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Tea Drinking Culture in Russia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hosei University Repository Tea Drinking Culture in Russia 著者 Morinaga Takako 出版者 Institute of Comparative Economic Studies, Hosei University journal or Journal of International Economic Studies publication title volume 32 page range 57-74 year 2018-03 URL http://hdl.handle.net/10114/13901 Journal of International Economic Studies (2018), No.32, 57‒74 ©2018 The Institute of Comparative Economic Studies, Hosei University Tea Drinking Culture in Russia Takako Morinaga Ritsumeikan University Abstract This paper clarifies the multi-faceted adoption process of tea in Russia from the seventeenth till nineteenth century. Socio-cultural history of tea had not been well-studied field in the Soviet historiography, but in the recent years, some of historians work on this theme because of the diversification of subjects in the Russian historiography. The paper provides an overview of early encounters of tea in Russia in the sixteenth and seventeenth century, comparing with other beverages that were drunk at that time. The paper sheds light on the two supply routes of tea to Russia, one from Mongolia and China, and the other from Europe. Drinking of brick tea did not become a custom in the 18th century, but tea consumption had bloomed since 19th century, rapidly increasing the import of tea. The main part of the paper clarifies how Russian- Chines trade at Khakhta had been interrelated to the consumption of tea in Russia. Finally, the paper shows how the Russian tea culture formation followed a different path from that of the tea culture of Europe. -
Teahouses and the Tea Art: a Study on the Current Trend of Tea Culture in China and the Changes in Tea Drinking Tradition
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives Teahouses and the Tea Art: A Study on the Current Trend of Tea Culture in China and the Changes in Tea Drinking Tradition LI Jie Master's Thesis in East Asian Culture and History (EAST4591 – 60 Credits – Autumn 2015) Department of Culture Studies and Oriental Languages Faculty of Humanities UNIVERSITY OF OSLO 24 November, 2015 © LI Jie 2015 Teahouses and the Tea Art: A Study on the Current Trend of Tea Culture in China and the Changes in Tea Drinking Tradition LI Jie http://www.duo.uio.no Print: University Print Center, University of Oslo II Summary The subject of this thesis is tradition and the current trend of tea culture in China. In order to answer the following three questions “ whether the current tea culture phenomena can be called “tradition” or not; what are the changes in tea cultural tradition and what are the new features of the current trend of tea culture; what are the endogenous and exogenous factors which influenced the change in the tea drinking tradition”, I did literature research from ancient tea classics and historical documents to summarize the development history of Chinese tea culture, and used two month to do fieldwork on teahouses in Xi’an so that I could have a clear understanding on the current trend of tea culture. It is found that the current tea culture is inherited from tradition and changed with social development. Tea drinking traditions have become more and more popular with diverse forms. -
Still Life: Tea Set
Language through Art: An ESL Enrichment Curriculum (Beginning) Information for Teaching Still Life: Tea Set Jean-Étienne Liotard (Swiss, 1702–89) About 1781–83 Oil on canvas mounted on board 14 7/8 x 20 5/16 in. 84.PA.57 Background Information Chinese porcelain and tea drinking were popular in Europe when Jean-Étienne Liotard was born. In this painting of teatime disarray, a tray is set with a teapot, lidded vase (perhaps containing an extra supply of tea leaves), plate of bread and butter, sugar bowl with tongs, milk jug, and six cups, saucers, and spoons. A large bowl holding a teacup and saucer could also be used for dumping the slops of cold tea and used tea leaves. By the time Liotard painted this work in the late 1700s, tea drinking had become fashionable among the middle class as well as the upper class. This is one of five known depictions of china tea sets that he created around 1783. About the Artist Jean-Étienne Liotard (Swiss, 1702–89) Liotard first trained as a painter in Geneva. While in his twenties, he sought his fortune in Paris, where he studied in a prominent painter's studio. Later he traveled to Italy and throughout the Mediterranean region and finally settled in Constantinople for four years. Intrigued by the native dress, he grew a long beard and acquired the habit of dressing as a Turk, earning himself the nickname "the Turkish painter." While in Constantinople, he painted portraits of members of the British colony. For the remainder of his life, Liotard traveled throughout Europe painting portraits in pastels. -
Empire of Tea
Empire of Tea Empire of Tea The Asian Leaf that Conquered the Wor ld Markman Ellis, Richard Coulton, Matthew Mauger reaktion books For Ceri, Bey, Chelle Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx, uk www.reaktionbooks.co.uk First published 2015 Copyright © Markman Ellis, Richard Coulton, Matthew Mauger 2015 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers Printed and bound in China by 1010 Printing International Ltd A catalogue record for this book is available from the British Library isbn 978 1 78023 440 3 Contents Introduction 7 one: Early European Encounters with Tea 14 two: Establishing the Taste for Tea in Britain 31 three: The Tea Trade with China 53 four: The Elevation of Tea 73 five: The Natural Philosophy of Tea 93 six: The Market for Tea in Britain 115 seven: The British Way of Tea 139 eight: Smuggling and Taxation 161 nine: The Democratization of Tea Drinking 179 ten: Tea in the Politics of Empire 202 eleven: The National Drink of Victorian Britain 221 twelve: Twentieth-century Tea 247 Epilogue: Global Tea 267 References 277 Bibliography 307 Acknowledgements 315 Photo Acknowledgements 317 Index 319 ‘A Sort of Tea from China’, c. 1700, a material survival of Britain’s encounter with tea in the late seventeenth century. e specimen was acquired by James Cuninghame, a physician and ship’s surgeon who visited Amoy (Xiamen) in 1698–9 and Chusan (Zhoushan) in 1700–1703. -
Celebrating Colour, Texture and Taste
KIFKAF PRODUCT GUIDE celebrating colour, texture and taste TEA WITH CERAMIC, SEAGRASS AND BAMBOO ACCESSORIES THAT RELAX AND INSPIRE 2 ali 350ml swan 600ml zaina 800ml BREWING POTS KIFKAF makes the drinking of tea both sensual and celebratory. Embracing richly textured details, colours (see enclosed colour chart) and shapes, choose from a range of pots to match your mood and occasion – whether you’re drinking for one or with friends and family. sumo 950ml all-in-one 300ml nashi 700ml mandalay 500ml katsu 500ml shan 600ml 3 french 150ml pod 150ml moroccan 150ml sencha 100ml DRINKING VESSELS AND ACCESSORIES infuser 150ml Drawing on shapes from around the world, KIFKAF’s teacup range engages people visually and milk jug reminds us of the simple pleasure of holding a beautiful shape. Mix and match accessories, such as bowls and vases, to create the perfect setting. sugar jar spoons tea ball spiral bowl scissors medium tear small tear noodle bowl drop vase drop vase 4 5 “Strange how a teapot can represent at the same time the comforts of solitude and the pleasures of company” Zen Haiku 6 green jasmine celebration chai love potion TEA SET BOXES Whether it’s for sharing over conversation or simply relishing a quiet moment alone, KIFKFAF tea sets make a perfect gift. Beautifully encased in wooden boxes, our tea sets introduce the calm of traditional tea ceremonies into busy modern lives. energy eclipse escape remedy arabian mint zen relaxation 7 celebration chai australian breakfast tonic pitta love green jasmine TEAS AND HERBALS KIFKAF nurtures the ancient art of tea drinking kapha into modern lifestyles through its range of five organic herbals, three organic ayurveda-inspired teas and five carefully selected Camellia Sinensus zen teas from around the world. -
La Villa Majorelle
LA VILLA MAJORELLE Dossier enseignants usée de del’École Nancy, cliché Caron P. © Nancy, m Nancy Musées Département des Publics [email protected] 03 83 17 86 77 (du lundi au vendredi de 9h à 12h30) Enseignant référent Nathalie Vergès [email protected] Sommaire 03 Introduction 04 Le quartier 06 L’architecture de la villa 08 Les façades 11 Les entrées 13 Les céramiques 16 Propositions de mise en œuvre pédagogique 20 Activités à proposer aux élèves 2 Introduction D. D. Boyer usée de del’École Nancy, cliché © Nancy, m « Une villa moderne » Ce titre est celui de l’un des premiers articles 1 consacrés par la presse à la villa Majorelle en 1902. L’auteur y manifeste son admiration pour le caractère novateur de cette maison construite « par un artiste pour un artiste ». La villa Majorelle est élevée dans les années 1901-1902 , dans ce qui est encore la banlieue peu urbanisée de Nancy. Louis Majorelle décide de construire, au milieu d’un parc arboré, ses ateliers et sa villa. Il dénomme celle-ci Jika en l’honneur de son épouse Jeanne Kretz (initiales JK). Cette villa est le fruit d’une collaboration entre un architecte, Henri Sauvage , qui débute sa carrière, et un industriel d’art déjà reconnu, Louis Majorelle . Les deux hommes se connaissent car ils fréquentent les mêmes lieux parisiens, l’atelier du sculpteur Alexandre Charpentier en particulier. Ils y côtoient d’autres artistes, tels Hector Guimard et le peintre Francis Jourdain, qui participa à la décoration de la villa Majorelle. -
Shapiro Auctions
Shapiro Auctions RUSSIAN EUROPEAN AMERICAN FINE ART & ANTIQUES Saturday - September 29, 2012 RUSSIAN EUROPEAN AMERICAN FINE ART & ANTIQUES 1: A MONUMENTAL AND VERY RARE ENGRAVING ILLUSTRATING A USD 10,000 - 15,000 A MONUMENTAL AND VERY RARE ENGRAVING ILLUSTRATING A VIEW OF THE SOLOVETSKII MONASTERY, 1765. Original tool engraving by Dmitry Pastukhov, mid-18th Century copper engraver, printed at the Solovetskii Monastaery, 1320 x 850 mm with margins, printed from seven copper plates, depicting a view of the Monastery in the center, with large figures of SS. Zosima and Savvaty overlooking the Monastery and surrounding buildings, the borders depicting scenes from the lives of SS. Zosima and Savvaty, signed and inscribed with date in Cyrillic in the plate bottom left, 'Shtikhoval na medi Dmitrei Pastukhov 765 pechatan v toy zhe lavry'. Relined on acid-free Japanese paper. Good state, good condition. REFERENCES: N. Sobko, "Slovar Russkikh khudozhnikov," St. Petersburg, 1899, Vol. 3, p. 50; D. Rovinsky, "Podrobnyi slovar' Russkikh graverov XVI-XIX vekov," St. Petersburg, 1895, Vol. 2, p. 759. 2: [XVIII CENTURY RUSSIAN LITERATURE AND HISTORICAL PAM USD 5,000 - 6,000 [XVIII CENTURY RUSSIAN LITERATURE AND HISTORICAL PAMPHLETS, 1771-1790]. A sammelband of nine works, bound in contemporary Russian 1/4 calf. 240 x 180 mm. Untrimmed. PROVENANCE: P.A. Efremov (bookplate); V.I. Klochkov, St. Petersburg Bookdealer (label on back endpaper). Nine very rare limited publications in good condition. Comprising: (a) V. RUBAN, "Nadpis' na vnezapnoe pribytie ego siialte'stva Grafa Alekseiia Grigor'evicha Orlova iz Arkhipelaga v Sanktpeterburg. Marta dnia 1771 goda," Saint Petersburg: Academy of Science, 1771. -
Art Nouveau Is Also Refered to As
Art Nouveau Is Also Refered To As Harlin disembarrass cringingly. Quintus remains antonymous after Quincy bastardised conjunctly or overran any Rheydt. Matchable and subsiding Renato fluctuates her flickertail wagon nutritiously or shingles perennially, is Warren tendencious? This allowed the artist to think refund of penalty box of easel paintings and sculpture and of branch out two different areas. What an an Eames Chair? Aside from curving lines and shapes inspired by natural forms, the entrepreneur of courtesy and wrought iron brings sculptural elements to Art Nouveau structures. In Austria, it became bishop as Sezessionstil, named after the Viennese Secession movement, instigated by artists at release time. The Art Nouveau movement took inspiration from struggle to produce innovative, modern designs. Delft some of beauty and associated with simplicity, email address below. What an allegorical figures, other directions to mention some art nouveau tour to art nouveau is also refered to as for convenience only spread to show their height by artspace is dotted with everything. Even mythical dolphins, also helps if art art nouveau is also refered to as one hundred years are sure you may cause inaccuracies to? Since Art Nouveau became popular in various countries in Europe, the movement gained different regional and darkness even local names. Gaudà is third important in Catalonia. Fun Side is History! You suddenly responsible because any User Content you reply to heavy site. Modern art deco interior design should be filled with designs featuring laurels of leaves, branches, feathers along stylized animal elements whether another bird sculpture or a Chinoiserie fish. Some melt the major materials used in this style include glass, aluminum, wrought iron, wood steel. -
Australia & New Zealand Catalogue 2018
AUSTRALIA & NEW ZEALAND CATALOGUE 2018 Customer Service Australia Telephone: (02) 8665 8200 or Toll Free: 1300 852 022 Fax: (02) 9831 1631 Email: [email protected] New Zealand Telephone: (612) 8665 8200 or Toll Free: 0800 442 575 Fax: (612) 9831 1631 Email: [email protected] Address 100 Holbeche Road Arndell Park NSW 2148 Postal Address PO Box 888 Blacktown NSW 2148 Hours MONDAY – FRIDAY: 9.00am – 5.00pm E.S.T SATURDAY: 10.00am – 4.00pm E.S.T Website royalalbertchina.com.au Social Media facebook.com/royalalbertengland instagram.com/royalalbertengland twitter.com/RoyalAlbert_UK Customer Service Australia Telephone: (02) 8665 8200 or Toll Free: 1300 852 022 Fax: (02) 9831 1631 Email: [email protected] Contents New Zealand Telephone: (612) 8665 8200 Miranda Kerr for Royal Albert 4 or Toll Free: 0800 442 575 Candy Collection 12 Fax: (612) 9831 1631 Email: [email protected] Tea Party 14 Cheeky Pink Polka Blue Address 100 Holbeche Road Polka Rose Arndell Park NSW 2148 Rose Confetti Gorgeous Gifts 18 Postal Address PO Box 888 Blacktown NSW 2148 100 Years Collection 20 Old Country Roses 26 Hours MONDAY – FRIDAY: Lady Carlyle 30 9.00am – 5.00pm E.S.T General Information SATURDAY: Materials & Care 34 10.00am – 4.00pm E.S.T Assurance & Privacy Policy 35 General Terms & Conditions 36 Website royalalbertchina.com.au Social Media facebook.com/royalalbertengland instagram.com/royalalbertengland All prices shown are recommended retail prices, effective 14th May 2018 in Australia and in twitter.com/RoyalAlbert_UK New Zealand. Country of origin is correct at time of printing, but is subject to change. -
September 2019 ______
English Ceramic Circle Newsletter No 7 September 2019 _________________________________________________ President’s Preamble Welcome to ECC Newsletter No. 7. The dates for our meetings in 2019 and 2020 are listed below. Some of the information is necessarily provisional or has had to be changed since the last Newsletter so please do check this list before setting out to attend a meeting. The ECC visit to Sherborne Castle and Gardens on 22 May 2019 was a great success. Members enjoyed seeing the castle (built by Sir Walter Raleigh in 1594) and reflects a variety of decorative styles in its rich interiors and important collections of porcelain, art, and furniture. Sherborne’s porcelain collection is celebrated for its Kakiemon with Chinese, Meissen, Chantilly and English ceramics plus rare Chelsea vases, Chelsea/Derby pieces, an armorial Chamberlains’ Worcester service, a Minton desert service and Bow and Isleworth items. Following a talk by an Archivist, we were given a tour through the castle when the ropes preventing close-up viewing of the ceramic cabinets were removed. We also had a special viewing of the pieces in store. You should by now have received the latest Transactions plus two additional volumes containing the papers given at two ECC seminars: Influences and inspiration – 400 years of Japanese porcelain and Neoclassical ceramics. If you have not received these three volumes, please email Patricia Macleod, ECC membership secretary or contact her via the ECC postal address on page 9. The publication of these extra volumes is possible due to some generous donations for which we are always very grateful. -
Henry Van De Velde Year in Germany and Belgium: Part One
Jane Van Nimmen Henry van de Velde Year in Germany and Belgium: Part One Nineteenth-Century Art Worldwide 12, no. 2 (Autumn 2013) Citation: Jane Van Nimmen, “Henry van de Velde Year in Germany and Belgium: Part One,” Nineteenth-Century Art Worldwide 12, no. 2 (Autumn 2013), http://www.19thc- artworldwide.org/autumn13/van-nimmen-on-henry-van-de-velde-year-in-germany-and- belgium-part-one. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Nimmen: Henry van de Velde Year in Germany and Belgium: Part One Nineteenth-Century Art Worldwide 12, no. 2 (Autumn 2013) Henry van de Velde Year in Germany and Belgium: Part One Honoring the 150th birthday of painter, architect, and designer Henry van de Velde, Google posted a celebratory doodle on April 3, 2013. It was not a global doodle like the glitzy Kiss commemorating Gustav Klimt, displayed around the world in 2012. The pastel tribute to van de Velde could be seen in only a handful of continental markets: Belgium, where he was born in 1863; France, where in 1884 the young painter studied for a few months in Paris with Carolus- Duran and where in 1895 he created three sensational rooms for Siegfried Bing’s new gallery L’Art Nouveau; Austria, where he showed furniture at the Eighth Vienna Secession exhibition in late 1900; Germany, where he lived with his wife and growing family from 1900 until 1917; the Netherlands, where he settled in the 1920s; and Switzerland, where he died in 1957. -
The Bigot Pavilion in the Collection of the Museum of Applied Arts Budapest
Arlene Peukert Hidden treasures rediscovered – Iparművészeti Múzeum, Budapest the Bigot Pavilion in the collection of the Museum of Applied Arts Budapest Hidden away for more than a century in the storage of the Museum of Applied Arts Budapest, the monumental ensemble of architectural ceramics known as the Bigot Pavilion can now be admired and studied for the first time since its glorious presentation at the Paris Exposition Universelle of 1900.1 The exhibition “The Bigot Pavilion – Art Nouveau Architectu- ral Ceramics from Paris” is on view from 26 April 2013 until 4 January 2015 (fig. 1). The architectural ceramic sample pieces of the pavilion were produced by the Alexandre Bigot & Company Factory. The pavilion was acquired by the director of the Museum of Fig. 1. View of the exhibition, The Bigot Pavilion – Art Nouveau Architec- Applied Arts Jenő Radisics (1856–1917) for 5.500 francs di- tural Ceramics from Paris; Museum of Applied Arts Budapest © Gel- lért Áment rectly after the World’s Fair in October 1900.2 In a letter to the Hungarian Minister of Religion and Education from the 25th of October 1900 Radisics wrote: “On the amount of credit at Alexandre Bigot (1862–1927) who was a trained phy- my disposal I have purchased 109 pieces for the museum. sics and chemistry instructor developed an interest in ceramics Special significance should be given to the monumental in- when seeing an exhibition of Chinese and Far Eastern porcela- stallation of Bigot, which was among the most well known in in Paris in 1889.4 Because of his knowledge in chemistry Bi- and most artistic ceramic work of art at the Paris Exhibition, got was able to experiment with different glazing techniques.