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Jean Sibelius Zum 50. Todestag · Voces Intimae · Streichquartett D-Moll Op

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Jean Sibelius Zum 50. Todestag · Voces Intimae · Streichquartett D-Moll Op JEAN SIBELIUS ZUM 50. TODEstAG · VOCES INTIMAE · STREICHQUARTEtt D-MOLL OP. 56 SKANDINAVISCHE SEHNSUCHT · 18. 22.09.2007 KULLERVO · FINLANDIA · SUITE FÜR ORCHEstER OP. 11 · ALLA MARCIA · SCHERZINO OP. 58 NR. 2 REVERIE OP. 58 NR. 1 · SINFONIE NR. 7 C-DUR OP. 105 · RAKASTAVA · ROMANZE A-DUR OP. 24 NR. 2 · KONZERT FÜR VIOLINE UND ORCHEstER D-MOLL OP. 47 · SO KLINGT NUR DORTMUND 2,50 E KONZERTHAUS DORTMUND · JEAN SIBELIUS ZUM 50. TODESTAG. SO KLINGT NUR DORTMUND. Abo: Jean Sibelius zum 50. Todestag – Festival-Pass I Wir bitten um Verständnis, dass Bild- und Tonaufnahmen während der Vorstellung nicht gestattet sind. GEFÖRDERT DURCH DIE FINNisCHE BOtsCHaft BERLIN 4 I 5 JEAN SIBELIUS ZUM 50. TODEstAG – META4 QUARTET D IENstAG, 18.09.2007 · 20.00 Dauer: ca. 1 Stunde 45 Minuten inklusive Pause Meta4 Quartet Antti Tikkanen Violine · Minna Pensola Violine Atte Kilpeläinen Viola · Tomas Djupsjöbacka Violoncello JEAN SibELIUS (1865 –1957) Fugue for Martin Wegelius JOUNI KaipaiNEN (1956 – ) Streichquartett Nr. 5 op. 70 Andante Sostenuto, semplice – Allegro con impeto e spiritoso Adagio misterioso sospirando – meno Adagio – Tempo primo -Pause- JEAN SibELIUS Streichquartett d-moll op. 56 »Voces Intimae« Andante. Allegro molto moderato Vivace Adagio di molto Allegro (ma pesante) Allegro Einführung mit Intendant Benedikt Stampa um 19.15 Uhr im Komponistenfoyer Gefördert durch Kunststiftung NRW 6I7 PROGRAMM JEAN SIBELIUS ZUM 50. TODEstAG – KLAVIERABEND ANttI SIIRALA · MIttWOCH, 19.09.2007 · 19.00 FRÉDÉRIC CHOpiN 24 Préludes op. 28 Prélude Nr. 1 C-Dur Dauer: ca. 2 Stunden inklusive Pause Prélude Nr. 2 a-moll Prélude Nr. 3 G-Dur Antti Siirala Klavier Prélude Nr. 4 e-moll Prélude Nr. 5 D-Dur LUDwig vaN BEETHOVEN (1770–1827) Prélude Nr. 6 h-moll Sonate für Klavier Nr. 30 E-Dur op. 109 Prélude Nr. 7 A-Dur Vivace ma non troppo: Adagio espressivo Prélude Nr. 8 fis-moll Prestissimo Prélude Nr. 9 E-Dur Gesangvoll, mit innigster Empfindung Prélude Nr. 10 cis-moll Prélude Nr. 11 H-Dur Kaija SaaRiaHO (1952– ) Prélude Nr. 12 gis-moll Ballade Prélude Nr. 13 Fis-Dur Prélude Nr. 14 es-moll JEAN SibELIUS (1865–1957) Prélude Nr. 15 Des-Dur (»Regentropfen-Prélude«) Reverie op. 58 Nr. 1 Prélude Nr. 16 b-moll Prélude Nr. 17 As-Dur Scherzino op. 58 Nr. 2 Prélude Nr. 18 f-moll Prélude Nr. 19 Es-Dur Romanze A-Dur op. 24 Nr. 2 Prélude Nr. 20 c-moll Prélude Nr. 21 B-Dur »Finlandia« Prélude Nr. 22 g-moll Sinfonische Dichtung für Orchester op. 26 Prélude Nr. 23 F-Dur (Transkription für Klavier von Jean Sibelius) Prélude Nr. 24 d-moll Andante sostenuto – Allegro moderato – Allegro Einführung mit Ulrich Schardt um 18.15 Uhr im Komponistenfoyer -Pause- Nach dem Konzert: »meet the artist!« im Backstage-Bereich (Durchgang bei den Garderoben) Gefördert durch Kunststiftung NRW, RWE Energy AG und Werner Richard – Dr. Carl Dörken Stiftung 8I9 PROGRAMM JEAN SIBELIUS ZUM 50. TODEstAG – SAISONERÖffNUNG JEAN SIBELIUS »KULLERVO« · DONNERstAG, 20.09.2007 · 20.00 Dauer: ca. 2 Stunden 15 Minuten inklusive Pause Tampere Philharmonic Orchestra · Estnischer Nationaler Männerchor (RAM) Monika Groop Mezzo-Sopran · Tommi Hakala Bariton · John Storgårds Dirigent JEAN SibELIUS (1865 –1957) Sinfonie Nr. 7 C-Dur op. 105 [ohne Satzangabe] -Pause- JEAN SibELIUS »Kullervo« Sinfonische Dichtung für Mezzo-Sopran, Bariton, Männerchor und Orchester op. 7 Einleitung. Allegro moderato Kullervon nuoruus (Kullervos Jugend). Grave Kullervo ja hanen sisarensa (Kullervo und seine Schwester). Allegro vivace Kullervon sotaanlahto (Kullervo zieht in den Kampf). Alla marcia [Allegro molto] – Vivace – Presto Kullervon kuolema (Kullervos Tod). Andante Einführung mit Intendant Benedikt Stampa um 19.15 Uhr im Komponistenfoyer Gefördert durch Kunststiftung NRW und Signal Iduna Gruppe 10 I 11 PROGRAMM JEAN SIBELIUS ZUM 50. TODEstAG – EstNISCHER NATIONALER RUDOLF TObias (1873–1918) MÄNNERCHOR (RAM) · FREITAG, 21.09.2007 · 20.00 Choralvorspiel für Orgel ›Nun ruhen alle Wälder‹ »Eks teie tea« (»Wisset ihr nicht«) für Männerchor und Orgel Dauer: ca. 2 Stunden inklusive Pause (Bearbeitung für Orgel von Vardo Rumessen) Estnischer Nationaler Männerchor (RAM) -Pause- Mihhail Gerts Chorleitung · Andres Uibo Orgel VELJO TORMis JEAN SibELIUS (1865–1957) »Kullervo sõnum« (»Kullervo’s Message«) für Männerchor Intrada für Orgel op. 111a »Muistse mere laulud« (»Songs of the Ancient Sea«) für Männerchor »Suur’ olet Herra« (»Du bist mächtig, Herr«) für Männerchor und Orgel op. 113 Nr. 11 ERkki-SVEN TÜÜR (1959 – ) »Spectrum« I – III für Orgel »Saarella palaa« (»Auf der Insel brennt ein Feuer«) für Männerchor op. 18 Nr. 4 ANDRES UibO (1956 – ) Aus: »Apocalypsis Symphony« für Große Orgel »Rakastava« (»Der Liebende«) op. 14 Nr. 1 »Then I saw…« (nach Offenbarung 21, 1) Solotenor Lembit Tolga Nr. 4 »New Jerusalem« (nach Offenbarung 21, 10) EiNOJUHANI RaUtavaaRA (1928 – ) ARVO PÄRT (1935 – ) Aus: »Elämän Kirja« (»Ein Lebensbuch«) »Ikos« für Männerchor und Orgel Elf Lieder für Männerchor und Solisten Nr. 1 ›Lapsuus‹ (›Kindheit‹) EDUARD TUbiN (1905–1982) Nr. 2 ›Taiteilijän elämääni‹ (›Ma Bohème‹) »Ave Maria« für Männerchor und Orgel Solotenor Lembit Tolga Nr. 8 ›Uinti‹ (›Le Bain‹) VELJO TORMis Nr. 11 ›Laulu itsestäni‹ (›Song of Myself‹) »Laulja« (»Der Sänger«) Solotenor Lembit Tolga Ode für Männerchor, Orgel und Schlagwerk Gefördert durch Kunststiftung NRW 12I 13 PROGRAMM JEAN SIBELIUS ZUM 50. TODEstAG – »SOLANGE MAN TRÄUMT, JEAN SIBELIUS ZUM 50. TODEstAG – GEWANDHAUSORCHEstER IST ALLES KEIN TRAUM...« · SAMSTAG, 22.09.2007 · 16.00 LEIPZIG · SAMSTAG, 22.09.2007 · 20.00 Dauer: ca. 2 Stunden inklusive Pause Dauer: ca. 2 Stunden 15 Minuten inklusive Pause Manfred Eisner Lesung · Erich Schwarz Lesung · Sami Väänänen Klavier Gewandhausorchester Leipzig Julian Rachlin Violine · Herbert Blomstedt Dirigent EiNE POEtisCH-MUsikaLisCHE REisE DURCH FINNLAND JEAN SibELIUS (1865 –1957) »Tapiola« Die Berliner Schauspieler Manfred Eisner und Erich Schwarz Sinfonische Dichtung op. 112 alias »Lesart Widerhall« gehen auf eine kurzweilige literarische Reise durch Finnland. Konzert für Violine und Orchester d-moll op. 47 Allegro moderato Die finnische Literatur spiegelt die reiche Mythen- und Sagenwelt, Adagio di molto aber auch die schöne und raue Natur des Landes wider. Allegro ma non tanto Musikalisch wird die Lesung umrahmt von typisch finnischer Musik: Tangos, Schlagern und Jazz. -Pause- Einrtitt frei für Sibelius-Festival-Pass-Inhaber LUDwig vaN BEETHOVEN (1770–1827) Sinfonie Nr. 3 Es-Dur op. 55 »Eroica« Allegro con brio Marcia funebre. Adagio assai Scherzo. Allegro vivace Finale. Allegro molto Nach dem Konzert: Herbert Blomstedt signiert das Buch »Herbert Blomstedt. Eine Annäherung in Wort und Bild« zu Ehren seines 80. Geburtstags Gefördert durch Kunststiftung NRW und National-Bank Als Komponist in jungen Jahren 14 I 15 PROGRAMM 16 I 17 »Lass VOM PatHOS DES LEBENS NICHT ab.« Der Wille zur Komposition absoluter Musik liegt dem Violinkonzert ebenso zugrunde wie den Sinfonien, doch spielte hier natürlich auch der (wenn auch gescheiterte) Violinvirtuose Sibelius Als Jean Sibelius am 20. September 1957 starb, war dies für das finnische Volk ein nationales mit, der dem Reigen der romantischen Virtuosenkonzerte seinen eigenen Beitrag hinzufügen Ereignis. Zigtausende von Menschen säumten die Straßen, als die finnische Regierung ihn mit wollte. Nicht zuletzt durch die zweitrangigen Solisten der ersten Aufführungen, wurde das Konzert einem Staatsbegräbnis ehrte, und abends wurden in allen Fenstern Lichter entzündet. zunächst verhalten aufgenommen. Erst in den 30er Jahren des 20. Jahrhunderts erlangte Natürlich, Sibelius ist der Nationalkomponist Finnlands, der Komponist der »Finlandia« oder es durch Jascha Heifetz seine heutige Berühmtheit und gehört heute zum Repertoire vieler der »Karelia«-Suite, der sich mit der finnischen Unabhängigkeitsbewegung identifizierte und zu großer Virtuosen. ihrer Symbolfigur wurde – und doch wird es ihm nicht gerecht, ihn auf dieseR olle zu reduzieren, weder musikalisch noch persönlich. Das nationale Element beschreibt nur eine Facette eines Menschen, der viele Seiten hatte, sich selbst immer wieder neu erfand und der Mitwelt bis heute DER KAMMERMUsikER UND »ERBÄRMLICHE PiaNist« Rätsel aufgibt. Eine »Zeitinsel« für Jean Sibelius – der passende Ort für einen Komponisten, für den man nur Zwar hatte die Kammermusik in den frühen Jahren ihren festen Platz in Sibelius’ musikalischem schwer einen Platz finden kann. Leben, doch wandte er sich bald dem Gebiet der Sinfonik zu, das seinem Naturell eher ent- sprach. Als er sich 1909 wieder auf das Feld der Kammermusik begab, geschah dies nicht unter AbsOLUTE MUsik – siEBEN SINFONIEN UND EIN VIOLINKONZERT allzu glücklichen Vorzeichen: Sibelius, der sich während der Komposition weitgehend in London aufhielt, litt an einem bösartigen Tumor am Kehlkopf, der herausoperiert werden musste. In Für Sibelius selbst waren die Sinfonien als absolute Musik wahrscheinlich der wertvollste Teil der Folge war er zum kompletten Verzicht auf Tabak und Alkohol gezwungen, was ihn enorme seines Komponierens, ein Feld, auf dem er allein an der Musik gemessen werden wollte, ohne Anstrengung kostete; man kann kaum umhin, Sibelius als Alkoholiker zu bezeichnen. Als »Er- irgendwelche subjektiven Assoziationen an nordische Weiten oder Unendlichkeiten. satzdroge« verlegte er sich auf das Tagebuchschreiben und hinterließ in der Folgezeit wertvolle Sein Ringen mit der Gattung Sinfonie hat Ähnlichkeit mit demjenigen Brahms’, der sich stets Dokumente für die Forschung, wenn diese auch nicht immer ganz zuverlässig sind. durch
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