A Chinese Yuppie in Beijing: Phonological Variation and the Construction of a New Professional Identity Author(S): Qing Zhang Source: Language in Society, Vol
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Representations of Cities in Republican-Era Chinese Literature
Representations of Cities in Republican-era Chinese Literature Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Hao Zhou, B.A. Graduate Program in East Asian Languages and Literatures The Ohio State University 2010 Thesis Committee: Kirk A. Denton, Advisor Heather Inwood Copyright by Hao Zhou 2010 Abstract The present study serves to explore the relationships between cities and literature by addressing the issues of space, time, and modernity in four works of fiction, Lao She’s Luotuo xiangzi (Camel Xiangzi, aka Rickshaw Boy), Mao Dun’s Ziye (Midnight), Ba Jin’s Han ye (Cold nights), and Zhang Ailing’s Qingcheng zhi lian (Love in a fallen city), and the four cities they depict, namely Beijing, Shanghai, Chongqing, and Hong Kong, respectively. In this thesis I analyze the depictions of the cities in the four works, and situate them in their historical and geographical contexts to examine the characteristics of each city as represented in the novels. In studying urban space in the literary texts, I try to address issues of the “imaginablity” of cities to question how physical urban space intertwines with the characters’ perception and imagination about the cities and their own psychological activities. These works are about the characters, the plots, or war in the first half of the twentieth century; they are also about cities, the human experience in urban space, and their understanding or reaction about the urban space. The experience of cities in Republican era fiction is a novel one, one associated with a new modern historical consciousness. -
Phonological Elision in Malaysian Cantonese Casual Speech
PHONOLOGICAL ELISION IN MALAYSIAN CANTONESE CASUAL SPEECH ONG YIN HSIAR NATIONAL UNIVERSITY OF SINGAPORE 2007 PHONOLOGICAL ELISION IN MALAYSIAN CANTONESE CASUAL SPEECH ONG YIN HSIAR (B. ARTS), UM A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF CHINESE STUDIES NATIONAL UNIVERSITY OF SINGAPORE 2007 Acknowledgement How does a person say “thank you” when there are so many people to thank? This thesis is dedicated to my family, who encourage me to pursue my dream without a fear. They are my mentors and heroes that make my life complete. In my course of learning at NUS, I have had the benefit of wisdom from three supervisors. A/P Lee Cher Leng took me under her wing at the crucial moment when I was nearing completion of this research; Dr. Yan Xiuhong offered me insightful comments and guidance after my first supervisor Wee Lian Hee left NUS. But it was also Lian Hee who started me on the journey of Linguistics. Even though he had left NUS, modern technology had made it possible for me to obtain much help from him. I would have been lost if not for his suggestions and patience in keeping an eye almost word-by-word in my thesis. I would also like to thank everyone who contributed in any way to the completion of this project. I am particularly grateful for the National University of Singapore Research Scholarship (2005-2007), without which my life would be peppered with much physical hardship. On fieldwork, recordings and phonetic analyses, I am indebted to A/P Robbie Goh, Mr. -
Evidence from Tianjin Chinese Tone Sandhi
University of Pennsylvania Working Papers in Linguistics Volume 26 Issue 2 Selected Papers from New Ways of Article 17 Analyzing Variation (NWAV 48) 2020 Local Identity and Standardization: Evidence from Tianjin Chinese Tone Sandhi Xiaomei Wang Michigan State University Suzanne E. Wagner Michigan State University Follow this and additional works at: https://repository.upenn.edu/pwpl Recommended Citation Wang, Xiaomei and Wagner, Suzanne E. (2020) "Local Identity and Standardization: Evidence from Tianjin Chinese Tone Sandhi," University of Pennsylvania Working Papers in Linguistics: Vol. 26 : Iss. 2 , Article 17. Available at: https://repository.upenn.edu/pwpl/vol26/iss2/17 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/pwpl/vol26/iss2/17 For more information, please contact [email protected]. Local Identity and Standardization: Evidence from Tianjin Chinese Tone Sandhi Abstract This paper studies the roles of local identity and language attitude in language change by examining Tianjin Chinese tone sandhi in apparent time (90 speakers, sociolinguistic interviews, born 1932-1996). Previous studies on Tianjin Chinese indicated that some dialect features were decreasing in frequency over time (Gao and Lu 2003, Gu and Liu 2003, X. Wang 2017), but some other dialect features were increasing (Shi and Wang 2004, X. Wang 2017). Why are local features of Tianjin dialect changing in different directions under the same social and linguistic conditions? We propose that the influence of Standard Chinese (SC) and negative attitude to Tianjin dialect make the stereotyped local features decrease, while the desire to keep local identity, especially when facing a large number of migrants, makes the unmarked local features increase. -
Issues in the Analysis of Chinese Tone Jie Zhang* Department of Linguistics, the University of Kansas
Language and Linguistics Compass 4/12 (2010): 1137–1153, 10.1111/j.1749-818x.2010.00259.x Issues in the Analysis of Chinese Tone Jie Zhang* Department of Linguistics, The University of Kansas Abstract Chinese tone has played an important role in the development of phonological theory from dis- tinctive features and autosegmental phonology to Optimality Theory and its various adaptations. This article reviews some past and current issues in the analysis of Chinese tone and points out how the development of theoretical phonology has shaped the highs and lows of this research enterprise. To fruitfully proceed into the future, I plead to phonologists working in this area to cultivate a new respect for empirical data based on well-designed phonetic and psycholinguistic studies. This is necessitated by the observations that speakers’ knowledge of tone and tone sandhi may not be identical to their patterns in the lexicon, and impressionistic transcriptions, no matter how careful, can be inaccurate. Moreover, patterns of tone in Chinese are rich in variation, gradi- ence, and exceptions due to dialectal contact and the influence from the dominant Standard Chi- nese, and existing research has shown that the productivity of Chinese tone sandhi patterns is influenced by both categorical factors such as phonological opacity and gradient factors such as the phonetic nature and the frequency of usage of the sandhi. An empirical basis built around these issues will allow the study of Chinese tone to make continued contributions to the development of phonological theory and our understanding of speakers’ phonological knowledge. 1. Introduction It is well known that Chinese languages are tonal, in that the pitch with which a syllable is uttered can cue meaning differences. -
Language Variation and Social Identity in Beijing
Language Variation and Social Identity in Beijing Submitted in partial fulfillment of the requirements of the degree of Doctor of Philosophy in Linguistics Hui Zhao May 2017 School of Languages, Linguistics and Film Queen Mary University of London Declaration I, Hui Zhao, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my con- tribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party's copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: Abstract This thesis investigates language variation among a group of young adults in Beijing, China, with an aim to advance our understanding of social meaning in a language and a society where the topic is understudied. In this thesis, I examine the use of Beijing Mandarin among Beijing- born university students in Beijing in relation to social factors including gender, social class, career plan, and future aspiration. -
THE MEDIA's INFLUENCE on SUCCESS and FAILURE of DIALECTS: the CASE of CANTONESE and SHAAN'xi DIALECTS Yuhan Mao a Thesis Su
THE MEDIA’S INFLUENCE ON SUCCESS AND FAILURE OF DIALECTS: THE CASE OF CANTONESE AND SHAAN’XI DIALECTS Yuhan Mao A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Language and Communication) School of Language and Communication National Institute of Development Administration 2013 ABSTRACT Title of Thesis The Media’s Influence on Success and Failure of Dialects: The Case of Cantonese and Shaan’xi Dialects Author Miss Yuhan Mao Degree Master of Arts in Language and Communication Year 2013 In this thesis the researcher addresses an important set of issues - how language maintenance (LM) between dominant and vernacular varieties of speech (also known as dialects) - are conditioned by increasingly globalized mass media industries. In particular, how the television and film industries (as an outgrowth of the mass media) related to social dialectology help maintain and promote one regional variety of speech over others is examined. These issues and data addressed in the current study have the potential to make a contribution to the current understanding of social dialectology literature - a sub-branch of sociolinguistics - particularly with respect to LM literature. The researcher adopts a multi-method approach (literature review, interviews and observations) to collect and analyze data. The researcher found support to confirm two positive correlations: the correlative relationship between the number of productions of dialectal television series (and films) and the distribution of the dialect in question, as well as the number of dialectal speakers and the maintenance of the dialect under investigation. ACKNOWLEDGMENTS The author would like to express sincere thanks to my advisors and all the people who gave me invaluable suggestions and help. -
Experimental Research on Bi-Syllable Tone of Dingxi Dialect in Gansu Province
2019 5th International Conference on Education, Management and Information Technology (ICEMIT 2019) Experimental Research on Bi-Syllable Tone of Dingxi Dialect in Gansu Province Ying Lia, Yonghong Lib, * Key Laboratory of China's Ethnic Languages and Information Technology of Ministry of Education, Northwest Minzu University, Lanzhou, Gansu 730030, China [email protected], [email protected] *Corresponding author Keywords: Dingxi dialect, bi-syllable tone, tone sandhi Abstract: This paper mainly uses the combination of acoustic experiment and auditory perception to analyze the bi-syllable tone of Dingxi dialect. The main purpose is to reveal the phonetic facts and rules of its transposition. There are 11 basic transposition forms in the dissyllabic phrases of Dingxi dialect, including 4 kinds of level tone category, 3 kinds of rising tone category, and 4 kinds of departure tone category. 1. Introduction Dingxi City, located in the central part of Gansu Province, was the important town of the ancient “Silk Road” and was known as the “Gansu Throat and Lanzhou Gateway”. Dingxi dialect belongs to the Central Plains’ Mandarin and it is also a sub-dialect of the Qinlong section. There are mainly researches on its phonetic. Zhang Wenxuan and Deng Wenjing (2005) summarized the phonetic system and compared it with the Beijing dialect to highlight the phonetic features of Dingxi dialect. Sun Lixin (2014) analyzed the rhythm, different reading and bi-syllable tone of it from the perspective of diachronic and synchronic. With the rapid development of experimental phonetics, the tone of dialects is quantitatively analyzed in the form of experimental methods and data. This will not only deepen people's understanding of the tone of Chinese dialects, but also better learn and promote Mandarin. -
1 Migration, Local Identity and Change in Tianjin Tone Sandhi Xiaomei
2017. Proc Ling Soc Amer 2, 40:1-15. https://doi.org/10.3765/plsa.v2i0.4095. Migration, local identity and change in Tianjin tone sandhi Xiaomei Wang* Abstract. Four variable disyllabic tone sandhi patterns are traditionally identified in Tianjin (Li & Liu 1985). The present study focuses on two of these tone sandhi variables, referred to as (FF) and (FL) after their input patterns of ‘falling falling’ (HL.HL) and ‘falling low’ (HL.LL) respectively. The data are drawn from 76 sociolinguistic interviews conducted in Tianjin in 2014-16. In line with other reports (Shi & Wang 2004, Gao & Lu 2003), the study indicates that (FF) has decreased in frequency over time, while (FL) has increased in frequency. But the social motivations for the rise and the decline of these variables have not previously been investigated. I propose that the social motivations of the changes might be interaction of Standardization and Tianjin community’s effort to keep local identity, especially at the period when a large number of migrants rushed into the city. (FF) displays a linear decrease of the local variant in apparent time, probably due to its status as a stereotype (Labov, 1972) of ‘old-fashioned’ Tianjin identity and speech (Han 1993). Different from (FF), (FL) has never been stigmatized, so it is available for ‘recycling’ (Dubois & Horvath 2000) as a positive marker (Labov, 1972) of ‘new’ Tianjin identity. Keywords. Tianjin tone sandhi; migration; local identity; Standardization 1. Introduction. Tianjin Chinese tone sandhi rules seem to have undergone changes over time. They may be due to the influences of dialect contact with Standard Chinese (hereafter SC) (Gao & Lu 2003) and with other varieties through education and/or in-migration (X. -
Chenspencer-Masters Thesis
UNIVERSITY OF CALIFORNIA Los Angeles Shifting Language Ideologies in Taiwan: The Folk Redefinition of Taiwan Mandarin A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Applied Linguistics by Spencer Chao-long Chen 2015 © Copyright by Spencer Chao-long Chen 2015 ABSTRACT OF THE THESIS Shifting Language Ideologies in Taiwan: The Folk Redefinition of Taiwan Mandarin by Spencer Chao-long Chen Master of Arts in Applied Linguistics University of California, Los Angeles, 2015 Paul V. Kroskrity, Chair This thesis applies the analytical framework of language ideologies to the folk conceptualization of speech communities in Taiwan. The data come from the pilot ethnography conducted in Taipei, Taiwan in 2014. This thesis considers Taiwanese people’s changing ideologies about language as a reflection of the volatile sociopolitical relationship between the Republic of China (ROC), commonly known as Taiwan, and the People’s Republic of China (PRC), also known as Mainland China. This thesis presents the ways in which Taiwanese people reideologize and utilize Taiwan Mandarin in a project of linguistic differentiation and semiotic boundary maintenance against the PRC (China). The collective memory of learning Mandarin in school is mobilized to establish the conceptual boundary between Taiwan Mandarin and the ‘Chinese’ Mandarin. Accentual features that were considered non-standard are revalorized and valorized as the perceived standard of Taiwan Mandarin. Linguistic features are semiotically selected to index speaker characteristic differences between Taiwanese people and the mainland Chinese. ii The thesis of Spencer Chao-long Chen is approved. Norma Mendoza-Denton Olga T. Yokoyama Paul V. Kroskrity, Committee Chair University of California, Los Angeles 2015 iii DEDICATION To my parents. -
Tones, Tonal Phonology, and Tone Sandhi
17 Tones, Tonal Phonology, and Tone Sandhi JIE ZHANG 1 Introduction Chinese dialects are well known to be tonal, in the sense that the pitch with which a syllable is uttered can cue meaning differences. Examples that illustrate the contrastive status of tones abound in virtually all Chinese dialects, and the ma55/ ma35/ma213/ma51 “mother/hemp/horse/to scold” quadruplet for Standard Chinese (SC), made popular by introductory linguistics textbooks, provides only a glimpse of this robust phenomenon.1 The differences between Chinese tone languages and African tone languages were noted as early as by Pike (1948). Wan and Jaeger (1998: 426–427) aptly sum- marized the differences as follows: first, tones in Chinese are typically associated with individual syllables and predominantly serve a lexical function, while tone patterns in African languages are often associated with polysyllabic phonological words and serve grammatical functions; second, Chinese languages generally have a contour-based system with multiple contour tones in the tonal inventory, while African languages usually have a register-based tone system with two or three tonal levels. Added to these properties is the fact that Chinese languages often have complex patterns of tone alternation caused by adjacent tones or the prosodic/morpho- syntactic environment in which a tone appears, commonly referred to as tone sandhi. Two examples of tone sandhi from SC and Taiwanese are given in (1): in SC, the third tone 213 becomes 35 before another 213 (1a), and in Taiwanese, a tone undergoes regular changes whenever it appears in non-XP-final positions (1b) (Chen 1987; Lin 1994; Simpson, Chapter 18, this volume). -
Production and Perception of Kaifeng Mandarin Tones
PRODUCTION AND PERCEPTION OF KAIFENG MANDARIN TONES Published by LOT phone: +31 30 253 6111 Trans 10 3512 JK Utrecht e-mail: [email protected] The Netherlands http://www.lotschool.nl Cover illustration: The ‘bridge scene’ in the famous painting 清明上河 图 ‘along the river during the Qingming festival’ by Zeduan Zhang, which depicts the people and the landscape of Kaifeng in the Northern Song dynasty (960–1127). The painting had been redrawn by Hai Ying and the cover picture was taken by Lei Wang with the former’s kind permission. ISBN: 978-94-6093-311-0 NUR 616 Copyright © 2018: Lei Wang. All rights reserved. PRODUCTION AND PERCEPTION OF KAIFENG MANDARIN TONES Proefschrift ter verkrijging van de graad van doctor aan de Radboud Universiteit Nijmegen op gezag van de rector magnificus prof. dr. J.H.J.M. van Krieken, volgens besluit van het college van decanen in het openbaar te verdedigen op woensdag 19 december 2018 om 16.30 uur precies door Lei Wang geboren op 6 november 1987 te Kaifeng, China Promotor: Prof. dr. C.H.M. Gussenhoven Copromotor: Dr. M.A.M. van de Ven Manuscriptcommissie: Prof. dr. J.P.M. Fikkert (voorzitter) Dr. Y. Chen, Universiteit Leiden Dr. P. Hallé, Université Paris 3 – Sorbonne Nouvelle, Frankrijk Prof. dr. V.J.J.P. van Heuven, Pannon Egyetem, Hongarije Prof. dr. J. Zhang, University of Kansas, Verenigde Staten ACKNOWLEDGEMENTS This dissertation marks the end of my two-year journey at Radboud Universiteit (RU). Words fail me when I attempt to extend my heartfelt gratitude to my supervisor, Carlos Gussenhoven, without whom this journey could not have started in the first place. -
THE ICONICITY of CONSONANTS in ACTION WORDS by XINJIA PENG
THE ICONICITY OF CONSONANTS IN ACTION WORDS by XINJIA PENG A THESIS Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2013 THESIS APPROVAL PAGE Student: Xinjia Peng Title: The Iconicity of Consonants in Action Words This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of East Asian Languages and Literatures by: Zhuo Jing-Schmidt Chairperson Kaori Idemaru Member and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2013 ii © 2013 Xinjia Peng iii THESIS ABSTRACT Xinjia Peng Master of Arts The Department of East Asian Languages and Literatures June 2013 Title: The Iconicity of Consonants in Action Words Saurssure argues that the relationship between form and meaning in language is arbitrary, but sound symbolism theory argues that there are forms in language that can develop non-arbitrary association with meanings. This thesis proposes that there is a sound symbolic association between consonants and action words. To be more specific, a stop sound is likely to be associated with the action of percussion and a continuant sound with continuing movements. Evidence for such an association was found through three empirical studies. The findings of two experiments revealed that such an association is motivated by the gestures when pronouncing the consonants and by their phonetic features.