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Complete List of Sibelius Performances at Korpo 2002–2017

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!1 Complete List of Sibelius Performances at Korpo 2002–2017 Artistic Director 2002–2018: Folke Gräsbeck Director of Administration 2012–2018: Petri Kirkkomäki Director of Korpo Jazz: Bosse Mellberg Jean Sibelius (1865–1957) Contents Page Category Number of Compositions performed 3 Piano Trios. These form the most important category during the two summers 7 of Sibelius’s family visits to Korpo. Hence they are given the honorary place as the first category on this list. 4 String Trios. 2 4 Piano Quartets. 3 4 String Quartets. 9 5 Piano Quintet, Ensembles and Melodramas. 4 5 Brass Septets. 5 5 Cello and Piano. 11 a) Cello and Piano 10 b) Cello solo 1 6 Violin and Piano. 46 a) Violin and Piano 44 b) Violin solo 2 8 Viola and Piano. 1 8 String duo. 4 8 Kantele. 3 a) Kantele solo 2 b) Kantele and Violin 1 !2 9 Piano Solo. 56 12 Recitation and Piano. 3 12 Voice and Piano. 80 16 Lithurgical Music and Organ Music. 2 17 Mixed Choir. 7 18 Female or Youth Choir. 6 18 Male Choir. 13 19 Chamber or String Orchestra. 8 20 Symphony Orchestra. 2 Altogether 272 Opus or Year of Title + English Year of JS No. composition translation performance Piano Trios - - 1882–85 [Minuetto] in D minor 2011 - - 1883–85 [Andante] in A minor – Adagio – Allegro maestoso in E flat major, 2011 World Première Performance 2011 JS 206 1884 Piano Trio in A minor 2004, 2010 - - Hafträsk 1886 [Andantino], fragment in A major 2003–04, 2011 Completed by Jaakko Kuusisto, World Première Performance 2003 JS 27 Hafträsk 1886 Allegro in D major 2004–05, 2008–09 JS 207 Hafträsk 1886 Piano Trio in A minor ‘Hafträsk’ 2002–03, 2005, 2007, 2008 (II), 2011, 2016, Piano Trio in A minor ‘Hafträsk’, including the 1. version of the 2017 !3 I Allegro maestoso as World Première Performance 2017 JS 209 Korpo 1887 Piano Trio in D major ‘Korpo’ 2002–04, 2006, 2009, 2014, 2017 JS 43 Korpo 1887 Andantino in G minor, World Première Performance 2003 2003–04, 2008, 2011 JS 208 Lovisa 1888 Piano Trio in C major ‘Lovisa’ 2005, 2011 - - 1889 [Allegro] in D minor, completed by Kalevi Aho 2005, 2011, 2014 - - Wien 1891 [Allegretto], fragment in E flat major 2003 Completed by Jaakko Kuusisto, World Première Performance 2003 JS 116 Wien 1891 La pompeuse marche d’Asis (arr. for Piano Trio in 1892–85?) 2004, 2011 Kuolema (Death), incidental music to the play by A. Järnefelt: Op. 44/1 1903, rev. 1904 Valse triste, (arr. for Piano Trio by Peter Lönnqvist 2011) 2012 Op. 96a 1919 Valse lyrique (arr. for Piano Trio by Emil Kauppi in 1922) 2010, 2011 String Trios JS 128 Korpo 1887 Minuetto and Allegro, for two violins and cello, World Première Performance 2006 2006 JS 169 Korpo 1887 Serenata, for two violins and cello, World Première Performance 2006 2006 Piano Quartets JS 157 1884 Piano Quartet in D minor, for two violins, cello and piano 2006 - - 1885 Ljunga Wirginia, ‘opera’, for violin, cello and piano four hands 2006, 2009 The 6th movement, Allegro - Più vivo quasi presto, completed by Kalevi Aho JS 165 1887 Scherzo in E minor, for violin, cello and piano four hands 2006 Probably additional movement to Ljunga Wirginia, completed by Kalevi Aho JS 156 1891 Piano Quartet in C major, for two violins, cello and piano 2003 Kuolema (Death), incidental music to the play by A. Järnefelt: Op. 44/1 1903, rev. 1904 Valse triste, (arr. for violin, cello and piano four hands by Peter Lönnqvist 2007) 2009 !4 String Quartets JS 134 1885 Molto moderato – Scherzo 2007, 2015 JS 184 1885 String Quartet in E flat major 2015 - - 1887 [Four Themes] 2007, 2015 JS 20 1888 Allegretto in D major 2007 JS 85 1889 Fuga för Martin Wegelius (Fugue for Martin Wegelius) 2007, 2015 JS 183 1889 String Quartet in A minor 2015 JS 12 1890 Adagio in D minor 2015 Op. 4 1889–90 String Quartet in B flat major 2015 Op. 56 1909 String Quartet in D minor, ‘Voces Intimae᾿ 2015 JS 34a 1922 Andante festivo 2007, 2014, 2015 Piano Quintet, Ensembles and Melodramas JS 59 1887–88 Den lilla sjöjungfrun (The Little Mermaid) (text: H. C. Andersen, Swedish translation 2007 by K. J. Backman), fragment for recitation and string quartet, World Première Performance 2007 JS 138 1888 Sång ur Näcken (The Watersprite), ‘Dramatic Runic Sorcery’, for mezzo soprano, recitation, 2005 violin, cello and piano (text: G. Wennerberg) JS 159 Berlin1890 Piano Quintet in G Minor 2007, 2015 JS 125 1893 Melodram ur Svartsjukans nätter (Melodrama from the ‘Nights of Jealousy’); for recitation, 2004 soprano, violin, cello and piano (text: J. L. Runeberg) Brass Septets JS 25 Berlin 1889 Allegro, for Cornet in Eb, 2 Cornets in Bb, Alto horn, Tenor horn, Baritone horn 2007 (Euphonium), Tuba and Triangle JS 45 Lovisa 1890–91 Andantino and Minuetto, for Cornet in Eb, 2 Cornets in Bb, 2007 Alto horn, 2 Tenor horns and Tuba JS 83 Lovisa 1891 Förspel (Prelude) for Cornet in Eb, 2 Cornets in Bb, Alto horn, Tenor horn, Baritone horn 2007 !5 (Euphonium), Tuba and Triangle JS 146 Lovisa 1889 Ouverture in F minor, for Cornet in Eb, 2 Cornets in Bb, 2007 Alto horn, 2 Tenor horns and Tuba JS 200 1899 Tiera, for Cornet in Eb, 2 Cornets in Bb, Alto horn, Tenor horn, Baritone horn 2007 (Euphonium), Tuba, Cymbals and Gran Cassa Op. 91a 1917 Jääkärien marssi/Jägarmarschen (March of the Finnish Jaeger Batallion) 2007 (arr. for brass ensemble by Anonymous) [Op. 91b] 1897–99 [Scout March], draft for brass ensemble and percussion 2007 Cello and Piano JS 40 1884 Andantino in C major 2005, 2008, 2011 JS 36 1887 Andante molto in F minor 2003, 2006, 2012 JS 196 1887 [Theme and Variations] in D minor, for cello solo 2004 JS 193 1887 Walse fantastique. Tempo di valse, the piano part reconstructed by Kalevi Aho (2006) 2008, 2011 - - 1887–89 [Mazurka] in G minor, for solo cello, 2003 World Première Performance 2003 JS 76 1887–88 [Lento] in E flat minor, World Première Performance 2010 2010 JS 91 1888 [Andante], fragment in B minor, World Première Performance 2003 2003 JS 92 1888–89 [Andantino], fragment in B minor, World Première Performance 2004 2004 - - 1888–89 Andante molto, fragment in B minor, World Première Performance 2005 2005 JS 13 1889 Adagio in F sharp minor 2012, 2017 JS 194 Lovisa 1889 Tempo di valse ‘Lulu valsen’ (‘The Lulu Waltz’) 2008, 2011, 2017 Op. 20 1900 Malinconia 2008, 2016 1898. Kung Kristian II (‘King Christian II’), incidental music to the play by A. Paul: Op. 27/1 1898 1. Élégie (arr. for cello and piano by Georg Schnéevoigt) 2016 Op. 77/1 1914 Cantique (Laetare anima mea) 2011 Op. 78/2 1915 Romance in F major 2009 Op. 78/3 1917 Religioso 2004 !6 Violin and Piano JS 35 1884–85 Andante grazioso 2009 JS 7 1886 [Moderato] – Presto – [Tempo I] in A minor 2003 - - Hafträsk 1886 [Minuetto] in D minor 2002, 2005, 2007–08 JS 55 1886 [Étude] in D major, for solo violin 2008, 2016 1886–87 [Five Pieces for Violin and Piano] 2003, 2011 JS 86 1886–87 [Allegretto] in G major 2003, 2011 JS 89 1886–87 [Tempo di valse] in B minor, completed by Jaakko Kuusisto 2003, 2011 JS 4 1886–87 [Mazurka] in A major 2003, 2011 JS 49 1886–87 [Andante molto] in C major 2003, 2011 JS 3 1886–87 [Aubade] in A major 2003, 2011 JS 78 1886–87 [Scherzino] in F major 2003 JS 33 Korpo 1887 Andante cantabile in G major, dedicated to Ruth Ringbom 2002–07, 2010, 2017 - - Korpo 1887 [Andante elegiaco], fragment in F sharp minor 2002 JS 187 1887–88 Suite in D minor 2008 JS 90 1888 [Sonata Allegro Exposition] in B minor 2017 JS 19 1888 Allegretto in C major 2005 JS 22 1888 Allegretto in E flat major 2005, 2010 JS 26 1888–89 Allegro, Sonata Exposition in A minor 2003 JS 188 Lovisa 1888 Suite in E major 2016 JS 178 Lovisa 1889 Sonata in F major 2004, 2016 Sonata in F major: II Andante 2011 Op. 2 Two Pieces for Violin and Piano 2007 Op. 2a 1889–90, Romans (Romance) in B minor 2007 rev. 1911 Op. 2b 1891, Epilog (Epilogue) 2007 rev. 1911 - - 1890 [Adagio] in D minor 2003 !7 Op. 50/3 1906 Im Feld ein Mädchen singt (arr. for violin and piano by Michael Press) 2011 Op. 77 Two Serious Melodies 2005 Op. 77/1 1914, Cantique (Laetare anima mea) 2005, 2011, 2017 arr. 1914–15 Op. 77/2 1915, Devotion (Ab imo pectore) 2005 arr. 1915 Op. 78/2 1915 Romance in F major 2004, 2011, 2016 Op. 79 1915–17 Six Pieces 2006 Op. 79/1 1915 1. Souvenir 2006 Op. 79/2 1915 2. Tempo di Menuetto 2006 Op. 79/3 1916 3. Danse caractéristique 2006 Op. 79/4 1916 4. Sérénade 2006 Op. 79/5 1917 5. Tanz-Idylle 2005–06, 2011, 2016 Op. 79/6 1917 6. Berceuse 2006 Op. 80 1915 Sonatina in E major 2005 Op. 81/1 1915 Mazurka 2009 Op. 81/2 1917 Rondino 2016 Op. 81/3 1917 Valse 2016 Op. 87a 1917 Humoresque No. 1 in D minor, arr. for violin and piano by Karl Ekman 2005, 2011 Op. 87b 1917 Humoresque No. 2 in D major, arr. for violin and piano by Karl Ekman 2017 Op. 89a 1917 Humoresque No. 3 in G minor, arr. for violin and piano by Karl Ekman 2017 Op.
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    CKD 220 ALSO AVAILABLE FROM LINN RECORDS BY SCOTTISH CHAMBER ORCHESTRA FELIX MENDELSSOHN WOLFGANG AMADEUS JOHANNES BRAHMS Violin Concerto MOZART Violin Concerto Symphony No.3 ‘Scottish’ Requiem Hungarian Dances Hebrides Overture Adagio & Fugue – CKD 224 (SACD) – – CKD 216 (SACD) – – CKD 211 (SACD) – @ www.linnrecords.com discover the world of linn records Linn Records, Glasgow Road, Waterfoot, Glasgow G76 0EQ, UK t: +44 (0)141 303 5027/29 f: +44 (0)141 303 5007 e: [email protected] a soaring but seemingly unattainable joy, this mitigated little against the overall Jean Sibelius impression of a relentless underlying force”. [The Guardian, London]. He continues his relationship with the Orchestra, returning regularly over forthcoming seasons. Pelleas and Melisande Swensen is a regular guest conductor with many of the world’s major 1. At the Castle Gate 2. Melisande orchestras, and appearances in recent seasons have included the London 3. At the Seashore 4. A Spring in the Park Philharmonic, BBC Symphony, Hallé, Bournemouth Symphony, City of Birmingham 5. The Three Blind Sisters 6. Pastorale Symphony, Orchestre National du Capitole de Toulouse, Mozarteum, Staatsorchester 7. Melisande at the Spinning-Wheel Stuttgart, Real Orquestra Sinfonica de Sevilla, and, in North America, the Los Angeles 8. Entr’acte 9. The Death of Melisande Philharmonic, Saint Paul Chamber, Saint Louis, Dallas, Indianapolis and Toronto Symphony Orchestras. Kuolema Before deciding to dedicate himself solely to his conducting career, Joseph 10. Valse Triste Swensen enjoyed a highly-successful career as a professional violinist, appearing as a soloist with the world’s major orchestras. Nowadays his occasional appearances as a Belshazzar’s Feast violin soloist are a natural extension of his work as a conductor, playing and directing 11.
  • Gräsbeck 2017.5236 Words

    Gräsbeck 2017.5236 Words

    Which of Sibelius’s 379 miniatures are remarkable? Folke Gräsbeck "Auch kleine Dinge können uns entzücken…" (Paul Heyse) Reckoning that Sibelius’s compositions amount to circa 600 separate pieces (youth works included, fragments omitted), we have to consider that roughly more than half of them are miniatures. I have calculated that nearly 380 original, separate pieces last less than 4 minutes. If we reject only Sibelius’s miniatures, we omit practically half his production. ‘I am a man of the orchestra᾿, Sibelius proclaimed. Needless to say, his successful orchestral works, generally regarded as national monuments in Finland, are impressive frescos; nonetheless, these large-scale pieces are full of carefully elaborated details. What about the painstakingly worked-out details in his small works? Do they lack credibility because they are included in miniatures? Sibelius ‘forged᾿ the motifs and melodies in the small pieces no less carefully, sometimes referring to his miniatures as his ‘suffering pieces᾿ or 'pain pieces'[1]. Probably he would not have referred to them in this way if he had not valued them highly. The designation ‘salon piece’ is clumsy as applied to Sibelius’s miniatures. Very few of them were purposely composed as standard salon music – they are all too refined and abstract, and lack the lax and redundant reiterations so typical of such pieces. Perhaps the Valse lyrique, Op. 96a, approaches a real salon piece, but the material soars far above standard salon vocabulary, the lyrical sections, for example, revealing remarkable intimacy and character. Nowadays, it is common to employ the designation ‘Salon music’ in a pejorative sense.