Article on Circle Dancing

Total Page:16

File Type:pdf, Size:1020Kb

Article on Circle Dancing CIRCLE dance Dancing in a circle is an ancient tradition common to many cultures for marking special occasions, strengthening community and encouraging togetherness WORDS: CAROLINE SHERWOOD n 1976 Bernhard Wosien, a she counts dancing with him among her German ballet master, arrived at happiest memories, as well as dancing the Findhorn community in what has become known as the Israeli IScotland bringing with him folk Blessing Dance around the crib of the dances he had collected while three-day-old son of good friends of hers. travelling through Europe. “He “The circle is a powerful symbol, intuitively knew which dances contained echoing our planet, the sun, moon or the energies that would be needed in our cosmos,” says Frances Fawkes, South present world, and would help heal the West co-ordinator for the Circle Dance rift between humanity and the earth,” Network. “Dancing in a circle means says June Watts in her book Circle there is no hierarchy, there is Dancing: Celebrating the Sacred in acceptance, there are no wrong steps Dance. only variations and you do not need a A former member of the Royal partner. Many traditional dances Shakespeare Company, June Watts is one embody an ancient world view of stillness. It is a resource that helps me of the world’s leading Circle Dance sustainability, community and reverence cope with my life. It is also fun and good teachers. Once a Somerset resident, she for the earth.” Dances acknowledge the exercise!” now lives in the high Alpujarras of changing seasons and celebrate births, Many dances originated in Eastern southern Spain to which sanctuary she weddings, greetings and partings, and Europe. “We dance the joyous syrtos and returns from her busy teaching schedule, deaths. kalamatianos from Greece, sensuous but she still visits the Levels during her regular trips to England. June met Bernhard Wosien in 1982 and “Dancing in a circle means there is no hierarchy, there is acceptance, there are no wrong steps only variations” Frances says that circle dancing has Rom (gypsy) dances, and lyrical dances allowed her to “become more open and from Israel,” Frances continues. “We accepting of other people. Moving to dance to haunting melodies from Turkey music as part of a supportive group or the Kurds or to the intricate rhythms enables inner emotions to surface and of the Balkans – Bulgaria, Romania, although they are not necessarily Serbia, Hungary and Armenia. expressed as part of the dance, it means Occasionally we visit the earthy andros they are acknowledged. This is very and hanter dros from Brittany and therapeutic. It is a form of meditation flowing dances from Russia.” which enables me to contact an inner “There has been huge expansion, and 124 SOMERSET LIFE October 2012 somerset.greatbritishlife.co.uk ACTIVE LIFE Classes and events near you... Bath Glastonbury Tuesdays, 10-11.30am, Scout Hut, Grove St. Fridays, 10.30 am-12.15pm Contact: Dorothy Jerrome – 01225 830200; St Mary’s Church Hall [email protected] Contact: Frances Fawkes or Jeanette Whitford – diversification in terms of the 01275 541688; [email protected] approaches of so many different Brompton Ralph teachers,” June Watts explains. Mr and Mrs Canney discovered Circle Dance as Minehead Contemporary circle dancers draw on part of Canon Peter Spink’s Omega Order Wednesdays, 2.30-4.30pm this immensely rich heritage while initiative to offer spiritual resources for the 21st St John’s Ambulance Hall creating a growing repertoire of newly century to those of all religions and none. The (under the auspices of AgeUK Somerset) choreographed pieces to classical and, Canneys host a regular Circle Dance in their Contact: Frances Fawkes sometimes rather unexpected, music. home near Brompton Ralph and welcome new For June, choreography is “…an members, when there is space! Contact: 01984 27 October, A day of Greek Dances, led by Hazel intuitive process. Sometimes the dance 656236. Young with music from a band led by Greek drops in ready made, sometimes I have musician, Kostantis Kourmandis. to leave it to mature, and revisit it from Chedzoy Contact: Frances Fawkes time to time to get it right, very Most mondays, 7.30-9.30pm occasionally I will have to work out in a Chedzoy Village Hall. 22 December, Winter Solstice seasonal dances linear fashion how many beats, how Contact: Frances Fawkes – 01278 653787; to live music by Balamouk many repetitions of a musical phrase etc [email protected] Contact: Frances Fawkes to get it all to come together.” June’s future dream is to create a Frome Somerset is unique in the Circle dance network Centre and Community to explore, with Third Sunday (generally) 6-8 pm, Christchurch in that it has two live music venues: Frome and committed people, how the Dance can Hall with the Fabulous Frome Circle Dance Band Puriton. expand and evolve, and to offer courses led by Nickomo and Rasullah. in Circle Dance and Permaculture, both Contact: Tara Greaves - 01373 302219; For further information on circle dance visit of which would be integral parts of the [email protected] circledancenetwork.org.uk or junewatts.com community’s daily life. N somerset.greatbritishlife.co.uk SOMERSET LIFE October 2012 125.
Recommended publications
  • Folklore Revival.Indb
    Folklore Revival Movements in Europe post 1950 Shifting Contexts and Perspectives Edited by Daniela Stavělová and Theresa Jill Buckland 1 2 Folklore Revival Movements in Europe post 1950 Shifting Contexts and Perspectives Edited by Daniela Stavělová and Theresa Jill Buckland Institute of Ethnology of the Czech Academy of Sciences Prague 2018 3 Published as a part of the project „Tíha a beztíže folkloru. Folklorní hnutí druhé poloviny 20. století v českých zemích / Weight and Weightlessness of the Folklore. The Folklore Movement of the Second Half of the 20th Century in Czech Lands,“ supported by Czech Science Foundation GA17-26672S. Edited volume based on the results of the International Symposium Folklore revival movement of the second half of the 20th century in shifting cultural, social and political contexts organ- ized by the Institute of Ethnology in cooperation with the Academy of Performing Arts, Prague, October 18.-19., 2017. Peer review: Prof. PaedDr. Bernard Garaj, CSc. Prof. Andriy Nahachewsky, PhD. Editorial Board: PhDr. Barbora Gergelová PhDr. Jana Pospíšilová, Ph.D. PhDr. Jarmila Procházková, Ph.D. Doc. Mgr. Daniela Stavělová, CSc. PhDr. Jiří Woitsch, Ph.D. (Chair) Translations: David Mraček, Ph.D. Proofreading: Zita Skořepová, Ph.D. © Institute of Ethnology of the Czech Academy of Sciences, 2018 ISBN 978-80-88081-22-7 (Etnologický ústav AV ČR, v. v. i., Praha) 4 Table of contents: Preface . 7 Part 1 Politicizing Folklore On the Legal and Political Framework of the Folk Dance Revival Movement in Hungary in the Second Half of the Twentieth Century Lázsló Felföldi . 21 The Power of Tradition(?): Folk Revival Groups as Bearers of Folk Culture Martina Pavlicová.
    [Show full text]
  • Vestry-2013-Reports.Pdf
    GUIDE TO REPORT WARDENS’ REPORT TO VESTRY FOR 2013…………………………………………………………………………...4 INTERIM PASTOR’S REPORT 2013 ……………………………………………………………………………………...5 MUSIC DIRECTOR…………………………………………………………………………………………………………...6 COMMITTEE REPORTS ADOPT-A-FAMILY……………………………………………………………………………………………………………7 ALTAR FLOWERS…………………………………………………………………………………………………………...7 ALTAR GUILD………………………………………………………………………………………………………………..7 ART GALLERY………………………………………………………………………………………………………………..8 ASSOCIATION OF DUNDAS CHURCHES………………………………………………………………………………..8 BODY & SOUL………………………………………………………………………………………………………………..9 CHILDREN’S SUNDAY MORNING PROGRAMMING (THE NOOK & THE LAB) …………………………………..10 CHURCH GARDEN…………………………………………………………………………………………………………..10 COMMUNION UNDER SPECIAL CIRCUMSTANCES…………………………………………………………………..10 DUNDAS YOUTH CHAPLAINCY & ROUTES YOUTH CENTRE………………………………………………………10 FLYER DELIVERY…………………………………………………………………………………………………………...11 GAMES AFTERNOONS……………………………………………………………………………………………………..11 GARAGE, PLANT & BAKE SALE……...………………………………………………………………………………….11 GREEN TEAM………………………………………………………………………………………………………………...11 HOLIDAY HOUSE TOUR…………………………………………………………………………………………………….12 HOSPITALITY………….………………………………………………………………………………………………………12 INTERVAL HOUSE…………………………………………………………………………………………………………...12 LAY ADMINISTRATORS……………………………………………………………………………………………………..12 LAY READERS………………………………………………………………………………………………………………..13 LENTEN LUNCHES…………………………………………………………………………………………………………..13 MEALS ON WHEELS ………………………………………………………………………………………………………..13 NEWSLETTER………………………………………………………………………………………………………………...13
    [Show full text]
  • Danças Circulares Sagradas
    LÚCIA HELENA HEBLING ALMEIDA DANÇAS CIRCULARES SAGRADAS: Imagem corporal, qualidade de vida e religiosidade segundo uma abordagem Junguiana CAMPINAS 2005 i ii LÚCIA HELENA HEBLING ALMEIDA DANÇAS CIRCULARES SAGRADAS: Imagem corporal, qualidade de vida e religiosidade segundo uma abordagem junguiana Tese de Doutorado apresentada à Pós-Graduação da Faculdade de Ciências Médicas da Universidade Estadual de Campinas, para obtenção do título de Doutor em Ciências Médicas, área de concentração Ciências Biomédicas ORIENTADOR: Prof. Dr. Joel Sales Giglio CAMPINAS 2005 iii Banca examinadora da tese de Doutorado Orientador: Prof. Dr. Joel Sales Giglio Membros: 1. Profa. Dra. Cátia Mary Volp 2. Prof. Dr. José Jorge de Morais Zacharias 3. Prof. Dr. Sérgio Luiz Saboya Arruda 4. Profa. Dra. Elisabeth Bauch Zimmermann 5. Prof. Dr. Joel Sales Giglio Curso de Pós-Graduação em Ciências Médicas da Faculdade de Ciências Médicas da Universidade Estadual de Campinas. v DEDICATÓRIA Ao Enzo Luiz Hebling Almeida Picca, meu sobrinho e afilhado que, na sua “perspicácia” de quatro anos e cinco meses, em 23.01.05, me presenteia com este desenho e diz: “Este é o tio Vicente Mário cantando e dançando com a madrinha, e a madrinha beijando o tio Vicente”. Para que a arte - em especial o desenho, a música, a dança de que tanto gosta - e o seu coração de criança - ingênuo e bom - possam, em parte, permanecer na sua vida. A Míriam Hebling Almeida, minha irmã e mãe do Enzo Luiz, cujo apoio nas traduções dos textos de inglês foi fundamental para o desenvolvimento deste trabalho. vii AGRADECIMENTOS Ao Prof. Dr. Joel Sales Giglio, meu orientador, que sempre com seu bom humor me abriu caminhos, teceu comentários preciosos e desculpou minhas distrações e ações impensadas.
    [Show full text]
  • April2015.Pdf
    Founding editor, Mrs Nan Walker, MBE Kinross Newsletter Founded in 1977 by Kinross Community Council ISSN 1757-4781 Published by Kinross Newsletter Limited, Company No. SC374361 Issue No 428 www.kinrossnewsletter.org www.facebook.com/kinrossnewsletter April 2015 DEADLINE CONTENTS for the May Issue 5.00 pm, Friday From the Editor ..................................................................2 17 April 2015 Letters ................................................................................2 News and Articles ...............................................................4 for publication on Police Box ........................................................................14 Saturday 2 May 2015 Community Councils ........................................................15 Contributions for inclusion in the Club & Community Group News .....................................22 Newsletter Sport .................................................................................36 The Newsletter welcomes items from community News from the Rurals .......................................................44 organisations and individuals for publication. This Out & About. ....................................................................45 is free of charge (we only charge for business Gardens Open. ..................................................................48 advertising – see below right). All items may be Congratulations & Thanks ................................................49 subject to editing and we reserve the right not to publish
    [Show full text]
  • CID Virtual Library of the Dance at ​
    CID permanent program No. 4 CID Virtual Library of the Dance at www.CID-portal.org/virtual-library/ ​ Books and magazines authored or edited by members of the International Dance Council CID at UNESCO. The list is posted at the CID Portal and circulated world-wide. This results in : 1. Prestige, as the public realizes the enormous intellectual production of CID ​ ​ Members: more than 650 books and over 40 magazines. 2. More sales, since no publisher can have the wide contacts CID has within the ​ ​ dance world. 3. Lower cost, as readers can order books directly to publishers or to authors. ​ ​ 4. Feedback, since authors can receive comments from their readers. ​ ​ 5. Better acquaintance between CID members, once they know the research ​ ​ interests and publication achievements of each other. Books authored or edited by Members of CID ​ www.CID-portal.org/virtual-library/ Updated: 06 May 2019 ​ ​ - A - Aelita Kondratova (ed.): Proceedings of the 36th World Congress on Dance Research, Saint ​ Petersburg, 2013. Saint Petersburg, 2015. ​ Aelita Kondratova(ed.): Proceedings of the 39th World Congress on Dance Research. Saint ​ ​ Petersburg, Saint Petersburg Section CID, 2015, 184 p. Aelita Kondratova (ed.): Proceedings of the 47th World Congress on Dance Research. Saint ​ ​ Petersburg, Saint Petersburg Section CID, 2016, 222 p. Aja Jung (ed.): Decadance. Ten years of Belgrade Dance Festival. Beograd, 2013, 143 p. ​ ​ Alba G.A. Naccari: Pedagogia della corporeità. Educazione, attività motoria e sport nel tempo. ​ ​ Perugia, Italy, Morlacchi, 2003, 297 p. Alba G.A. Naccari: Le vie della danza. Pedagogia narrativa, danze etniche e danzamovimentoterapia. ​ ​ Perugia, Italy, Morlacchi, 2004, 295 p.
    [Show full text]
  • An Investigation Into Circle Dance As a Medium to Promote Occupational Well-Being Ana Lucia Borges Da Costa
    AN INVESTIGATION INTO CIRCLE DANCE AS A MEDIUM TO PROMOTE OCCUPATIONAL WELL-BEING ANA LUCIA BORGES DA COSTA A thesis submitted in partial fulfilment of the requirements of the University of Bolton for the degree of Doctor of Philosophy November 2014 Table of Contents Table of figures .............................................................................................. 7 Acknowledgements ...................................................................................... 9 Dedication ...................................................................................................... 10 PhD Thesis Abstract ................................................................................... 11 Prologue ......................................................................................................... 13 Chapter 1 Introduction ............................................................................... 15 1.1 Contextualising circle dance ......................................................16 1.2 Motivation for conducting the investigation ..........................19 1.3 The rationale for the investigation ............................................19 1.4 Research questions .......................................................................22 1.5 Structure of the thesis ..................................................................23 Chapter 2 Occupational therapy, circle dance and well- being .... 26 2.1 The conceptual foundation of occupational therapy ..............27 1.1.1 Defining occupational therapy
    [Show full text]
  • Bringing Sacred Circle Dance to Multiple Communities
    1 Neskaya: My Talk for Joining Hands, April, 2018 Reaching Out/Reaching In: Bringing Sacred Circle Dance to Multiple Communities Evelyn (“Evi”) Torton Beck I am going to begin my presentation with an invocation, with a poem whose vision resonates with what our dancing embodies. The Merger Poem And then all that has divided us will merge And then compassion will be wedded to power And then softness will come to a world that is harsh and unkind And then both men and women will be gentle And then both women and men will be strong And then no person will be subject to another's will And then all will be rich and free and varied And then the greed of some will give way to the needs of many And then all will share equally in the Earth's abundance And then all will care for the sick and the weak and the old And then all will nourish the young And then all will cherish life's creatures And then everywhere will be called Eden once again -- Judy Chicago This poem is a weaving together of the motifs we call forth in our dancing, and it speaks to where I am today. In spite of the many years I have spent in the world of research and theory building, my true compass has always moved toward the healing power of art: the way written and spoken words can work in you, the way music penetrates the soul, how color and form take one’s breath away, how dance can become a prayer.
    [Show full text]
  • Barn Dances, Ceilidhs, and Country Dancing in England 1945-2020: an Examination of Non-Specialist English Social Folk Dance
    Barn Dances, Ceilidhs, and Country Dancing in England 1945-2020: An Examination of Non-Specialist English Social Folk Dance Chloe Elizabeth Middleton-Metcalfe MA, BA (Hons) A thesis submitted in partial fulfilment of the requirement for the degree of PhD Department of Dance University of Roehampton 2021 1 Barn Dances, Ceilidhs, and Country Dancing in England 1945-2020 CEMM Abstract This thesis is a genre-centred investigation of one dance form which is known by a variety of names including: barn dance, ceilidh, country dance, and (English) folk dance. A hitherto academically neglected dance genre, this thesis takes a mixed diachronic and synchronic approach to explain and contextualise the developments of English social folk dance from the mid-twentieth century. In so doing it contributes to an under-studied area of research: the experiences of occasional, or novice adult dancers. In order to answer the central question of ‘why do people hold English social folk dances?’ this thesis examines the genre’s recent history. The approach of Douglas Kennedy, head of the English Folk Dance and Song Society (EFDSS) from 1924-1961 is examined. Consideration is given to the influence of other dance genres (in particular square dance and old time) on the formation of an English folk repertoire. The neo-traditionalist approach of the ceilidh movement in the 1970s and the quest for an English sound and dancing style is examined. Folk dance in English schools is charted, providing a counter- story to modern educational dance centred histories. The second half of this thesis utilises ethnographic fieldwork from thirty dance events (2017-2018), supplemented with interviews and questionnaire data.
    [Show full text]
  • Universidade De Passo Fundo
    UNIVERSIDADE DE PASSO FUNDO Rodrigo José Madalóz TRANSformAÇÕES PESSOAIS: NO EMBALO DAS DANÇAS CIRCULARES SAGRADAS O REENCONTRO COM A NATUREZA DO SER Passo Fundo 2016 Rodrigo José Madalóz TRANSformAÇÕES PESSOAIS: NO EMBALO DAS DANÇAS CIRCULARES SAGRADAS O REENCONTRO COM A NATUREZA DO SER Tese apresentada ao Programa de Pós-Graduação em Educação, Doutorado em Educação, da Universidade de Passo Fundo, na linha de pesquisa Processos Educativos e Linguagem, sob a orientação da Profa. Dra. Graciela Ormezzano para fins de obtenção do título de Doutor em Educação. Passo Fundo 2016 Dedico a ti, Neiva Teresinha da Rosa Deon, que nos deixou com um gosto de “quero mais!”. AGRADECIMENTOS Muitos seres de luz estiveram comigo nesta caminhada e é a eles que rendo minha gratidão, pelos momentos de acolhida, reflexão, crescimento e aprendizagens. O doutoramento é uma etapa de desapegos, de instabilidades e de movimentos. De 2012 até então, o universo conspirou a meu favor, colocando-me numa posição de (des) construção diária de minha identidade como ser humano, profissional, companheiro, colega, amigo e filho. Estive longe e perto ao mesmo tempo, (in) sensível aos chamados e apelos pela presença do corpo e da alma. Ao mesmo tempo em que meu ser é tomado por um sentimento de gratidão, desculpo-me, porque apesar de ter tentado não me ausentar, “perdi” momentos que talvez não se repetirão, mas relutei e persegui meus objetivos; se eles foram os mais corretos ou não, não sei, mas lá no fundo sabia que o tempo da colheita viria. Minha gratidão aos professores, mestres, doutores, funcionários e colegas das diferentes linhas de pesquisa do Programa de Pós-Graduação em Educação – Doutorado em Educação da Universidade de Passo Fundo, turma 2012/2, pelo tempo, pelas trocas, pelo incentivo, pela parceria, pelas palavras, pela presença constante, pelo profissionalismo, enfim, pela forma respeitosa, competente e ética que conduzem este Programa.
    [Show full text]
  • Dissertacao Newton Fernandes De Ávila.Pdf (2.047Mb)
    1 UNIVERSIDADE DE CAXIAS DO SUL NEWTON FERNANDES DE ÁVILA DANÇA CIRCULAR E HOSPITALIDADE: UM CORPO QUE SE EXPRESSA E ACOLHE COM AMOROSIDADE CAXIAS DO SUL 2017 2 UNIVERSIDADE DE CAXIAS DO SUL PROGRAMA DE PÓS-GRADUAÇÃO EM TURISMO E HOSPITALIDADE – MESTRADO NEWTON FERNANDES DE ÁVILA DANÇA CIRCULAR E HOSPITALIDADE: UM CORPO QUE SE EXPRESSA E ACOLHE COM AMOROSIDADE Dissertação de Mestrado em Turismo e Hospitalidade para obtenção do título de Mestre em Turismo e Hospitalidade. Linha de pesquisa: Turismo, Cultura e Educação. Orientadora: Profª. Drª. Maria Luiza Cardinale Baptista Coorientadora: Profª. Drª. Susana de Araújo Gastal CAXIAS DO SUL 2017 3 Á958d Ávila, Newton Fernandes de Dança circular e hospitalidade: um corpo que se expressa e acolhe com amorosidade / Newton Fernandes de Ávila. – 2017. 120 f.: il. Dissertação (Mestrado) - Universidade de Caxias do Sul, Programa de Pós-Graduação em Turismo e Hospitalidade, 2017. Orientação: Maria Luiza Cardinale Baptista. Coorientação: Susana de Araújo Gastal. 1. Dança circular; Hospitalidade; Acolhimento; Amorosidade. I. Baptista, Maria Luiza Cardinale, orient. II. Gastal, Susana de Araújo, coorient. III. Título. 4 NEWTON FERNANDES DE ÁVILA DANÇA CIRCULAR E HOSPITALIDADE: UM CORPO QUE SE EXPRESSA E ACOLHE COM AMOROSIDADE Dissertação de Mestrado submetida à Banca Examinadora designada pelo Colegiado do Programa de Pós- Graduação em Turismo e Hospitalidade – Mestrado, da Universidade de Caxias do Sul, como parte dos requisitos necessários para a obtenção do título de Mestre em Turismo e Hospitalidade, Área de Concentração: Hospitalidade. Aprovado em: _____/_____/_____ Banca Examinadora _________________________________________________ Profª. Drª. Maria Luiza Cardinale Baptista (Orientadora) Universidade de Caxias do Sul (UCS) _________________________________________________ Profa.
    [Show full text]
  • Walzerträume – Walzerseligkeit Von Steffi Zachmeier ( Seite 1 Veröffentlicht Im Programmheft Tff Rudolstadt 2011, S
    Walzerträume – Walzerseligkeit von Steffi Zachmeier (www.zachmeier.de) Seite 1 veröffentlicht im Programmheft tff Rudolstadt 2011, S. 143-149 Walzerträume – Walzerseligkeit Von Steffi Zachmeier Was dem Tango die Verruchtheit, dem Rock'n Roll der Groove und was dem Pogo der Nonkonformismus, das entsprechende Stichwort für den diesjährigen Tanzschwerpunkt ist „Walzerseligkeit“. „Es ist eine unfassbare Macht, die der Walzer ausübt. Sobald die ersten Takte anheben, klären sich die Mienen, die Augen leuchten auf und alle durchrieselt es“,1 so beschreibt es ein Teilnehmer beim Wiener Kongress. Es muss wohl nicht darauf hingewiesen werden, „daß das Tanzen und die Tanzgeschichte Abbilder der jeweiligen Gesellschaftsordnungen sind und daher auch Teil des sozialen und politischen Handelns“.2 Insofern hat natürlich auch die Ablösung der formalisierten und reglementierten Menuett-Figuren und -Schritte durch die individualisierte Walzer- Bewegung ihre Entsprechung in der Politik und der gesellschaftlichen Entwicklung im nachrevolutionären Europa: Der Kongress tanzte bei der Neuordnung Europas in Wien, und zwar Walzer - nächtelang. So wie nach ihm alle Schichten und gesellschaftlichen Gruppen des 19. Jahrhunderts. Was aber war und ist das Faszinierende an diesem Tanz, dessen Herkunft aus seinen Vorgängern, den alpenländischen Ländlern, Schleifern, Allemanden und Deutschen, Wellern, Drehern und Langaus wohl nie ganz geklärt werden wird, obgleich der Begriff „Walzen“ für eine Dreh-Bewegung im Gegensatz zum „Hopsen“ schon länger bekannt war. Auch heute ist es noch so: Sobald bei Tanz-Gelegenheiten ein Walzer erklingt, beginnen die Augen der Tanzenden zu leuchten, die Tanzfläche füllt sich. Wie bei fast jeder neuen Tanzmode gab es aber auch beim Walzer neben glühender Begeisterung auch scharfe Kritik und – wie später der Tango und die Modetänze des 20sten Jahrhunderts – war auch der Walzer den Kritikern zu erotisch: Beim Walzer ist es vor allem die im Vergleich zu den vorher in gehobenen Kreisen und am Hof üblichen Tänzen die enge Paarhaltung, die einer Umarmung gleicht.
    [Show full text]
  • CID Permanent Program No
    CID permanent program No. 4 CID Virtual Library of the Dance at www.CID-portal.org/virtual-library/ Books and magazines authored or edited by members of the International Dance Council CID at UNESCO. The list is posted at the CID Portal and circulated world-wide. This results in : 1. Prestige, as the public realizes the enormous intellectual production of CID Members: more than 650 books and over 40 magazines. 2. More sales, since no publisher can have the wide contacts CID has within the dance world. 3. Lower cost, as readers can order books directly to publishers or to authors. 4. Feedback, since authors can receive comments from their readers. 5. Better acquaintance between CID members, once they know the research interests and publication achievements of each other. Books authored or edited by Members of CID www.CID-portal.org/virtual-library/ Updated: 13 January 2020 - A - Abigador, Susana Noemi: When the body speaks. Methodology and exercises for corporal expression. Athens, Gialos, 2011, 161 p. Adamsone, Liene: Spititual dance. The Adamsone method. Canada, 2009, 88 p. [ACR] Agati, Maria Luisa: La minuscola "bouletée", Scuola Vaticana di Paleografia, Diplomatica e Archivistica, Città del Vaticano 1992 (Littera Antiqua 9, 1-2). Agati, Maria Luisa: Giovanni Onorio da Maglie copista greco (1534-1563), Suppl. XX al “Bollettino dei Classici”, Roma 2001 (Accademia Naz. dei Lincei), pp. 350 + 22 tavole. Agati, Maria Luisa: Il libro manoscritto. Introduzione alla Codicologia, Roma 2003 (L’Erma di Bretschneider, Studia Archaeologica 124), pp. 504, 100 ill. b/n + 16 tavole a colori. Agati, Maria Luisa: Catalogo dei manoscritti greci della biblioteca di Roma dell’Accademia Nazionale dei Lincei e Corsiniana, Suppl.
    [Show full text]