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Defeating Surgical Anguish: a Worldwide Tale of Creativity
Journal of Anesthesia and Patient Care Volume 3 | Issue 1 ISSN: 2456-5490 Research Article Open Access Defeating Surgical Anguish: A Worldwide Tale of Creativity, Hostility, and Discovery Iqbal Akhtar Khan*1 and Charles J Winters2 1Independent Scholar, Lahore, Pakistan 2Neurosurgeon, Washington County, 17-Western Maryland Parkway, Suit #100, Hagerstown, MD21740, United States *Corresponding author: Iqbal Akhtar Khan, MBBS, DTM, FACTM, PhD, Independent Scholar, Lahore, Pakistan, E-mail: [email protected] Citation: Iqbal Akhtar Khan, Charles J Winters (2018) Defeating Surgical Anguish: A Worldwide Tale of Creativity, Hostility, and Discovery. J Anesth Pati Care 3(1): 101 Received Date: March 01, 2018 Accepted Date: December 11, 2018 Published Date: December 13, 2018 In Memoria There are countless persons who have suffered through the ages around the world but not mentioned in any text or inscription. The following examples are sad but true tales of the journey through experimentation and torture. Ms. Eufame MacAlyane of Castle Hill Edinburg who, in 1591, was burned alive by order of the ruler of Scotland, King James I, who was an early opponent of “pain free labor”. Her “unforgivable offense” was to seek pain relief during labor [1]. Mrs. Kae Seishu volunteered as the brave first human subject to test “Tsusensan”, an oral anesthetic mixture formulated by her husband Dr. Seishu Hanaoka. The product met great success but she became permanently blind, presumably from repeated experimentation [2]. Their husbands’ agony and anguish is unimaginable! As such, it was a personalized, immeasurable, and unsharable experience. Apropos is a quote from an Urdu poet! Unknown remained their beloveds’ graves, Their nameless, traceless sanctuary. -
Exploring Boston's Religious History
Exploring Boston’s Religious History It is impossible to understand Boston without knowing something about its religious past. The city was founded in 1630 by settlers from England, Other Historical Destinations in popularly known as Puritans, Downtown Boston who wished to build a model Christian community. Their “city on a hill,” as Governor Old South Church Granary Burying Ground John Winthrop so memorably 645 Boylston Street Tremont Street, next to Park Street put it, was to be an example to On the corner of Dartmouth and Church, all the world. Central to this Boylston Streets Park Street T Stop goal was the establishment of Copley T Stop Burial Site of Samuel Adams and others independent local churches, in which all members had a voice New North Church (Now Saint Copp’s Hill Burying Ground and worship was simple and Stephen’s) Hull Street participatory. These Puritan 140 Hanover Street Haymarket and North Station T Stops religious ideals, which were Boston’s North End Burial Site of the Mathers later embodied in the Congregational churches, Site of Old North Church King’s Chapel Burying Ground shaped Boston’s early patterns (Second Church) Tremont Street, next to King’s Chapel of settlement and government, 2 North Square Government Center T Stop as well as its conflicts and Burial Site of John Cotton, John Winthrop controversies. Not many John Winthrop's Home Site and others original buildings remain, of Near 60 State Street course, but this tour of Boston’s “old downtown” will take you to sites important to the story of American Congregationalists, to their religious neighbors, and to one (617) 523-0470 of the nation’s oldest and most www.CongregationalLibrary.org intriguing cities. -
Alternative Methods to Teach History of Anesthesia
University of Massachusetts Medical School eScholarship@UMMS Anesthesiology and Perioperative Medicine Publications Anesthesiology and Perioperative Medicine 2012-10 Alternative Methods to Teach History of Anesthesia Manisha S. Desai University of Massachusetts Medical School Et al. Let us know how access to this document benefits ou.y Follow this and additional works at: https://escholarship.umassmed.edu/anesthesiology_pubs Part of the Anesthesiology Commons, and the Medical Education Commons Repository Citation Desai MS, Desai SP. (2012). Alternative Methods to Teach History of Anesthesia. Anesthesiology and Perioperative Medicine Publications. https://doi.org/10.13028/ng76-k913. Retrieved from https://escholarship.umassmed.edu/anesthesiology_pubs/142 This material is brought to you by eScholarship@UMMS. It has been accepted for inclusion in Anesthesiology and Perioperative Medicine Publications by an authorized administrator of eScholarship@UMMS. For more information, please contact [email protected]. AlternativeAlternative MethodsMethods toto TeachTeach HistoryHistory ofof AnesthesiaAnesthesia *Manisha S. Desai, MD and **Sukumar P. Desai, MD *Dept of Anesthesiology, UMass Memorial Health Care, University of Massachusetts Medical School, Worcester, MA; **Dept of Anesthesiology, Perioperative and Pain Medicine, Brigham and Women’s Hospital, Harvard Medical School, Boston, MA Background: 3. Movies and video clips: Without disrupting the prime-time History of Anesthesia [HOA] may be taught through lectures, small schedule of grand rounds and other departmental lectures, we screen group discussions, or by one-on-one teaching. HOA competes for the 1944 Hollywood movie ‘The Great Moment,’3 starring James scarce time in a busy didactic schedule and for coverage in McCrea as William T. G. Morton, sometime in August for CA-1 mainstream medical journals devoted to anesthesiology. -
Hclassification
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS ____________TYPE ALL ENTRIES - COMPLETE APPLICABLE SECTIONS______ I NAME HISTORIC Massachusetts State House AND/OR COMMON Massachusetts State House I LOCATION STREET & NUMBER Beacon Hill —NOT FOR PUBiJCATION CITY, TOWN CONGRESSIONAL DISTRICT Boston . VICINITY OF 8 th STATE CODE COUNTY CODE Massachusetts 25 Suffolk 025 HCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE ...DISTRICT X.PUBLIC AOCCUPIED —AGRICULTURE —MUSEUM -XBUILDING(S) _PRIVATE —UNOCCUPIED —COMMERCIAL ...PARK —STRUCTURE _BOTH —.WORK IN PROGRESS —EDUCATIONAL — PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS _OBJECT _IN PROCESS XYES: RESTRICTED -KGOVERNMENT —SCIENTIFIC ..BEING CONSIDERED — YES UNRESTRICTED —INDUSTRIAL — TRANSPORTATION —NO —MILITARY —OTHER OWNER OF PROPERTY NAME Commonweath of Massachusetts STREETS NUMBER Beacon Street CITY" TOWN STATE VICINITY OF Massachusetts (LOCATION OF LEGAL DESCRIPTION COURTHOUSE REGISTRY OF DEEDS, ETC Suffolk County Registry of Deeds STREETS NUMBER Somerset Street CITY. TOWN STATE Boston Massachusetts REPRESENTATION IN EXISTING SURVEYS TITLELE Historic American Buildings Survey (Gates and Steps, 10 sheets, 6 photos) DATE 1938,1941 X FEDERAL —.STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS Library of Congress/Annex Division of Prints and Photographs CITY. TOWN STATE Washington D.C. DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT _DETERIORATED _UNALTERED ^ORIGINAL SITE —GOOD _RUINS FALTERED _MOVED DATE_____ —FAIR —UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE The following description from the Columbian Centinel, January 10, 1798 is reproduced in Harold Kinken's The Architecture of Charles Bulfinch, The New State-House is an oblong building, 173 feet front, and 61 deep, it consists externally of a basement story, 20 feet high, and a principal story 30 feet. -
Asher Benjamin As an Architect in Windsor, Vermont
Summer 1974 VOL. 42 NO.3 The GpROCEEDINGS of the VERMONT HISTORICAL SOCIETY This famous architect built a meetinghouse and three private houses in Windsor before he left for Boston in 1802 ... Asher Benjamin as an Architect in Windsor, Vennont By JOHN QUINAN N August of 1802 the architect Asher Benjamin wrote from Boston to I Gideon Granger, the Postmaster General of the United States, seeking aid in obtaining a commission for a marine hospital in that city. Benjamin's letter identifies by name and location most of his first eight commissions - a rare and unusual document in American architectural history which enables us to trace his path northward from Hartford, Con necticut, to Windsor, Vermont. Benjamin wrote, in part: "Sir, I have since I left Suffield Conn. built the following houses, Viz. Samuel Hinckley, Northampton, William Coleman's Greenfield, Luke Baldwin's Esq., Brookfield, and a Meeting House and three other large houses in Windsor, Vermont, The Academy at Deerfield. l Most of these commissions have not fared very well. The Deerfield Academy building (Memorial Hall, 1798-1799) was altered sufficiently during the nineteenth century to obscure much of its original character. The Baldwin and Hinckley houses (both c.17%) were demolished early in the twentieth century and are lost to us, and it seems that the William Coleman house in Greenfield (1797) (Fig. 6) is the sole survivor of Benjamin's first decade of practice. But what of the four unnamed build ings in Windsor? Are they identifiable? Do they still stand in Windsor? Have they any special interest or significance? The four Windsor buildings are identifiable despite the fact that the three houses have been demolished and the meetinghouse has been altered I. -
A Pictoral History of the Boston Music Hall and the Great Organ
A PICTORIAL HISTORY OF THE BOSTON MUSIC HALL AND THE GREAT ORGAN by Ed Sampson, President, Methuen Memorial Music Hall, Inc. 2018 Few instruments in the history of pipe organs in America have had as long, or as distinguished, a career as the Boston Music Hall Organ. The first concert organ in the country, it remains today one of the outstanding organs in America. The need for a large and centrally-located concert hall for Boston was discussed at the annual meeting of the Harvard Musical Association, founded in 1837 (Henry White Pickering (1811-1898), President) on January 31, 1851. A "Music Hall Committee", comprised of members Robert East Apthorp (1812-1882), George Derby (1819-1874), John Sullivan Dwight (1813-1893), Charles Callahan Perkins (1822-1886), and Dr. Jabez Baxter Upham (1820- 1902), was appointed to address the matter. The Boston Music Hall was built in 1852 by the Boston Music-Hall Association, founded in 1851 (Jabez Baxter Upham, President) and by the Harvard Musical Association, that contributed $100,000 towards its construction. It stood in the center of a block that sloped downward from Tremont Street to Washington Street; and was between Winter Street on the south and Bromfield Street on the north. Almost entirely surrounded by other buildings, only glimpses of the hall's massive granite block foundation and plain brick walls could be seen. There were two entrances to the Music Hall: the Bumstead Place entrance, (named after Thomas Bumstead (1740-1828) a Boston coachmaker), off Tremont Street (later Hamilton Place) opposite the Park Street Church; 1 and the Central Place or Winter Place (later Music Hall Place) entrance off Winter Street. -
The Old Capitol As Completed
CHAPTER VI THE OLD CAPITOL AS COMPLETED 1 HE old Capitol was situated in a park of 22 ⁄2 acres [Plate 87], The eastern entrance, according to Mills, had spacious gravel inclosed by an iron railing.1 There were nine entrances to the walks, through a “dense verdant inclosure of beautiful shrubs and trees, grounds, two each from the north and south for carriages, two circumscribed by an iron palisade.” 3 An old print, made from a draw- on the east and three on the west for pedestrians. The western ing by Wm. A. Pratt, a rural architect and surveyor in 1839, gives a Tentrances at the foot of the hill were flanked by two ornamental gate or clear idea of the eastern front of the building and its surroundings at watch houses [Plate 81]. The fence was of iron, taller than the head of this period [Plate 90]. an ordinary man, firmly set in an Aquia Creek sandstone coping, which The old Capitol building covered 67,220 square feet of ground. covered a low wall [Plate 82]. The front was 351 feet 4 inches long. The depth of the wings was 131 On entering the grounds by the western gates, passing by a foun- feet 6 inches; the central eastern projection, including the steps, 86 feet; tain, one ascended two flights of steps to the “Grand Terrace” [Plate 88]. the western projection, 83 feet; the height of wings to the top of Upon the first terrace was the Naval Monument, erected to those balustrade, 70 feet; to top of Dome in center, 145 feet. -
ETHER in VOGUE: Nathan Cooley Keep and William Morton by Walter C
M ASSACHUSETTS GENERAL HOSPITAL BICENTENNIAL 1811-2011 “KEEP-ing” ETHER in VOGUE: Nathan Cooley Keep and William Morton By Walter C. Guralnick, DMD, and Leonard B. Kaban, DMD, MD This paper was presented originally at the 150th celebration of the first demonstration of ether anesthesia, Massachusetts General Hospital . For anyone connected with dentistry, celebrating the demonstration in 1846 by Boston dentist William Morton, is a memorable event. It is especially meaningful for those of us gathered here this evening in the historical Ether Dome. Particularly interesting in the Ether story is the role of Nathan Cooley Keep, an anesthesiologist and the first Dean of the Harvard Dental School. Furthermore, it will be enlightening to trace the estimable record of dentists and oral and maxillofacial surgeons in the administration of ambulatory anesthesia, a continuum of Morton’s watershed demonstration. Nathan Cooley Keep, who received an M.D. degree from the Harvard Medical School in 1827, was the leading dental practitioner of his era in Boston. He was born in Longmeadow, Massachusetts, a suburb of Springfield, in 1800. As a child, he was noted to have extraordinary mechanical skill. This ability was explained by The Historical and Genealogical Register (April 1878), in its memorial minute upon Dr. Keep’s death, as being inherited from his father who had “great ingenuity and mechanical skill.” Keep’s admirable humane qualities and his biological curiosity were also noted and ascribed to his mother, in the same document which stated: “… his own knowledge of disease; his fertility in suggesting relief in the sick room and his willingness and ability to lend personal help in relieving suffering in all forms, were a kind of natural inheritance from his mother.” Because of his skill with tools, young Keep was apprenticed at the age of 15 to a New Jersey jeweler. -
Italy Under the Golden Dome
Italy Under the Golden Dome The Italian-American Presence at the Massachusetts State House Italy Under the Golden Dome The Italian-American Presence at the Massachusetts State House Susan Greendyke Lachevre Art Collections Manager, Commonwealth of Massachusetts Art Commission, with the assistance of Teresa F. Mazzulli, Doric Docents, Inc. for the Italian-American Heritage Month Committee All photographs courtesy Massachusetts Art Commission. Fifth ed., © 2008 Docents R IL CONSOLE GENERALE D’ITALIA BOSTON On the occasion of the latest edition of the booklet “Italy Under the Golden Dome,” I would like to congratulate the October Italian Heritage Month Committee for making it available, once again, to all those interested to learn about the wonderful contributions that Italian artists have made to the State House of Massachusetts. In this regard I would also like to avail myself of this opportunity, if I may, to commend the Secretary of the Commonwealth of Massachusetts, the Hon. William F. Galvin, for the cooperation that he has graciously extended to the Committee in this particular endeavor. Italians and Italian Americans are rightly proud of the many extraordinary works of art that decorate the State House, works that are either made by Italian artists or inspired by the Italian tradition in the field of art and architecture. It is therefore particularly fitting that the October Italian Heritage Month Committee has taken upon itself the task of celebrating this unique contribution that Italians have made to the history of Massachusetts. Consul General of Italy, Boston OCTOBER IS ITALIAN-AMERICAN HERITAGE MONTH On behalf of the Committee to Observe October as Italian-American Heritage Month, we are pleased and honored that Secretary William Galvin, in cooperation with the Massachusetts Art Commission and the Doric Docents of the Massachusetts State House, has agreed to publish this edition of the Guide. -
Charles Bulfinch's Popularity Flourished in the 1790'S After Articles
Charles Bulfinch's popularity flour ished in the 1790's after articles and images of the Ho llis Street Church, his first major project, were publ ished . The images led lo two ear ly church commissions ou tside of Boston an d signaled the beginning ofBu lfinch 's growing inlluence on New England ch urch architecture. The church comm issions also led to a wide variety of requests for Bulfinch designed institu tional buildings. such as court houses. banks and collegiate arch itecture, as well as designs for private mansions, evidence of which can be found in Salem, Massachusells and Maine. Bulfinch's chu rch designs had several innovat ive elements . Traditiona lly, lhe entrances lo a New England sty le meeting houses, where relig ious and public meetings were held, had been placed on the short ax is of the building where members entered from the sides. Bulfinch reorganized this design along the lines of a classical Latinate plan, placing the entrance on the long ax is at the front of the church and pulpit at the far end. He also brough t the free sta nding tower and steeple back into the body of the bui lding, above the entrance w ith a pedimen t porch to suppor t it. The two churches which began this trend were the Congregat ional Churches in Pittsfield (1793) an d Taunton (1792), very sim ilar in design, and wide ly copied thro ughout the New Englan d area . Other churches Bulfinch worked on outside of Boston were the Old South Church in Hallowell, Maine, where he designed the Cupola (1806), and the Church of Chris t in Lancaster, Massachusetts . -
The Work of Charles Bulfinch, Architect
CHAPTER V THE WORK OF CHARLES BULFINCH, ARCHITECT HE resignation of Latrobe placed the position of Architect of appointment, with a salary of $2,500 and expenses paid of removal of the Capitol at the disposal of the Commissioner of Public family and furniture.” 2 Buildings and Grounds.1 President Monroe, who was now in The letter of Mr. William Lee, referred to by Bulfinch, shows that the White House, became acquainted with Charles Bulfinch the friction between Latrobe, the commissioner, and the President was Twhen on a visit to Boston, July, 1817. On this occasion Bulfinch was at the point of rupture before September, 1817. He says: “I am sorry for chairman of selectmen, as well as of the reception committee which Latrobe, who is an amiable man, possesses genius and a large family, received the President. but in addition to the President not being satisfied with him, there is an Miss Ellen S. Bulfinch, in the life of her grandfather, Charles unaccountable and I think unjust prejudice against him by many mem- Bulfinch, which was recently published, gives several letters and other bers of the Government, Senate, and Congress.” Bulfinch says that data, from which I have taken extracts throwing light upon this period although he would be pleased to have the situation, “I have always in the history of the Capitol. endeavored to avoid unpleasant competition with others, that by Bulfinch, in his brief manuscript autobiography, says: opposing their interests would excite enmity and ill will. I should much “About November, 1817, following the visit of the President, I regret being the instrument of depriving a man of undoubted talents of received a letter from William Lee, esq., one of the auditors at Wash- employment which places him at the head of the profession.” 3 The ington, and in the confidence of the President, stating the probability President on his return appointed a commission, consisting of General of the removal of Mr. -
DELISTING the DISHONORABLE Leah Deskins* INTRODUCTION
DELISTING THE DISHONORABLE Leah Deskins* INTRODUCTION ....................................................................................... 51 I. A BRIEF OVERVIEW OF THE CONFEDERATE MONUMENTS DEBATE .... 55 II. CONFEDERATE MONUMENTS CURRENTLY LISTED ON THE NATIONAL REGISTER........................................................................................... 60 III. SHOULD THE NATIONAL REGISTER LIST CONFEDERATE MONUMENTS? ........................................................................................................... 65 A. Confederate Monuments Do Not Meet the Requirements for National Register Listing ........................................................ 65 1. Confederate Monuments Fail to Qualify for Listing Pursuant to Criteria A and C ............................................................ 65 2. Confederate Monuments Do Not Satisfy Criteria Consideration F and They Need Not Remain Listed as Integral Parts of Listed Historic Districts ............................................... 69 B. American Society Has Rejected and Replaced References to the Confederacy ............................................................................ 71 C. But What of Heritage, History, and Memory?.............................. 75 IV. REMOVING CONFEDERATE MONUMENTS FROM THE NATIONAL REGISTER........................................................................................... 77 A. Delisting Is a Task for the National Park Service ........................ 78 B. Additional Information and Error in Professional Judgment