TABLE OF CONTENTS

F.P. Journe Vagabondage III The ephemeral endures

The 87th Geneva International Motor Show Ready to Launch

Valentine’s Day at the Laureus World Sports Awards The House of Grimaldi, Hugh Grant, and sport legends attend

UbiQ-uitious Real Estate Made in New York Virtual reality remodels property management services Notes on an Obsession March 2017

La La Oscar Land The most exciting moments of the 89th Academy Awards

Rose Cut: A David Morris Love Affair

This delicate and original watch is the third and last edition in the Vagabondage trilogy launched in 2005 and brings together a number of in- novations designed to appeal to lovers of fine watches. The Vagabondage III is produced in a limited series of 137 examples, of which 69 are in platinum and 68 in red gold. It contains an original calibre specifically designed and pro- duced in-house and is endowed with a digi- tal jumping hour and a completely new way of displaying the seconds. Like the other two lim- ited series that were produced, this beauty has the same flat tortue® case and is exactly the same size as the Vagabondage II. But with this timepiece operated by a manual wind- ing mechanical calibre, the difference lies is in the way it represents time pass- ing. By playing the diffraction card, the passage of time becomes playful and the jumping second a moment of pure pleasure to be shared as each second brings with it a new instant of surprise. TAP HERE TO GET IN TOUCH WITH F.P. JOURNE

To share this magic, F.P. Journe has creat- ed a smoked sapphire dial for this dandified marvel that lets the spirit wander and the eye discover, without revealing all, a part of this high quality engineering that is the attrac- tion of the creations of this master craftsman working in the heart of Geneva.

The 87th edition of the Geneva International Motor Show will open its doors to the public from March 9-19, 2017. It will kick off with two Press Days before the official inauguration presided over by Mr. Johann N. Schneider-Ammann, a member of the Swiss National Council, open- ing the exhibition of 900 models including 148 world and European premiers. 180 exhibitors will share this limelight. They include all of the large manufacturers, smaller exclusive construc- tors, high performance preparation specialists, resolutely timeless automotive designers, plus suppliers of parts, accessories, and equipment to the automotive sector. These diverse groups will offer visitors a unique experience and in- sight into the world of the automobile. Ferrari introduced an “Technology and Design are the two key words that best characterise updated version of its FF GT the Geneva Show, and that provide the happiness for the more than car called the GTC4 Lusso. 700,000 visitors who are expected. A tour of the Show is like plung- ing into a universe of bodyworks with fluid or marked lines, colours that are scintillating or deep matt and reflect high performance, plus the scents emanating from high resistance leather” explained Mr. Maurice Turrettini, President of the Geneva International Motor Show, and echoed by Mr. Andre Hefti, General Manager of the Motor Show who said “It is also a unique opportunity to discover the latest technol- ogies of “infotainement” that have been launched to assist in driving and other areas to ensure our motoring is more efficient, reliable and comfortable.”

The ridiculously powerful AF10 which Arash claims to produce a titanic 2080 horsepower. unveiled the long awaited follow up The starting flag will go down on Monday, March to the company’s DB9, the DB11. There is an Aston 6, 2017 with the election of the Car of the Year. It Martin DB10 but that was used only as James Bond’s movie car in the film “Spectre”. is the 6th consecutive year that the winner will be chosen from the seven finalists at the Motor Show.

Apollo’s 200mph Arrow is the first product to rise from the ashes of the defunct German supercar maker Gumpert. Following this event will be the two Press Days the British constructor David Brown Automotive. which each year attracts more than 10,000 me- Efficiency, too, is far from forgotten: the Swiss de- dia representatives from all over the world. 62 of signer Sbarro will present a small three-wheeled the 180 exhibitors will be presenting one or more vehicle that is extremely manoeuvrable, the ex- premiers as part of the 148 announced. Among hibitors Dendrobium and Catecar will promote these it will be possible to discover some gold their cars that are both high performance and nuggets such as: the first high performance car environment friendly, and Segula Technologies from the Indian constructor Tata, a dream car for from France will present their concept car, a the F1 Champion Emerson Fittipaldi created by bunch of new technologies including Virtual Pininfarina, or the sportive elegance typical of Reality. Not to be outdone, Pagani is in the game this year with an upgraded version of its “Huayra” hypercar called the “Huayra BC”.

Lamborghini unveiled an ultra rare After the President’s Cocktail on Tuesday night March 7, special edition supercar “The Centenario” to celebrate the 100th birthday of founder which will bring together all of the exhibitors plus 350 guests Ferruccio Lamborghini. from the regional business and economic world, a first over- view for this 87th edition, the Motor Show will open its doors to the general public on Thursday morning March 9, 2017.

The Laureus World Sports Awards annual- ly honours, in the Principality of Monaco, re- markable individuals who have reached out- standing results through sport. The Award Ceremony was established by Laureus Sport for Good Foundation in 1999, by founding patrons Daimler and Richemont and has been support- ed by its global partners Mercedes-Benz and IWC Schaffhausen. Actor Hugh Grant Albert II, Prince of Monaco and Charlene, Princess of Monaco

On Valentine’s Day 2017, in the Salle des Etoiles, Albert II, Prince of Monaco, arrived at the Laureus Ceremony, on the arm of his wife Charlene, Princess of Monaco, who enchanted the ambiance with her plung- ing red gown. The ceremony was hosted by British actor Hugh Grant, who was ac- companied by television producer Anna Eberstein, and handed to the winners a Cartier Laureus statuette.

Sprinter Usain Bolt, World Sportsman of the Year Gymnast Simone Biles, Sportswoman of the Year

Usain Bolt was crowned as the World Sportsman of the Year for a fourth time, while United States gymnast Simone Biles won the Sportswoman of the Year gong, beating British cyclist Laura Kenny, swimming sen- sation Katie Ledecky and track star Allyson Felix. They are the little and large of sport – while Bolt stands 1.95 metres, Biles meas- ures just 1.45 metres – but they were both giants at the Rio Olympics and enjoyed an ecstatic welcome as they received their stat- uettes. Bolt, who won this award in 2009, 2010, and 2013, walked away with the ‘Oscar of Sports’ for the fourth time, joining tennis legends Roger Federer and Serena Williams, and surfer Kelly Slater as four-time Laureus Award winner.

Host Kate Abdo talks to Laureus Ambassador Nico Rosberg. The UK brought home two prestigious accolades: Premier League after the Foxes, 5,000-1 outsiders. Rachel Atherton - who became the first rider in After a career defining season in 2016, newly re- history to complete a perfect downhill World Cup tired Formula One world champion Nico Rosberg season and then won a fourth World Championship was victorious in the Breakthrough of the Year cat- title a week later - won the Action Sportsperson of egory, as he was recognised for getting the better the Year award for her downhill mountain biking of Mercedes team mate Lewis Hamilton, after two feats, whereas Leicester City was awarded the previous title defeats. Natalie Portman in Prada Getty Images

Michael Phelps Three awarded athletes came from the Olympics with all four limbs amputated, who was invited to and the Paralympics in Rio. Michael Phelps won the White House at President Obama’s State Dinner, the Comeback of the Year Award, having collect- to represent the Italian delegation with former ed five golds after his return to swimming. The Prime Minister Renzi. Whilst the Refugee Olympic Disability Award went to Italian Beatrice “Bebe” Team, led by Tegla Loroupe, won the Laureus Vio, the only international fencer in a wheelchair Sport for Good Award for Sporting Inspiration.

Italian Beatrice “Bebe” Vio wins the Disability Award The 2017 Laureus Sports Awards Winners South African charity, Waves for Change, won thanks to sports fans around the world who voted the Sport for Good category for the exception- the winner of the new Best Sporting Moment of the al work it carries out in five locations, employ- Year Award. Finally, a historic feat was achieved ing the sport to combat violence, discrimination, by the Chicago Cubs, who won the World Series and inequality. The FC Barcelona under-12 Major League Baseball after 108 years. This com- football team rose to dizzying heights, claim- pany is worth their recognition: Laureus Team of ing a Laureus Award at the event in Monte Carlo, the Year.

Brazilian Football Legend Cafu

Once again, the worldwide haut monde gath- ered in Monte Carlo to tribute the nobility of this inspiring discipline. The House of Grimaldi, along with Hollywood actors, glorified the ex- ceptional results achieved by athletes through their hard work, leadership, and persever- A scene from Gounod’s Roméo et Juliette. ance. All forms of competitive physical activity Photo by Ken Howard/Metropolitan Opera. or games are about those incredible moments where sheer human will and desire overcome the odds. These are the moments we remem- ber, and that the Laureus World Sports Awards have lauded with elegant glamour.

Technology is at the forefront of everything these days. As time and space are nullified by any de- vice with internet connection, you can be any- where at any time. Ubiquity rules. This is the concept that inspired the name of the boutique real estate firm UbiQ, which flaunts an estab- lished pioneering experience in property man- agement through technology progressions. Andrew Brenta

The three founders have exceptional cultural Counsel Piero Massimino are the quintes- preparation, degrees, and experience in the sence of Italian style, hailing from all corners of New York City market where they manage prop- the Bel Paese. An American touch is brought by erties for worldwide clients. President Andrew CFO Stephen Cohodes, who is in charge of the Brenta, CEO Francesco Cirillo, and General firm’s financial planning and record-keeping.

UbiQ, undoubtedly stands out from conventional real estate firms by embracing three main fields of management. As President Brenta explains: “Our services focus on brokerage, property management, and investment, since we have an investment banker on our team, as well as a lawyer who is qualified to practice law both in Italy and the United States.”

Piero Massimino

It is the very polyglot attorney, Mr. Massi- mino, fluent in English, Italian, German, French, and Spanish, who is accustomed to dealing with clients from all parts of the world. He points out how UbiQ created a fund to facilitate investments. “After a thorough financial analysis we re- alised that creating a fund would have giv- en the opportunity to some of our clients to have an easier access to the New York re- al estate market, in terms of timing and fi- nancial stability.” However what truly sets UbiQ apart from all other is a stupendous USD 6.7 million triplex penthouse real estate companies is its progressive applica- overlooking the High Line Park, within the con- tion of technology to all the fields regarding pur- dominium residence Highline 519, designed by chasing, selling, and managing properties. As vir- award-winning architect Lindy Roy. tual reality open houses have conquered the West The idea to coalesce futuristic technologies with prag- Coast, UbiQ is the first real estate firm to provide matic functionality blossomed in the early 2000s, this technological service for New York listings. when Mr. Brenta and Mr. Cirillo started filming prop- The first listing that UbiQ is showing to clients erty visits with a Go Pro camera for overseas custom- with Oculus headsets and Samsung smartphones ers. The very first virtual tour occurred via Skype, –using the virtual reality app called Transported– and eventually branched off to use Google Glasses.

Francesco Cirillo

Francesco Cirillo further rode this technolog- ical wave for Sotheby’s International Realty, expanding to 360 technology and virtual re- ality experiences. With the collaboration of a photographer, panoramic images of the properties on sale were assembled in post- production, allowing users to virtually ex- plore the listings checking every minuscule detail in the flooring or design. “Virtual Reality is undoubtedly a game changer in the way technology can pro- mote real estate,” says Mr. Cirillo, and adds, “From a marketing perspective you may show apartments without disturbing ten- ants. Some of our clients have purchased properties after a virtual tour, and still have not visited them in person. Probably the next step will be social media intertwining with virtual reality, as attested by the success of the Snapchat Spectacles, that allow you to video-record what you see and share it on the App.” Francesco Cirillo using Google Glass In fact, when it comes to Apps, UbiQ is once more or consult the real estate taxes, it’s all a click away. ahead of the game, since the technologically ad- The virtual reality experience continues also after vanced real estate company has invested in the the purchase: owners may control the security of creation of a new software for real estate man- their property through the installation of a security agement. Through their special App, customers web camera. have access to all documents, activities, financial The Latin word Ubique, meaning ‘everywhere,’ records, receipts, correspondence, contacts, and fully epitomises the philosophy of this real estate other information regarding their property. This al- firm, not only in the way it engages with customers lows owners who live abroad to check on a day-to- from all over the world, but also in terms of how it day basis all that concerns their New York property intends to expand worldwide by opening branch without having to swing by to the UbiQ Columbus offices in London, Miami, Hong Kong, Dubai, and Circle office. Whether they want to check the reg- Milan. UbiQ, in actuality, may possess the excep- ulations of the lease and payment of their tenant, tional trait of omnipresence. Notes on an Obsession • March 2017 • by Olivier Dupon Notes on an Obsession

Each month in this column, I will share my secret jewellery findings with you; a selection of up to five jewellery pieces based on their craftsman- ship and inspiring creativity. Only one-of-a-kind (or limited edition) jewels, chosen from all around the world, will make the cut. It is not about value (pieces could start from a few thousands up to millions), yet these pieces could make as much a good financial investment as an emotional one. There will be no theme other than uniqueness in all aspects. It is exclusively on Deluxe Pad for you to peruse, appreciate and eventually make your own.

Olivier Dupon March 2017 Notes on an Obsession

The ‘Butterfly Ring’ by Ming Lapsom, the London private jeweller who is sought-after for her bespoke handmade creations and couture reveries, is a feat of ingenuity. To evoke the gold and black wings of a swallowtail butterfly, the designer layered black gold onto yellow gold filigree creating the impression that the wings are flickering (18K yellow and black gold set with an 18.75 carat pink fancy-cut natural tourmaline, Oriental Garden Collection). www.mingjewellery.com March 2017 Notes on an Obsession

This entirely handmade neckpiece by world-renowned maestro Paula Crevoshay has a regal allure, the kind that befits an Italian medieval queen. It is also sensationally modern as its ornate pattern would enhance any simple attire. (18K yellow gold set with 24.82 carats of rhodolite garnets (15 pieces) “N”, 2.88 carats (3 pieces) “N”, 10.30 carats (16 pieces) “N”, and 2.87 carats of tsavorite garnets (12 pieces) “A”, Beyond Color Collection – Headley Whitney Museum, Marylou Whitney). www.crevoshay.com March 2017 Notes on an Obsession

The ‘Xuanas Earrings’ by German jeweler Otto Jakob, will be unveiled at this month’s Tefaf Maastricht fair. They are extraordinarily lifelike thanks to their yellow gold casts of St. John Wort’s petals (Hypericum perforatum), while the pistils of white gold are micro pavé-set with diamonds and surrounded by stamens and pollen grains covered with matte red enamel. (18K yellow and white gold set with 160 G VS diamonds – 0.50 carat, ten black diamonds – 0.03 carat, and vitreous enamel). www.ottojakob.com March 2017 Notes on an Obsession

Another fascinating example of lifelike authenticity, this time with rippling ribbon, can be seen in this divine ‘Precious Coexistence Necklace’ by Greek jeweller Fanourakis. The diamond-paved ribbon twists and turns, revealing white or yellow gold, in a whimsical and spontaneous way (18K yellow and white gold set with 12.35 carats of rose-cut diamonds). www.fanourakis.gr March 2017 Notes on an Obsession

The ‘Desert Rain Ring’ by V.A.K Jewellery plays on both evocation and illusion. A scatter of rose-cut diamonds seem to be falling onto the brushed gold surface, like rain on sand. It is a prominent cocktail ring, but more than anything an auspicious promise, like rain in the desert. (18K brushed gold set with a 1.65-carat oval shape rose-cut G VS1 central diamond and peripheral rose-cut diamonds for a total of 8 carats). www.vakjewellery.com

The 2017 Academy Awards will be remembered as the Musical Oscars edition, with the ceremo- ny beginning at the Dolby Theater with Justine Timberlake and his Can’t Stop the Feeling! Other exceptional performances followed, such as the Walt Disney Animation Studios’ Moana number, How Far I’ll Go, sung by the talented sixteen- year-old Auli’i Cravalho; two song nominees City of Stars and Audition (The Fools Who Dream), performed by John Legend; and original song nominee, The Empty Chair. The Oscars 2017 Stage The host for the 89th Academy Awards, Jimmy Kimmel, kept the show running with poignant humour related to current issues and intertwined with spectacular moments that were peppered with bags stuffed with candy, cookies, and donuts falling from the ceiling. An amusing gimmick involved a group of tourists who thought they were going to see a Hollywood costume exhibit and ended up seeing the outfits of famous actors and actress. Little did they know that they would see the contemporary attire on Oscar guests and take selfies with their favourite stars. Emma Stone in Givenchy Haute Couture Credits: REX/SHUTTERSTOCK

But the greatest coup de théâtre came when Faye Dunaway and Warren Beatty announ- ced the wrong winner for Best Picture, which eventually went to Moonlight. However, it was La La Land that triumphed at the Oscars 2017, collecting the Academy Awards for Best Director (Damien Chazelle), Best Actress (Emma Stone,) Best Production Design (David and Sandy Wasco), Best Original Score (Justin Hurwitz), Best Original Song (City of Stars), and Best Cinematography (Linus Sandgren).

Casey Affleck in Louis Vuitton Credits: REX/SHUTTERSTOCK

Manchester by the Sea scooped the Best Actor Award, that went to Casey Affleck, and Best Original Screenplay by Kenneth Lonergan, whereas the Oscar for Best Ad- apted Screenplay went to Barry Jenkins and Tarell Alvin McCraney for Moonlight and Best Editing was given to John Gilbert for Hacksaw Ridge. Ryan Gosling in Gucci Credits: REX/SHUTTERSTOCK

The winners of the supporting roles glorified the importance of storytelling through their work. Best Supporting Actor Mahershala Ali, (for the film Moonlight), explained “it’s not about you, it’s about these characters, you are serving these stories,” while Best Supporting Actress Viola Davis (for the film Fences) called to attention with her speech when she said, “we are the only profession that celebrates what it means to live a life: we exhume and exalt the ordinary people.” Octavia Spenser in Marchesa Credits: REX/SHUTTERSTOCK

Janelle Monae in Elie Saab Credits: REX/SHUTTERSTOCK Ava DuVernay in Ashi Studi Credits: REX/SHUTTERSTOCK

Justin Timberlake in Tom Ford Credits: REX/SHUTTERSTOCK

Most of the best creations, not least jewellery designs, are often born out of an epiphany, an overwhelming burst of inspiration, or a shot of sudden clarity. In Jeremy Morris’s case, that momentous occasion was brought about by a love story. The David Morris managing direc- tor and principal designer wanted to surprise his wife-to-be, Erin, by creating a wedding band that would encompass her passion for antique jewellery, and specifically rose-cut di- amonds. The unique flat bottom and faceted crown of a rose-cut provides a soft glow that in Georgian times was enhanced by foiling the back of the gem. That way rose-cut diamonds would sparkle more intensely in candlelight, the ultimate romantic setting in today’s mod- ern world. This did not escape Jeremy, who painstaking- ly sourced rose-cut paved antique jewellery in order to source the diamonds for the new ring. The result is a clever rendition: a rose- cut diamond wedding band, with each dia- mond nested in a ring of round brilliant-cut diamonds. That way the delicate radiance of the rose-cut is maximized by the full glitz of the round-cut, while marrying past and pre- sent with one creative stroke. What began as a single intimate project has grown into the cementing of the rose-cut as a permanent trademark of David Morris crea- tions, from the most sumptuous – one-of-a-kind parures and high watches – to the more acces- sible three signature collections: Rose Cut Rose cut Forever Miss Daisy White diamond single eternity band, size 2 hoops and bangle in 18K white gold, all from the Rose Cut Collection. ROSE CUT by David Morris Rose Cut graduation necklace with round white diamond micro set surround, set in 18K white gold (Total of 27.18 carats of diamonds).

Rose Cut diamond flexi bangle with round white diamond micro set surround, set in 18K white gold (Total of 9.45 carats of diamonds).

In the simply named Rose Cut Collection, the initial design of the rose-cut band is paired down to a simple and astute for- mula: the row of round rose-cut diamonds becomes a brace- let, or a triple wrap-around version (in each instance, the clev- erly articulated setting allows enough flexibility for the jewel to open, a real feat of craftsmanship when dealing with dia- monds); it is used for earrings and hoops, or rings, includ- ing a larger one that appears like a stack of two bands on top of one another. Not only does the inspiring backstory makes the Rose Cut Collection the perfect neo-classic exercise, its Double Rose Cut diamond eternity competitive positioning is also one attractive reason more and band with round white diamond micro set surround, set in 18K more clients rush to the David Morris stores. white gold (Total of 6.84 carats of diamonds).

ROSE CUT WATCHES by David Morris

Rose cut diamond 36mm watch Rose cut diamond 36mm watch Rose cut diamond high watch with mother-of-pearl dial, micro with mother-of-pearl dial, micro with mother-of-pearl dial, diamond set case in 18K rose diamond set case in 18K white white diamond micro surround gold with metallic purple leather gold with metallic green leather and two-row rose cut diamond strap and domed glass (Total of strap and domed glass (Total of bracelet in 18K white gold (Total 5.50 carats of diamonds). 5.50 carats of diamonds). of 20.31 carats of diamonds). ROSE CUT HIGH JEWELLERY White rose cut diamond Le by David Morris Collier necklace with white diamond-set flowers mounted in 18K white gold (Total of 66.28 carats of diamonds).

White rose cut diamond Pagoda earrings featuring Butterfly ring with white pear-shape rose cut diamonds diamond micro-surround and brilliant-cut white setting in 18K white gold diamonds, with diamond (Total of 5.40 carats of micro-surround setting in diamonds). 18K white gold (Total of 39.39 carats of diamonds).

ROSE CUT FOREVER by David Morris

Rose Cut Forever flexi bangle with rose cut and micro-set diamonds in 18K rose gold (Total Rose Cut Forever chain of 1.51 carats of diamonds). bracelet with rose cut and micro-set diamonds in 18K rose gold (Total of 1.19 carats of diamonds).

The Rose Cut Forever Collection takes a different route by having gold polished so as to mirror rose-cut facets. In each of the ten piec- es of the collection, the round rose-cut diamonds are the nucleus of diamond-paved rings, not unlike planetary orbits, and a symbol for enduring love. The unique design conjures an organic yet graphic balance, whilst the rose gold adds a cool luxury vibe. Both collections, Rose Cut and Rose Cut Forever, are a way to Rose Cut Forever double bring some timeless, seemingly minimalist zest into our daily life ring with rose cut and with versatile and finely crafted pieces, a new definition of effortless micro-set diamonds in 18K rose gold (Total of chic with a twist. 1.30 carats of diamonds). ROSE CUT FOREVER by David Morris

Rose Cut Forever double earrings with rose cut and micro-set diamonds in 18K white gold (Total of 2.45 carats of diamonds).

Rose Cut Forever long chain necklace with rose cut and micro-set diamonds in 18K rose gold (Total of 3.14 carats of diamonds).

MISS DAISY by David Morris

Miss Daisy drop flower earrings with pear-shape rose cut diamonds and micro surrounds Miss Daisy double flower bangle in 18K rose gold (Total of 1.70 with pear-shape rose cut carats of diamonds). diamonds and micro surrounds in 18K white gold (Total of 1.42 carats of diamonds).

For women who favour naturalistic patterns, Jeremy Morris has also envisioned two floral collections, Miss Daisy and Petite Palm, with the former keeping to the rose-cut theme. With pear shaped gentle petals in white or rose gold, the ten pieces of Miss Daisy underscore the idyll of a tender bloom. Each piece is simple and delicate, delightfully el- egant, and somehow charming and sensual all rolled into Miss Daisy double flower earrings one. It is typically the kind of collection that appeals to and with pear-shape rose cut diamonds suits all ages, the perfect, precious token to gift oneself or a and micro surrounds in 18K white gold (Total of 2.91 carats of loved one. diamonds). MISS DAISY by David Morris

Miss Daisy double flower ring with pear-shape rose cut diamonds and micro surrounds in 18K rose gold (Total of 1.53 carats of diamonds).

Miss Daisy double flower pendant and chain with pear-shape rose cut diamonds and micro surrounds in 18K rose gold (Total of 1.58 carats of diamonds).

PETITE PALM by David Morris

Two flower Palm ring with marquise and round white diamonds in 18K rose gold (Total of 4.35 carats of diamonds).

Single flower Palm earrings with marquise and round white diamond set in 18K rose gold (Total of 4.78 carats of diamonds). The Petite Palm Collection plays with a sharp- er contour. It is a celebration of “the gardens of at the beginning of summertime”, through an asymmetrical palm leaf duo either set with various semi-precious stones for colour accents (amethyst for purple, rubellite for pink, peridot for green, aq- uamarine for blue, and mother-of-pearl for white), or in an all-diamond version. In each case, a central round brilliant-cut diamond is the ovule, micro-set diamonds pepper the edges, and marquise-cut di- amonds or coloured stones adorn the heart of each petal. If we daydream beyond the UK’s shores, the Petite Palm certainly evokes dreams of stargazing over cocktails somewhere on the Amalfi coast, or venturing through Art Basel on Miami Beach, unless your thing is to party with friends beside a swim- Two flower Palm earrings with marquise and round white diamonds ming pool in Palm Springs. set in 18K rose gold (Total of 8 carats of diamonds). PETITE PALM by David Morris Amethyst and white diamond Palm ring in 18K white gold (Total of 2.30 carats of diamonds).

Peridot and white diamond Palm ring in 18K white gold (Total of 2.56 carats of diamonds).

Aquamarine and white diamond Palm ring in 18K white gold (Total of 2.15 carats of diamonds). Rubellite and white diamond Palm ring in 18Κ rose gold (Total of 2.47 carats of diamonds). PARIS SHOP - David Morris

These four collections contain many rea- an immersive space with a rejuvenation of sons why you should push open the door the codes of luxury. What is most striking of a David Morris boutique, as the London about this residence is how it succeeds in jeweller is both a purveyor of extraordi- fitting a circle into a square. A vast circu- nary high jewels, yet also one of accessi- lar light well is the pulsating core of the ble easy-to-wear and covetable jewellery building which sheds a graceful pink light collections. from the top floor down below. It all points Talking about visiting a David Morris bou- to the flow that unites the store’s 120sqm, tique, there are now more opportunities to laid out over three levels (one for each do so as the London jeweller is getting closer salon and one for the office space in the to its worldwide audience a store at a time. basement). In fact, 2017 will be marked by two major From the curvaceous floor surfaces via the events. In January, David Morris unveiled round-edged pieces of bespoke furniture a Paris flagship store on the famed Rue St to the various elliptic patterns, they are all Honoré. As their second European open- anchored by the top floor oblong ceiling, ing to date, it marks an important step in while instilling a sense of being wrapped David Morris’s international expansion giv- in luxury. en that the French capital, and this precise The floor-to-ceiling glass façade completes area, remains the very heart of the haute the impression that the spheroid inner hub joaillerie world. is encased in a protective sleek box. As in Tasked with importing the spirit of the all their jewellery designs, the choice of the British brand to Paris, Franco-American colour palette and the materials is second designer Eugène Brunell has created a to none: metallic fibres, alabaster, translu- decidedly contemporary cocoon, com- cent copper, it all characterises a distinc- bining the wish of Jeremy Morris to have tive sense of glamour. PARIS SHOP - David Morris

An exceptional example of a rare Padparadscha. Named after the salmon-coloured aquatic lotus flower, these sapphires are unique to Ceylon and are extremely scarce. This 12.30-carat Padparadscha sapphire ring features David Morris’ signature diamond surround setting, with 7.39 carats of white kite-shape and round pink diamonds mounted in 18K white gold.

Majestic Façade of David Morris French flagship store on 364 rue Saint Honoré, Paris. The 16.59-carat ruby, which David Morris have named PARIS SHOP - David Morris the Sunset Ruby due to its orange, pink and red tones, has been described in its certificate as being an incredibly vivid Ceylon ruby. A natural ruby, with this predominantly red colour, in this size, from Ceylon, is almost unheard of. Furthermore, the 30.30-carat detachable natural pearl is an exceptional specimen and a natural pearl of this size is incredibly rare. The 2 stones are mounted on a delicate pink and white diamond chain in 18K rose and white gold, with a total diamond weight of 33.48 carats.

The top floor salon of David Morris French flagship store on 364 rue Saint Honoré, Paris. DOHA SHOP - David Morris

The Bird of Paradise Ring is an important ring featuring fine white 6.41-carat and 2.03-carat marquise- cut diamonds mounted with vivid pink en tremblant diamond petals set in 18K rose gold (Total of 6.10 carats of pink diamonds).

With independent boutiques in the Dubai Mall, Dubai and the Galleria Mall, Abu Dhabi, David Morris’s pres- ence in the region will be further en- hanced with the opening in spring this year of a stand-alone boutique in The Pearl, Doha with Middle Eastern partners, Ali Bin Ali, which will coin- cide with their annual showing at the Doha Jewellery & Watches Exhibition. A six-day exhibition held annually in February in Doha, Qatar, this show is amongst the most exclusive in the world for connoisseurs to purchase fine jew- ellery and unique pieces. DOHA SHOP - David Morris

Fancy Intense pink and white diamond Pagoda earrings set in 18K white and rose gold (Total of 28.55 carats of diamonds).

www.davidmorris.com Michelle Williams in Louis Vuitton and Busy Phillips Credits: REX/SHUTTERSTOCK

Shirley MacLaine and Charlize Theron Shirley MacLaine and Charlize Theron announced the statuette and failed to attend the ceremony. the Oscar for Best Foreign Film: Asghar Farhadi’s His absence, as announced, was “out of respect The Salesman. This marked the second Academy for his country and other six countries that ban Award for Mr. Farhadi, who had a substitute collect immigrants.” Andrew Garfield Credits: REX/SHUTTERSTOCK

Best Documentary, presented by the spec- tacular Hidden Figures trio (Taraji P. Henson, Octavia Spencer, Janelle Monae), was hand- ed to Ezra Edelman and Caroline Waterlow for O.J. Made in America. The documentary explores two of America’s greatest fixations: race and celebrity. Just as elevating were Best Animated Short, Piper, that teaches to always face your fears, and Best Animated Feature: the constructive anthropomorphic motion picture, Zootopia. Motion picture class came in the form of an Italian-American trademark, as the Oscar for Best Costumes went to Colleen Atwood for Fantastic Beasts and Where To Find Them (Academy Award Winner also for Chicago, Memoirs of a Geisha, Alice in Wonderland). Ms. Atwood works with the only costume maker in Rome whose costumes are still hand-made, Farani Sartoria Teatrale. Best Make-up went to the Suicide Squad team composed by Alessandro Bertolazzi, Giorgio Gregorian, and Christopher Nelson. The backbone of an outstanding film are those that delight the auditory and sight senses: hence the Oscar for Best Sound Editing went to Sylvain Bellemare for the movie , Best Sound A scene from Gounod’s Roméo et Juliette. Mixing was given to Kevin O’Connell, Andy Photo by Ken Howard/Metropolitan Opera. Wright, Robert Mackenzie, and Peter Grace, (for Mel Gibson’s Hacksaw Ridge). Whereas the Academy Awards for Best Visual Effects went to The Jungle Book (Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon). Isabelle Huppert in Armani Privé Credits: REX/SHUTTERSTOCK

Glamour was the greatest protagonist once A scene from Gounod’s Roméo et Juliette. again, as talent pervaded the red car- Photo by Ken Howard/Metropolitan Opera. pet in majestic outfits, from Louis Vuitton that dressed Casey Affleck and Michelle Williams, to Emma Stone’s Givenchy flap- per dress and Isabelle Huppert’s Armani Privé enchanting gown.