Zone of Transition in Seljuq Dome Chambers of Iran
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Advancements in Arch Analysis and Design During the Age of Enlightenment
ADVANCEMENTS IN ARCH ANALYSIS AND DESIGN DURING THE AGE OF ENLIGHTENMENT by EMILY GARRISON B.S., Kansas State University, 2016 A REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE Department of Architectural Engineering and Construction Science and Management College of Engineering KANSAS STATE UNIVERSITY Manhattan, Kansas 2016 Approved by: Major Professor Kimberly Waggle Kramer, PE, SE Copyright Emily Garrison 2016. Abstract Prior to the Age of Enlightenment, arches were designed by empirical rules based off of previous successes or failures. The Age of Enlightenment brought about the emergence of statics and mechanics, which scholars promptly applied to masonry arch analysis and design. Masonry was assumed to be infinitely strong, so the scholars concerned themselves mainly with arch stability. Early Age of Enlightenment scholars defined the path of the compression force in the arch, or the shape of the true arch, as a catenary, while most scholars studying arches used statics with some mechanics to idealize the behavior of arches. These scholars can be broken into two categories, those who neglected friction and those who included it. The scholars of the first half of the 18th century understood the presence of friction, but it was not able to be quantified until the second half of the century. The advancements made during the Age of Enlightenment were the foundation for structural engineering as it is known today. The statics and mechanics used by the 17th and 18th century scholars are the same used by structural engineers today with changes only in the assumptions made in order to idealize an arch. -
INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and w h itephotographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing the World'sUMI Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 8824569 The architecture of Firuz Shah Tughluq McKibben, William Jeffrey, Ph.D. The Ohio State University, 1988 Copyright ©1988 by McKibben, William Jeflfrey. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. -
The Seljuks of Anatolia: an Epigraphic Study
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 2-1-2017 The Seljuks of Anatolia: An epigraphic study Salma Moustafa Azzam Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Azzam, S. (2017).The Seljuks of Anatolia: An epigraphic study [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/656 MLA Citation Azzam, Salma Moustafa. The Seljuks of Anatolia: An epigraphic study. 2017. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/656 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The Seljuks of Anatolia: An Epigraphic Study Abstract This is a study of the monumental epigraphy of the Anatolian Seljuk Sultanate, also known as the Sultanate of Rum, which emerged in Anatolia following the Great Seljuk victory in Manzikert against the Byzantine Empire in the year 1071.It was heavily weakened in the Battle of Köse Dağ in 1243 against the Mongols but lasted until the end of the thirteenth century. The history of this sultanate which survived many wars, the Crusades and the Mongol invasion is analyzed through their epigraphy with regard to the influence of political and cultural shifts. The identity of the sultanate and its sultans is examined with the use of their titles in their monumental inscriptions with an emphasis on the use of the language and vocabulary, and with the purpose of assessing their strength during different periods of their realm. -
The Story of Architecture
A/ft CORNELL UNIVERSITY LIBRARY FINE ARTS LIBRARY CORNELL UNIVERSITY LIBRARY 924 062 545 193 Production Note Cornell University Library pro- duced this volume to replace the irreparably deteriorated original. It was scanned using Xerox soft- ware and equipment at 600 dots per inch resolution and com- pressed prior to storage using CCITT Group 4 compression. The digital data were used to create Cornell's replacement volume on paper that meets the ANSI Stand- ard Z39. 48-1984. The production of this volume was supported in part by the Commission on Pres- ervation and Access and the Xerox Corporation. Digital file copy- right by Cornell University Library 1992. Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/cletails/cu31924062545193 o o I I < y 5 o < A. O u < 3 w s H > ua: S O Q J H HE STORY OF ARCHITECTURE: AN OUTLINE OF THE STYLES IN T ALL COUNTRIES • « « * BY CHARLES THOMPSON MATHEWS, M. A. FELLOW OF THE AMERICAN INSTITUTE OF ARCHITECTS AUTHOR OF THE RENAISSANCE UNDER THE VALOIS NEW YORK D. APPLETON AND COMPANY 1896 Copyright, 1896, By D. APPLETON AND COMPANY. INTRODUCTORY. Architecture, like philosophy, dates from the morning of the mind's history. Primitive man found Nature beautiful to look at, wet and uncomfortable to live in; a shelter became the first desideratum; and hence arose " the most useful of the fine arts, and the finest of the useful arts." Its history, however, does not begin until the thought of beauty had insinuated itself into the mind of the builder. -
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International Journal of Human Sciences ISSN:2458-9489 Volume 17 Issue 1 Year: 2020 The conservation and restoration performances under Seljuk Architectural Patronage Tülay Karadayı Yenice1 Abstract The aim of this study is to expose the similarities between the restoration, conservation, and also reparation works focused on the monumental and public building under the Architectural Patronage of Seljuk Sultans in Anatolia. Reparations and present restoration approach through the protection – reparation examples they made in their periods. The research method is based on a comparative analysis of the approaches followed in the restoration and restoration of monumental structures built by previous civilizations in the territories dominated by the Seljuk state of Anatolia. In the scope of the study Aspendos Theatre, Aksaray Sultan Caravanserai and Sultan Alaaddin Bridge will be taken up it will be tried to understand the principles in the restoration efforts of the Anatolian Seljuks and light the way for the present restoration studies with the achieved accumulation and experience. As a result of the research, the findings indicate that the modern Seljuk state era has been applied to the repair-conservation of monumental monuments very close to the contemporary principles of contemporary restoration. Keywords: Architecture, conservation, culture, renovation. Reparation. Introduction Conservation phenomenon – a historical house, a monument, a city or a cultural landscape– they produce complex network of meanings and their symbolic strength contributes to their recognition as relevant cultural properties. Contemporary approaches to conservation consider that cultural heritage is preserved not because of the values, functions or meanings they had in the past, but for the messages and symbolism they communicate in the present time and for the future generations (Pereira, 2007). -
Mosque Are Appointed by Diyanet
DIYANET CENTER OF AMERICA Our Principles Diyanet Center of America, Is committed to prividing religious services, away from the realm of politics. Relies on true knowledge based on the Qur’an and authentic traditions of the Prophet and takes into consideration various religious interpretations, tendencies and traditions and evalu- ates them in the light of mainstream understanding and rational approach. Is committed to protect the Muslims’ religious and cultural roots WHO WE ARE in the face of assimilationist policies. Aims to preserve all the differences in belief and culture in an The Diyanet Center of America (DCA) is an operating name of atmosphere of freedom and mutual respect. the Turkish American Community Center (TACC), a non-profit Conceives the preservation of the historical and cultural heritage organization (501(c)(3) status) located in Lanham, Maryland. of the other religions as well as the preservation of the religious The community center was established in 1993 by a group of and cultural diversity respecting values from the past, all prereq- Turkish-Americans to provide religious, social and educational uisites for the exalted tolerance of Islam. services to Turkish immigrants and Muslims living in the United Supports freedom of religion and freedom of expression. States of America. As an umbrella organization, DCA has 22 lo- Condemns all types of violence and terror, regardless of the per- cal chapters with affiliations across America and works in full patrator and its victims. DCA regards all terrorist acts as a crime coordination with the Religious Affairs Division of the Repub- against humanity. lic of Turkey (Diyanet). -
Brick Muqarnas on Rūm Saljuq Buildings
Transkulturelle Perspektiven 3/2014 - 1 - و Richard Piran McClary Brick Muqarnas on R ūūūm Saljuq buildings - The introduction of an Iranian decorative technique into the architecture of Anatolia The aim of this paper is to examine the form, function decorative brick bonds found in the Islamic architec- and decoration of the small and poorly understood ture of Iran. This indicates that it was non-indigenous corpus of brick muqarnas that survive from the early craftsmen, probably from Iran, 4 that were responsible stage of R ūm Saljuq architecture in Anatolia. These for the construction of the few surviving examples of date from the period between the last quarter of the the art of brick decoration in Anatolia. The brief pro- sixth/ twelfth century to the first quarter of the sev- cess of efflorescence that starts in the late sixth/ enth/ thirteenth centuries. The original source of the twelfth century is followed by almost complete abey- muqarnas form has been much debated by scholars, ance after the mid-seventh/ thirteenth century. with opinions as to its origin ranging from North Africa to Baghdad and Eastern Iran. 1 It is clear that The basic building blocks of brick muqarnas composi- muqarnas cells came to be integrated into the archi- tions consist of cells used singly, or in combination tectural aesthetic of Islamic Anatolia from the mid to with one or two others. They have the appearance of late sixth/ twelfth century onwards. 2 By the middle of a rectangular panel with a triangle above that has had the seventh/ thirteenth century almost all but the the tip bent forward 90° giving the cell a triangular western coast and part of the northern coast of plan (fig. -
Hana Taragan HISTORICAL REFERENCE in MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS's BUILDINGS in PALESTINE
the israeli academic center in cairo ¯È‰˜· Èχ¯˘È‰ ÈÓ„˜‡‰ ÊίӉ Hana Taragan HISTORICAL REFERENCE IN MEDIEVAL ISLAMIC ARCHITECTURE: BAYBARS’S BUILDINGS IN PALESTINE Hana Taragan is a lecturer in Islamic art at Tel Aviv University, where she received her Ph.D. in 1992. Her current research concerns Umayyad and Mamluk architecture in Eretz Israel in the medieval period. She is the author of Art and Patronage in the Umayyad Palace in Jericho (in Hebrew) and of numerous articles in the field of Islamic art. In the year 1274, al-Malik al-Zahir also changed a structure’s function Baybars, the first Mamluk ruler of from church to mosque, as he did Palestine (1260–1277), ordered the in Qaqun.5 addition of a riwaq (porch) to the Baybars’s choice of Yavne may tomb of Abu Hurayra in Yavne.1 be explained by the ruin of the The riwaq, featuring a tripartite coastal towns, or by Yavne’s loca- portal and six tiny domes, had two tion on the main road from Cairo arches decorated with cushion to Damascus. However, it seems to voussoirs and one with a zigzag me that above and beyond any frieze (Figure 1). Baybars also strategic and administrative con- installed a dedicatory inscription siderations, Baybars focused on naming himself as builder of the this site in an attempt to exploit riwaq.2 The addition of a portal to Abu Hurayra’s tomb as a means of the existing tomb structure typifies institutionalizing the power of the Baybars’s building policy in Pales- Mamluk dynasty in general and tine. -
The Seljuk Face of Anatolia: Aspects of the Social and Intellectual History of Seljuk Architecture
The Seljuk Face of Anatolia: Aspects of the Social and Intellectual History of Seljuk Architecture IMPORTANT NOTICE: Author: Emeritus Prof. Semra Ogel Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Deputy Editor: Prof. Mohammed Abattouy accessing these web pages, you agree that you may only download the content for your own personal non-commercial Associate Editor: Dr. Salim Ayduz use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: January, 2008 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 842 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2008 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. -
The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
The Effect of Iran's Architecture on Mortuary Buildings of Rome's
The Effect of Iran’s Architecture ISSN: 2008-5079 / EISSN: 2538-2365 on Mortuary Buildings DOI: 10.22034/AAUD.2019.92429 Page Numbers: 11-23 11 The Effect of Iran’s Architecture on Mortuary Buildings of Rome’s Seljuk Era* Neda Belaniana- Hossein Soltanzadehb**- Shervin Mirshahzadehc a Ph.D. of Architecture, Faculty of Architecture and Urban Planning, Islamic Azad University of Central Tehran Branch, BTehran, Iran. b Associate Professor of Architecture, Faculty of Architecture and Urban Planning, Islamic Azad University of Central BTehran Branch, Tehran, Iran (Corresponding Author). c Assistant Professor of Architecture, Faculty of Architecture and Urban Planning, Islamic Azad University of Central BTehran Branch, Tehran, Iran. Received 07 December 2015; Revised 03 April 2016; Accepted 08 June 2016; Available Online 22 September 2019 ABSTRACT In the course of Islam’s history and, especially, Seljuks Era, Iran has always been one of the primary loci of Islamic Art. On the other hand, ottomans have taken long leaps in the area of architecture through being inspired by Iranian and Byzantine Art. Due to Iran and ottoman adjacency as well as their cultural exchanges and the common governmental aspects, the art and architecture of these two territories have borrowed ideas from one another and share similarities. The goal of the present article is the comparative investigation of the architectural indices and elements of the memorial and mortuary buildings constructed during Seleucid Era in Rome and inspired by the mortuary and mosque buildings of Iran. The study theoretical framework is laid on the foundation of the perspective that the past architectural spaces are influenced by the cultural phenomena and the cultural exchanges have played roles in their formation. -
Graphical and Analytical Quantitative Comparison in the Domes Assessment: the Case of San Francesco Di Paola
applied sciences Article Graphical and Analytical Quantitative Comparison in the Domes Assessment: The Case of San Francesco di Paola Concetta Cusano 1,*,†, Andrea Montanino 2,† , Carlo Olivieri 3,† , Vittorio Paris 4,† and Claudia Cennamo 1,† 1 Department of Architecture and Industrial Design, Universitá degli Studi della Campania “Luigi Vanvitelli”, Abbazia di San Lorenzo in Septimum, 81031 Aversa (CE), Italy; [email protected] 2 Department of Structures for Engineering and Architecture, Università degli Studi di Napoli “Federico II”, Via Claudio 21, 80143 Napoli (NA), Italy; [email protected] 3 Department of Civil Engineering, DICIV, Università degli Studi di Salerno, Via Giovanni Paolo II 132, 84084 Fisciano (SA), Italy; [email protected] 4 Department of Engineering and Applied Sciences, Università degli Studi di Bergamo, Via G. Marconi 5, 24044 Dalmine (BG), Italy; [email protected] * Correspondence: [email protected] † These authors contributed equally to this work. Abstract: (1) Methods for checking the condition of monumental masonry structures can still be considered understudied. Among the different approaches available in the literature, the graphical ones have a special role, due to their simplicity and effectiveness. (2) In this work, a 2D method (Thrust Line Analysis (TLA)), the Modified Thrust Line Method (MTLM), and the 3D Membrane Equilibrium Analysis (MEA) method are compared. All methods have the same starting concept: no tensile strength, no sliding between the stone blocks, infinite compressive strength. (3) The methods are compared in terms of stress distribution (for the same—or similar—thrust line), and in terms Citation: Cusano, C.; Montanino, A.; Olivieri, C.; Paris, V.; Cennamo, C.