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Weekly Commentary
Weekly Commentary October 21, 2019 The Mother Of All Golden Oldies More than 3,400 years ago in the Mediterranean port city of Ugarit, now part of Syria, an unknown composer wrote a hymn in praise of Nikkal, the wife of the moon god. The words and music were carefully chiseled into a stone tablet. It is the oldest surviving song in the world. The tablet was discovered in the 1950s, but it wasn't until the 1970s that University of California at Berkeley Professor Anne Kilmer was able to decipher some of the cuneiform figures on it as musical notation. She recognized them from other Babylonian tablets she had already analyzed, including a four-thousand-year-old instruction manual for tuning an ancient stringed instrument called a lyre. The song appeared to have been written in a seven-note scale similar to the one we use today. Amazingly, Kilmer was able to reconstruct a version of the song note for note, so that the lost tune could be played once again for modern ears. A little late for royalties, however. The song is written in the ancient Hurrian language. The exact lyrics are unclear, although the name of Nikkal is easily recognizable, and Kilmer has translated one phrase as "Thou lovest them in thy heart." Versions of the "Hymn to Nikkal" have been recorded by several modern artist including musicologist Richard Crocker and Syrian Pianist Malek Jandali. The exact location of the Bronze Age city of Ugarit was unknown to modern archaeologist until a syrian farmer accidentally opened an old tomb while plowing a field. -
Andreas Haefliger Piano
PERSPECTIVES 6 A N D R E A S H A E F L I G E R BEETHOVEN Piano Sonatas Nos. 10 & 30 BERIO Four Encores SCHUMANN Fantasy in C Perspectives 6 Ludwig van Beethoven 1770–1827 Sonata No.10 in G Op.14 No.2 1I Allegro 7’03 2 II Andante 5’02 3 III Scherzo: Allegro assai 3’38 Luciano Berio 1925–2003 4 Erdenklavier 2’49 5 Wasserklavier 2’28 Ludwig van Beethoven Sonata No.30 in E Op.109 6 I Vivace, ma non troppo – Adagio espressivo 4’04 7 II Prestissimo 2’26 8 III Gesangvoll, mit innigster Empfindung 12’26 Luciano Berio 9 Luftklavier 3’25 10 Feuerklavier 2’57 Robert Schumann 1810–1856 Fantasy in C Op. 17 11 I. Durchaus phantastisch und leidenschaftlich vorzutragen 13’39 12 II. Mäßig – Durchaus energisch 7’31 13 III. Langsam getragen – Durchweg leise zu halten 9’34 Andreas Haefliger piano Recorded: 14–16 October 2013, Arc en Scènes, Salle de musique, La Chaux-de-Fonds, Suisse (Schweiz, Switzerland ) Recorded by TRITONUS Musikproduktion GmbH, Stuttgart Recording produced, engineered and edited by Markus Heiland Photography: Marco Borggreve · Design: WLP Ltd. ൿ 2014 The copyright in this sound recording is owned by Andreas Haefliger Ꭿ 2014 Andreas Haefliger. www.andreashaefliger.com Marketed by Avie Records www.avie-records.com When putting together my programmes, I have always seen opportunities to illuminate the individuality of works by placing them in tonal, dramatic and historic relief. Thus, through the sequence of a recital programme, repertoire that has long been familiar to us is shown in a new light. -
Jean Sibelius Zum 50. Todestag · Voces Intimae · Streichquartett D-Moll Op
JEAN SIBELIUS ZUM 50. TODEstAG · VOCES INTIMAE · STREICHQUARTEtt D-MOLL OP. 56 SKANDINAVISCHE SEHNSUCHT · 18. 22.09.2007 KULLERVO · FINLANDIA · SUITE FÜR ORCHEstER OP. 11 · ALLA MARCIA · SCHERZINO OP. 58 NR. 2 REVERIE OP. 58 NR. 1 · SINFONIE NR. 7 C-DUR OP. 105 · RAKASTAVA · ROMANZE A-DUR OP. 24 NR. 2 · KONZERT FÜR VIOLINE UND ORCHEstER D-MOLL OP. 47 · SO KLINGT NUR DORTMUND 2,50 E KONZERTHAUS DORTMUND · JEAN SIBELIUS ZUM 50. TODESTAG. SO KLINGT NUR DORTMUND. Abo: Jean Sibelius zum 50. Todestag – Festival-Pass I Wir bitten um Verständnis, dass Bild- und Tonaufnahmen während der Vorstellung nicht gestattet sind. GEFÖRDERT DURCH DIE FINNisCHE BOtsCHaft BERLIN 4 I 5 JEAN SIBELIUS ZUM 50. TODEstAG – META4 QUARTET D IENstAG, 18.09.2007 · 20.00 Dauer: ca. 1 Stunde 45 Minuten inklusive Pause Meta4 Quartet Antti Tikkanen Violine · Minna Pensola Violine Atte Kilpeläinen Viola · Tomas Djupsjöbacka Violoncello JEAN SibELIUS (1865 –1957) Fugue for Martin Wegelius JOUNI KaipaiNEN (1956 – ) Streichquartett Nr. 5 op. 70 Andante Sostenuto, semplice – Allegro con impeto e spiritoso Adagio misterioso sospirando – meno Adagio – Tempo primo -Pause- JEAN SibELIUS Streichquartett d-moll op. 56 »Voces Intimae« Andante. Allegro molto moderato Vivace Adagio di molto Allegro (ma pesante) Allegro Einführung mit Intendant Benedikt Stampa um 19.15 Uhr im Komponistenfoyer Gefördert durch Kunststiftung NRW 6I7 PROGRAMM JEAN SIBELIUS ZUM 50. TODEstAG – KLAVIERABEND ANttI SIIRALA · MIttWOCH, 19.09.2007 · 19.00 FRÉDÉRIC CHOpiN 24 Préludes op. 28 Prélude Nr. 1 C-Dur Dauer: ca. 2 Stunden inklusive Pause Prélude Nr. 2 a-moll Prélude Nr. 3 G-Dur Antti Siirala Klavier Prélude Nr. -
23 APRIL WEDNESDAY SERIES 14 Helsinki Music Centre at 19
23 APRIL WEDNESDAY SERIES 14 Helsinki Music Centre at 19 Dima Slobodeniouk, conductor Johannes Piirto, piano Tapiola Chamber Choir, coach Hannu Norjanen J. S. Bach–Webern: Ricercar from “The Musical Offering” 7 min Igor Stravinsky: Concerto in D for string orchestra 12 min I Vivace II Arioso (Andantino) III Rondo (Allegro) Igor Stravinsky: Concerto for piano and wind 18 min instruments I Largo – Allegro II Largo – Listesso tempo ma poco rubato III Allegro – Lento INTERVAL 20 min J. S. Bach – Berio: Contrapunctus XIX 8 min Igor Stravinsky: Symphony of Psalms 22 min I Exaudi orationem meam, Domine (Hear my prayer, O Lord) II Expectans expectavi Dominum (I waited patiently for the Lord) III Alleluja, laudate Dominum (Halleluja! Praise God) Interval at about 19.55. The concert ends at about 20.50. 1 J. S. BACH (1685–1750) – IGOR STRAVINSKY A. WEBERN (1882–1971): CONCERTO (1883–1945): RICERCAR IN D FOR STRING ORCHESTRA During a visit to the royal court at Potsdam in 1747, Johann Sebastian The Concerto in D composed in the Bach was ordered to improvise “in the United States in 1946 for the Basel old style” on a theme given by the King, Chamber Orchestra and Paul Sacher is Frederick the Great. Later that year one of the last works by Igor Stravinsky he sent the King a “Musical Offering” with a historical orientation. In its based on the theme and bearing the sparse approach, its ballet-like play inscription “Regis Jussu Cantio Et with rhythms, it looks for its model to Reliqua Canonica Arte Resoluta (“the Bach’s Brandenburg Concertos. -
Cinema Ritrovato Di Gian Luca Farinelli, Vittorio Martinelli, Nicola Mazzanti, Mark-Paul Meyer, Ruud Visschedijk
Cinema Ritrovato di Gian Luca Farinelli, Vittorio Martinelli, Nicola Mazzanti, Mark-Paul Meyer, Ruud Visschedijk Iniziamo dalla foto che abbiamo scelto per il manifesto, perché è un’immagine rivelatrice dell’identità di questo festival. Ad un primo sguardo non suscita un interesse particolare. È la foto di scena di un film qualsiasi prodotto in un periodo in cui di cinema se ne faceva tanto, un’immagine come tante. Però se la guardiamo meglio vediamo che al centro della foto c’è uno dei grandi attori del cinema italiano, Aldo Fabrizi, il Don Pietro di Roma città aperta, alle prese con la giustizia. Ci accorgiamo anche che il set è il lato sud di Piazza Maggiore; si scorgono il Palazzo del Podestà, San Petronio, il Nettuno, Palazzo de’ Banchi. L’immagine inizia a intrigarci. Siccome il cinema italiano è da sempre fortemente romano, pochissimi sono stati i film girati a Bologna, almeno sino agli anni ’60. Ecco perché Hanno rubato un tram, il film da cui abbiamo sottratto quest’immagine, è una vera scoperta che ci giunge dal passato. Nonostante si tratti di una piccola produzione, di un film modesto, di cui all’epoca nessuno si accorse, poterlo vedere oggi è un’esperienza straordinaria perché ci porta nella Bologna di quarantasei anni fa e ci fa sentire tutta la distanza del tempo, le dimensioni della trasformazione, l’ampiezza dei cambiamenti, esperienza tanto più forte perché si tratta di immagini inaspettate di un film dimenticabile, che nessuno vedeva più da decenni. Il film è anche un curioso incontro tra generazioni diverse del cinema italiano. -
Hammer Museum Summer 2012 Non Profit Org
For additional program information:For additionalprogram 310-443-7000 Wilshire Boulevard California LosAngeles, 90024USA10899 Hammer MuseumSummer2012 www.hammer.ucla.edu BEGINNING JUNE1 Saturday & Sunday 11am–5pm &Sunday Saturday MUSEUM HOURS Tuesday–Friday 11am–8pm Tuesday–Friday Closed Mondays NEW Los Angeles, CALos Angeles, Permit no.202 Non Profit Org. Profit Non US Postage PAID IN. IN. 4 ⁄ 1 X 8 16 ⁄ 11 , 2012 (DETAIL). DIGITAL PHOTOGRAPH. DIGITAL , 2012 (DETAIL). 2011 (DETAIL). GRAPHITE AND ACRYLIC ON PAPER. 11 ON PAPER. GRAPHITE AND ACRYLIC 2011 (DETAIL). Summer 2012 Calendar Summer 2012 MOUNTAINS DWARF THE CITY, DWARF MOUNTAINS . CHARACTER PORTRAIT (ISABELLA BLOW, MARIO TESTINO VERSION) (ISABELLA BLOW, CHARACTER PORTRAIT . SCOLI ACOSTA MICHELE O’MARAH COVER: FRONT: COVER: FRONT: AND GALERIE LAURENT GODIN, PARIS. SCOLI ACOSTA COURTESY GUNEWARDENA. (29.7 X 21 CM). COLLECTION OF FRANK ESCHER AND RAVI BACK: WEDEMEYER. PHOTO BY ROBERT THE ARTIST. COURTESY DIMENSIONS VARIABLE. NEW MUSEUM HOURS 2 3 BEGINNING JUNE 1 HAMMER NEWS Tuesday–Friday 11am–8pm, Saturday & Sunday 11am–5pm, Closed Mondays news director the 1 HIGHLIGHTS FROM RECENT ACQUISITIONS L.A.-based artist Charles Gaines works with various mediums, including photography, drawing, text, and video, relying on existing and invented systems to generate his from A MESSAGE FROM THE DIRECTOR works. Numbers & Trees VI, Landscape, #4 (1989) is part of a body of work in which Gaines transformed photographic images within a series of prescribed operations. Made in L.A. 2012 is finally here! For nearly two years of the Tate’s Turner Prize and the Whitney Museum of the staffs at the Hammer and LA><ART have worked at American Art’s Bucksbaum Award. -
Land of Diversity Where Is Syria?
Syria Syria Land of Diversity Where is Syria? ■ Syria is located on the east coast of the Mediterranean Sea in south-western Asia. ■ Syria enjoys a beautiful and diverse nature: from sandy beaches, green mountainous regions to fertile plains. History ■ Located at the heart of the ancient world, Syria was historically a crossroad for commerce and trade. Syria is commonly known as the cradle of civilizations as many of the greatest human achievements began in Syria. ■ The Hittites, Assyrians, Akkadians, Greeks, Romans, Umayyads, Ayyubids, Mameluks and Ottomans all left their stamps on the Syrian culture and history. ■ There is 6 locations in Syria already on the Unesco World Heritage List and 12 more on the Tentative List. Ugarit ■ In Ugarit, located in present-day Latakia, the oldest and first written alphabet in the World was developed there around 1400 BC ■ Syria is also a center for music and art – the first composed music or melody originated from Ugarit ■ There are many ancient historical sites and artifacts in Syria as numerous civilizations and empires inhabited the area throughout history. Syria has seen many great human accomplishments that have impacted the world, some of which are still used today. Palmyra ■ Palmyra is an ancient Semitic city located in present-day Homs. The empire was wealthy and established many colonies along the silk road. ■ Zenobia, a queen of Palmyra was a strong female figure in history as she became ruler after her husband’s death in year 267. Emesa ■ Presently known as the city of Homs, Emesa was a great Roman empire ■ Julia Dumna, the empress, is also considered to be a powerful female figure in Syrian history as she defied gender expectations of the time and involved herself in important political matters. -
EYM Programmheft.Pdf
1 Introduction Hannelore Kraft (Premier of the State of North Rhine-Westfalia) Tom Buhrow (Director General, WDR) Jürgen Roters (Lord Mayor of the City of Cologne) Dr. Ursula Sinnreich and Dr. Fritz Behrens (Kunststiftung NRW) Dr. Bettina Brinkmann (Eurovision Head of TV) Prof. Dr. Lothar Mattner (WDR/EBU) WELCOME GREETINGS Eurovision Young Musicians Cologne / Germany / 31 May 2014 05 ➔ Welcome HANNELORE KRAFT Premier of the State of North Rhine-Westfalia Music speaks for itself, according to the late Sir Yehudi Menuhin, if only we let it. This is especially true when the performance is done by brilliant musicians. The European Broadcasting Union’s Eurovision Young Musicians is an impressive event, in the best sense of the word. It is not any old talent show, to be quickly forgotten. No, this competition provides a spring- board for talented young solo performers of classical music to enter the international scene. I am delighted that this year’s Eurovision Young Musicians is held in Cologne, a city known for its enthusiastic audienc- es and home to renowned symphony and chamber orches- tras as well as the University of Music and Dance. For one week, musical artists from 14 countries are demon- strating their technical brilliance and artistic flair. And they are well motivated: many international celebrity artists started out at the Eurovision Young Musician, the final in Cologne’s central Roncalliplatz square will be broadcast live to a European audience and the winner will be given the op- portunity to perform with the Vienna Philharmonic. Now, if that is not an incentive, I don’t know what is. -
01-28-2019 Iolanta Eve.Indd
PYOTR ILYICH TCHAIKOVSKY iolanta AND BÉLA BARTÓK bluebeard’s castle conductor Iolanta Henrik Nánási Opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treli ´nski based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudliˇcka Bluebeard’s Castle costume designer Marek Adamski Opera in one act lighting designer Libretto by Béla Balázs, based on the Marc Heinz fairy tale by Charles Perrault projection designer Monday, January 28, 2019 Bartek Macias 7:30–10:40 PM sound designer Mark Grey choreographer Tomasz Jan Wygoda The productions of Iolanta and Bluebeard’s Castle dramaturg were made possible by a generous gift from Piotr Gruszczy ´nski Ambassador and Mrs. Nicholas F. Taubman Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; and the general manager Peter Gelb National Endowment for the Arts jeanette lerman-neubauer Co-production of the Metropolitan Opera and music director Yannick Nézet-Séguin Teatr Wielki–Polish National Opera 2018–19 SEASON The ninth Metropolitan Opera performance of PYOTR ILYICH TCHAIKOVSKY’S iolanta conductor Henrik Nánási in order of vocal appearance martha duke robert Larissa Diadkova Alexey Markov iol anta count got tfried vaudémont Sonya Yoncheva Matthew Polenzani brigit ta Ashley Emerson* l aur a Megan Marino bertr and Harold Wilson alméric Mark Schowalter king rené Vitalij Kowaljow ibn-hakia Elchin Azizov Monday, January 28, 2019, 7:30–10:40PM 2018–19 SEASON The 33rd Metropolitan Opera performance of BÉLA BARTÓK’S bluebeard’s castle conductor Henrik Nánási cast judith Angela Denoke duke bluebe ard Gerald Finley * Graduate of the Lindemann Young Artist Development Program Monday, January 28, 2019, 7:30–10:40PM MARTY SOHL / MET OPERA A scene from Bartók’s Chorus Master (Iolanta) Donald Palumbo Bluebeard’s Castle Musical Preparation (Iolanta) Linda Hall, J. -
Aragón and Valencia
ARAGÓN AND VALÈNCIA Aragón and València “The jota is at its best with the scent of rosemary and fresh-plowed earth,” says the opening song on this CD. An infectious collection of danced and sung jotas, archaic threshing songs, May courting songs, struck zither tunes, raucous shawms and lyrical strings, travelling down from the mountains of Aragón to the fertile coast of València. The Spanish Recordings Alan Lomax made these historic recordings in 1952 while traveling for months through Spanish villages, under formidable physical and political circumstances, during the Franco regime. Covering the breadth of Spain, these songs and dance melodies constitute a portrait of rural Spain’s richly varied musical life, dispelling the common stereotypes of Spanish folk music. The Alan Lomax Collection The Alan Lomax Collection gathers together the American, European, and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax. Recorded in 1952 by Alan Lomax. Introductions and notes by Luis Bajén García and Mario Gros Herrero (Aragón), Archivo de Tradición Oral de Aragón (ATOA); and Josemi Sánchez Velasco (València), Consellería de Cultura, Educació i Ciència, Generalitat de València. Series Editor, Judith R. Cohen, Ph.D. Remastered to 24-bit digital from the original field recordings. Contains previously unreleased recordings. Aragón 1. AL REGRESO DEL CAMPO (Work jota) Teruel (2:19) 2. A LAS ORILLAS DEL RÍO (Danced jota) Teruel (2:30) 3. JOTA HURTADA (“Stolen” jota) Albarracín (1:08) 4. MAYOS DE ALBARRACÍN (May courting verses) Albarracín (2:53) 5. SE ME OLVIDAN LOS RAMALES (Jota for plowing) Monreal del Campo (0:50) 6. -
FACULTY RECITAL SERGEI BABAYAN, Piano Program
Wednesday, March 2, 2011 Mixon Hall FACULTY RECITAL SERGEI BABAYAN, piano Program VLADIMIR RYABOV Fantasia in C Minor, (b. 1950) in memory of Maria Yudina, Op. 21 (Introduzione - Sonata I - Marcia Funebre - Sonata II - Capriccio) OLIVIER MESSIAEN from, Vingt regards sur l’enfant Jésus (1908 – 1992) XI: Première communion de la Vierge CLAUDE DEBUSSY Préludes, Book One (ca. 1907-10) (1862 – 1918) No. 6, Des pas sur la neige Préludes, Book Two (ca. 1910-13 No. 3, La Puerta del Vino Images, Book One (ca. 1901-05) No. 1, Reflets dans l'eau Images, Book Two (ca. 1907) No. 1, Cloches à travers les feuilles ~ I N T E R M I S S I O N ~ ALEXANDER SCRIABIN Poème in F-sharp Major, Op. 32, No. 1 (1872 – 1915) Prelude in C Major, Op. 11, No. 1 Prelude in A Minor, Op. 11, No. 2 Prelude in G Major, Op. 11, No. 3 Etude in F-sharp Minor, Op. 8, No. 2 Prelude in B Major, Op. 16, No. 1 Prelude in E-flat Minor, Op. 11, No. 14 Prelude in B-flat Major, Op. 11, No. 21 Mazurka in G Minor, Op. 3, No. 3 Prelude in A Minor, Op. 13, No. 2 Prelude in D-flat Major, Op. 17, No. 3 Etude in D-flat Major Op. 42, No. 1 Etude in D-flat Major Op. 8, No. 10 Valse in A-flat Major, Op. 38 Etude in C-sharp Minor, Op. 42, No. 5 SERGEI RACHMANINOV Andante, from the G Minor Cello Sonata, (1873 – 1943) Op. -
Daniil Trifonov
Daniil Trifonov Thursday, February 1, 2018 at 8:00pm This is the 798th concert in Koerner Hall PROGRAM Federico Mompou: Variations on a Theme of Chopin Robert Schumann: “Chopin” from Carnaval: Scènes mignonnes sur quatre notes, op. 9 Edvard Grieg: “Hommage à Chopin“ from Moods, op. 73 Samuel Barber: Nocturne (Homage to John Field), op. 33 Pyotr Il’yich Tchaikovsky: “Un poco di Chopin,” op. 72, no. 15 Sergei Rachmaninov: Variations on a Theme of Chopin, op. 22 Tema: Largo Variation 1: Moderato Variation 2: Allegro Variation 3: L’istesso tempo Variation 4: L’istesso tempo Variation 5: Meno mosso Variation 6: Meno mosso Variation 7: Allegro Variation 8: L’istesso tempo Variation 9: L’istesso tempo Variation 10: Più vivo Variation 12: Moderato Variation 13: Largo Variation 14: Moderato Variation 15: Allegro scherzando Variation 16: Lento Variation 17: Grave Variation 20: Presto Variation 21: Andante Variation 22: Maestoso – Tempo 1 Tema INTERMISSION Fryderyk Chopin: Variations on “Là ci darem la mano” from Mozart’s Don Giovanni, op. 2 Introduction. Largo—Poco più mosso Thema. Allegretto Variation 1. Brillante Variation 2. Veloce, ma accuratamente Variation 3. Sempre sostenuto Variation 4. Con bravura Variation 5. Adagio and Alla Polacca Fryderyk Chopin: Piano Sonata No. 2 in B flat Minor, op. 35 I. Grave - Doppio movimento II. Scherzo III. Marche funèbre: Lento IV. Finale: Presto Federico Mompou Born in Barcelona, Spain, April 16, 1893; died there, June 30, 1987 Variations on a Theme of Chopin (1938-57) Catalan composer Federico Mompou composed the earliest sketches for his Variations on a Theme of Chopin in 1938 in Paris, almost a century after the Polish composer died in his adopted city.