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Kolokytha, Chara (2016) Formalism and Ideology in 20Th Century Art: Cahiers D’Art, Magazine, Gallery, and Publishing House (1926-1960)
Citation: Kolokytha, Chara (2016) Formalism and Ideology in 20th century Art: Cahiers d’Art, magazine, gallery, and publishing house (1926-1960). Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/32310/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html Formalism and Ideology in 20 th century Art: Cahiers d’Art, magazine, gallery, and publishing house (1926-1960) Chara Kolokytha Ph.D School of Arts and Social Sciences Northumbria University 2016 Declaration I declare that the work contained in this thesis has not been submitted for any other award and that it is all my own work. I also confirm that this work fully acknowledges opinions, ideas and contributions from the work of others. Ethical clearance for the research presented in this thesis is not required. -
Le Corbusier and the Salon D´Automne of Paris. Architecture And
avant-gardes, succeeding and mixing phases, plans, he met Charles Plumet, Pierre Paquet, Le Corbusier and the genres, currents and contexts1. Throughout Henri-Léon Baudouin, Henri Sauvage, the century, it exhibited Brancusi, Braque, Eugène Grasset and, in particular, Frantz Salon d´Automne of Chagal, De Chirico, Delaunay, Derain, Van Jourdain, architect and art critic, president Paris. Architecture Dongen, Duchamp, Kandinsky, Léger, Matisse, of the Salon. All of them were his art and Ozenfant, Picabia, Picasso, Rodin, Raoul Dufy, architecture referents. At their request, he and representation Utrillo and a long etcetera of other artists. The visited the main exhibitions of the moment: José Ramón Alonso Pereira enumeration reveals the internationality of the Salon Beaux Arts, open from April to July, the Salon, whose artists made Paris the capital the Automobile and Bicycle Exhibition and of art. In 1914 the Salon was consolidated the Salon d’Automne, both of them held that and unanimously recognized (CORET autumn at the Grand Palais, where, in 1909, 2003). Despite a very clear modernity he visited the first Aeronautics Exhibition tendency during its early years, the Salon and in November, before leaving Paris, the always sought a dialogue between modern new Salon d’Automne of that season. During and ancient, far from the dogmatic excesses his training years at La Chaux de Fonds, of some avant-gardes. The Salon´s basic L’Eplattenier had restrained his pictorial originality led in the fact that it was a house vocation, directing him towards architecture. Introduction to all artistic manifestations, bringing together However, Le Corbusier continued painting all sorts of artists: painters and sculptors, watercolours and making drawings in form The Salon d’Automne in Paris was the locus glassmakers and ceramists, decorators and of sketches, studies and travel impressions. -
VINCI Construction Hands Over the Renovated Buildings for La Samaritaine
Rueil-Malmaison, 21 June 2021 VINCI Construction hands over the renovated buildings for La Samaritaine • A complex revamp spanning 70,000 sq. metres in central Paris, requiring specialist skills • A new customer reference for listed historic landmark renovation • New premises alongside the retail areas: a hotel, offices, social housing and a crèche Petit, a VINCI Construction France subsidiary, handed over today the La Samaritaine renovated buildings, a well-known Parisian landmark established in 1870 by Ernest Cognacq, to the LVMH group. The works began in 2015 and up to 700 employees daily, including experts in listed heritage renovation, were involved. The project encompassed stores 2 and 4, which are between the river Seine and rue de Rivoli, in Paris's 1st arrondissement. This 70,000 sq. metre operation involved a full revamp and the complex now houses the La Samaritaine Paris Pont-Neuf department store (almost 30,000 sq. metres), 96 social housing units (6,350 sq. metres), a crèche for 80 children (1,100 sq. metres), offices (16,000 sq. metres) and a Cheval Blanc hotel with 72 rooms and suites (14,500 sq. metres). The emblematic department store has been entirely restructured. The historic and heritage features, namely the glass roof, monumental staircase and peacock painting, have been refurbished to match the original décor. France's top ateliers handled the conservation and restoration of the façade's hallmarks, including the enamelled lava panels, ridges, composite decorations, the ceramics and the mosaics. In the centre, the historic Art Nouveau building designed by architect Frantz Jourdain now includes social housing units meeting the targets of the city of Paris' Climate Plan, with primary energy consumption lower than or equal to 80 kWh/sqm/year. -
Art Nouveau and the Female Consumer
MARKETING MODERNISM TO THE MAITRESSE DE MAISON: ART NOUVEAU AND THE FEMALE CONSUMER _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by SARAH S. JONES Dr. Michael E. Yonan, Thesis Supervisor December, 2010 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled MARKETING MODERNISM TO THE MAITRESSE DE MAISON: ART NOUVEAU AND THE FEMALE CONSUMER presented by Sarah S. Jones, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Michael E. Yonan Professor Kristin Schwain Professor Daniel Sipe Dedicated to my family especially Mom, Grandma Sue and Laura. Thank you for supporting my journey down this long and winding road. ACKNOWLEDGEMENTS I would like to thank Dr. Michael Yonan for his invaluable support and direction. Thank you for teaching me how to be a professional scholar. Our shared interest in the decorative arts encourages me to be an “outside-of-the-frame” art historian. I would like to thank Dr. Kristin Schwain for her infectious excitement about material culture and the words of encouragement that always come at the right time. I would like to thank Dr. Daniel Sipe for his time and valuable suggestions. I would like to thank the staff of Ellis Library for their services and patience. I would like to thank the following professors at the University of Nebraska at Kearney for preparing me for graduate school: Mr. -
CABESTAN Jean-François
Paris 2015 : la nouvelle monumentalité de la Samaritaine Jean-François Cabestan (Univ. Paris 1, historien de l’architecture, architecte du patrimoine www.jeanfrancoiscabestan.com) Fermés et évacués en 2005 pour des motifs sécuritaires, les Magasins 2 et 4 de l’ancienne Samaritaine vont faire l’objet d’une importante campagne de travaux. Au centre de la capitale, la faisabilité d’une opération privée de cette ampleur repose sur un ensemble de données et de contraintes qui influent notablement sur le processus de transformation et de reconquête. Aux yeux du maître d’ouvrage, l’équilibre économique de l’opération ne peut être obtenu qu’au prix d’un panachage des activités au sein de l’ensemble reconverti : la fonction commerciale sera maintenue, mais la nouvelle Samaritaine accueillera un important programme de bureaux, un hôtel de luxe, en façade sur la Seine, des logements sociaux et une crèche dans les épaisseurs de l’îlot. Cette mixité d’usage sans rapport avec la vocation d’origine du bâtiment s’assortit d’un souci de préservation et de mise en valeur de l’existant. C’est à l’issue d’une consultation restreinte que la célèbre agence japonaise Sanaa a été chargée de la conduite des opérations. Cette reconversion de la Samaritaine fournit l’occasion de revenir sur les principales étapes d’une épopée architecturale majeure dans l’histoire des Grands magasins parisiens, ralentie sinon interrompue par la crise de 1929. Aménagés dans des édifices existants ou reconstruits entre 1883 et 1934, les quatre édifices situés entre la rue de Rivoli et le Pont-Neuf qui composaient l’équipement commercial connu de tous sont principalement l’œuvre de Frantz Jourdain, puis d’Henri Sauvage. -
Arch 5124 ARCHITECTURAL HISTORY 2 Part
arch 5124 ARCHITECTURAL HISTORY 2 Part 2A 28,565 words. 23 September 2013, 57.3 Mb. Part 2A 17 C18 and 19 English Housing 18 Buddhist. Hindu 19 Islamic 20 Engineering. 21 Gothic Revival English Arts & Crafts. Art Nouveau Part 2B 22 Early 20th Century. Modernism 23 Frank Lloyd Wright. Mies van der Rohe 24 Le Corbusier Part 2C 25 Late 20th Century 1 LAX, Theme Building; perspective view, opened 1961. The Jetsons began in 1962. Architects: William Pereira and Charles Luckman, but there were other firms involved, including Welton Becket and Paul R Williams, the black architect, and it is said the real designer was James Langenheim, or Gin Wong, both of Pereira and Luckman It has a restaurant in its core. Image: Alan E. Leib Collection. J Paul Getty Museum, Getty Center. © Luckman Salas O'Brien. The black and white photo is by Garry Winogrand, 1964. 2 3 arch 5124 ARCHITECTURAL HISTORY 2 Week 17 C18 AND 19 ENGLISH HOUSING, Terms: Terrace, semi-detached, door-case, 12-pane double-hung sash, fanlight. Rural housing, pre-Industrial Revolution Smarden, Kent. Urban housing, (early c18) Queen Anne’s Gate, Westminster (c1705) Smith Square and Lord North Street, Westminster (1714 - 28) Doorcases: Cross Street, Islington. Albury Street, Deptford. Tallow Chandlers’ Hall, 21 College Street, City of London (late c17). Shops (early C18) Nos 56-58 Artillery Lane, Spitalfields. Dark green fine Georgian shopfronts, 1756-57, Sir Robert Taylor, for silk merchants. No 56 is ‘ebullent’ Doric, with curved bay windows, octagonal-patterned glazing, Rococo cartouche and Rococo fanlight with a festooned mask, is the best surviving of its type in London; iron balcony is c1810, as is no 58’s flat shopfront).1 Squares, Westminster (late C17 and early C18) St James’s Square (1665), No 4: Giacomo Leoni (1676). -
Outfitting Paris: Fashion, Space, and the Body in Nineteenth-Century French Literature
Outfitting Paris: Fashion, Space, and the Body in Nineteenth-Century French Literature and Culture by Kasia Stempniak Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Deborah Jenson, Supervisor ___________________________ David Bell ___________________________ Anne-Gaëlle Saliot ___________________________ Jessica Tanner Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2019 ABSTRACT Outfitting Paris: Fashion, Space, and the Body in Nineteenth-Century French Literature and Culture by Kasia Stempniak Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Deborah Jenson, Supervisor ___________________________ David Bell ___________________________ Anne-Gaëlle Saliot ___________________________ Jessica Tanner An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2019 Copyright by Kasia Stempniak 2019 Abstract This dissertation argues that the literary and cultural history of nineteenth- century Paris must be re-envisaged in the context of fashion as a spatial and embodied practice. While existing scholarship has focused on the role of fashion in emerging consumer culture, I focus instead on how clothing mediated bodily and urban knowledge. With the rise of department stores, the fashion press, and textile innovations in mid-nineteenth-century France, fashion became synonymous with the modern urban experience. Concomitantly with the emergence of the modern fashion system, the city of Paris was itself refashioned through vast urbanization projects. This metropolitan redesign created new points of intersection between the dressed body and the city. -
Jean-Louis Cohen Jean-Louis Cohen Architecture Et Américanisme En Russie : Architecture, Design, Urbanisme
Jean-Louis Cohen Jean-Louis Cohen Architecture et américanisme en Russie : architecture, design, urbanisme Mercredi 20 mai, 18 heures. 1. La Russie comme “Nouvelle Amérique” avant 1914 L’architecture,Mercredi 27 mai, 18 vecteur heures. du politique 2. Le taylorisme et l’américanisme « bolchevisé » Le gouvernement de l’espace Mercredi 3 juin, 18 heures. 8.3. ImagesGénérations et diagrammes et expériences constructivistes partagées Mercredi 10 juin, 18 heures. 1.4. HenryArchitecture Ford et Albert des Kahn pooirs: transplanteret pouvoir Detroit des architectes Mercredi 17 juin, 18 heures. 5. La ville stalinienne et ses modèles américains Mercredi 24 juin, 18 heures. 6. Américanisme et consommation : les années Khrouchtchev Jacques Villeglé, sans titre, juillet 1968. Alfred H. Barr, diagramme des mouvements artistiques du début du 20e siècle, 1936. Charles Jencks, arbre de l’évolution des tendances architecturales 1960-80, 1977. Karl Mannheim, Le Problème des générations, 1928. Les surréalistes à la foire de Neuilly, 1924. La rencontre “Quale movimento moderno?”, Biennale de Venise, 1er août 1976. Reinhart Koselleck, Futur passé, 1979. Anonyme, Danton, Marat, Robespierre, vers 1792. Emil Kaufmann, Trois architectes révolutionnaires, 1952. Claude-Nicolas Ledoux, Saline d’Arc-et-Senans, 1773-79, gravure de 1804. Jean-Jacques Lequeu, projet de temple de l’Égalité, 1794. Étienne-Louis Boullée, projet pour la Bibliothèque royale, 1786. J. N. L. Durand, J. T. Thibault, projet de temple de l’Égalité, An II (1793-94), copie par Leo von Klenze. Friedrich Gilly, projet de monument à la Liberté, Paris, 1797; Salle des Cinq-Cents, Paris, 1797. Eugène Delacroix, La Liberté guidant le peuple, 1848. Thibault, La barricade de la rue Saint-Maur après l’assaut du 26 juin 1848. -
Architecture Et Social-Démocratie Les Revues Professionnelles
architecture et social-démocratie les revues professionnelles ierau-bra ginette baty-tornikian ARCHITECTURE & SOCIAL-DEMOCRATIE III LES REVUES PROFESSIONNELLES ierau-bra ginette baty tornikian Ministère de l'Urbanisme, du Logement et des Transports - Direction de l'Architecture - Bureau de la Recherche Architectural SOMMAIRE Avant-propos............................................................................IV Les revues professionnelles : L ' Architecte...............................................................................2 L ' Archi tecture...... .....................................................................22 L'Architecture d'Aujourd'hui..........................................................47 Le Bâtiment Illustré....................................................................62 Beaux-Arts................................................................................ 67 Bulletin de la Société Française des Habitations à Bon Marché.................71 Commune....................................................................................77 La Construction Moderne................................................................80 L'Hygiène Sociale............................ 110 Le Moniteur des Architectes.......................................................... 114 Paris et la Région Capitale.................. 118 Revue d ' Administrat ion Communale........... 121 Travaux.......................................... 125 Urban i sme............................................................................... -
FAISABILITE PROTECTIONS : Magasin N°2 Inscrit À L’Inventaire Supplémentaire Des Monuments Historiques (Arrêté Du 25 Juillet 1990)
2-12, quai du Louvre, 2-22 et 24-36, rue de l’Arbre Sec, 1-7 et 2-12, rue Baillet, 1-21 et 23-25, rue de la Monnaie et 77-83, rue de Rivoli (1er arr.) Restructuration des anciens magasins 2 et 4 de La Samaritaine FAISABILITE PROTECTIONS : Magasin n°2 inscrit à l’inventaire supplémentaire des monuments historiques (arrêté du 25 juillet 1990). Magasin n°3 façades et toitures inscrites ISMH. Magasin n°4 : aucune protection. ANTERIORITE RECENTE : - 4 avril 2002 : vœu pour « qu’une étude historique détaillée, inventoriant les éléments mobiliers et décoratifs, soit menée sur les réalisations de Frantz Jourdain et Henri Sauvage pour le compte de la Samaritaine, afin de pouvoir identifier avec certitude les parties à conserver. La Commission a estimé qu’elle ne pouvait rendre d’avis circonstancié avant la remise de cette étude. » - 7 octobre 2003 : « La CVP s’est félicitée de la réalisation de l’étude historique qu’elle avait demandée et a renouvelé son souhait qu’une attention particulière soit portée aux décors intérieurs. » - 5 juillet 2005 : communication relative à l’avenir des magasins de la Samaritaine. Pas de résolution. PRESENTATION : Les personnalités d’Ernest Cognacq, autodidacte entreprenant, et de sa femme Louise Jay, sont indissociables de l’histoire de la Samaritaine. Des débuts modestes et provinciaux, l’application des vertus prêtées au commerce traditionnel - prudence, économie, persévérance, pragmatisme… - et une vision à long terme sont les ingrédients d’une réussite exceptionnelle basée sur le choix délibéré d’une clientèle populaire. La stratégie architecturale des fondateurs relève des mêmes vertus. -
Vinci Samaritaine
Rueil-Malmaison, 21 June 2021 VINCI Construction hands over the renovated buildings for La Samaritaine • A complex revamp spanning 70,000 sq. metres in central Paris, requiring specialist skills • A new customer reference for listed historic landmark renovation • New premises alongside the retail areas: a hotel, offices, social housing and a crèche Petit, a VINCI Construction France subsidiary, handed over today the La Samaritaine renovated buildings, a well-known Parisian landmark established in 1870 by Ernest Cognacq, to the LVMH group. The works began in 2015 and up to 700 employees daily, including experts in listed heritage renovation, were involved. The project encompassed stores 2 and 4, which are between the river Seine and rue de Rivoli, in Paris's 1st arrondissement. This 70,000 sq. metre operation involved a full revamp and the complex now houses the La Samaritaine Paris Pont-Neuf department store (almost 30,000 sq. metres), 96 social housing units (6,350 sq. metres), a crèche for 80 children (1,100 sq. metres), offices (16,000 sq. metres) and a Cheval Blanc hotel with 72 rooms and suites (14,500 sq. metres). The emblematic department store has been entirely restructured. The historic and heritage features, namely the glass roof, monumental staircase and peacock painting, have been refurbished to match the original décor. France's top ateliers handled the conservation and restoration of the façade's hallmarks, including the enamelled lava panels, ridges, composite decorations, the ceramics and the mosaics. In the centre, the historic Art Nouveau building designed by architect Frantz Jourdain now includes social housing units meeting the targets of the city of Paris' Climate Plan, with primary energy consumption lower than or equal to 80 kWh/sqm/year. -
Frantz Jourdain and the Samaritaine : Art Nouveau Theory and Criticism, Leiden, E
JOURDAIN, Frantz (1847-1935) Bibliographie Sources de la bibliographie : - Meredith L. CLAUSEN, Frantz Jourdain and the Samaritaine : Art Nouveau theory and criticism, Leiden, E. J. Brill, 1987. - Marianne CLATIN, Frantz Jourdain (1847-1935), architecte, critique d’art et homme de lettres, thèse de l’Ecole des Chartres sous la direction de Jean-Michel Leniaud, 2000. Éditée par Thomas Bedere, 2016. Pour citer cet article : Meredith L. CLAUSEN, Marianne CLATIN, Lucie LACHENAL, « Bibliographie de Frantz Jourdain », éditée par Thomas Bedere, in Marie Gispert, Catherine Méneux (ed.), Bibliographies de critiques d’art francophones, mis en ligne en janvier 2017. URL : http://critiquesdart.univ-paris1.fr/frantz-jourdain Notes à l’attention du lecteur : - La signature de l’auteur n’est indiquée que lorsque ce dernier fait usage d’un pseudonyme ou de ses initiales. - Les rééditions, recueils et anthologies de textes, quand ils n’ont pas été dirigés par l’auteur, figurent dans la bibliographie secondaire. - Les numéros de page ne figurant pas dans la(es) bibliographie(s) source(s) ont été complétés dans la mesure du possible par le/la responsable de l’édition. - Pour certains textes, le/la responsable de l’édition a procédé à une indexation sommaire. Celle-ci figure à la suite du titre entre crochets et elle est saisie dans la base de données. - Les sous-titres insérés dans le corps des articles figurent sous la référence en police 12 et sans crochets. Ils se distinguent des compléments d’information sur les textes présentés en police 10, également en retrait et entre crochets. Ces derniers ne sont pas saisis dans la base de données.