Boston Symphony Orchestra Concert Programs, Season 130, 2010-2011
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Boston Symphony Orchestra Concert Programs, Season 130, 2010-2011
BOSTON SYM PHONY • 4 ORCH ESTRA MTSP III __ 2010-2011 SEASON WEEK 1 James Levine Music Director Bernard Haitink Conductor Emeritus Seiji Ozawa Music Director Laureate RMES TALE I S, LIFE AS A ^S Table of Contents Week i 15 BSO NEWS 21 ON DISPLAY IN SYMPHONY HALL 22 BSO MUSIC DIRECTOR JAMES LEVINE 24 THE BOSTON SYMPHONY ORCHESTRA 27 A BRIEF HISTORY OF THE BOSTON SYMPHONY ORCHESTRA 33 THIS WEEK'S PROGRAM 35 FROM THE MUSIC DIRECTOR Notes on the Program 39 Gustav Mahler 57 To Read and Hear More... Guest Artists 61 Layla Claire 62 Karen Cargill 64 Tanglewood Festival Chorus 67 John Oliver 70 SPONSORS AND DONORS 80 FUTURE PROGRAMS 82 SYMPHONY HALL EXIT PLAN 83 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY BSO DIRECTOR OF PROGRAM PUBLICATIONS MARC MANDEL (OCTOBER 8, 12) AND ASSISTANT DIRECTOR OF PROGRAM PUBLICATIONS ROBERT KIRZINGER (OCTOBER 7, 9). program copyright ©2010 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Michael J. Lutch BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org THE JOURNEY TO THE PRIVATE CLOUD STARTS NOW EMC is proud to support the Boston Symphony Orchestra. Learn more atwww.EMC.com/bso. EMC where information lives endary. HARVARD EXTENSION SCHOOL Greek heroes and award-winning faculty. At Harvard Extension School, we have our share of legends. Whether you are interested in ancient mythology or some other awe-inspiring subject, we invite you to check out our evening and online courses. -
Programme Haim.Indd
DESPERATE LOVERS LE CONCERT D’ASTRÉE ------- PROGRAMME DESPERATE LOVERS LE CONCERT D’ASTRÉE ------- Georg Friedrich Händel 2 PROGRAMME « Le Concert d’Astrée » du 10 avril 2019 DESPERATE Première partie /42’ Deuxième partie /33’ LOVERS Sandrine Piau soprano Tim Mead contre-ténor Rodelinda (1725) Orlando (1733) Le Concert d’Astrée 1. Ouverture – Menuet 8. Accompagnato Orlando « Ah, stigie larve » et Emmanuelle Haïm direction air « Vaghe pupille » (II,11) Tamerlano (1724) Airs et duos extraits des opéras Rodelinda, Tamerlano, Aci, 2. Air d’Andronico « Più d’una tigre altero » (II,8) Alcina (1735) Galatea e Polifemo, Rinaldo, Ariodante, Orlando, Alcina, 9. Alcina « Ah, mio cor » (II,8) G-F.Händel (1685-1759) Aci, Galatea e Polifemo (1708) 3. Aci « Verso già l’alma col sangue » Orlando 4. Concerto Grosso n°2 opus 3 en Sib majeur 10. Ouverture Vivace – Largo – Allegro – Menuet – Gavotte Rodelinda Rodelinda (1725) 11. Rodelinda-Bertarido « Io t’abbraccio » (II,7) 6 avril 2019 : Gran Teatre del Liceu, Barcelone 5. Air de Bertarido « Vivi, tiranno » (III,6) 10 avril 2019 : Victoria Hall, Genève Rinaldo (1711) 12 avril 2019 : KKL, Lucerne* Ariodante (1735) 12. Récit « Adorato mio sposo » et 14 avril 2019 : Abbaye de Vaucelles 6. Récit « Ingrato Polinesso » et duo Almirena-Rinaldo « Scherzano sul tuo volto » (I,6) 16 avril 2019 : Grand Théâtre de Provence, Aix-en-Provence (Festival de Pâques) air de Dalinda « Neghittosi, or voi che fate? » (III,2) 17 avril 2019 : Théâtre des Champs-Elysées, Paris 4 juin 2019 : Wiener Staatsoper Tamerlano 6 juin 2019 -
Klsp2018iema Broschuere.Indd
KLANGSPUREN SCHWAZ INTERNATIONAL ENSEMBLE MODERN ACADEMY IN TIROL. REBECCA SAUNDERS COMPOSER IN RESIDENCE. 15TH EDITION 29.08. – 09.09.2018 KLANGSPUREN INTERNATIONAL ENSEMBLE MODERN ACADEMY 2018 KLANGSPUREN SCHWAZ is celebrating its 25th anniversary in 2018. The annual Tyrolean festival of contemporary music provides a stage for performances, encounters, and for the exploration and exchange of new musical ideas. With a different thematic focus each year, KLANGSPUREN aims to present a survey of the fascinating, diverse panorama that the music of our time boasts. KLANGSPUREN values open discourse, participation, and partnership and actively seeks encounters with locals as well as visitors from abroad. The entire beautiful region of Tyrol unfolds as the festival’s playground, where the most cutting-edge and modern forms of music as well as many young composers and musicians are presented. On the occasion of its own milestone anniversary – among other anniversaries that KLANGSPUREN SCHWAZ 2018 will be celebrating this year – the 25th edition of the festival has chosen the motto „Festivities. Places.“ (in German: „Feste. Orte.“). The program emphasizes projects and works that focus on aspects of celebrations, festivities, rituals, and events and have a specific reference to place and situation. KLANGSPUREN INTERNATIONAL ENSEMBLE MODERN ACADEMY is celebrating its 15th anniversary. The Academy is an offshoot of the renowned International Ensemble Modern Academy (IEMA) in Frankfurt and was founded in the same year as IEMA, in 2003. The Academy is central to KLANGSPUREN and has developed into one of the most successful projects of the Tyrolean festival for new music. The high standards of the Academy are vouched for by prominent figures who have acted as Composers in Residence: György Kurtág, Helmut Lachenmann, Steve Reich, Benedict Mason, Michael Gielen, Wolfgang Rihm, Martin Matalon, Johannes Maria Staud, Heinz Holliger, George Benjamin, Unsuk Chin, Hans Zender, Hans Abrahamsen, Wolfgang Mitterer, Beat Furrer, Enno Poppe, and most recently in 2017, Sofia Gubaidulina. -
56 0809Englisch.Pdf
A Wien Holding Company Intendant Roland Geyer General sponsors of the Theater an der Wien The Theater an der Wien recieves subsidies from the Cultural Department of the City of Vienna insNoten130x205_4c_E_TheaterRZ 04.06.2008 13:53 Uhr Seite 1 „WHOEVER HEARS BUTTERFLIES LAUGHING, KNOWS THE SCENT OF CLOUDS“ (Novalis) he butterfly is a wonderful symbol of transformation and freedom. And this is a requirement that art repeatedly demands, too. The mysterious Tmetamorphosis of the ugly caterpillar into the magnificent butterfly has sti- mulated man’s imagination from time immemorial. Everyone who watches Where does a butterfly is struck by its beauty, elegance and lightness. The ancient ability to think in images and symbols is inside each one of us – and in the world of opera, too. The opera is a treasure-house of the music call the tune? irrational. It unfolds “our imagination’s most beautiful alternative world.” Mozart himself confessed, “I need only to hear talk about opera, I need only to be in the theatre and hear voices – it suffices to transport me utterly.” The Theater an der Wien, the new opera house, is aiding a development in our city that no one can now fail to notice: more and more people with an interest in culture, and younger people too, are going to the opera! They are looking for a space where dreams and longings can unfold freely with great emotion and even pathos – and the opera provides a meeting place for them: everything appears bathed in “bright” light, and in this light one is drawn in by enchanting sounds. -
Orlin Anastassov
OperaManager.com - Orlin Anastassov Orlin Anastassov basso www.ernestopalacio.com Orlin Anastassov è nato nel 1976 a Rousse (Bulgaria) da genitori entrambi cantanti lirici. Maria Venzislavova, soprano, e Anastas Anastassov, baritono, sono stati Cantanti Principali molto amati presso il Teatro di Rousse. Orlin Anastassov ha cominciato molto presto a studiare canto con il Maestro Georgi Deliganev . A diciannove anni, nellambito di una tournée del Teatro di Rousse, fa il suo debutto operistico in Germania nell'Aida. Nel 1998-99 debutta come Ferrando nel Trovatore a Düsseldorf, come Filippo II in Don Carlo a Sofia e come Ramphis in Aida a Wiesbaden. Nell'aprile 1999 vince a Puerto Rico limportante Concorso di Canto Operalia-Placido Domingo; nel giugno 1999 debutta alla Scala di Milano come Basilio nel Barbiere di Siviglia sotto la direzione di Riccardo Chailly, nel luglio 2000 fa il suo debutto all'Arena di Verona in Aida, al Covent Garden di Londra debutta ne La battaglia di Legnano e alla Staatsoper di Vienna come Ramphis in Aida. Altri importanti impegni di Orlin Anastassov sono stati La Sonnambula al Teatro Real di Madrid, Aida a Berlino, Norma allOpera di Roma e a Karlsruhe, diversi Requiem di Verdi: con Riccardo Chailly a Parigi, Toulouse, Amsterdan e Milano, diretto da Georges Pretre a Montecarlo, a Londra e Manchester diretto da Mark Elder. Con Sir Colin Davis ha cantato alla London Symphony di Londra in Benvenuto Cellini, L'Enfance du Christ, Romeo et Juliette e Les Troyanes di Berlioz, al Verdi di Trieste ha debuttato in Boheme diretto da Daniel Oren, ad Hamburgo si è presentato in Rigoletto,con Puritani a Palma de Mallorca, con Ernani a Malaga e con Barbiere di Siviglia a Frankfurt. -
La Donna Del Lago , the Met's First Production of the Bel Canto Showcase, on Great Performances at the Met
Press Contacts: Harry Forbes, WNET 212-560-8027 or [email protected] Eva Chien 212-870-4589 or [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom Website: http://www.pbs.org/wnet/gperf Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS Joyce DiDonato and Juan Diego Flórez Star In Rossini's La Donna del Lago , the Met's First Production of the Bel Canto Showcase, on Great Performances at the Met Sunday, August 2 at 12 p.m. on PBS Joyce DiDonato and Juan Diego Flórez headline Rossini's bel canto tour-de-force La Donna del Lago on THIRTEEN’S Great Performances at the Met Sunday, August 2 at 12 p.m. on PBS. (Check local listings.) In this Rossini classic based on the work by Sir Walter Scott, DiDonato sings the title role of Elena, the lady of the lake pursued by two men, with Flórez in the role of Giacomo, the benevolent king of Scotland. Michele Mariotti , last featured in the Great Performance at the Met broadcast of Rigoletto , conducts debuting Scottish director Paul Curran's staging, a co-production with Santa Fe Opera. The cast also includes Daniela Barcellona in the trouser role of Malcolm, John Osborn as Rodrigo, and Oren Gradus as Duglas. "The wondrous Ms. DiDonato and Mr. Mariotti, the fast-rising young Italian conductor, seemed almost in competition to see who could make music with more delicacy,” noted The New York Times earlier this year, and “Mr. Mariotti drew hushed gentle and transparent playing from the inspired Met orchestra.” And NY Classical Review raved, "Joyce DiDonato…was beyond perfect.. -
Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ. -
French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs. -
559288 Bk Wuorinen US
559273 bk Ives US 8/26/08 3:28 PM Page 16 Also available: AMERICAN CLASSICS Charles IVES Songs • 5 Premonitions Requiem 8.559271 8.559272 Rosamunde Slugging a Vampire Soliloquy Get this free download from Classicsonline! Griffes: Three Poems of Fiona McLeod: The Rose of the Night A Son of Gambolier Copy this Promotion Code Nax9YMg3jsR6 and go to http://www.classicsonline.com/mpkey/grif4_main. Downloading Instructions 1 Log on to Classicsonline. If you do not have a Classicsonline account yet, please register at Sunrise http://www.classicsonline.com/UserLogIn/SignUp.aspx. 2 Enter the Promotion Code mentioned above. 3 On the next screen, click on “Add to My Downloads”. Various Artists 8.559273 16 559273 bk Ives US 8/26/08 3:28 PM Page 2 1 Paracelsus (Text: Robert Browning) (1921) 4:06 ^ Rosenzweige (Karl Stieler) (1902) 1:09 Robert Gardner, Baritone • Eric Trudel, Piano Kenneth Tarver, Tenor • Eric Trudel, Piano Also available: 2 Peaks (Henry Bellamann) (1923) 2:04 & Rough Wind (Percy Bysshe Shelley) (1902) 1:09 Michael Cavalieri, Baritone • Douglas Dickson, Piano Ryan MacPherson, Tenor • Douglas Dickson 3 A Perfect Day (Anon.) (1902) 2:41 and Laura Garritson, Piano 4 hands Janna Baty, Mezzo-soprano • Douglas Dickson, Piano * A Scotch Lullaby (Charles Edmund Merrill Jr) 4 Pictures (Monica Peveril Turnbull) (1906) 3:23 (1896) 2:17 Janna Baty, Mezzo-soprano • J. J. Penna, Piano Lielle Berman, Soprano • Eric Trudel, Piano 5 Premonitions ( A Sea Dirge (William Shakespeare) (1925) 2:30 (Robert Underwood Johnson) (1921) 2:10 Patrick Carfizzi, Baritone • Eric Trudel, Piano Mary Phillips, Mezzo-soprano • J. -
Mahler's Song of the Earth
SEASON 2020-2021 Mahler’s Song of the Earth May 27, 2021 Jessica GriffinJessica SEASON 2020-2021 The Philadelphia Orchestra Thursday, May 27, at 8:00 On the Digital Stage Yannick Nézet-Séguin Conductor Michelle DeYoung Mezzo-soprano Russell Thomas Tenor Mahler/arr. Schoenberg and Riehn Das Lied von der Erde I. Das Trinklied von Jammer der Erde II. Der Einsame im Herbst III. Von der Jugend IV. Von der Schönheit V. Der Trunkene im Frühling VI. Der Abschied First Philadelphia Orchestra performance of this version This program runs approximately 1 hour and will be performed without an intermission. This concert is part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. Our World Lead support for the Digital Stage is provided by: Claudia and Richard Balderston Elaine W. Camarda and A. Morris Williams, Jr. The CHG Charitable Trust Innisfree Foundation Gretchen and M. Roy Jackson Neal W. Krouse John H. McFadden and Lisa D. Kabnick The Andrew W. Mellon Foundation Leslie A. Miller and Richard B. Worley Ralph W. Muller and Beth B. Johnston Neubauer Family Foundation William Penn Foundation Peter and Mari Shaw Dr. and Mrs. Joseph B. Townsend Waterman Trust Constance and Sankey Williams Wyncote Foundation SEASON 2020-2021 The Philadelphia Orchestra Yannick Nézet-Séguin Music Director Walter and Leonore Annenberg Chair Nathalie Stutzmann Principal Guest Conductor Designate Gabriela Lena Frank Composer-in-Residence Erina Yashima Assistant Conductor Lina Gonzalez-Granados Conducting Fellow Frederick R. -
Masterclass E Audizone Per Cantanti Lirici Con I Maestri Orlin Anastassov E Davide Dellisanti 27-30 Maggio 2021
Masterclass e Audizone per cantanti lirici con i Maestri Orlin Anastassov e Davide Dellisanti 27-30 Maggio 2021 L’Accademia Artemus di Pompei apre le iscrizioni per la Masterclass di Canto Lirico con il Maestro Orlin Anastassov, cantante e regista, ed il Maestro Davide Dellisanti, pianista e direttore d’orchestra. La Masterclass si terrà tra il 27 e il 30 Maggio 2021 presso l’Accademia Artemus di Pompei, in via San Giuseppe n.14 (NA). La scadenza per le iscrizioni è fissata per il 10 Maggio 2021. Tale iniziativa vuole offrire un’occasione di perfezionamento per cantanti lirici, ma anche delle opportunità per accrescere la propria esperienza in campo operistico. Infatti oltre alla Masterclass c’è la possibilità di candidarsi per un ruolo all’interno della produzione de “Il Barbiere di Siviglia” (G. Rossini) in forma cameristica, che si terrà il 16 Ottobre 2021 presso il Teatro di Costanzo Mattiello di Pompei, con la Nuova Orchestra Scarlatti diretta da Alfonso Todisco. La selezione avverrà durante il galà lirico di fine corso, il 30 Maggio sera a Pompei (luogo da definirsi). La scelta dei ruoli sarà decisa da una commissione formata dai Maestri Orlin Anastassov, Davide Dellisanti e Gaetano Russo (Direttore Artistico della Nuova Orchestra Scarlatti di Napoli). La commissione a propria discrezione può decidere di assegnare tutti i ruoli o solo alcuni. La decisione della commissione è insindacabile e sarà comunicata entro il 3 Giugno 2021 personalmente via e-mail. Informazioni utili Il numero massimo di iscritti sarà di 10 cantanti. Nel caso il numero di richieste sia superiore al numero di posti disponibili, i docenti della Masterclass effettueranno una selezione in base al CV e video allegati alla domanda di iscrizione. -
Announcing a Vocal Master Class with Seisolo Artist in Residence Michelle Deyoung
Announcing a Vocal Master Class with SeiSolo Artist in Residence Michelle DeYoung The Colorado Music Festival and Center for Musical Arts is offering an opportunity for advanced young singers to be coached in an open master class with renowned mezzo-soprano Michelle DeYoung. As a part of the SeiSolo Artist in Residency, this class is free and open to the public, and there is no charge to the participants. An accompanist will be provided. Singers who are not able to perform are encouraged to come and audit the class. Launched in 2015 through a visionary gift from the SeiSolo Foundation in memory of Hans and Dolores Thurnauer, the Distinguished Artist Fund provides funding to underwrite the engagement of the very finest guest artists each summer for special projects, including recitals, mini-festivals, residencies, masterclasses, educational activities, and other performances. The 2018 SeiSolo Artist-in-Residence is multi-Grammy award-winning recording artist, mezzo-soprano, Michelle DeYoung, who will be performing three concerts with the Colorado Music Festival at Chautauqua as well as coaching a master class on Saturday, July 21 in Founder’s Hall at the Center for Musical Arts, 200 E. Baseline Rd, Lafayette. For further information or to request a spot on the program, please contact Rachel Fetler at [email protected]. Michelle DeYoung Master Class Saturday, July 21, 2-4 pm Center for Musical Arts 200 E. Baseline Rd, Lafayette CO Participation Application due by July 6; participants will be informed of their selection by July 9. Full