The Porcupine's Quill Fall 2017
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“This Is About Me”: a Consideration of Spirituality and Desire in Avison's Poems
164 “This is about me”: A Consideration of Spirituality and Desire in Avison’s Poems by Elizabeth Davey When we reflect on the poetic legacy of Margaret Avison, we think of a giant or, as noted in one obituary, a “‘titan’ in modern Canadian poetry” (Kubacki) incongruously embodied in this shy, diminutive woman. Critics have long admired her often-dense poetry, attracted to her “ironically allu- sive manner” and her “spiritualized syntax” (Merrett 95, Starnino 139). David Jeffrey commends her for her “testimony to a philosophical and spiritual progress” (59). “Margaret Avison has probed and celebrated how we apprehend and envision the natural world,” Robert Merrett notes, “in the process acutely yet tactfully embodying the metaphysical issues that stem from our sensations and imaginations” (95). In the mining of her rich poems, admirers have taken cues from her careful selection of subjects in lyrics of complexity and ambiguity. We expect demanding intellectual and spiritual exercise from engaging in the process. I have wondered, though, at her and our reticence to explore one particular subject, perhaps because of assumptions we make about her status as an unmarried woman and her proclivity to eschew conversation about her private life. Little—but not nothing—is said in Avison’s poems about intimacy and sexuality, reinforc- ing our silence. If we put on different lenses of inquiry, we discover several clues that validate the poet’s experience and occasional expression of desire. To begin, it would be inaccurate to assume that because Avison never married, she did not know passion or experience sexual desire. -
Bukowski Agency Backlist Highlights
the bukowski agency backlist highlights 2010 www.thebukowskiagency.com CONTENTS Anita Rau Badami . 2 Judy Fong Bates . 4 Alan Bradley . 6 Catherine Bush . 8 Abigail Carter . 9 Wayson Choy . 10 Austin Clarke . 12 George Elliott Clarke . 14 Anthony De Sa . 15 John Doyle . 16 Liam Durcan . 17 Anosh Irani . 18 Rebecca Eckler . 20 Paul Glennon . 21 Ryan Knighton . 22 Lori Lansens . 24 Sidura Ludwig . 26 Pearl Luke . 27 Annabel Lyon . 28 D .J . McIntosh . 30 Leila Nadir . 31 Shafiq Qaadri . 32 Adria Vasil . 32 Eden Robinson . 33 Kerri Sakamoto . 34 Sandra Sabatini . 36 Cathryn Tobin . 37 Cathleen With . 38 CLIENTS . 39 CO-AGENTS . 40 Anita RAu BadamI Can You Hear the Nightbird Call? Can You Hear the Nightbird Call? traces the epic trajectory of a tale of terrorism through time and space 95,000 words hardcover / Finished books available RIGHTS SOLD Canada: Knopf, September 2006 Italy: Marsilio, Spring 2008 France: Éditions Philippe Rey, India: Penguin, January 2007 March 2007 Australia: Scribe, March 2007 Holland: De Geus, Spring 2008 • Longlisted for the 2008 IMPAC Dublin Literary Award • Shortlisted for the Ontario Library Association 2007 Evergreen Awards The Hero’s Walk The Hero’s Walk traces the terrain of family and forgiveness through the lives of an exuberant cast of characters bewildered by the rapid pace of change in today’s India 368 pages hardcover / Finished books available RIGHTS SOLD US: Algonquin, 2001 Canada: Knopf, 2000 US: Paperback: Ballantine Greece: Kastaniotis Editions UK: Bloomsbury, 2002 Poland: Wydawnictwo Dialog France: -
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry
ECLECTIC DETACHMENT Aspects of Identity in Canadian Poetry A. J. M. Smith I,N THE CLOSING PARAGRAPHS of the Introduction to The Oxford Book of Canadian Verse I made an effort to suggest in a phrase that I hoped might be memorable a peculiar advantage that Canadian poets, when they were successful or admirable, seemed to possess and make use of. This, of course, is a risky thing to do, for what one gains in brevity and point may very well be lost in inconclusiveness or in possibilities of misunderstanding. A thesis needs to be demonstrated as well as stated. In this particular case I think the thesis is implicit in the poems assembled in the last third of the book — and here and there in earlier places too. Nevertheless, I would like to develop more fully a point of view that exigencies of space confined me previously merely to stating. The statement itself is derived from a consideration of the characteristics of Canadian poetry in the last decade. The cosmopolitan flavor of much of the poetry of the fifties in Canada derives from the infusion into the modern world of the archetypal patterns of myth and psychology rather than (as in the past) from Christianity or nationalism. After mentioning the names of James Reaney, Anne Wilkinson, Jay Macpherson, and Margaret Avison—those of the Jewish poets Eli Mandel, Irving Layton, and Leonard Cohen might have been added—I went on to say : The themes that engage these writers are not local or even national; they are cos- mopolitan and, indeed, universal. -
Hungarian Studies ^Eviezv Vol
Hungarian Studies ^eviezv Vol. XXV, Nos. 1-2 (Spring-Fall, 1998) Special Volume: Canadian Studies on Hungarians: A Bibliography (Third Supplement) Janos Miska, comp. This special volume contains a bibliography of recent (1995-1998) Canadian publications on Hungary and Hungarians in Canada and else- where. It also offers a guide to archival sources on Hungarian Canadians in Hungary and Canada; a list of Hungarian-Canadian newspapers, jour- nals and other periodicals ever published; as well as biographies of promi- nent Hungarian-Canadian authors, educators, artists, scientists and com- munity leaders. The volume is completed by a detailed index. The Hungarian Studies Review is a semi- annual interdisciplinary journal devoted to the EDITORS publication of articles and book reviews relat- ing to Hungary and Hungarians. The Review George Bisztray is a forum for the scholarly discussion and University of Toronto analysis of issues in Hungarian history, politics and cultural affairs. It is co-published by the N.F. Dreisziger Hungarian Studies Association of Canada and Royal Military College the National Sz£ch6nyi Library of Hungary. Institutional subscriptions to the HSR are EDITORIAL ADVISERS $12.00 per annum. Membership fees in the Hungarian Studies Association of Canada in- Oliver Botar clude a subscription to the journal. University of Manitoba For more information, visit our web-page: Geza Jeszenszky http://www.ccsp.sfu.ca/calj.hsr Budapest- Washington Correspondence should be addressed to: Ilona Kovacs National Szechenyi Library The Editors, Hungarian Studies Review, University of Toronto, Mlria H. Krisztinkovich 21 Sussex Ave., Vancouver Toronto, Ont., Canada M5S 1A1 Barnabas A. Racz Statements and opinions expressed in the HSR Eastern Michigan U. -
Ontario Crafts Council Periodical Listing Compiled By: Caoimhe Morgan-Feir and Amy C
OCC Periodical Listing Compiled by: Caoimhe Morgan-Feir Amy C. Wallace Ontario Crafts Council Periodical Listing Compiled by: Caoimhe Morgan-Feir and Amy C. Wallace Compiled in: June to August 2010 Last Updated: 17-Aug-10 Periodical Year Season Vo. No. Article Title Author Last Author First Pages Keywords Abstract Craftsman 1976 April 1 1 In Celebration of pp. 1-10 Official opening, OCC headquarters, This article is a series of photographs and the Ontario Crafts Crossroads, Joan Chalmers, Thoma Ewen, blurbs detailing the official opening of the Council Tamara Jaworska, Dora de Pedery, Judith OCC, the Crossroads exhibition, and some Almond-Best, Stan Wellington, David behind the scenes with the Council. Reid, Karl Schantz, Sandra Dunn. Craftsman 1976 April 1 1 Hi Fibres '76 p. 12 Exhibition, sculptural works, textile forms, This article details Hi Fibres '76, an OCC Gallery, Deirdre Spencer, Handcraft exhibition of sculptural works and textile House, Lynda Gammon, Madeleine forms in the gallery of the Ontario Crafts Chisholm, Charlotte Trende, Setsuko Council throughout February. Piroche, Bob Polinsky, Evelyn Roth, Charlotte Schneider, Phyllis gerhardt, Dianne Jillings, Joyce Cosgrove, Sue Proom, Margery Powel, Miriam McCarrell, Robert Held. Craftsman 1976 April 1 2 Communications pp. 1-6 First conference, structures and This article discusses the initial Weekend programs, Alan Gregson, delegates. conference of the OCC, in which the structure of the organization, the programs, and the affiliates benefits were discussed. Page 1 of 153 OCC Periodical Listing Compiled by: Caoimhe Morgan-Feir Amy C. Wallace Periodical Year Season Vo. No. Article Title Author Last Author First Pages Keywords Abstract Craftsman 1976 April 1 2 The Affiliates of pp. -
Robert Graves Remembered by Jay Macpherson (1931–2012) Dunstan Ward
‘An Immensely Happy Time’: Robert Graves Remembered by Jay Macpherson (1931–2012) Dunstan Ward Eighteen months before her death in March 2012, the distinguished Canadian poet and scholar Jay Macpherson made a return visit to Mallorca, where in 1952 she had met Robert Graves, who so admired her poems that he published her first book himself under his Seizin Press imprint. It was William Graves who suggested at the end of January 2010 that I should try and persuade Professor Macpherson to come to the Tenth Robert Graves Conference in Palma and Deyá that July. ‘She was in Deyá on and off from the early to the late 1950s,’ he wrote. ‘I’ve never seen a copy of Nineteen Poems. I think only she and Terence Hards were given the honour of a Seizin publication.’ I had once spoken briefly with this almost legendary figure, at the Robert Graves Centenary Conference at Oxford in 1995, when Beryl Graves introduced us. Now I wrote to the University of Toronto inviting her to take part in a poetry reading at the conference in Mallorca. I also said that William and I were wondering if she might be prepared to give an interview, in which she could talk about her relationship with Robert Graves and his work. Jay Macpherson’s email reply came two days later: Monday 8 February 2010 Well, yes, tentatively--that is, I have commitments to a sick friend whom I can’t leave without some difficult arranging; but had been hoping to do just that for at least a bit of this summer. -
IN the WHALE's BELLY Jay Macpherson's Poetry
IN THE WHALE'S BELLY Jay Macpherson's Poetry Suniti Namjoshi J"A.Y MACPHERSON'S FIRST MAJOR BOOK of poems, The Boat- man, was published in 1957 by Oxford University Press and then republished in 1968 with the addition of sixteen new poems.1 Her second book of poems, Wel- coming Disaster, appeared in 1974. No discussion of modern Canadian poetry is complete without at least a mention of Jay Macpherson's name, but the only article on her poetry that I have come across is the one by James Reaney, "The Third Eye: Jay Macpherson's The Boatman," which appeared in Canadian Literature in 1960. Fortunately, that article is almost definitive. Superficially, there seem to be some obvious differences between The Boatman and Welcoming Disaster. The second in some ways seems much "simpler." It is my purpose here to explore some of the similarities and differences with the aid of Jay Macpher- son's other writings,2 which include two theses, two lectures, and a children's text on classical mythology. As Reaney makes clear, the central myth of The Boatman is that of the ark. The ark appears to contain us, as though we were trapped in the belly of some monstrous creature, and its contents appear to be hopelessly miscellaneous; but properly perceived, Man, in fact, contains the ark, and its contents are ordered: In a poem entitled "The Anagogic Man" we are presented with ... the figure of a sleeping Noah whose head contains all creation ... The whole collection of poems requires the reader to transfer himself from the sleep our senses keep to Noah's sleep, and from Noah's sleep eventually to the first morning in Paradise. -
Index to the Tamarack Review
The Tamarack Review ROBERT WEAVER, IVON M. OWEN, WILLIAM TOYE WILLIAM KILBOURNE, JOHN ROBERT COLOMBO, KILDARE DOBBS AND JANIS RAPOPORT Issue 1 Issue 21 Issue 41 Issue 62 Issue 2 Issue 22 Issue 42 Issue 63 Issue 3 Issue 23 Issue 43 Issue 64 Issue 4 Issue 24 Issue 44 Issue 65 Issue 5 Issue 25 Issue 45 Issue 66 Issue 6 Issue 26 Issue 46 Issue 67 Issue 7 Issue 27 Issue 47 Issue 68 Issue 8 Issue 28 Issue 48 Issue 69 Issue 9 Issue 29 Issue 49 Issue 70 Issue 10 Issue 30 Issue 50-1 Issue 71 Issue 11 Issue 31 Issue 52 Issue 72 Issue 12 Issue 32 Issue 53 Issue 73 Issue 13 Issue 33 Issue 54 Issue 74 Issue 14 Issue 34 Issue 55 Issue 75 Issue 15 Issue 35 Issue 56 Issue 76 Issue 16 Issue 36 Issue 57 Issue 77-8 Issue 17 Issue 37 Issue 58 Issue 79 Issue 18 Issue 38 Issue 59 Issue 80 Issue 19 Issue 39 Issue 60 Issue 81-2 Issue 20 Issue 40 Issue 61 Issue 83-4 ISBN 978-1-55246-804-3 The Tamarack Review Index Volume 81-84 “109 Poets.” Rosemary Aubert article 81- Bickerstaff 83-84:40 82:94-99 “Concerning a Certain Thing Called “A Deposition” J.D. Carpenter poem 81- Houths” Robert Priest poem 81- 82:8-9 82:68-69 “A Mansion in Winter” Daniel David “Control Data” Chris Dewdney, poem, Moses poem 81-82:30-31 81-82:21 “Above an Excavation” Al Moritz poem “Croquet” Al Moritz poem 83-84:98 83-84:99 “Daybook” Ken Cathers poem 81-82:10- “Again” Al Moritz poem 83-84:101 11 “Air Show” J.D. -
Avison's Imitation of Christ the Artist
AVISON'S IMITATION OF CHRIST THE ARTIST George Bowering IL,N A REVIEW ARTICLE about The Dumbfounding (in Cana- dian Literature 38), Lawrence M. Jones makes reference to an unpublished essay that Margaret Avison composed about her relationship with Christ and its effect upon her work. Looking back on her early poetry, she announces "how grievously I cut off his way by honouring the artist" during her "long wilful detour into darkness". Readers of Miss Avison's work will know that such a con- fession does not lead to her abandoning poetic care and plunging into artless canticles of devotional verse. She is not compulsively looking for security, as Germaine Gréer would put it. Of all our poets, Margaret Avison is the most art- fully daring. In the same article she speaks of the progress of her personal belief from the "will to be good", to "getting to be where Christ's suffering goes, ter- ribly on." Like the "metaphysical" poets, Miss Avison plays on paradox, and theirs, her belief, religious or artistic, depends on the paradox not being that at all. She does not abandon the artist — she just does not any longer honour him. Honour- ing an artist is for non-reading people or poetry-commissars to do; or if the artist is Christ himself, for church ministers to do. Honouring a prophet in his own country is to kill prophecy. There is no honour in that. Miss Avison says that her personal vision of Christ, which has been till now often enough referred to, made the New Testament story unclear. -
VIEW LIVE MUSIC INDEX EMAIL [email protected] DEADLINE: Monday at 4Pm ABSINTHE 38 KING WILLIAM 905.529.0349 COPPER KETTLE 312 DUNDAS ST
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The Poetry of Raymond Souster and Margaret Avison
THE POETRY OF RAYMOND SOUSTER AND MARGARET AVISON by Francis Mansbridge Thesis presented to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Ph.D. in English literature UNIVERSITY OF OTTAWA OTTAWA, CANADA, 1975 dge, Ottawa, Canada, 1975 UMI Number: DC53320 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53320 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 TABLE OP CONTENTS INTRODUCTION 1 CHAPTER I. POETIC ROOTS OP MARGARET AVISON AND RAYMOND SOUSTER 8 CHAPTER II. CRITICAL VIEWS ON AVISON AND SOUSTER . 46 CHAPTER III. MARGARET AVISON 67 CHAPTER IV. RAYMOND SOUSTER 154 CHAPTER V. SUMMARY AND CONCLUSIONS 225 BIBLIOGRAPHY 241 LIST OP ABBREVIATIONS BCP The Book of Canadian Poetry, ed. by A.J.M. Smith CT The Colour of the Times D The Dumbfounding PM Place of Meeting PMC Poetry of Mid-Century, ed. by Milton Wilson SF So Par So Good SP 1956 Selected Poems (1956 edition) SP 1972 Selected Poems (1972 edition) TE Ten Elephants on Yonge Street WS Winter Sun Y The Years 111 ACKNOWLEDGMENTS Special thanks to Raymond Souster for his generous hospi tality on my trips to Toronto, and his interest and perceptive comnusnts that opened up new perspectives on his work; to the Inter- Library Loan department of the University of Ottawa Library, whose never-failing dependability saved much time; and finally to my Directress, Dr. -
"A Press with Such Traditions": Oxford University Press of Canada Ruth
"A Press with Such Traditions": Oxford University Press of Canada Ruth Panofsky' On Tuesday, 10 August 1904, when Oxford University Press established a branch in Canada,2 it joined a small but significant group of publishing houses already operating in Toronto. By the turn of the century, Toronto had become a centre for Canada's burgeoning publishing industry, home to the Copp Clark Company, W.J. Gage and Company, and the Methodist Book and Publishing House (later Ryerson Press), for example. When Oxford University Press set up shop on "Booksellers' Row"3 at Zy Richmond Street West, the company sought to consolidate its presence in the small Canadian market with a view to establishing itself as an important branch. Eight years earlier, in September 1896, Oxford had opened its first branch operation in New York. The founding of a second branch in Toronto served, in fact, to widen Oxford's presence in North America. By 1929, the Toronto branch could announce with "great pride" that it represented "a Press with such traditions, and such a record of useful and important work, not only in the development of printing but in the History of England."4 After twenty-five years in Canada, Oxford University Press had begun to realize its hopes for expansion. I Ruth Panofsky is Associate Director of the ]Joint Graduate Programme in Communication and Culture at Ryerson University. Her most recent publications include Adele Wiseman: Essays on Her Works and Lifeline, a volume of poetry. She thanks Joanna Gertler, Laura Macleod, Martin Maw, and Phyllis Wilson of Oxford University Press; Jan Walter of Macfarlane Walter 8< Ross; Jim Armour, Vivian Luong, Roy MacSkimming, and Bill Toye for their assistance .