Album, Gat) Montilla FM-111 S Spain 1963 Related Music albums to Alfredo Kraus by Alfredo Kraus The Kinks - Spotlight On The Kinks Vol. -
A MOZART GALA from Salzburg
UNITEL and CLASSICA present A MOZART GALA from Salzburg PATRICIA PETIBON MAGDALENA KOŽENÁ EKATERINA SIURINA MICHAEL SCHADE THOMAS HAMPSON ANNA NETREBKO RENÉ PAPE DANIEL HARDING A MOZART GALA from Salzburg Patricia Petibon René Pape Daniel Harding Magdalena Kožená Thomas Hampson Ekaterina Siurina Anna Netrebko Michael Schade Music by Wolfgang Amadeus Mozart he most spectacular homage to Wolfgang Amadeus Mozart on his 250th birthday in 2006 was incontestably Conductor Daniel Harding the presentation of all of his operas and operatic Orchestra Wiener Philharmoniker T fragments at the Salzburg Festival, “Mozart22”. Recorded on Soloists Anna Netrebko film (available from Unitel Classica), this monumental project Magdalena Kožená has been preserved for posterity as a benchmark of Mozart Ekaterina Siurina interpretation in the early 21st century. Patricia Petibon Thomas Hampson The “Mozart Gala“ held at the Felsenreitschule on 30 René Pape July 2006, in the first days of the 2006 Salzburg Festival, Michael Schade presents a kind of microcosm of the Mozart festivities, with Directed by Brian Large a selection of arias and orchestral music performed by the Vienna Philharmonic under Daniel Harding and featuring Don Giovanni Overture some of the top vocalists of the 2006 Salzburg Festival. A “Madamina, il catalogo è questo“ (René Pape) sampling of exquisite hors d‘œuvres prepared by the most “Dalla sua pace“ (Michael Schade) outstanding musical chefs! Mitridate, Re di Ponto Internationally celebrated soprano Anna Netrebko lives “Nel grave tormento“ (Patricia Petibon) up to her reputation as a fiery, dramatic diva in her passionate La clemenza di Tito rendition of Elettra‘s aria “D‘Oreste, d‘Aiace” from Idomeneo.