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Resisting Chinese Linguistic Imperialism
UYGHUR HUMAN RIGHTS PROJECT SPECIAL REPORT Resisting Chinese Linguistic Imperialism: Abduweli Ayup and the Movement for Uyghur Mother Tongue-Based Education Rustem Shir, Research Associate Logo of the Ana Til Balilar Baghchisi (Mother Tongue Children’s Garden) May 2019 Contents Acknowledgement 4 Introduction 5 1. CCP language policy on education in East Turkestan 6 Foundations of CCP ethnic minority policy 6 Eras of minority language tolerance 9 Primary and secondary school ‘bilingual’ education policy 12 The Xinjiang Class 20 Mandarin as the language of instruction at Xinjiang University 22 Preschool and kindergarten ‘bilingual’ education policy 23 Suppression of the Movement for Uyghur Mother Tongue-Based Education 26 The Hotan Prefecture and Ghulja County Department of Education directives 28 Internment camps 29 Discussion 32 2. ABduweli Ayup and the Movement for Uyghur Mother Tongue-Based Education 36 Upal: Why couldn’t we study Kashgari? 36 Toquzaq: Oyghan! (Wake Up!) 38 Beijing: Our campus felt like a minority region 41 Doletbagh: My sad history repeating in front of me 50 Urumchi: Education for assimilation 55 Lanzhou: Are you bin Laden? 60 Ankara: Ethno-nationalism and a counterbalance 67 Urumchi: For the love of community 72 Lawrence: Disconnected 77 Kashgar: Rise of the Movement for Uyghur Mother Tongue-Based Education 81 Urumchi: Just keep silent 89 Kashgar: You’re going to be arrested 93 Doletbagh Detention Center: No choice, brother 98 Urumchi Tengritagh Detention Center: Qorqma (Don’t be afraid) 104 Urumchi Liudaowan Prison: Every color had disappeared 109 Urumchi Koktagh Prison: Do you want to defend yourself? 124 2 Urumchi/Kashgar: Release and return 127 Kashgar: Open-air prison 131 Ankara: Stateless and stranded 138 Paris: A new beginning 146 3. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Representations of Cities in Republican-Era Chinese Literature
Representations of Cities in Republican-era Chinese Literature Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Hao Zhou, B.A. Graduate Program in East Asian Languages and Literatures The Ohio State University 2010 Thesis Committee: Kirk A. Denton, Advisor Heather Inwood Copyright by Hao Zhou 2010 Abstract The present study serves to explore the relationships between cities and literature by addressing the issues of space, time, and modernity in four works of fiction, Lao She’s Luotuo xiangzi (Camel Xiangzi, aka Rickshaw Boy), Mao Dun’s Ziye (Midnight), Ba Jin’s Han ye (Cold nights), and Zhang Ailing’s Qingcheng zhi lian (Love in a fallen city), and the four cities they depict, namely Beijing, Shanghai, Chongqing, and Hong Kong, respectively. In this thesis I analyze the depictions of the cities in the four works, and situate them in their historical and geographical contexts to examine the characteristics of each city as represented in the novels. In studying urban space in the literary texts, I try to address issues of the “imaginablity” of cities to question how physical urban space intertwines with the characters’ perception and imagination about the cities and their own psychological activities. These works are about the characters, the plots, or war in the first half of the twentieth century; they are also about cities, the human experience in urban space, and their understanding or reaction about the urban space. The experience of cities in Republican era fiction is a novel one, one associated with a new modern historical consciousness. -
The Chinese Perception of Jainism 耆那教
Anne Cheng and Sanchit Kumar (dir.) India-China: Intersecting Universalities Collège de France The Chinese Perception of Jainism 耆那教 T. H. Barrett DOI: 10.4000/books.cdf.7502 Publisher: Collège de France Place of publication: Paris Year of publication: 2020 Published on OpenEdition Books: 9 April 2020 Serie: Institut des civilisations Electronic ISBN: 9782722605367 http://books.openedition.org Electronic reference BARRETT, T. H. The Chinese Perception of Jainism 耆那教 In: India-China: Intersecting Universalities [online]. Paris: Collège de France, 2020 (generated 15 avril 2021). Available on the Internet: <http:// books.openedition.org/cdf/7502>. ISBN: 9782722605367. DOI: https://doi.org/10.4000/books.cdf. 7502. This text was automatically generated on 15 April 2021. The Chinese Perception of Jainism 耆那教 1 The Chinese Perception of Jainism 耆那教 T. H. Barrett 1 The following remarks are concerned with an aspect of cultural contact that seems to have received comparatively little attention so far, despite the pioneering work of specialists in reception studies such as Elinor Shaffer, namely the diffusion and influence of large bodies of translated material. The transfer of a corpus of writing from one language to another and from one culture to another is in itself a topic of indubitable interest, but what happens or indeed fails to happen next is surely just as important. Even in the most pious parts of the United States, for example, dust on the family Bible appears not to have been a completely unknown phenomenon. Here, however, the focus is on a much larger corpus of sacred writings translated over a lengthy period, probably constituting the most extensive translation phenomenon of pre-modern times, namely the Buddhist Canon in Chinese. -
University Name Agency Number China Embassy in Tehran 3641
University Name Agency Number China Embassy in Tehran 3641 Aba Teachers College Agency Number 10646 Agricultural University of Hebei Agency Number 10086 Akzo vocational and technical College Agency Number 13093 Anglo-Chinese College Agency Number 12708 Anhui Agricultural University Agency Number 10364 Anhui Audit Vocational College Agency Number 13849 Anhui Broadcasting Movie And Television College Agency Number 13062 Anhui Business College of Vocational Technology Agency Number 12072 Anhui Business Vocational College Agency Number 13340 Anhui China-Australia Technology and Vocational College Agency Number 13341 Anhui College of Traditional Chinese Medicine Agency Number 10369 Anhui College of Traditional Chinese Medicine Agency Number 12924 Anhui Communications Vocational & Technical College Agency Number 12816 Anhui Eletrical Engineering Professional Technique College Agency Number 13336 Anhui Finance & Trade Vocational College Agency Number 13845 Anhui Foreign Language College Agency Number 13065 Anhui Industry Polytechnic Agency Number 13852 Anhui Institute of International Business Agency Number 13846 Anhui International Business and Economics College(AIBEC) Agency Number 12326 Anhui International Economy College Agency Number 14132 Anhui Lvhai Vocational College of Business Agency Number 14133 Anhui Medical College Agency Number 12925 Anhui Medical University Agency Number 10366 Anhui Normal University Agency Number 10370 Anhui Occupatinoal College of City Management Agency Number 13338 Anhui Police College Agency Number 13847 Anhui -
Phonological Elision in Malaysian Cantonese Casual Speech
PHONOLOGICAL ELISION IN MALAYSIAN CANTONESE CASUAL SPEECH ONG YIN HSIAR NATIONAL UNIVERSITY OF SINGAPORE 2007 PHONOLOGICAL ELISION IN MALAYSIAN CANTONESE CASUAL SPEECH ONG YIN HSIAR (B. ARTS), UM A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF CHINESE STUDIES NATIONAL UNIVERSITY OF SINGAPORE 2007 Acknowledgement How does a person say “thank you” when there are so many people to thank? This thesis is dedicated to my family, who encourage me to pursue my dream without a fear. They are my mentors and heroes that make my life complete. In my course of learning at NUS, I have had the benefit of wisdom from three supervisors. A/P Lee Cher Leng took me under her wing at the crucial moment when I was nearing completion of this research; Dr. Yan Xiuhong offered me insightful comments and guidance after my first supervisor Wee Lian Hee left NUS. But it was also Lian Hee who started me on the journey of Linguistics. Even though he had left NUS, modern technology had made it possible for me to obtain much help from him. I would have been lost if not for his suggestions and patience in keeping an eye almost word-by-word in my thesis. I would also like to thank everyone who contributed in any way to the completion of this project. I am particularly grateful for the National University of Singapore Research Scholarship (2005-2007), without which my life would be peppered with much physical hardship. On fieldwork, recordings and phonetic analyses, I am indebted to A/P Robbie Goh, Mr. -
A Chinese Yuppie in Beijing: Phonological Variation and the Construction of a New Professional Identity Author(S): Qing Zhang Source: Language in Society, Vol
A Chinese yuppie in Beijing: Phonological Variation and the Construction of a New Professional Identity Author(s): Qing Zhang Source: Language in Society, Vol. 34, No. 3 (Jun., 2005), pp. 431-466 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/4169435 Accessed: 25-04-2016 23:59 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Language in Society This content downloaded from 171.67.216.23 on Mon, 25 Apr 2016 23:59:09 UTC All use subject to http://about.jstor.org/terms Language in Society 34, 431-466. Printed in the United States of America DOI: 10.1017/S0047404505050153 A Chinese yuppie in Beijing: Phonological variation and the construction of a new professional identity QING ZHANG Department of Linguistics Calhoun Hall 501 University of Texas at Austin I University Station B5100 Austin, IX 78712-1196 [email protected] ABSTRACT Recent sociolinguistic studies have given increased attention to the situated practice of members of locally based communities. Linguistic variation ex- amined tends to fall on a continuum between a territorially based "stan- dard" variety and a regional or ethnic vernacular. -
Evidence from Tianjin Chinese Tone Sandhi
University of Pennsylvania Working Papers in Linguistics Volume 26 Issue 2 Selected Papers from New Ways of Article 17 Analyzing Variation (NWAV 48) 2020 Local Identity and Standardization: Evidence from Tianjin Chinese Tone Sandhi Xiaomei Wang Michigan State University Suzanne E. Wagner Michigan State University Follow this and additional works at: https://repository.upenn.edu/pwpl Recommended Citation Wang, Xiaomei and Wagner, Suzanne E. (2020) "Local Identity and Standardization: Evidence from Tianjin Chinese Tone Sandhi," University of Pennsylvania Working Papers in Linguistics: Vol. 26 : Iss. 2 , Article 17. Available at: https://repository.upenn.edu/pwpl/vol26/iss2/17 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/pwpl/vol26/iss2/17 For more information, please contact [email protected]. Local Identity and Standardization: Evidence from Tianjin Chinese Tone Sandhi Abstract This paper studies the roles of local identity and language attitude in language change by examining Tianjin Chinese tone sandhi in apparent time (90 speakers, sociolinguistic interviews, born 1932-1996). Previous studies on Tianjin Chinese indicated that some dialect features were decreasing in frequency over time (Gao and Lu 2003, Gu and Liu 2003, X. Wang 2017), but some other dialect features were increasing (Shi and Wang 2004, X. Wang 2017). Why are local features of Tianjin dialect changing in different directions under the same social and linguistic conditions? We propose that the influence of Standard Chinese (SC) and negative attitude to Tianjin dialect make the stereotyped local features decrease, while the desire to keep local identity, especially when facing a large number of migrants, makes the unmarked local features increase. -
Issues in the Analysis of Chinese Tone Jie Zhang* Department of Linguistics, the University of Kansas
Language and Linguistics Compass 4/12 (2010): 1137–1153, 10.1111/j.1749-818x.2010.00259.x Issues in the Analysis of Chinese Tone Jie Zhang* Department of Linguistics, The University of Kansas Abstract Chinese tone has played an important role in the development of phonological theory from dis- tinctive features and autosegmental phonology to Optimality Theory and its various adaptations. This article reviews some past and current issues in the analysis of Chinese tone and points out how the development of theoretical phonology has shaped the highs and lows of this research enterprise. To fruitfully proceed into the future, I plead to phonologists working in this area to cultivate a new respect for empirical data based on well-designed phonetic and psycholinguistic studies. This is necessitated by the observations that speakers’ knowledge of tone and tone sandhi may not be identical to their patterns in the lexicon, and impressionistic transcriptions, no matter how careful, can be inaccurate. Moreover, patterns of tone in Chinese are rich in variation, gradi- ence, and exceptions due to dialectal contact and the influence from the dominant Standard Chi- nese, and existing research has shown that the productivity of Chinese tone sandhi patterns is influenced by both categorical factors such as phonological opacity and gradient factors such as the phonetic nature and the frequency of usage of the sandhi. An empirical basis built around these issues will allow the study of Chinese tone to make continued contributions to the development of phonological theory and our understanding of speakers’ phonological knowledge. 1. Introduction It is well known that Chinese languages are tonal, in that the pitch with which a syllable is uttered can cue meaning differences. -
THE MEDIA's INFLUENCE on SUCCESS and FAILURE of DIALECTS: the CASE of CANTONESE and SHAAN'xi DIALECTS Yuhan Mao a Thesis Su
THE MEDIA’S INFLUENCE ON SUCCESS AND FAILURE OF DIALECTS: THE CASE OF CANTONESE AND SHAAN’XI DIALECTS Yuhan Mao A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Language and Communication) School of Language and Communication National Institute of Development Administration 2013 ABSTRACT Title of Thesis The Media’s Influence on Success and Failure of Dialects: The Case of Cantonese and Shaan’xi Dialects Author Miss Yuhan Mao Degree Master of Arts in Language and Communication Year 2013 In this thesis the researcher addresses an important set of issues - how language maintenance (LM) between dominant and vernacular varieties of speech (also known as dialects) - are conditioned by increasingly globalized mass media industries. In particular, how the television and film industries (as an outgrowth of the mass media) related to social dialectology help maintain and promote one regional variety of speech over others is examined. These issues and data addressed in the current study have the potential to make a contribution to the current understanding of social dialectology literature - a sub-branch of sociolinguistics - particularly with respect to LM literature. The researcher adopts a multi-method approach (literature review, interviews and observations) to collect and analyze data. The researcher found support to confirm two positive correlations: the correlative relationship between the number of productions of dialectal television series (and films) and the distribution of the dialect in question, as well as the number of dialectal speakers and the maintenance of the dialect under investigation. ACKNOWLEDGMENTS The author would like to express sincere thanks to my advisors and all the people who gave me invaluable suggestions and help. -
A Complete Collection of Chinese Institutes and Universities For
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Experimental Research on Bi-Syllable Tone of Dingxi Dialect in Gansu Province
2019 5th International Conference on Education, Management and Information Technology (ICEMIT 2019) Experimental Research on Bi-Syllable Tone of Dingxi Dialect in Gansu Province Ying Lia, Yonghong Lib, * Key Laboratory of China's Ethnic Languages and Information Technology of Ministry of Education, Northwest Minzu University, Lanzhou, Gansu 730030, China [email protected], [email protected] *Corresponding author Keywords: Dingxi dialect, bi-syllable tone, tone sandhi Abstract: This paper mainly uses the combination of acoustic experiment and auditory perception to analyze the bi-syllable tone of Dingxi dialect. The main purpose is to reveal the phonetic facts and rules of its transposition. There are 11 basic transposition forms in the dissyllabic phrases of Dingxi dialect, including 4 kinds of level tone category, 3 kinds of rising tone category, and 4 kinds of departure tone category. 1. Introduction Dingxi City, located in the central part of Gansu Province, was the important town of the ancient “Silk Road” and was known as the “Gansu Throat and Lanzhou Gateway”. Dingxi dialect belongs to the Central Plains’ Mandarin and it is also a sub-dialect of the Qinlong section. There are mainly researches on its phonetic. Zhang Wenxuan and Deng Wenjing (2005) summarized the phonetic system and compared it with the Beijing dialect to highlight the phonetic features of Dingxi dialect. Sun Lixin (2014) analyzed the rhythm, different reading and bi-syllable tone of it from the perspective of diachronic and synchronic. With the rapid development of experimental phonetics, the tone of dialects is quantitatively analyzed in the form of experimental methods and data. This will not only deepen people's understanding of the tone of Chinese dialects, but also better learn and promote Mandarin.