The Grizzly, November 12, 1991
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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
AUSTIN AVENUE RADIATION SITE EPA ID: PAD987341716 OU 01 DELAWARE COUNTY, PA 06/27/1994 Text
EPA/ROD/R03-94/181 1994 EPA Superfund Record of Decision: AUSTIN AVENUE RADIATION SITE EPA ID: PAD987341716 OU 01 DELAWARE COUNTY, PA 06/27/1994 Text: PB94-963918 EPA/ROD/R03-94/181 September 1994 EPA Superfund Record of Decision: Austin Avenue Radiation Site, PA, 6/27/1994 RECORD OF DECISION AUSTIN AVENUE RADIATION SITE DECLARATION SITE NAME AND LOCATION Austin Avenue Radiation Site Delaware County, Pennsylvania STATEMENT OF BASIS AND PURPOSE This Record of Decision (ROD) presents the selected remedial actions for twenty-two (22) properties included in the Austin Avenue Radiation Site, Delaware County, Pennsylvania (Site). The remedial actions were developed in accordance with the statutory requirements of the Comprehensive Environmental Response, Compensation, and Liability Act of 1980, as amended (CERCLA), 42 U.S.C. [Para][Para] 9601 et. seq., and are consistent with the National Oil and Hazardous Substances Pollution Contingency Plan (NCP), 40 C.F.R. Part 300. These remedy selection decisions are based on an Administrative Record compiled for this Site (an index to this Administrative Record is attached). The Commonwealth of Pennsylvania concurs with these remedial actions. A copy of the concurrence letter is attached. ASSESSMENT OF THE SITE Actual or threatened releases of hazardous substances from properties covered by this ROD, if not addressed by implementing the response actions selected in this ROD, may present an imminent and substantial endangerment to public health, welfare, or the environment. DESCRIPTION OF THE SELECTED REMEDY The selected remedial actions identified in this ROD will mitigate and/or prevent human exposure to radiation-contaminated buildings and soil. -
Walt Whitman Democratic Club Records, 1975-1984 : Ms.Coll.15
Walt Whitman Democratic Club records, 1975-1984 : Ms.Coll.15 Finding aid prepared by John Anderies on 2015 PDF produced on July 17, 2019 John J. Wilcox, Jr. LGBT Archives, William Way LGBT Community Center 1315 Spruce Street Philadelphia, PA 19107 [email protected] Walt Whitman Democratic Club records, 1975-1984 : Ms.Coll.15 Table of Contents Summary Information .................................................................................................................................... 3 Biographical / Historical ................................................................................................................................ 4 Scope and Contents ........................................................................................................................................ 6 Administrative Information ............................................................................................................................ 7 Related Materials ........................................................................................................................................... 8 Controlled Access Headings .......................................................................................................................... 8 Collection Inventory ....................................................................................................................................... 8 Business records ......................................................................................................................................... -
Nomination : Hearing of the Committee on Labor and Human Resources, United States Senate, One Hundred Third Congress, Second
S. Hrg. 103-719 NOMINATION Y4.L 11/4: S.Hrg. 103-719 Nonination, S.Hrg. 103-719, 103-2 H. HEARING OF THE COMMITTEE ON LABOR AND HUMAN RESOURCES UNITED STATES SENATE ONE HUNDRED THIRD CONGRESS SECOND SESSION ON GILBERT F. CASELLAS, OF PENNSYLVANIA; PAUL M. IGASAKI, OF CALI- FORNIA; AND PAUL STEVEN MILLER, OF CALIFORNIA, TO BE MEM- BERS OF THE EQUAL EMPLOYMENT OPPORTUNITY COMMISSION JULY 21, 1994 Printed for the use of the Committee on Labor and Human Resources - 1 U.S. GOVERNMENT PRINTING OFFICE 82-902 CC WASHINGTON : 1994 For sale by the U.S. Government Printing Office Superintendent ot Documents. Congressional Sales Office. Washington. DC 20402 ISBN 0-16-045819-6 . S. HRG. 103-719 NOMINATION Y4.L 11/4: S.Hrg. 103-719 Nonination, S.Hrg. 103-719, 103-2 H. HEARING OF THE COMMITTEE ON LABOR AND HUMAN RESOURCES UNITED STATES SENATE ONE HUNDRED THIRD CONGRESS SECOND SESSION ON GILBERT F. CASELLAS, OF PENNSYLVANIA; PAUL M. IGASAKI, OF CALI- FORNIA; AND PAUL STEVEN MILLER, OF CALIFORNIA, TO BE MEM- BERS OF THE EQUAL EMPLOYMENT OPPORTUNITY COMMISSION JULY 21, 1994 Printed for the use of the Committee on Labor and Human Resources * U.S. GOVERNMENT PRINTING OFFICE 82-902 CC WASHINGTON : 1994 For sale by the U.S. Government Printing Office 2i Superintendent of Documents. Congressional Sales Office. Washington. DC 41 »2 ISBN 0-16-045819-6 82-902 COMMITTEE ON LABOR AND HUMAN RESOURCES EDWARD M. KENNEDY, Massachusetts, Chairman Kansas CLAIBORNE PELL, Rhode Island NANCY LANDON KASSEBAUM, HOWARD M. METZENBAUM, Ohio JAMES M. -
Theorising the Practice of Expressing a Fictional World Across Distinct Media and Environments
Transmedia Practice: Theorising the Practice of Expressing a Fictional World across Distinct Media and Environments by Christy Dena A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy (PhD) School of Letters, Art and Media Department of Media and Communications Digital Cultures Program University of Sydney Australia Supervisor: Professor Gerard Goggin Associate Supervisor: Dr. Chris Chesher Associate Supervisor: Dr. Anne Dunn 2009 Let’s study, with objectivity and curiosity, the mutation phenomenon of forms and values in the current world. Let’s be conscious of the fact that although tomorrow’s world does not have any chance to become more fair than any other, it owns a chance that is linked to the destiny of the current art [...] that of embodying, in their works some forms of new beauty, which will be able to arise only from the meet of all the techniques. (Francastel 1956, 274) Translation by Regina Célia Pinto, emailed to the empyre mailing list, Jan 2, 2004. Reprinted with permission. To the memory of my dear, dear, mum, Hilary. Thank you, for never denying yourself the right to Be. ~ Transmedia Practice ~ Abstract In the past few years there have been a number of theories emerge in media, film, television, narrative and game studies that detail the rise of what has been variously described as transmedia, cross-media and distributed phenomena. Fundamentally, the phenomenon involves the employment of multiple media platforms for expressing a fictional world. To date, theorists have focused on this phenomenon in mass entertainment, independent arts or gaming; and so, consequently the global, transartistic and transhistorical nature of the phenomenon has remained somewhat unrecognised. -
Journal of Urban History
Journal of Urban History http://juh.sagepub.com/ ''From Protest to Politics'' : Community Control and Black Independent Politics in Philadelphia, 1965-1984 Matthew J. Countryman Journal of Urban History 2006 32: 813 DOI: 10.1177/0096144206289034 The online version of this article can be found at: http://juh.sagepub.com/content/32/6/813 Published by: http://www.sagepublications.com On behalf of: The Urban History Association Additional services and information for Journal of Urban History can be found at: Email Alerts: http://juh.sagepub.com/cgi/alerts Subscriptions: http://juh.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://juh.sagepub.com/content/32/6/813.refs.html Downloaded from juh.sagepub.com at Harvard Libraries on March 22, 2011 “FROM PROTEST TO POLITICS” Community Control and Black Independent Politics in Philadelphia, 1965-1984 MATTHEW J. COUNTRYMAN University of Michigan This article traces the origins of black independent electoral activism in Philadelphia during the 1970s to the Black Power movement of the 1960s. Specifically, it argues that Black Power activists in Philadelphia turned to electoral strategies to consolidate their efforts to achieve community control over public insti- tutions in the city’s black working-class neighborhoods. Finally, the article concludes with a brief evalu- ation of the careers of African American activist state legislators David Richardson and Roxanne Jones and W. Wilson Goode, Philadelphia’s first African American mayor. Keywords: Black Power; community control; independent politics; Democratic Party The political philosophy of black nationalism means that the black man should control the politics and politicians in his own community. -
© 2011 Behice Ece Ilhan
© 2011 Behice Ece Ilhan TRANSMEDIA CONSUMPTION EXPERIENCES: CONSUMING AND CO-CREATING INTERRELATED STORIES ACROSS MEDIA BY BEHICE ECE ILHAN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Business Administration in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Professor Cele C. Otnes, Chair, Co-Director of Research Professor Robert V. Kozinets, Co-Director of Research, York University Professor Kent Grayson, Northwestern University Professor James Hay Associate Professor Tiffany White ABSTRACT Marketers and consumers alike are experiencing immense changes in the way entertainment is conceived, consumed, produced, distributed, and marketed as a result of intensifying socio-cultural, technologic, and economic convergence (Jenkins 2006, Dena 2004). Transmedia storytelling, aesthetic and product of this convergence culture, is the systematic dispersal of narrative elements across multitude of media for the purpose of creating a unified and coordinated consumer experience (Jenkins 2006). To respond to the increasingly cluttered mediascape, producers of entertainment and non-entertainment brands are under pressure to develop engaging experiences for consumers and also to manage brand stories that integrate various media platforms. Transmedia storytelling becomes a relevant and lucrative solution that helps producers achieve these ends. Adapting and extending on the idea of transmedia storytelling and grounding transmedia to the consumer behavior and marketing fields, this dissertation seeks to develop transmedia consumption (TMC) –– transmedia logic –– that focuses on the consumer practices and processes around transmedia narratives. This dissertation is guided by the following research questions: What constitutes transmedia consumption experiences and practices? How do consumers consume and co-create these consumption experiences? The findings detail the key practices, boundaries, and important processes of TMC. -
Transmedia Storytelling and User-Generated Content
GUERRERO-PICO, M. y SCOLARI, C.A. Transmedia storytelling and user-generated content CUADERNOS.INFO Nº 38 ISSN 0719-3661 Versión electrónica: ISSN 0719-367x http://www.cuadernos.info doi: 10.7764/cdi.38.760 Received: 04-15-2015 / Accepted: 03-23-2016 Transmedia storytelling and user-generated content: A case study on crossovers Narrativas transmedia y contenidos generados por los usuarios: el caso de los crossovers Narrativas transmídia e conteúdos gerados por usuários: o caso dos crossovers MAR GUERRERO-PICO, Departamento de Comunicación, Universitat Pompeu Fabra, Barcelona, España [[email protected]] CARLOS A. SCOLARI, Departamento de Comunicación, Universitat Pompeu Fabra, Barcelona, España [[email protected]] ABSTRACT RESUMEN RESUMO The aim of this article is to analyze a El objetivo de este artículo es analizar un O objetivo deste artigo é analisar um tipo special type of textuality: crossovers. tipo especial de textualidad: los crossovers. especial de textualidade: os crossovers. A The analy¬sis focuses on user-generated El análisis se focalizará en los contenidos análise se centra nos conteúdos gerados content in the transmedia storytelling generados por los usuarios de las narrati- pelos usuários de narrativas transmídia. context. The study follows a series of vas transmedia. Para ello, se toman como Para isso, 25 produções derivadas das 25 productions derivative of ABC’s Lost caso 25 producciones derivadas de dos se- séries de televisão Lost (ABC, 2004- (2004- 2010) and FOX’s Fringe (2008- ries televisivas: Lost (ABC, 2004-2010) y 2010) e Fringe (FOX, 2008-2013) são 2013). After describing the scenario where Fringe (FOX, 2008-2013). -
Mterrogatory No. 3
i I- BEFORE THE FEDERAL ELjECTlON COMMISSION In the Matter of ) Witness Subpoena to ) m 3774 The National Right to) Work Committee ) SUPPLEMENTAL RESPONSE TO SUBPOENA The National Right to Work Committee (WRTWC), hereby submits this Supplemental Response to the Subpoena ?o Produce Documents/Order to Submit Written Answers served upcln “WC in the above-referenced MUR, following the June 10,1997, decision of the U.S. District Court for the District of Columbia in Misc. Action No. 97-0160, ordering NRWC to respond to Interrogatory No. 3 and Document Request No. 3, as modified by the Court. INTRODUCTORY COAKMENTS Intemgatory No. 3 and Document Request No. 3 relate to activities from more than four years ago. NRTWC has experienced changes in personnel over those years, and documents may no longer exist, if they ever existed. Nonetheless, “WC, with the assistance of counsel and staff, has conducted a diligent search for documents and facts, and responds on the basis of information so gathered. The Court limited the scope of Interrogatory No. 3 and Document Request No. 3 to the 1992 senatorial candidates, and the Commission, by its attorneys in discussions with “WC counsel, has further limited the scope to the 1992 general election senatorial candidates. Thus, NRTWC’s search has focused on the 1992 general election senatorial candidates. Also, the Commission and NRTWC, in briefing and in discussions between counsel, have agreed that NRTWC may redact documents to delete supporter-identitjing information from documents to be produced, and NRTWC is doing so. MTERROGATORY NO. 3 NRlwC did not engage in, or finance, in whole or in pa, “any activities relating to federal elections in October-December 1992 . -
The Digital Transmedia Narrative Composition of the Storytelling of Lost La Construcción Narrativa Transmedia Digital Del Relato De Lost
The digital transmedia narrative composition of the storytelling of Lost La construcción narrativa transmedia digital del relato de Lost Víctor Álvarez Rodríguez. PhD student in the Interuniversity Doctoral Programme in Communication at the Uni- versities of Sevilla, Malaga, Cadiz and Huelva. Master’s Degree in Script, Narrative and Audiovisual Creativity from the University of Sevilla. Degree in Advertising and Public Relations from the University of Cadiz. Research line: analysis of audiovisual communication and advertising. University of Cádiz, Spain [email protected] ORCID: 0000-0003-4918-4261 Received: 08/07/2019 - Accepted: 12/11/2019 Recibido: 08/07/2019 - Aceptado:12/11/2019 Abstract: Resumen: Analysing the transmedia narrative through the virtual environment Analizar la narrativa transmedia a través del entorno virtual supo- ISSN: 1696-019X / e-ISSN: 2386-3978 means recognizing the communication model used by television ne reconocer el modelo de comunicación empleado por las ficciones fiction today and the behaviour of its audience. Thanks to the televisivas en la actualidad y el comportamiento de su audiencia. development of digital media, numerous audio-visual productions Gracias al desarrollo de los medios digitales, numerosas produccio- have addressed these platforms to transmit and expand their nes audiovisuales han abordado estas plataformas para transmitir narrative. The pioneering production in this field is the fantasy y expandir su narrativa. La producción pionera en este campo es la genre series Lost (2004-2010). Therefore, this research proposes serie de género fantástico Lost (2004-2010). Por ello, esta investiga- a methodology of analysis of the narrative discourse of three ción plantea una metodología de análisis del discurso narrativo de transmedia works in order to identify and study their repercussions tres obras transmedia con el fin de identificar y estudiar sus reper- in the final narrative of the work. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 108 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 108 CONGRESS, FIRST SESSION Vol. 149 WASHINGTON, WEDNESDAY, JANUARY 29, 2003 No. 16 House of Representatives The House met at noon and was Bless the personal lives of our lead- Reverend Carroll was born in St. Jo- called to order by the Speaker pro tem- ers, O God, granting them moments of seph, Missouri, and still has many rel- pore (Mr. ISAKSON). renewal in the midst of demanding atives in northern Missouri. After f days. Bless the people of the United graduating from high school in Des States and all people in Your world. Moines, Iowa, he attended Northwest DESIGNATION OF THE SPEAKER Amen. Christian College in Eugene, Oregon, PRO TEMPORE f and later earned a Master’s of Divinity from Texas Christian University. The SPEAKER pro tempore laid be- THE JOURNAL fore the House the following commu- Reverend Carroll is joined today by nication from the Speaker: The SPEAKER pro tempore. The his wife, Colleen, who is also an or- Chair has examined the Journal of the WASHINGTON, DC, dained minister, working alongside her January 29, 2003. last day’s proceedings and announces husband as an associate minister at the I hereby appoint the Honorable JOHNNY to the House his approval thereof. Community Christian Church. They ISAKSON to act as Speaker pro tempore on Pursuant to clause 1, rule I, the Jour- have two children, Nathaniel, who is a this day. nal stands approved. senior at Camdenton, High School, and J. -
Lost E a Ficção Televisiva Transmídia1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXII Congresso Brasileiro de Ciências da Comunicação – Curitiba, PR – 4 a 7 de setembro de 2009 1 Lost e a Ficção Televisiva Transmídia Afonso de Albuquerque 2 RESUMO: O texto se propõe a discutir a série Lost como um exemplo de ficção televisiva transmídia, tendo em vista o modo como a sua trama e a sua estrutura narrativa se relacionam com a crescente convergência (tecnológica e cultural) que se estabelece entre a televisão e outros meios de comunicação. PALAVRAS-CHAVE: Lost, Televisão, Ficção Multiplataforma No dia 22 de setembro de 2004, o vôo 815 da Oceanic Airlines terminou de forma inesperada quando o avião, procedente de Sidney, na Austrália, rumo a Los Angeles se despedaçou sobre uma remota ilha do Pacífico. A despeito da violência do acidente – o avião se partiu em dois pedaços ainda no ar – um grupo de passageiros conseguiu sobreviver e se organizou para esperar um resgate. Em vão. Desta forma teve início Lost, uma das séries de televisão mais marcantes de todos os tempos. Nos episódios que se seguiram, a trama não cessou de ganhar complexidade. Os espectadores foram apresentados ao passado – quase sempre sombrio – dos personagens principais. Vieram a saber que um outro grupo de passageiros também sobrevivera à queda em uma outra parte da ilha. Descobriram indícios de uma ocupação humana anterior, inicialmente na forma de complexas e misteriosas construções e, em seguida, através do contato com um grupo hostil – os “Outros”. Se depararam com fenômenos aparentemente inexplicáveis, como a presença de ursos polares em uma ilha tropical.