DOCSLIB.ORG

Piano Roll Review

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Piano Roll Review ~. @!IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIil1.1111"11111111"111111111"1111111111111111111111111'IllllIllYU]llllllllllllllllllllllllllllllllllllllllllllllllllllml!JjllllllllllllllilllllllllllllllllUIlIIIIIIIIlIIIIrnl'~IIII~III~lIImlll~IIII~III~II!mllli~lIIfiDlII[jj1ll1 I . New . e MICA Th A s Bulletm of the AutomarIC MUSical Instrument Collectors' Association March 1983 Volume 20 Number 2 AMICA International AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION AMICA MEMBERSHIP RATES: NEWS BULLETIN Continuing Members: $20 Annual Dues Overseas Members: $26 Dues PUBLISHER New Members, add $5 processing fee Dorothy Bromage (Write to Membership Secretary, P.O. Box 387 see address below) La Habra, CA 90631 USA Change of Address: If you move, send the new address and phone number to the Published by the Automatic Musical Instrument Collectors' Membership Secretary, Bobby Clark. Association, a non-profit club devoted to the restoration, dist".ibution and enjoyment of musical instruments using INTERNATIONAL OFFICERS perforated paper music rolls. AMICA was founded in San Francisco in 1963. PRESIDENT Terry Smythe (204) 452-2180 Contributions: All subjects of interest to readers of the 547 Waterloo St., Winnipeg, Manitoba Bulletin are encouraged and invited by the publisher. All Canada R3N 012 articles must be received by the 10th of the preceding PAST PRESIDENT Robert M. Taylor month. Every attempt will be made to publish all articles of (215) 735-2662 general interest to AMICA members at the earliest possible 1326 Spruce St. #3004, Phildelphia, PA 19107 time and at the discretion of the publisher. VICE PRESIDENT Molly Yeckley (419) 684-5742 Original Bulletin articles, or material for reprint that is of 612 Main St., Castalia, OH 44824 significant historical quality and interest, are encouraged and will be rewarded in the form of AMICA membership SECRETARY Richard Reutlinger (415) 346-8669 dues discounts. (Chapter reports and Forum inquiries are 824 Grove St., San Francisco, CA 94117 excluded.) PUBLISHER Dorothy Bromage (213) 697-1545 ADVERTISI NG P.O. Box 387, La Habra, CA 90631 Classified: 10¢ per word, $1.50 minimum. MEMBERSHIP SECRETARY Bobby Clark • All copy must reach the publisher by the 10th of the (New memberships and mailing problems) preceding month. Payment must accompany order. (803) 738-0567 Make checks payable to: AMICA INTERNATIONAL. P.O. Box 172, Columbia, SC 29202 TREASURER Mike & Liz Barnhart • Checks or money orders from advertisers in foreign (513) 254-5580 countries must be drawn on a U.S. bank. 919 Lantern Glow Trail, Dayton, OH 45431 Display advertising BOARD REPRESENTATIVES Full page 7'12'x10" $80.00 Founding Chapter: Half page 7W'x43;"" 40.00 Southern California: Dick Rigg 5 Quarter page 3 /." X43;"" 20.00 Texas: Haden Vandiver Midwest: Vincent Ricca • Each photograph or half-tone $5.00 Philadelphia Area: • We recommend display advertisers supply camera­ SOWNY: jeff Depp ready copy. Copy that is oversized or undersized Rocky Mountain: Dick Kroeckel will be changed to correct size at your cost. We can New jersey: William Baab Iowa: prepare your advertisement from your suggested Boston Area: layout at cost. Northern Lights: Sierra-Nevada: Bob Moore • All copy must reach the publisher by the 10th of the Chicago Area: preceding month. Heart of America: Ron Bopp • Payment must accompany order. Typesetting, layout COMMITTEES or size alteration charges will be billed separately. Make checks payable to: AMICA INTERNATIONAL. TECHNICAL, Mel Luchetti 3449 Mauricia Ave., Santa Clara, CA 95051 • Checks or money orders from advertisers in foreign HONORARY MEMBERS, Alf E. Werolin countries must be drawn on a U.s. bank. 2230 Oakdale Rd., Hillsborough, CA 94010 • All ads will appear on the last pages of the Bulletin ARCHIVES, jim Weisenborne at the discretion of the publisher. 73 Nevada St., Rochester, MI 48063 Publication of business advertising in no way implies AMICA GOALS, Robert Moore 3100 Sagittarius Dr., Reno, NV 89509 AMICA's endorsement of any commercial operation. However, AMICA reserves the right to refuse any ad that AUDIO-VISUAL, Howie Koff is not in keeping with AMICA's general standards or if 4271 No. First St., #1, San jose, CA 95134 complaints are received indicating that said business PUBLICATION, Dorothy Bromage does not serve the best interests of the members of P.O. Box 387, La Habra, CA 90631 AMICA according to its goals and bylaws. ilMICillnternotionol ......"".·.·.""· ~,,,..·9 •. ·W ·· ev• , • ••••••w••• •••••• ""'•••••••••••••''''''' .............,. ,..••;..,•••••" •••,;'••••••••~••• ,e, f·..• ..·"•••·.·.·.·;.,..,.·~.·.,.",.9·.·.·.·.·. The Warragul Parade ments' whilst I, dressed up in dinner suit and bowler hat, did the conducting. by Albert Fox The temperature was around 110°F and you can imagine how hot we were, but it raised so much In Australia, the district of Warragul, in which the applause from the crowd we didn't really feel too bad. At Damum Musical Village is situated, celebrated its cen­ one stage, the road was so rough that it made the chain tennary in 1982. As proprietors of the local music business and the musical village attraction, we were invited to enter a float in the centennary procession that was organized by the centennary committee. On our musical museum property are two fine horse drawn wagons, so we thought we would put a player piano on one of them and tow it down the street. Band organs and orchestrions are hard to come by in Australia, but with a little thought we came up with the most curious machine. We placed an old German Zim­ merman foot pump player piano on the wagon and be­ hind it a foot pumped toy counter, i.e. with drum, cym­ bal, sleigh-bells and a visual display, turned by an old player air motor. Two local lads who help us from time to time with odd jobs were booked to treddle and play the 'instru- ""' + A, VA, ,.,...••••••••• we, •••••,"¥'\Io '•• .,•••••••••••••••• we"....,., •••••A •• fA , •••••••• , ••••••" . CHAPTER OffiCERS AMICA International News Bulletin FOUNDING CHAPTER NEW JERSEY Volume 20 Number 2 March 1983 Pres: Phil McCoy Pres: Edward Freyer Vice Pres: Isadora Koff Vice Pres: Oliver Vitakis CONTENTS Treas: Bob Wilcox Sec: Marge Vitakis Sec/Reporter: Jack and Dianne Edwards Treas: Lenny Finkel AMICA International 31 SOUTHERN CALIFORNIA Reporter: R. F. Groman Rolls and Music .... 33 Pres: Roy Shelso IOWA People . 39 Vice Pres: Warren and Rosemary Deasy Pres: John Parker News from the Chapters 41 Sec: Holly and Peggy Hollingsworth Vice Pres: Bob Shimp Treas: Les Cordell SeclTreas: Mary Lou Shimp Technicalities 50 Reporter: Bill Toeppe Reporter: Jack Niewoehner The Forum 51 TEXAS BOSTON AREA Pres: Dick Barnes Pres: Barry Kasindorf Vice Pres: Bob Smith Vice Pres: Charles Hazard SeclTreas: Betty Plonien Sec: Bill Koenigsberg The Cover: On the occasion of Eubie Blake's 95th Reporter: Tom Beckett Treas: Philip Konop birthday, The San Francisco Chronicle carried this MIDWEST Reporter: Donald Brown marvelous picture of him. Pres: Edwin Ward NORTHERN LIGHTS Vice Pres: Ruth Owen Pres: Steve Leppa Sec: Lawrence and Margaret Frazer Vice Pres: Terry Goepel Treas: Alvin Wulfekuhl Sec: Barbara Leppa 1983 Convention Reporter: Sue Ricca Treas: Robert & Katheryn Dumas Chicago PHILADELPHIA AREA SIERRA-NEVADA •• •• July 14-17 Pres: Bob Rosencrans Pres: Ken Winters Vice Pres: Barbara McCartney Vice Pres: Sonja Lemon Sec: Frank Basil SeclTreas: Audrey Winters Treas: Mac Taylor Reporter: Mel and Karen Locher Reporter: Bill Pilgermayer CHICAGO AREA SOWNY (SOUTHERN ONTARIO, Pres: Jim Edwards WESTERN NY) Vice Pres: Carol Dayton and Mabel Zivin AFFILIATED SOCIETIES Pres: Jim Brewer Sec: Bob and Gloria Taylor The Player Piano Group (England) Vice Pres: Jan Drewniak Treas: Bill and Dee Kavouras The North West Player Piano Sec: Alice Guhlow Reporter: Wynette Edwards Association (England) Netherlands Mec,hanical Organ Treas: Jim and Chris Barley HEART OF AMERICA Society - KDV " Reporter: Fred Buchwald Pres: Ron Connor Australian Collector~echanical ROCKY MOUNTAIN Vice Pres: Tom Hellstein Musical Instruments Pres: Jere De Backer Sec: Leonard Railsback Dutch Pianola Association Vice Pres: Bill Arthur Treas: Margaret Taylor Society of Friends of Mechanical Sec: Rae Burdette Reporter: Craig Brougher Musical Instruments (Germany) Treas: Art Tarr Reporter: Deane and Patty Fehrman <> 31 <> Founding Chapter Sponsors Roll Auction by Jack Edwards /" During the January meeting of the Founding Chap­ ter, it was decided that we would sponsor a roll auction for members of AMICA International. Because the by­ laws say that the club is responsible for assisting in the dispersal of recordings, and it has been a long time since AMICA held a national roll auction, we decided to leap into the breech. Howie Koff will serve as head of the auction com­ mittee. Serving on the committee with Howie will be his wife Isadora, Tom and Ida Fryer, Bill Wherry, Chapter President Phil McCoy, his wife Phyllis and his son Paul, jump off the player piano transmission, but having Jack and Dianne Edwards. We met not too long after the watched so many American westerns I was able to climb January meeting to set up procedures for the auction. around the end of the piano, which took up the entire Since the chapter is sinking a large portion of its treas­ width of the wagon, and refit the chain. ury into printing, mailing and sundry expenses, we, of A great time was had by all. My wife, Barbara, re­ course hope that many AMICAns have rolls to sell, and ceived the prize for best dressed lady [in period costume) we hope
Load more

Recommended publications
  • THE CZECH SONGS of RUDOLF FRIML, 1901-1911 by Daniel
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
    [Show full text]
  • Bruce Walker Musical Theater Recording Collection
    Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN
    [Show full text]
  • South Pacific
    THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Thirty-Eighth Annual Convocation, June
    t ?s3 SOUTHERN METHODIST UNIVERSITY THIRTY-EIGHTH ANNUAL CONVOCATION COMMENCEMENT EXERCISES and CONFERRING OF DEGREES TUESDAY EVENING, THE SECOND OF JUNE NINETEEN HUNDRED FIFTY-THREE AT SIX O'CLOCK McFARLIN MEMORIAL AUDITORIUM THE ORDER OF EXERCISES Flrrvrprrrr,¡. Flosrono, Ph,D,, Prouost ol the Uniaersìty, Presiding THE PRELUDE Toccata Gìgout Sil,ence is reqøested d'ariøg tbe þrelade. Done Bencr,lt, 8.M., A,A.G.O., Associøte Prolessor ol Otgøt THE CONVOCATION PROCESSION The Mamh¿ls of the Unive¡sfty The R,epresentatives of the Cl¡ss of 1928 The Offlcen of the Unlvenity The Candidates for Baccalaureate Degreeg The Candldatæ for llonorary Degrees The Candidates for lligher Deg¡ees (]r THE PROCESSIONAL Marche Pontitcele Lemmms Tlte øadience aill støød for the þrocession, THE INVOCATION TrrB RBvsnrNo R. J. LePneon, B.D. Pøstor, Centrøl Methodìst Churcb, Brownwood, Texøs THE SOLO Eternal Life Dangøn Mnnr KaTrrERTNE JoRDAN, Contralto {'r \_.¿ THE ANNUAL STATEMENT Docron Flosrono Thc Tfurlitze¡ Organ is fu¡nishcd by Btooh Mays and Comprny 2 l { Candìdøtes for tbe Bøccølaureøte Degree wíth Honors: IN rrrs Co¡,rEcE or Anrs aNo ScrnNcrs 'Vitb Highest Honors Margaret Ann Alll¡o¡ Loulse Kent Kst¡e Mary Anne Hein Beatrice Ethel Marcu¡ Lee Glrard Pondron 'Vitb Hígb Honors Ernest Eottorff Be¿ttt Ellnor J¿nlce Klrby Allce lIart Bockus John Har4r LaPr¿tlc Beverly Lou C¿mpbell Bsy M¿rie Porter Helen Atrell Fi¡ley M¿rjo¡le Ann Reynolil¡ Robert Charles CþntD/ Doris Je¿n Stew¡lt Marion Goldman RobeÈ llyer lbomsg Ma¡y Owen Jone¡ Reb¿ Gerane B4rber W€rt Ife¡¡y Ye¡te¡, J¿ Vitb Ho¡ors Elm¡ Âdele A¡el Eleanor Jo¿¡ Joril¿¡ Barb¿ra Di¿ne Brolle¡ B¿¡b¡ra Lynetts McCluna \ftlligm Ch¿rle¡ Crouch Js¡lce Rr¡¡hùuÌ Patrlcla Brown Ourrln S¡llv Brlght Sutto¡ Røan¡e Díckso¡ ìf¡¡¡hsll Northw¡v Terrv.
    [Show full text]
  • Biography: 850 Words)
    Sara Davis Buechner (long biography: 850 words) Sara Davis Buechner is one of the leading concert pianists of our time. She has been praised worldwide as a musician of “intelligence, integrity and all- encompassing technical prowess” (New York Times); lauded for her “fascinating and astounding virtuosity” (Philippine Star), and her “thoughtful artistry in the full service of music” (Washington Post); and celebrated for her performances which are “never less than 100% committed and breathtaking” (Pianoforte Magazine, London). Japan’s InTune magazine says: “When it comes to clarity, flawless tempo selection, phrasing and precise control of timbre, Buechner has no superior.” In her twenties, Ms. Buechner was the winner of a bouquet of prizes at the world’s première piano competitions -- Queen Elisabeth of Belgium, Leeds, Salzburg, Sydney and Vienna. She won the Gold Medal at the 1984 Gina Bachauer International Piano Competition, and was a Bronze Medalist of the 1986 Tschaikowsky International Piano Competition in Moscow. With an active repertoire of more than 100 piano concertos ranging from A (Albeníz) to Z (Zimbalist) -- one of the largest of any concert pianist today -- she has appeared as soloist with many of the world’s prominent orchestras: New York, Philadelphia, Cleveland, Saint Louis, San Francisco, Montréal, Edmonton, Vancouver, Victoria, Honolulu, Qingdao and Tokyo; the CBC Radio Orchestra, Japan Philharmonic, City of Birmingham (U.K.) Symphony Orchestra, BBC Philharmonic, Moscow Radio Symphony, Kuopio (Finland) Philharmonic, Slovak Philharmonic and the Orquesta Sinfónica de Castilla y León (Spain). Audiences throughout North America have applauded Ms. Buechner’s recitals in venues such as Carnegie Hall, Lincoln Center, Kennedy Center and the Hollywood Bowl; and she enjoys wide success throughout Asia where she tours annually.
    [Show full text]
  • “Can't Help Singing”: the “Modern” Opera Diva In
    “CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
    [Show full text]
  • THE TRACKER CONVENTION JOURNAL of the ORGAN HISTORICAL SOCIETY ISSUE Schantz OHS-Tracker Ad Art.Qxp Layout 1 5/6/19 1:10 PM Page 1
    VOLUME 63, NUMBER 3, JULY 2019 ENHANCED THE TRACKER CONVENTION JOURNAL OF THE ORGAN HISTORICAL SOCIETY ISSUE Schantz OHS-Tracker Ad Art.qxp_Layout 1 5/6/19 1:10 PM Page 1 Meeting the needs of organbuilding clients P. O. Box 156 Orrville, Ohio 44667 for one-hundred and forty-six years, www.schantzorgan.com Schantz Organ Company provides a tailored, [email protected] artistic response relying upon time-honored 800.416.7426 mechanisms and design principles. find us on A RTISTRY - R ELIABILITY - A DAPTABILITY Re-imaging Estey Organ Company, Opus 1318 (1914) - built for Fair Lane – the estate of Henry and Clara Ford – Dearborn, Michigan. The III-17, fitted with extant Estey pipework from the second two decades of the twentieth century, will be installed in the summer of 2019. Not simply an assembler of components, our artisans creatively adapt to each project's parameters – be that a newly commissioned instrument, the rebuild and adaptation of a long-serving example, or a strict historic restoration. S.L.Huntington&Co. PIPE ORGAN BUILDERS We are honored to have been commissioned to restore Hook & Hastings No. 1171, 1883 the only remaining unaltered three-manual Hook & Hastings from the 1880 decade. Completion Fall 2021 S.L.Huntington&Co. P.O. Box 56, stonington, ct 06378 J 401.348.8298 J www.slhorgans.com An International Monthly Devoted to the Organ, Harpsichord, Carillon and Church Music Now in Our Second Century Announcing The Diapason’s new digimag subscription. The digital edition is available at a special price ($35/year), and yet incorporates all the content in the traditional print edition.
    [Show full text]
  • C K’NAY C (To Her) C (Poem by A
    K ney C k’NAY C (To Her) C (poem by A. Belïy [(A.) BAY-lee] set to music by Sergei Rachmaninoff [sehr-GAYEE rahk-MAH-nyih-nuff]) Kaan C JindÍich z Albestç Kàan C YINND-rshihk z’AHL-bess-too KAHAHN C (known also as Heinrich Kàan-Albest [H¦N-rihh KAHAHN-AHL-besst]) Kabaivanska C Raina Kabaivanska C rah-EE-nah kah-bahih-WAHN-skuh C (known also as Raina Yakimova [yah-KEE-muh-vuh] Kabaivanska) Kabalevsky C Dmitri Kabalevsky C d’MEE-tree kah-bah-LYEFF-skee C (known also as Dmitri Borisovich Kabalevsky [d’MEE-tree bah-REE-suh-vihch kah-bah-LYEFF-skee]) C (the first name is also transliterated as Dmitry) Kabasta C Oswald Kabasta C AWSS-vahlt kah-BAHSS-tah Kabelac C Miloslav Kabelá C MIH-law-slahf KAH-beh-lahahsh Kabos C Ilona Kabós C IH-law-nuh KAH-bohohsh Kacinskas C Jerome Ka inskas C juh-ROHM kah-CHINN-skuss C (known also as Jeronimas Ka inskas [yeh-raw-NEE-mahss kah-CHEEN-skahss]) Kaddish for terezin C Kaddish for Terezin C kahd-DIHSH (for) TEH-reh-zinn C (a Holocaust Requiem [{REH-kôôee-umm} REH-kôôih-emm] by Ronald Senator [RAH-nulld SEH-nuh-tur]) C (Kaddish is a Jewish mourner’s prayer, and Terezin is a Czechoslovakian town converted to a concentration camp by the Nazis during World War II, where more than 15,000 Jewish children perished) Kade C Otto Kade C AWT-toh KAH-duh Kadesh urchatz C Kadesh Ur'chatz C kah-DEHSH o-HAHTSS C (Bless and Wash — a prayer song) Kadosa C Pál Kadosa C PAHAHL KAH-daw-shah Kadosh sanctus C Kadosh, Sanctus C kah-DAWSH, SAHNGK-tawss C (section of the Holocaust Reqiem — Kaddish for Terezin [kahd-DIHSH (for) TEH-reh-zinn]
    [Show full text]
  • Czech Music in Nebraska
    Czech Music in Nebraska Ceska Hudba v Nebrasce OUR COVER PICTURE The Pavlik Band of Verdigre, Nebraska, was organized in 1878 by the five Pavlik brothers: Matej, John, Albert, Charles and Vaclav. Mr. Vaclav Tomek also played in the band. (Photo courtesy of Edward S. Pavlik, Verdigre, Neraska). Editor Vladimir Kucera Co-editor DeLores Kucera Copyright 1980 by Vladimir Kucera DeLores Kucera Published 1980 Bohemians (Czechs) as a whole are extremely fond of dramatic performances. One of their sayings is “The stage is the school of life.” A very large percentage are good musicians, so that wherever even a small group lives, they are sure to have a very good band. Ruzena Rosicka They love their native music, with its pronounced and unusual rhythm especially when played by their somewhat martial bands. A Guide to the Cornhusker State Czechs—A Nation of Musicians An importantCzechoslovakian folklore is music. Song and music at all times used to accompany man from the cradle to the grave and were a necessary accompaniment of all important family events. The most popular of the musical instruments were bagpipes, usually with violin, clarinet and cembalo accompaniment. Typical for pastoral soloist music were different types of fifes and horns, the latter often monstrous contraptions, several feet long. Traditional folk music has been at present superseded by modern forms, but old rural musical instruments and popular tunes have been revived in amateur groups of folklore music or during folklore festivals. ZLATE CESKE VZPOMINKY GOLDEN CZECH MEMORIES There is an old proverb which says that every Czech is born, not with a silver spoon in his mouth, but with a violin under his pillow.
    [Show full text]
  • Sara Davis Buechner
    Sara Davis Buechner Pianist Sara Davis Buechner is one of the leading keyboard artists of our time. She has been praised on four continents for her “intelligence, integrity and all-encompassing technical prowess”(New York Times), “fascinating and astounding virtuosity”(Philippine Star), and “thoughtful artistry in the full service of music”(Washington Post).“Buechner has no superior” says Japan’s InTunemagazine. Winner of a bouquet of prizes at the world’s great piano competitions -- Reine Elisabeth of Belgium, Leeds, Salzburg, Sydney and Vienna -- she established her early career with the Gold Medal of the 1984 Gina Bachauer International Piano Competition, and a Bronze Medal in the 1986 Tschaikowsky International Piano Competition in Moscow. Now residing in Canada, Ms. Buechner enjoys a vibrant international performance and recording career. With an active repertoire of over 100 piano concertos ranging from A (Albeníz) to Z (Zimbalist), she has appeared as soloist with the world’s prominent orchestras: New York, Philadelphia, Cleveland, Saint Louis, San Francisco, Montréal, Vancouver, Victoria; the CBC Radio Orchestra, Japan Philharmonic, City of Birmingham (U.K.) Symphony Orchestra, BBC Philharmonic, Kuopio (Finland) Philharmonic, Slovak Philharmonic and the Orquesta Sinfónica de Castilla y León (Spain). Audiences throughout the world have applauded Ms. Buechner’s recitals in venues such as Carnegie Hall, Lincoln Center, Kennedy Center, the Hollywood Bowl, Prague’s Dvorák Hall and Kyoto’s Alti Hall; and she enjoys a special following throughout Asia where she tours annually. Ms. Buechner’s numerous recordings have received prominent critical appraisal. The New York Times greeted her Koch International CD of piano music by Rudolf Friml as a “revelation,” and devoted the front page of its Sunday Arts & Leisure section to her world première recording of the Bach-Busoni “Goldberg” Variations.
    [Show full text]
  • Rudolph Friml
    AMICA International Automatic Musical Instrument Collectors' Association Honor Roll (Charles) Rudolf Friml ( 1879 -- 1972 ) Pianist, composer; born in Prague, Austria-Hungary (now the Czech Republic). He studied under Dvorák at the Prague Conservatory and as a pianist and composer he settled in the U.S.A. in 1906 (becoming a citizen in 1925). His completion of The Firefly (1912) for Victor Herbert initiated his long series of highly successful Broadway operettas (1912--34) containing such standards as "Indian Love Song" from Rose Marie (1924), "Some Day" from The Vagabond King (1925), and "The Donkey Serenade" from the film version of The Firefly (1937). He also contributed to the Ziegfeld Follies (1921--25). After settling in Hollywood (1934) he scored numerous films, and at age 92 he became an original member of the Songwriter's Hall of Fame. Composer Rudolf Friml, above, with his wife, Kay Ling, at the piano in their Richmond District home in 1967. Right, a postal employee cancels Mrs. Frimi's own version of a stamp to commemorate 100-year anniversary of her late famed husband ================== Music man: His time has come again S.F. Sunday Examiner & Chronicle, Dec 9 1979 By Lynn Ludlow Examiner Staff Writer Kay Ling Friml, who wanted to mail some letters, paused for a moment to predict a change in America's musical tastes. "I think people are ready," she said, "to listen to some songs with music." Rudolf Friml, who lived here during the melancholy years when operettas gave way to what he called "crooning and drums," would have been 100 years old Friday.
    [Show full text]