WINTER 2007 • Russel Wright • New Aussie Digs $5.95 $7.95 Can on Sale Until March 1, 2008 TOC 2 16 10/18/07 10:57 AM Page 6
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Ruth Adler Schnee 2015 Kresge Eminent Artist the Kresge Eminent Artist Award
Ruth Adler Schnee 2015 Kresge Eminent Artist The Kresge Eminent Artist Award honors an exceptional artist in the visual, performing or literary arts for lifelong professional achievements and contributions to metropolitan Detroit’s cultural community. Ruth Adler Schnee is the 2015 Left: Keys, 1949. (© Victoria and Albert Museum, London); right: drawing, Glyphs, 1947. Kresge Eminent Artist. This (Courtesy Cranbrook Archives, The Edward and Ruth Adler Schnee Papers.) monograph commemorates her Shown on cover background: Fancy Free, 1949. (Photograph by R.H. Hensleigh and Tim Thayer, life and work. courtesy Cranbrook Art Museum); top left: Woodleaves, 1998; top right: Narrow Gauge, 1957; top center: Bells, 1995; bottom center: Funhouse, 2000; bottom: Plaid, 2001 reissue. Contents 5 57 Foreword Other Voices: By Rip Rapson Tributes and Reflections President and CEO Nancy E. Villa Bryk The Kresge Foundation Lois Pincus Cohn 6 David DiChiera Artist’s Statement Maxine Frankel Bill Harris Life Gerhardt Knoedel 10 Naomi Long Madgett Destiny Detroit Bill Rauhauser By Ruth Adler Schnee 61 13 Biography Transcendent Vision By Sue Levytsky Kresge Arts In Detroit 21 68 Return to Influence Our Congratulations By Gregory Wittkopp From Michelle Perron 22 Director, Kresge Arts in Detroit Generative Design 69 By Ronit Eisenbach A Note From Richard L. Rogers President Design College for Creative Studies 25 70 Inspiration: Modernism 2014-15 Kresge Arts in By Ruth Adler Schnee Detroit Advisory Council 33 Designs That Sing The Kresge Eminent Artist By R.F. Levine Award and Winners 37 72 The Fabric of Her Life: About The Kresge A Timeline Foundation 45 Shaping Contemporary Board of Trustees Living: Career Highlights Credits Community Acknowledgements 51 Between Two Worlds By Glen Mannisto 54 Once Upon a Time at Adler-Schnee, the Store By Gloria Casella Right: Drawing, Raindrops, 1947. -
Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4. -
Guitar Loudspeakers
Guitar Loudspeakers celestion.com Celestion Guitar and Bass Loudspeakers A big thank you to all the guitarists around the world who sent their best wishes and messages of congratulations during our 90th anniversary. It reminds us that Celestion holds a privileged position as the Voice of Rock & Roll, makers of the speakers that guitar players continue to rely upon to articulate their performances, just as they have done since the late 1950s. Looking forward, 2015 is set to be another busy year with the introduction of the 90-Watt Alnico Cream and the 15" Fullback, two remarkable new speakers that we hope are destined to write their own chapters in guitar music history. We’re proud to be the people that make the speakers, but it’s you that makes the music. We wouldn’t be here without you. The Speakers Alnico Series: Cream, Blue, Gold, G10 Gold .......................................................................................................................................................................Pages 8-9 Heritage Series: G12H 75c/s and 55c/s models, G12-65, G12M ........................................................................................................................................Page 10-11 Signature Series: G12-50GL Lynchback, G12EVH ..............................................................................................................................................................Pages 12-13 Classic Series: G15V-100 Fullback, A-Type, V-Type ...........................................................................................................................................................Pages -
Design Goals
58 CHAPTER 5 The Objects of the American-Way Program Design Concepts For Russel Wright, the democracy of the machine and the individuality of the craftsman were each elemental to the American character and national wellbeing. As an organizing construct of the American-Way program, the combination of hand- and machine-made products became a prescription for American homes and a merging of production processes. Singly and as a collection, they reflected the blending of professional design with amateur experimentation, rural handcraft with studio art, factory processes and traditional folkways. A notable effect of this multiplicity of intentions in the American-Way products was a duality of nature in some of the products. Machine-made products sometimes looked like they were made by hand, and vice versa. Mary Wright’s designs for Everlast Aluminum, for example, had the hand-made properties of hammered aluminum, although they were a factory production (Figure 8). Likewise, Russel’s Oceana line, which predated the American-Way program but was incorporated into it, was a mass-produced series of wooden accessories carefully designed to look as if they had come from the hand of a woodworker (Figure 31). Conversely, objects considered part of the crafts program, such as Norman Beals’ Lucite bowls, had slick, rigid qualities reminiscent of the machine (Figure 9). Another material cross-fertilization resulted from the way Wright structured the program, asking designers and artists in some cases to contribute designs completely outside their fields of expertise. Thus, architect Michael Hare designed wooden tableware; movie set designer and House Beautiful contributor Joseph Platt did glassware; and painters Julian Levi and John Steuart 59 Curry supplied designs for printed drapery fabrics. -
Writing & the Chair Lecture 01.2 Arch 3711
Rietveldt Black Lounge Chair- c 1950 & Red Chair Charles & Ray Eames Chaise Longue- 1928 Marcel Breuer Corbu, Perriand, Wassily Chair, Jeanneret, 1925 Critical Reading & Writing: Mies van der Rohe Barcelona Chair & Ottom Posture & the Chair an, 1929 Arch 3711 Lecture 01.2 Cescae Chair-1928 Marcel Breuer Arch 3711 Saaarinen Pedestal/ Tulip Chair Grand & Petit Confort (Club) Chair, 1928, Le Corbusier, Charlotte Perriand, Pierre Jeanneret Jorge Ferrari-Hardoy Butterfly Chair, 1938 Overview: Critical Reading & Writing: Posture & the Chair I Relation to Course Material II Cranz Article A. Content B. Structure of the Article C. Thesis Statement(s) in relation to structur III Reading IV Free-Writing Exercise V Critical Paper #1-A Assignment VI Writing Resources for Students Website VII About Chairs & Design Thinking VIII Chance to sit on chairs Architecture 3711:Environmental Design & the Sociocultural Context Grand & Petit Confort (Club) Chair, 1928, Le Corbusier, Charlotte Perriand, Pierre Jeanneret Relation of Cranz Reading & Critical Paper to Course Objectives 1. Develop critical thinking skills founded in a cultural approach 2. “Read” places within our culture 3. Understand the role of a professional in support of society’s welfare. Architecture 3711:Environmental Design & the Sociocultural Context Grand & Petit Confort (Club) Chair, 1928, Le Corbusier, Charlotte Perriand, Pierre Jeanneret Cranz Article - Content Discussion Galen Cranz (Kellogg Fellows Leadership Alliance Website Rietveldt Black Architecture 3711:Environmental Design & -
Information to Users
INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information C om pany 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313 761-4700 800/521-0600 Order Number 9031153 The utilitarian object as appropriate study for art education: An historical and philosophical inquiry grounded in American and British contexts Sproll, Paul Anthony, Ph.D. -
Wright, Russel, Home, Studio and Forest Garden; Dragon Rock (Residence)
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMBNo. 1024-0018 MANITOGA Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Fonn 1. NAME OF PROPERTY Historic Name: Manitoga Other Name/Site Number: Wright, Russel, Home, Studio and Forest Garden; Dragon Rock (residence) 2. LOCATION Street & Number: NY 9D Not for publication: City/Town: Garrison Vicinity: State: New York County: Putnam Code: 079 Zip Code: 10524 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): _ Public-Local: _ District: _X Public-State: _ Site: _ Public-Federal: Structure: _ Object: _ Number of Resources within Property Contributing Noncontributing 2 _J_ buildings 1 0 sites 0 0 structures 0 0 objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 3 Name of Related Multiple Property Listing: Hudson Highlands Multiple Resource Area Designated a NATIONAL HISTORIC LANDMARK on FEB 1 1 2006 by the Secretary of the Interior NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) 0MB No. 1024-0018 MANITOGA Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
2019 Collection
eventlavish rentals 2018 - 2019 COLLECTION www.lavisheventrentals.com [email protected] 305.731.2203 SEATING side & dining Victoria Ghost Chair Louis Ghost Chair - White Bellini Chair - White Marais Metal Chair - Silver Louis Ghost Chair - Clear Louis Ghost Chair - Black Bellini Chair - Black Marais Metal Chair - White Eddy Chair Maui Chair Series 7 Chair Marais Metal Chair - Yellow www.lavisheventrentals.com | 305.731.2203 SEATING side & dining Eames Plastic Side Chair Eames Plastic Arm Chair Eames Plywood Lounge Chair Twig Chair Panton Chair Tulip Chair Eros Swivel Chair Lider Office Chair Emeco Chair www.lavisheventrentals.com | 305.731.2203 SEATING arm chairs Aristocrat Chair - Black Le Corbusier Chair - White Queen of Love - Black Barcelona Chair - Gray Aristocrat Chair - White Le Corbusier Chair - Black Queen of Love Chair - White Barcelona Chair - White Egg Chair - Black Egg Chair - Orange Egg Chair - White Wire Diamond Chair www.lavisheventrentals.com | 305.731.2203 SEATING arm chairs Knoll Chair - White Knoll Chair - Black Bubble Club Armchair Frank Gehry Easy Chair Oasis Chair Swan Chair - White Swan Chair - Orange Nob Hill Chair - Beige Nob Hill Chair - Gray Eximo Chair Butterfly Chair - Black Butterfly Chair - Brown www.lavisheventrentals.com | 305.731.2203 SEATING arm chairs Grove Leather Chair Champagne Chair Park Grove Chair Rattan Chair Plaza Chair www.lavisheventrentals.com | 305.731.2203 SEATING barstools Charles Ghost Barstool - Clear Charles Ghost Barstool - Smoke LaMarie Barstool Marais Metal Barstool Plush -
On the Nature of Trends Mackinney-Valentin, Maria
Architecture, Design and Conservation Danish Portal for Artistic and Scientific Research Aarhus School of Architecture // Design School Kolding // Royal Danish Academy On the Nature of Trends Mackinney-Valentin, Maria Publication date: 2010 Document Version: Early version, also known as pre-print Link to publication Citation for pulished version (APA): Mackinney-Valentin, M. (2010). On the Nature of Trends: A Study of Trend Mechanisms in Contemporary Fashion. The Danish Design School Press. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 1 2 3 ON THE NATURE OF TRENDS A Study of Trend Mechanisms in Contemporary Fashion ON THE NATURE OF TRENDS: A Study of Trend Mechanisms in Contemporary Fashion Ph.D. Dissertation at The Danish Design School Maria Mackinney-Valentin, MA Cover design: Stine Jacobsen Cover photo: Sigurd Grünberger Print: Danmarks Designskoles Printcenter Paper: Sponsored by Arctic Paper Danmark A/S Copenhagen, 2010 4 TABLE OF CONTENTS PREFACE 5 INTRODUCTION – Motivation of the dissertation, the structure 7 of the dissertation and clarification of the methods employed. -
Modern Furniture 5
Antikvariat ANTIQUA Kommendörsgatan 22 S-114 41 Stockholm Sweden Telefon & fax Telephone & fax 08 - 10 09 96 46 - 8 - 10 09 96 Öppettider Open hours Mändag – fredag Monday – Friday 13.00 –18.00 13.00–18.00 [email protected] www. antiqua.se VAT reg. no. SE 451124051901 Postgiro: 4 65 44 - 3 Bankgiro: 420 - 8500 The measures of books are given in cm Prices are net in Swedish Kronor Shipping charges are extra Antiqua 17 20th Century Furniture Summer 2010 Catalogued by Johan Dahlberg This catalogue presents publications on furniture from Art Nouveau to Postmodernism. Several of the books – and most of the trade catalogues – derive from the library and collection of Lena Larsson (1919-2000), the important protagonist of modern Swedish furniture and interior design. In an introduction to the catalogue, the design historian and critic Monica Boman gives her personal view on Lena Larsson’s life and career. Modern Furniture 5 Trade Catalogues and Monographs on Furniture Companies 40 NK and Triva Furniture * 60 Svenskt Tenn and Josef Frank * 68 Artek and Alvar Aalto * 73 Light Fixtures 76 Radio and TV Sets * 87 Lena Larsson * 88 Books on Individual Designers and Craftsmen 92 Books on Modern Design including but not restricted to Furniture 116 * arranged in chronological order 1 Lena Larsson – pioneer, rebel and romantic Lena Larsson – who was she, young people of today will ask. Was she the one who wanted to ”wear and tear and throw away”? It is so unfair, that this slogan – often misunderstood – is the remaining memory of one of the most influential interior designers of the 20th century, that her versatile and humanistic message and her intrepid, creative personality have been confined to a mere cliché! Lena Larsson (1919-2000) was an interior decorator and furniture designer, a teacher at the Konstfack National College of Art and Design, a popular educator, an exhibition architect and glass designer, a debater and well-known radio personality, a jazz enthusiast. -
Art Deco Tea Sets and Cocktail Sets Making Modernity Accessible
Art DecO Tea SetS and cOcktail SetS Making MOdernity AcceSSible Melanie Keating Submitted under the supervision of Jennifer Marshall to the University Honors Program at the University of Minnesota-Twin Cities in partial fulfillment of the requirements for the degree of Bachelor of Arts, summa cum laude in Art History. 12/11/2013 Abstract: This essay examines American Art Deco tea sets and cocktails sets and their accessibility to a large audience. It covers the origin of Art Deco and describes certain common features by visually analyzing relevant examples. It argues that Art Deco tea sets and cocktail sets blended aspects of modern and traditional design in order to appeal to progressive and conservative consumers. The designers studied include Jean Puiforcat, Norman Bel Geddes, Virginia Hamill, Gene Theobald, Louis W. Rice, Russel Wright, Howard Reichenbach, and Walter von Nessen. 2 Art Deco Tea Sets and Cocktail Sets Making Modernity Accessible Art Deco debuted in the 1920s and continued to be popular in design for several decades. Clean lines, symmetry, and lack of ornamental details all characterize this bold style (see figures 1 and 5 for examples). Geometric forms based on machines, such as circles, rectangles, spheres, and cylinders, are typical elements. When color is used, it is bright and high contrast. Art Deco was a branch of modernism, a cutting-edge art style, and it also celebrated the scientific advances and rise of the machine associated with modernity during the Interwar Period. Art Deco takes its name from the 1925Exposition internationale des arts décoratifs et industriels modernes in Paris, where it first appeared. -
Artist Philanthropist
the artist as philanthropist strengthening the next generation of artist-endowed foundations a study of the emerging artist-endowed foundation field in the U.S. study report supplement 2013 the artist as philanthropist strengthening the next generation of artist-endowed foundations a study of the emerging artist-endowed foundation field in the US study report supplement 2013 Christine J. Vincent, Study Director Study Committee Alberta Arthurs Charles C. Bergman James T. Demetrion Lowery Stokes Sims James Allen Smith Stephen K. Urice Study Report published 2010. Study Report Supplement published 2013. www.aspeninstitute.org/psi/a-ef-report The views expressed are those of the authors and are not of the Program on Philanthropy and Social Innovation or the Aspen Institute, its trustees, or its funders. The Aspen Institute’s Program on Philanthropy and Social Innovation (PSI) seeks to inform and maximize the impact of grantmaking foundations, nonprofit organizations, social enterprises, and public-private partnerships through leadership development initiatives, convenings, and communications so that each can contribute to the good society at home and abroad. The Program’s theory of change rests on the premise that if their leaders have clarity about their values, are collaborative in their approach to problem-solving, and are aware of the strategies and potential partnerships available to them, they are more likely to succeed in advancing the social good. The Aspen Institute is an educational and policy studies organization with a mission to foster leadership based on enduring values and to provide a nonpartisan venue for dealing with critical issues. The Institute is based in Washington, DC; Aspen, Colorado; and on the Wye River on Maryland's Eastern Shore.