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2), Hôtel De Paul Mezzara, 60, Rue La Fontaine, Paris, 1910-1911 Hector Guimard (1867-1942), hôtel de Paul Mezzara, 60, rue La Fontaine, Paris, 1910-1911. Hector Guimard (1867-1942), hôtel de Paul Mezzara, 60, rue La Fontaine, Paris, 1910-1911. Hector Guimard (1867-1942), hôtel de Paul Mezzara, 60, rue La Fontaine, Paris, 1910-1911. Toile marouflée de Charlotte Chauchet-Guilleré. Hector Guimard (1867-1942), synagogue, 10, rue Pavée, Paris, 1913. Hector Guimard, Fontes artistiques pour Constructions, Style Guimard, 1907. Hector Guimard, Fontes artistiques pour Constructions, Style Guimard, 1907. Hector Guimard (1867-1942), modèle de balcon en fonte réalisé par les fonderies de Saint-Dizier pour les immeubles de la rue Agar à Paris, 1911. 3/7 – Henri Sauvage (1873-1932) Henri Sauvage (1873-1932), villa « Jika » de Louis Majorelle, 1, rue Louis Majorelle, Nancy, 1898-1902. Henri Sauvage (1873-1932), villa « Jika » de Louis Majorelle, 1, rue Louis Majorelle, Nancy, 1898-1902. Photographie Dominique Delaunay. Henri Sauvage (1873-1932), villa « Jika » de Louis Majorelle,1, rue Louis Majorelle, Nancy, 1898-1902. Henri Sauvage (1873-1932), aménagement de deux salons du Café de Paris, 41, avenue de l’Opéra, Paris, 1899 (détruit). Le salon mauve, reconstitué au Musée Carnavalet, Paris. Henri Sauvage (1873-1932), Aménagement et décoration du magasin du décorateur Jansen, 9, rue Royale, Paris, 1901 (détruit). Ci-dessus : l’enseigne, réalisée par le ferronnier Régius. Ci-contre : les intérieurs, avec des meubles de Louis Majorelle. Henri Sauvage (1873-1932), frise de papier peint, impression au pochoir, 1905. Paris, Musée des Arts décoratifs. Henri Sauvage (1873-1932) et Charles Sarazin (1873-1950), Cité l’Argentine, 111, avenue Victor-Hugo, Paris, 1904. Détail constructif du bow-window. Eugène-Emmanuel Viollet-le-Duc (1814-1879), Façade de maison de ville (fer et brique émaillée), publiée dans les Entretiens sur l’architecture, planche XXXVI, 1872. Henri Sauvage (1873-1932) et Charles Sarazin (1873-1950), immeuble, 17, rue Damrémont, Paris, 1903. Détail constructif d’un bow-window. Henri Sauvage (1873-1932) et Charles Sarazin (1873-1950), 22, rue Laugier, Paris, 1904. Détail du décor sculpté de la porte d’entrée. 4/7 – Exposition universelle de Paris, 1900 René Binet (1866-1911), porte d’entrée, Cours la Reine, de l’Exposition universelle de Paris, 1900. René Binet (1866-1911), porte d’entrée, Cours la Reine, de l’Exposition universelle de Paris, 1900. Henri Sauvage (1873-1932), pavillon de la danseuse Loïe Fuller, Exposition universelle de Paris, 1900. Gustave Serrurier-Bovy (1858-1910), le Pavillon bleu, Exposition universelle de Paris, 1900. Louis-Albert Louvet (1860-1936), grand escalier du Grand Palais, Paris, 1896-1900. 5/7 – Diffusion de l’Art nouveau dans la construction parisienne Xavier Schoellkopf (1869-1911), hôtel d’Yvette Guilbert, 28 bis, boulevard Berthier, Paris, 1900 (détruit). Édouard Autant (1872-1964) et Alexandre Autant, 14, rue d’Abbeville, Paris, 1901. Grès flammés d’Alexandre Bigot. Charles Klein, immeuble, 2, rue Eugène Manuel et rue Claude Chahu, Paris, 1903. Grès flammés d’Émile Müller. Charles Klein, immeuble, 2, rue Eugène Manuel et rue Claude Chahu, Paris, 1903. Grès d’Émile Müller. Attribué à Georges Chédanne (1861-1940), 124, rue Réaumur, Paris, 1904. Jules Lavirotte (1864-1929), immeuble 3, square Rapp, Paris, 1899-1900. Jules Lavirotte (1864-1929), 29, avenue Rapp, Paris, 1900-1901. Grès flammés d’Alexandre Bigot. Jules Lavirotte (1864-1929), 29, avenue Rapp, Paris, 1900-1901. Grès flammés d’Alexandre Bigot. Jules Lavirotte (1864-1929), Ceramic Hôtel, 34, avenue de Wagram, Paris, 1904. Grès flammés d’Alexandre Bigot. François-Adolphe Bocage (1860-1927), 6, rue de Hanovre, Paris, 1907-1908. François-Adolphe Bocage (1860-1927), 6, rue de Hanovre, Paris, 1907-1908. 6/7 – Art nouveau et grands magasins À gauche : Henry Gutton (1874-1963), Grand Bazar de la rue de Rennes, Paris, 1905 (détruit). À droite : Frantz Jourdain (1847-1935), dôme du magasin n° 2 de la Samaritaine, Paris, 1903-1910. (détruit en 1928). Frantz Jourdain (1847-1935), Magasin n° 2 de la Samaritaine, Paris, 1903-1910. Georges Chédanne (1861-1940) et Ferdinand Chanut (1872-1948), Grand magasin Galeries Lafayette, boulevard Haussmann, Paris, 1905-1912. Georges Chédanne (1861-1940) et Ferdinand Chanut (1872-1948), Grands magasins des Galeries Lafayette, Paris, 1905-1912. Paul Auscher (1866-1932), magasin Félix Potin, 140, rue de rennes, Paris, 1902-1904. 7/7 – Sortir de l’Art nouveau Henri Sauvage (1873-1932) et Charles Sarazin (1873-1950), immeuble HBM, 7, rue de Trétaigne, Paris, 1903-1904, construit pour la Société des Logements hygiéniques à bon marché. Auguste Perret (1874-1954) et Gustave Perret (1876-1952), 25 bis, rue Franklin, Paris, 1903. Auguste Perret (1874-1954) et Gustave Perret (1876-1952), Latron et Vincent constructeurs, 25 bis, rue Franklin, Paris, 1903-1904. Henri Sauvage (1873-1932) et Charles Sarazin (1873-1950), immeuble, 26, rue Vavin, Paris, 1912, photographié au milieu des années vingt. Au fond, l’immeuble mitoyen du 137, boulevard Raspail, réalisé par Henri Sauvage en 1922. Le salon de l’appartement de Francis Jourdain (1876-1958), aménagé par lui-même au 6e étage du 26, rue Vavin, Paris, 1913. Francis Jourdain (1876-1958), salon de son appartement, 26, rue Vavin, Paris, 1913. .
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