DOCSLIB.ORG

Sobibor Timeline

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sobibor Timeline e recently caught up with group and Wojtech, asserted with absolute certainty modern culture that Auschwitz will remain the member and artist, Hannah that we had uncovered the foundations of the go-to place for Holocaust tourism. Increased WWilson who is at the centre of the gas chambers. awareness of this site is an essential part of Sobibor excavation dig. The groundbreaking THE SECRETS OF Holocaust education, however, distance from research has led to the geographical The existence of these had been hugely the actual event has resulted in some disturbing identification of the Sobibor Gas Chambers contended in Holocaust history, and at this practices by younger generations, such as that were previsouly unknown. Excavation SOBIBOR REVEALED moment, it dawned on me just how important ‘Auschwitz selfies’, and other disrespectful of the area was always going to be a sensitive Hannah Wilson talks with Michael Challoner from the Auschwitz Study Group about her this project is. photographs. There is an unfortunate banality matter for the memories of those who experiences working on the Sobibor excavation project that comes with this level of tourism, and it does perished and the families who waited for Yoram was contacted by the Israeli, Polish, concern me in terms of how this might progress, Join the news of what would be discovered. The Dutch and English press, and the site went or how best to overcome it. incredible results of the dig have surprised Auschwitz Study Group Type Auschwitz Study group on FB or click here if online into media frenzy. Up until this point, there had everyone and offer an insight into the been a set of plans established by the steering ASG Is this something you want to be involved crimes that were attempted to be covered committee at the Majdanek State Museum to with as a more permanent career? up by the fleeing Nazis in 1943. Hannah build a wall around Sobibor, which would cross explains how she got involved with the over the ‘Road to Heaven’ and a visitor centre HW At the moment, I am finishing up my project and her views for future handling of across one of the other archaeological sites. Master’s thesis which focuses around Holocaust rembrance sites. survivor artworks from the post-war Cyprus With the help of Holocaust institutions such Detainee camps, but I am now looking towards ASG So we understand you got involved as Yad Vashem, these plans have thankfully PhD options whereby I can explore the with the Sobibor dig through the Weiss-Livnat been revised in order to work around the relationship between Cultural Holocaust memory International. How did that come about? Was team’s findings, and hopefully allow for more and archaeology practices. I hope that this there a selection process? excavations at the site. Once this has been research will call for many returns to Poland, to approved, I will make efforts to return to the site Sobibor and elsewhere. I would love to continue HW Each week during the Weiss- Livnat as soon as I can. working with Yoram and Wojtech, two very good Holocaust Studies Master’s program in Haifa, friends and inspirational figures in Holocaust my cohort would be visited by a guest lecturer. ASG What was your opinions of Holocaust history. During one of these sessions, we heard from memorials sites before your work and have they Israeli archaeologist and historian Yoram Haimi changed since your work? for example, how Hannah Wilson was talking to Michael regarding the work he and his team had been do you view tourism as a part of the process of Challoner form the Auschwitz Study Group carrying out at the site of the Sobibor Death visitor interaction? In addition, do you think the Camp. Initially tracing the steps of his own family increased levels of tourist activity at Auschwitz history. is positive? The comparable numbers in Sobibor are only a fraction. Yoram and Polish archaeologist Wojtech Mazurki embarked upon an astounding seven year HW Having spent some time living in both Sobibor project that would map an accurate layout of the Poland and Israel, I must admit that I am in two former camp, in an effort to set straight doubts Hannah with Sobibor survivor Philip Bialowitz All pictures courtesy of Hannah Wilson minds about the benefits and negative aspects or denial about the severity of what took place at of Holocaust Memorial sites, and what I would Sobibor. Yoram showed us countless artefacts, and I arrived in Poland not knowing what to personal belongings from the transports. In your feels to find fragments of human bone, white call ‘dark tourism’. mass graves, and the true positioning of the expect, or what exactly I might find during my experience, can you separate the emotion from from cremation, or the gold teeth that shined in ‘Road to Heaven’, where the prisoners would Timeline time there. finding physical human remains to personal my hands amongst the dirt. I guess there was a To be honest, it concerned me to see how the be marched naked to their death. Frankly, I was items? Is it something that you find equally part of me that expected this, for I knew of the planning for a visitor attraction site at Sobibor March - May 1942 stunned. I had never experienced this type of I (Michael Chaloner) myself have harrowing and what is the distinction of emotion? mass murders that had occurred at Sobibor. was initially going to affect the archaeological CONSTRUCTION OF SOBIBOR research in Holocaust history before, and I felt ASG discovered human remains in the sub soil findings there. I find it hard to understand why determined to support their work in any way April 28, 1942 at the Auschwitz Birkenau site, and even HW From the first day, it became clear that I What I could not prepare for was how it felt to something that is raw and original would be built STANGL BECOMES CAMP COMMANDANT possible. personal artefacts such as spectacles, hair would be working alongside the Polish labourers find, for example, a piece of jewellery. Within over or hidden. If we, as Holocaust historians, are working to prove deniers and sceptics May 3, 1942 brushes and medicine bottles. I have read in and farmers who were digging the earth, sifting hours of my arrival, we had discovered a Hebrew FIRST DEPORTATIONS TO SOBIBOR Through independent arrangements, Yoram and an article about you where you mention several through the soil and looking for artefacts. This inscribed wedding band, a child’s elephant wrong, then surely this only exacerbates the Wojtech welcomed me as their research student, problem. Preservation should be a priority. For July 19, 1942 was by no means an easy job, both physically pendant and a pair of silver earrings. Not only HIMMLER ACCELERATES KILLING OPERATIONS and emotionally. I was working under the are these the remains of a life lost, but they example, the day before I arrived, notorious guidance of the Dutch archaeologist on site, signify characteristics, taste and personality. A Holocaust denier David Irving brought a group October 14, 1943 of Americans to Sobibor and led a tour of the UPRISING IN SOBIBOR Prisoners carry out a revolt in Ivar Schute. He explained to me what sort of woman made a choice to wear, perhaps, her Sobibor, killing nearly a dozen German staff and Trawniki- materials should be collected or disregarded, most treasured earrings, on the day she would site. Had he witnessed a preservation of the trained guards. Of 600 prisoners left in Sobibor on this so I kept my eyes open in the hope to find be taken to the gas chambers at Sobibor. gas chamber remains, perhaps he would have day, 300 escape during the uprising one less thing to deem inaccurate. Generally, something that would be worthy of archiving. November 4, 1943 This heart-wrenching thought is something that however,I believe that it is extremely important SS Heinrich Himmler orders that Sobibor is is dismantled It was a complex feeling; hoping to find remains will stay with me for the rest of my life. that people from all over the world have the and all signs of crime are removed.Nothing is supposed to be left for future generations to find of a person who had perished here. At first option to visit sites dedicated to the memory and I found this hard to deal with, but the team ASG What became of the work you were horrors of the Holocaust, in order to expand their assured me that every time an artefact is found, involved with? How will it change the shape of understanding and education. As many as 250,000 innocent I’m not sure I’ll ever be able to describe we are in fact working towards preserving the the memorial grounds? And are you planning on There are exemplary institutions dedicated to people were murdered at Sobibor how it feels to find fragments of human memory of the Holocaust, for future generations returning. to come. this in Poland and elsewhere, that aim to keep “ bone, white from cremation, or HW Coincidentally, my visit coincided with the the memory of Jewish life in Poland alive. It is the gold teeth that shined in my hands” I’m not sure I’ll ever be able to describe how it most crucial discovery at Sobibor to date. Yoram inevitable, given its reputation in history and uschwitz Search Auschwitz Study Group tudy 14 www.auschwitzstudygroup.com for editorial information regarding this newsletter roup 15.
Load more

Recommended publications
  • Holocaust Memorial Days an Overview of Remembrance and Education in the OSCE Region
    Holocaust Memorial Days An overview of remembrance and education in the OSCE region 27 January 2015 Updated October 2015 Table of Contents Foreword .................................................................................................................................... 1 Introduction ................................................................................................................................ 2 Albania ................................................................................................................................. 13 Andorra ................................................................................................................................. 14 Armenia ................................................................................................................................ 16 Austria .................................................................................................................................. 17 Azerbaijan ............................................................................................................................ 19 Belarus .................................................................................................................................. 21 Belgium ................................................................................................................................ 23 Bosnia and Herzegovina ....................................................................................................... 25 Bulgaria ...............................................................................................................................
    [Show full text]
  • The Auschwitz-Birkenau Museum
    53 REMEMBRANCE INSTITUTION Franciszek Dąbrowski PhD Institute of National Remembrance, Warsaw, Poland War Studies University, Warsaw, Poland ORCID 0000-0002-4255-6985 Web of Science ResearcherID S-6250-2017 THE AUSCHWITZ-BIRKENAU MUSEUM & MEMORIAL SITE THE FORMER GERMAN NAZI CONCENTRATION AND EXTERMINATION CAMP: THE HISTORY OF THE INSTITUTION OF MEMORY AND ITS OPERATING PRINCIPLES Abstract The paper describes the activities, structures and tasks of the Auschwitz-Birkenau State Museum, one of the most important remembrance institutions and the most important Holocaust Memorial in Poland. The short outline of the camp’s wartime history is followed by sections concerning the post-war site’s use and commemoration, the forming of the Museum, concepts of its shape, and contemporary challenges to its activities. The selected Museum’s structures were discussed: the archives, exhibitions, research, collections, conservation and visitor services departments. Keywords: Auschwitz, Holocaust Memorial, archives, museum collections, conservation, research Institute of National Remembrance 2/2020 54 INTRODUCTION The Protected Site and the Museum’s History he museum and memorial site located at the former T concentration camp of Auschwitz-Birkenau was REMEMBRANCE INSTITUTION established in 1947 as the Oświęcim-Brzezinka State Museum. In 1999 the museum was renamed as the Auschwitz-Birkenau State Museum (Państwowe Muzeum Auschwitz-Birkenau). In 1979 the sites in the museum’s custody—the remains of the concentration camps Auschwitz I and Auschwitz II-Birkenau—were registered on the UNESCO World Heritage list as the “Auschwitz Concentration Camp”. In 2007 the name on the list was revised to “the Former Nazi German Concentration and Extermination Camp at Auschwitz-Birkenau”.
    [Show full text]
  • Music in Concentration Camps 1933 Music In
    Music in Concentration Camps 19331933––––19451945 GUIDO FACKLER Translated from the German by Peter Logan (Würzburg) It would be wrong to reduce the “Music of the Shoah” (Holocaust/ churbn ) to the Yiddish songs from the ghetto camps of Eastern Europe or to the multiple activities in the realm of classical or Jewish music found in the ghetto camp at Theresienstadt (Terezín), which of course enjoyed a special status as a model camp. It would be equally wrong to restrict our view of music in concentration camps to the “Moorsoldatenlied” (“The Peat Bog Soldiers”), the “Buchenwald Song,” the “Dachau Song,” or the so-called “Girls’ Orchestra in Auschwitz,” described by Fania Fénelon – also the subject of the Hollywood film entitled “Playing for Time”. 1 Instead of this, I wish to address the topic of musical activities in general in the concentration camps. 2 Thus this chapter is about those camps that the Nazi regime started to erect just a few weeks after Hitler’s assumption of power; these camps formed the seed from which the entire system of Nazi camps grew, and which eventually consisted of over 10,000 camps of various kinds. 3 In fact music was an integral part of camp life in almost all the Nazi-run camps. The questions covered by my research include: how was it possible to play music in these camps? What musical forms developed there? What, under these circumstances was the function, the effect and the significance of music for both the suffering inmates and the guards who inflicted the suffering? And how was the extent of musical activities affected by the development of the concentration camp system? My research is based on extensive archive work, the study of memoirs and literature, and interviews with witnesses.
    [Show full text]
  • Print This Article
    Tryuk, M. (2016). Interpreting and translating in Nazi concentration camps during World War II. Linguistica Antverpiensia, New Series: Themes in Translation Studies, 15, 121–141. Interpreting and translating in Nazi concentration camps during World War II Małgorzata Tryuk University of Warsaw, Poland [email protected] This article investigates translation and interpreting in a conflict situation with reference to the Nazi concentration camps during World War II. In particular, it examines the need for such services and the duties and the tasks the translators and the interpreters were forced to execute. It is based on archival material, in particular the recollections and the statements of former inmates collected in the archives of concentration camps. The ontological narratives are compared with the cinematic figure of Marta Weiss, a camp interpreter, as presented in the docudrama “Ostatni Etap” (“The last Stage”) of 1948 by the Polish director Wanda Jakubowska, herself a former prisoner of the concentration camp. The article contributes to the discussion on the role that translators and interpreters play in extreme and violent situations when the ethics of interpreting and translation loses its power and the generally accepted norms and standards are no longer applicable. 1. Introduction Studies on the roles of translators and interpreters in conflict situations have been undertaken by numerous scholars since 1980. They have produced valuable insights into the subject which include various types of study of an empirical, analytical
    [Show full text]
  • An Organizational Analysis of the Nazi Concentration Camps
    Chaos, Coercion, and Organized Resistance; An Organizational Analysis of the Nazi Concentration Camps DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Thomas Vernon Maher Graduate Program in Sociology The Ohio State University 2013 Dissertation Committee: Dr. J. Craig Jenkins, Co-Advisor Dr. Vincent Roscigno, Co-Advisor Dr. Andrew W. Martin Copyright by Thomas V. Maher 2013 Abstract Research on organizations and bureaucracy has focused extensively on issues of efficiency and economic production, but has had surprisingly little to say about power and chaos (see Perrow 1985; Clegg, Courpasson, and Phillips 2006), particularly in regard to decoupling, bureaucracy, or organized resistance. This dissertation adds to our understanding of power and resistance in coercive organizations by conducting an analysis of the Nazi concentration camp system and nineteen concentration camps within it. The concentration camps were highly repressive organizations, but, the fact that they behaved in familiar bureaucratic ways (Bauman 1989; Hilberg 2001) raises several questions; what were the bureaucratic rules and regulations of the camps, and why did they descend into chaos? How did power and coercion vary across camps? Finally, how did varying organizational, cultural and demographic factors link together to enable or deter resistance in the camps? In order address these questions, I draw on data collected from several sources including the Nuremberg trials, published and unpublished prisoner diaries, memoirs, and testimonies, as well as secondary material on the structure of the camp system, individual camp histories, and the resistance organizations within them. My primary sources of data are 249 Holocaust testimonies collected from three archives and content coded based on eight broad categories [arrival, labor, structure, guards, rules, abuse, culture, and resistance].
    [Show full text]
  • Fragments of Life: a Look at Artifacts in the Florida Holocaust Museum Madison Flashenburg
    Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2012 Fragments of Life: A look at Artifacts in the Florida Holocaust Museum Madison Flashenburg Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] Abstract The dominant trend in the current scholarship on artifact-based Holocaust museums, as evidenced by the positions held by James Young in The Texture of Memory and Oren Stier in Committed to Memory, claims all artifacts associated with the Holocaust should be viewed with the same suspicion, for these artifacts are understood only in terms of death, and not of life. In this thesis, I argue that the Florida Holocaust Museum, in its staging of artifacts, counters this claim, in large part, due to a section of the permanent collection dedicated to Jewish life before World War II. I describe what I call "distancing mechanisms", which are tools that prevent the visitor from creating false memory experiences. The Florida Holocaust Museum uses distancing mechanisms to distance the viewer from the thickness of history without producing unmediated forms of memory that lead visitors to overly identify with Holocaust victims. Finally, I call attention to the importance of mundane artifacts, which, when effectively presented, create a relationship between the visitors and the past that emphasizes that these events happened to other people, without using the past to assault the visitor. THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES FRAGMENTS OF LIFE: THE FUNCTION OF ARTIFACTS IN THE FLORIDA HOLOCAUST MUSEUM By MADISON L. FLASHENBURG A Thesis submitted to the Department of Religion in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring Semester, 2012 2 The members of the Defense Committee approve the thesis of Madison L.
    [Show full text]
  • Selfies from Auschwitz: Rethinking the Relationship Between Spaces of Memory and Places of Commemoration in the Digital Age
    Selfies from Auschwitz: Rethinking the Relationship Between Spaces of Memory and Places of Commemoration in The Digital Age MARIA ZALEWSKA USC School of Cinematic Arts Abstract: This paper seeks to map theoretical and practical preoccupations in the contempo- rary relationship between places of commemoration and more abstract spaces of Holocaust memory. While the range of this topic is broad, I narrow the scope by interrogating specific ways in which the Auschwitz-Birkenau Memorial and Museum engages with Holocaust-re- lated visual content on Instagram. The direction in which the memory of the Holocaust is moving and the ubiquity of social media posts, forces institutions like the Auschwitz-Birke- nau Museum to valorise, react, and engage with new media content. Therefore, the case study of ‘selfies from Auschwitz’ resonates in productive ways with questions of individual and institutional socio-historical agency in curatorship of 21st century Holocaust memory, as well as discussions on guardianship and claims to ownership of memory in the digital age. Contending that the Museum asserts itself as an increasingly visible actor in the transna- tional social media Holocaust discourse, I trace the history of the Museum’s social media presence and engagement. Keywords: visual social media, Instagram, visual communication, Holocaust memory, media memory, cultural memory, space and place, Auschwitz-Birkenau, Poland n the months preceding the 70th anniversary of the liberation of Auschwitz-Birkenau, I amid the multitudinous voices concerned with the future of the memory of the Holocaust in the world without survivors or witnesses, several of popular media outlets decried social media users for employing Holocaust-related visual content as affective devices of trans- gression and insensitivity.
    [Show full text]
  • Descriptive Catalogue of Looted Judaica
    Descriptive Cataalogue of Looted Judaica New York Partially Updated Second Edition 2014 First Edition 2009 2 Photo on front page: Offenbach, Germany, Some of the six hundred Torah scrolls that were brought to the Offenbach Archival Depot from all over the American-administered area, 1946. Yad Vashem Photo Archive Archival Signature: 368 Album Number: FA2 73/42 This catalogue represents the results of the current best efforts research of the Claims Conference and is based upon information obtained by the Claims Conference to date. The Claims Conference makes no representation as to its accuracy or completeness and the catalogue should not be relied upon or used as proof, legal or equitable, as to current or past ownership of the items described within. 3 Table of Contents Disclaimer page 5 Foreword page 6 PART A. INTRODUCTION I. Introduction: Goal and Purpose page 7 II. Overview: Historical Background page 10 1.1 Spoliation of Jewish Property page 10 1.2 Restitution Efforts after World War II page 22 III. Selected Bibliography page 38 IV. Archival Records page 66 1.1. Observations and General Information page 66 1.2. Selected Archives page 67 1.3. Online Archival Records page 72 1.4. Claims Conference Sponsored page 72 Archival Projects: The Virtual Reconstruction of the Records of the Einsatzstab Reichsleiter Rosenberg PART B. DESCRIPTIVE CATALOGUE page 74 By Country Albania, Argentina, Australia, Austria, Armenia, Azerbaijan Belarus, Belgium, Bolivia, Bosnia & Herzegovina, Brazil, Bulgaria Canada, Chile, Colombia, Costa Rica, Croatia, Cyprus, Czech Republic This catalogue represents the results of the current best efforts research of the Claims Conference and is based upon information obtained by the Claims Conference to date.
    [Show full text]
  • Zinovii Tolkatchev´S "Jesus in Majdanek". a Soviet
    =LQRYLL7RONDWFKHY·V´-HVXVLQ0DMGDQHNµ $6RYLHW-HZLVK$UWLVW&RQIURQWLQJWKH+RORFDXVW* E\0LUMDP5DMQHU =XVDPPHQIDVVXQJ =LQRYLL 6KHQGHURYLFK 7RONDWFKHY ² HLQ VRZMHWLVFKHU .QVWOHU MGLVFKHU +HUNXQIW NUHLHUWH HLQH HLQGUXFNVYROOH 6HULH YRQ IQI %LOGHUQ PLW GHP 7LWHO ´-HVXVLQ0DMGDQHNµ'LH6HULHZDUGHU+|KHSXQNWYRQ7RONDWFKHYVLQWHQVLYHU$XV- HLQDQGHUVHW]XQJPLWGHQ(UIDKUXQJHQGLHHUDOV6ROGDWGHU5RWHQ$UPHHZlKUHQG GHU%HIUHLXQJGHU.RQ]HQWUDWLRQVODJHU0DMGDQHNXQG$XVFKZLW]JHPDFKWKDWWH6FKR- FNLHUWYRQGHPGRUW*HVHKHQHQ]HLJWHU-HVXVDOV/DJHULQVDVVHQGHUHLQHJHVWUHLIWH 8QLIRUPWUlJWGLHDOOHQXUP|JOLFKHQ'LIIDPLHUXQJV]HLFKHQDXIZHLVW²GHQMGLVFKHQ gelben Stern, das rote Dreieck politischer Gefangener und die individuelle Gefange- nennummer. Die numerische Tätowierung am Unterarm ist auch zu sehen. Die ver- schiedenen Abschnitte des Lagerlebens werden als die der traditionellen Passion Christi GDUJHVWHOOW:lKUHQGGHU.QVWOHUGLHYHUVFKLHGHQHQ3KDVHQGHV/HLGHQV-HVXNDQR QLVFKSRUWUDLWLHUWEDVLHUWVHLQNQVWOHULVFKHV6FKDIIHQDXI GHQGHUEHNDQQWHQ0DOHUHLHQ der europäischen Renaissance. Der Artikel platziert Tolkatchevs Bilderserie in einem EUHLWHUHQNXOWXUHOOHQXQGYLVXHOOHQ.RQWH[WGDHUVRZRKOGLH(QWZLFNOXQJGHVÄKLVWRUL- VFKHQ-HVX¶W\SLVFKIUGDV'HQNELOGGHV(XURSDVGHV-DKUKXQGHUWVXQGGHU.XQVW GHV5XVVLVFKHP5HDOLVPXVDOVDXFKGHQ(LQÁXVVGHUGHXWVFKHQ$YDQWJDUGHXQWHUVXFKW 'DGXUFKELHWHWVLFKHLQWLHIVLQQLJHUHV9HUVWHKHQYRQ7RONDWFKHYV$UEHLWXQGLKUHUXQL- versellen Botschaft. Abstract ,Q=LQRYLL6KHQGHURYLFK7RONDWFKHY ² D6RYLHWDUWLVWRI -HZLVKRULJLQ FUHDWHGDVWULNLQJVHULHVRI ÀYHLPDJHVHQWLWOHG´-HVXVLQ0DMGDQHNµ7KHVHULHVZDVWKH FXOPLQDWLRQRI
    [Show full text]
  • Research in Teaching and Learning About the Holocaust
    Research in Teaching and Learning about the Holocaust ihra_3__innen_druck.indd 1 23.01.2017 12:02:31 IHRA series, vol. 3 ihra_3__innen_druck.indd 2 23.01.2017 12:02:31 International Holocaust Remembrance Alliance (Ed.) Research in Teaching and Learning about the Holocaust A Dialogue Beyond Borders Edited by Monique Eckmann, Doyle Stevick and Jolanta Ambrosewicz-Jacobs O C A U H O L S T L E A C N O N I T A A I N R L E T L N I A R E E M C E M B R A N ihra_3__innen_druck.indd 3 23.01.2017 12:02:32 e Editorial board would like to thank the members of the IHRA Steering Committee on Education Research: Debórah Dwork Wolf Kaiser Eyal Kaminka Paul Salmons Cecilie Stokholm Banke, as well as Stéphanie Fretz for the editorial coordination. ISBN: 978-3-86331-326-5 © 2017 Metropol Verlag + IHRA Ansbacher Straße 70 10777 Berlin www.metropol-verlag.de Alle Rechte vorbehalten Druck: buchdruckerei.de, Berlin ihra_3__innen_druck.indd 4 23.01.2017 12:02:32 Content Declaration of the Stockholm International Forum on the Holocaust ........................................... 9 About the IHRA ............................................ 11 Preface .................................................... 13 Ambassador Mihnea Constantinescu, IHRA Chair Foreword by the Editorial Board ............................. 15 Monique Eckmann, Doyle Stevick, Jolanta Ambrosewicz-Jacobs General Introduction ....................................... 17 Monique Eckmann and Doyle Stevick SECTION I Language-Region Studies on Research in Teaching and Learning about the Holocaust ........................... 33 Introduction ............................................... 35 Monique Eckmann and Oscar Österberg Chapter 1: Research in German ............................. 37 Magdalena H. Gross Chapter 2: Research in Polish ............................... 55 Monique Eckmann Chapter 3: Research in Francophone Regions ...............
    [Show full text]
  • Memory of the Nazi Camps in Poland, 1944-1950
    Arrested Mourning WARSAW STUDIES IN CONTEMPORARY HISTORY Edited by Dariusz Stola / Machteld Venken VOLUME 2 Zofia Wóycicka Arrested Mourning Memory of the Nazi Camps in Poland, 1944-1950 Translated by Jasper Tilbury Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the internet at http://dnb.d-nb.de. This publication is funded by the Ministry of Science and Higher Education of the Republic of Poland. Editorial assistance by Jessica Taylor-Kucia. Cover image: A Red Army soldier liberating a camp prisoner (Za Wolność i Lud, 1-15 Apr. 1950). Library of Congress Cataloging-in-Publication Data Wóycicka, Zofia, author. [Przerwana żałoba. English] Arrested mourning : memory of the Nazi camps in Poland, 1944-1950 / Zofia Wóycicka. pages cm. -- (Warsaw studies in contemporary history; volume 2) Includes bibliographical references. ISBN 978-3-631-63642-8 1. Collective memory--Poland. 2. World War, 1939-1945--Prisoners and prisons, German. 3. World War, 1939-1945--Concentration camps--Poland. I. Title. HM1027.P7W6813 2013 940.54'7243--dc23 2013037453 ISSN 2195-1187 ISBN 978-3-631-63642-8 (Print) E-ISBN 978-3-653-03883-5 (E-Book) DOI 10.3726/978-3-653-03883-5 Open Access: This work is licensed under a Creative Commons Attribution Non Commercial No Derivatives 4.0 unported license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-nd/4.0/ © Zofia Wóycicka, 2013 Peter Lang – Frankfurt am Main · Bern · Bruxelles · New York · Oxford · Warszawa · Wien This book is part of the Peter Lang Edition list and was peer reviewed prior to publication.
    [Show full text]
  • Symbol, Testimony, Evidence: Representations of Majdanek in the 1944–45 Work of Zinovy Tolkachev — MIEJSCE 15.03.2021, 18:48
    Symbol, Testimony, Evidence: Representations of Majdanek in the 1944–45 Work of Zinovy Tolkachev — MIEJSCE 15.03.2021, 18:48 Title Symbol, Testimony, Evidence: Representations of Majdanek in the 1944–45 Work of Zinovy Tolkachev Author Agata Pietrasik Source MIEJSCE 6/2020 DOI https://www.doi.org/10.48285/8kaewzho3p URL http://miejsce.asp.waw.pl/en/english-symbol-testimony-evidence-representations-of-majdanek-in-the-1944- 45-work-of-zinovy-tolkachev/ Abstract In July of 1944, the Red Army liberated the Majdanek concentration camp. Among the soldiers at Majdanek was Zinovy Tolkachev (1903–1977), an artist of Jewish-Ukrainian descent who was trained in Moscow and taught at the Fine Arts Academy in Kiev. In the month following the camp’s liberation, Tolkachev made a series of drawings based on his own eyewitness experiences and on the testimonies of camp survivors. This article takes up the task of reconstructing the exhibitions of Zinovy Tolkachev’s drawings, which have not yet received scholarly attention. It also provides an overview of the shows’ reception. The article offers a critical analysis of Tolkachev’s work based on reciprocal relations between the categories: document, evidence, and artwork. The text considers how and why Tolkachev’s drawings were positioned at an interface between these categories and traces a tension in the drawings between representational forms that evoke universal themes, and those that express a specifically Jewish experience of the Holocaust. The question of how to represent concentration camps and Nazi war crimes was an essential theme for visual culture and art of the late 1940s, both in Poland and throughout Europe.
    [Show full text]