The Semi-Weekly Campus, Volume 25, Number 41, March 13, 1940
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Centre D'etudes Et De Recherches Documentaires Sur L'afghanistan
Centre d’Etudes et de Recherches documentaires sur l’Afghanistan Association Loi 1901 16, passage de la Main d'Or - 75011 PARIS [email protected] Bibliographie Janvier 2019 1 Repère alphabétique A ABBAS, Hassan ................................................................................................................................................................................. 5 B BABUR ............................................................................................................................................................................................ 25 C CAGNAT, René, .............................................................................................................................................................................. 48 D DAGENS, Bruno .............................................................................................................................................................................. 65 E EDEL, Patrick .................................................................................................................................................................................. 76 F FAIZI, Abdulmalik ........................................................................................................................................................................... 80 Ǧ ǦALĀL AL-DĪN RŪMĪ .................................................................................................................................................................. 89 H HABEREY, -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Thirty-Eighth Annual Convocation, June
t ?s3 SOUTHERN METHODIST UNIVERSITY THIRTY-EIGHTH ANNUAL CONVOCATION COMMENCEMENT EXERCISES and CONFERRING OF DEGREES TUESDAY EVENING, THE SECOND OF JUNE NINETEEN HUNDRED FIFTY-THREE AT SIX O'CLOCK McFARLIN MEMORIAL AUDITORIUM THE ORDER OF EXERCISES Flrrvrprrrr,¡. Flosrono, Ph,D,, Prouost ol the Uniaersìty, Presiding THE PRELUDE Toccata Gìgout Sil,ence is reqøested d'ariøg tbe þrelade. Done Bencr,lt, 8.M., A,A.G.O., Associøte Prolessor ol Otgøt THE CONVOCATION PROCESSION The Mamh¿ls of the Unive¡sfty The R,epresentatives of the Cl¡ss of 1928 The Offlcen of the Unlvenity The Candidates for Baccalaureate Degreeg The Candldatæ for llonorary Degrees The Candidates for lligher Deg¡ees (]r THE PROCESSIONAL Marche Pontitcele Lemmms Tlte øadience aill støød for the þrocession, THE INVOCATION TrrB RBvsnrNo R. J. LePneon, B.D. Pøstor, Centrøl Methodìst Churcb, Brownwood, Texøs THE SOLO Eternal Life Dangøn Mnnr KaTrrERTNE JoRDAN, Contralto {'r \_.¿ THE ANNUAL STATEMENT Docron Flosrono Thc Tfurlitze¡ Organ is fu¡nishcd by Btooh Mays and Comprny 2 l { Candìdøtes for tbe Bøccølaureøte Degree wíth Honors: IN rrrs Co¡,rEcE or Anrs aNo ScrnNcrs 'Vitb Highest Honors Margaret Ann Alll¡o¡ Loulse Kent Kst¡e Mary Anne Hein Beatrice Ethel Marcu¡ Lee Glrard Pondron 'Vitb Hígb Honors Ernest Eottorff Be¿ttt Ellnor J¿nlce Klrby Allce lIart Bockus John Har4r LaPr¿tlc Beverly Lou C¿mpbell Bsy M¿rie Porter Helen Atrell Fi¡ley M¿rjo¡le Ann Reynolil¡ Robert Charles CþntD/ Doris Je¿n Stew¡lt Marion Goldman RobeÈ llyer lbomsg Ma¡y Owen Jone¡ Reb¿ Gerane B4rber W€rt Ife¡¡y Ye¡te¡, J¿ Vitb Ho¡ors Elm¡ Âdele A¡el Eleanor Jo¿¡ Joril¿¡ Barb¿ra Di¿ne Brolle¡ B¿¡b¡ra Lynetts McCluna \ftlligm Ch¿rle¡ Crouch Js¡lce Rr¡¡hùuÌ Patrlcla Brown Ourrln S¡llv Brlght Sutto¡ Røan¡e Díckso¡ ìf¡¡¡hsll Northw¡v Terrv. -
CBC Program Schedule 471130.PDF
NEWS BROADCASTS 1III T~~~~A I • I ~~~J:?~ ,~ CBK DAILY WATROUS Trans-Canada Nelwork: (Trans-Canada Network) 8:00.9:00 a.m. 1:00.6:30, 540 Kcs. 9:00 p.m. 12:00 p.m. PROGRAM CBC Dominion Network: Prairie Re~ion 10:00 p.m. CDC SCHEDULE Transmitter Times given in this Schedule are Central Standard DATE OF ISSUE, NOVEMBER 21, 1947. PRAIRIE REGION Wnk of Novemb~r 30th, 1947 612 Telephone Bldg., Winnipeg, C"nada CBC CHAIRMAN ANNOUNCES NEW PROGRAM SERVICE CBC Wednesday Night Announces New Service Orchestra And Chorus Stimulating, Different In Airborne Symphony New And Seldom-Heard Works Vancouver Symphony To Perform To Be Presented Recent Work By Marc Blitzstein Ottawa. Nov. 21-The follow A choral symphony, with solo ing announcement was issued ists and a speaking narrator, from eBe Head Omee today by described as <ltracing the de A. Davidson Dunton, chairman velopment of flight from early of the CBC Board of Governors: mythology through Leonardo da The CBe has decided on a special Vinci and the Wright brothers to new program service for Canadian the present day," will be per listeners. Starting on December 3rd, formed by the Vancouver Sym the whole of each Wednesday even phony Orchestra during its next ing on the Trans-Canada network, broadcast over the CBe Trans beginning at 7:30 p.m. EST, w1ll be Canada network, 0 n Sunday, devoted to programs that are stim November 30, at 5: 35 p.m. ulating, substantial, different and at times more demanding on the at Canadian Premiere tention of the listener. -
Volume 72, Number 07 (July 1954) Guy Mccoy
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1954 Volume 72, Number 07 (July 1954) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 72, Number 07 (July 1954)." , (1954). https://digitalcommons.gardner-webb.edu/etude/105 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Id for th Piano Hlld. So." o ra in Canada May W"ls Johnstone The Credit of the u ic Teacher Ja •• s Francis Co Ice I th al tto False? Po· for the Church Organi I.. ."" W. CI.Ie.y • • T 0 T n E EDITOR Organ Articles therefore, was accustomed to read- Sir: I have been impressed and ing multiple staves, but I still had inspired by several recent articles to struggle with those pedals. in the ETUDE written by, or Whatever Illy shortcomings as about, organists of enviable stat- an organist may be, I have very ure, working in large city churches definite and fervent convictions as with magnificent instruments, and to the responsibilities and oppor- performing music of unquestion- tunities involved. -
THE TRACKER CONVENTION JOURNAL of the ORGAN HISTORICAL SOCIETY ISSUE Schantz OHS-Tracker Ad Art.Qxp Layout 1 5/6/19 1:10 PM Page 1
VOLUME 63, NUMBER 3, JULY 2019 ENHANCED THE TRACKER CONVENTION JOURNAL OF THE ORGAN HISTORICAL SOCIETY ISSUE Schantz OHS-Tracker Ad Art.qxp_Layout 1 5/6/19 1:10 PM Page 1 Meeting the needs of organbuilding clients P. O. Box 156 Orrville, Ohio 44667 for one-hundred and forty-six years, www.schantzorgan.com Schantz Organ Company provides a tailored, [email protected] artistic response relying upon time-honored 800.416.7426 mechanisms and design principles. find us on A RTISTRY - R ELIABILITY - A DAPTABILITY Re-imaging Estey Organ Company, Opus 1318 (1914) - built for Fair Lane – the estate of Henry and Clara Ford – Dearborn, Michigan. The III-17, fitted with extant Estey pipework from the second two decades of the twentieth century, will be installed in the summer of 2019. Not simply an assembler of components, our artisans creatively adapt to each project's parameters – be that a newly commissioned instrument, the rebuild and adaptation of a long-serving example, or a strict historic restoration. S.L.Huntington&Co. PIPE ORGAN BUILDERS We are honored to have been commissioned to restore Hook & Hastings No. 1171, 1883 the only remaining unaltered three-manual Hook & Hastings from the 1880 decade. Completion Fall 2021 S.L.Huntington&Co. P.O. Box 56, stonington, ct 06378 J 401.348.8298 J www.slhorgans.com An International Monthly Devoted to the Organ, Harpsichord, Carillon and Church Music Now in Our Second Century Announcing The Diapason’s new digimag subscription. The digital edition is available at a special price ($35/year), and yet incorporates all the content in the traditional print edition. -
C K’NAY C (To Her) C (Poem by A
K ney C k’NAY C (To Her) C (poem by A. Belïy [(A.) BAY-lee] set to music by Sergei Rachmaninoff [sehr-GAYEE rahk-MAH-nyih-nuff]) Kaan C JindÍich z Albestç Kàan C YINND-rshihk z’AHL-bess-too KAHAHN C (known also as Heinrich Kàan-Albest [H¦N-rihh KAHAHN-AHL-besst]) Kabaivanska C Raina Kabaivanska C rah-EE-nah kah-bahih-WAHN-skuh C (known also as Raina Yakimova [yah-KEE-muh-vuh] Kabaivanska) Kabalevsky C Dmitri Kabalevsky C d’MEE-tree kah-bah-LYEFF-skee C (known also as Dmitri Borisovich Kabalevsky [d’MEE-tree bah-REE-suh-vihch kah-bah-LYEFF-skee]) C (the first name is also transliterated as Dmitry) Kabasta C Oswald Kabasta C AWSS-vahlt kah-BAHSS-tah Kabelac C Miloslav Kabelá C MIH-law-slahf KAH-beh-lahahsh Kabos C Ilona Kabós C IH-law-nuh KAH-bohohsh Kacinskas C Jerome Ka inskas C juh-ROHM kah-CHINN-skuss C (known also as Jeronimas Ka inskas [yeh-raw-NEE-mahss kah-CHEEN-skahss]) Kaddish for terezin C Kaddish for Terezin C kahd-DIHSH (for) TEH-reh-zinn C (a Holocaust Requiem [{REH-kôôee-umm} REH-kôôih-emm] by Ronald Senator [RAH-nulld SEH-nuh-tur]) C (Kaddish is a Jewish mourner’s prayer, and Terezin is a Czechoslovakian town converted to a concentration camp by the Nazis during World War II, where more than 15,000 Jewish children perished) Kade C Otto Kade C AWT-toh KAH-duh Kadesh urchatz C Kadesh Ur'chatz C kah-DEHSH o-HAHTSS C (Bless and Wash — a prayer song) Kadosa C Pál Kadosa C PAHAHL KAH-daw-shah Kadosh sanctus C Kadosh, Sanctus C kah-DAWSH, SAHNGK-tawss C (section of the Holocaust Reqiem — Kaddish for Terezin [kahd-DIHSH (for) TEH-reh-zinn] -
David Diamond Interviewed by Ellen Taaffe Zwilich at Carnegie Hall on October 15, 1995
Library of Congress (Music Division) David Diamond interviewed by Ellen Taaffe Zwilich at Carnegie Hall on October 15, 1995. Transcript of recorded interview: David Diamond interviewed by Ellen Taaffe Zwilich at Carnegie Hall on October 15, 1995. From the Library of Congress in Washington, DC David Diamond: …a painter named Romaine Brooks. She lived in Paris for many, many years, wonderful painter. She had a studio in in Carnegie Hall. Ellen Taaffe Zwilich: Mm hm. DD: I used to come to…to call on her. She was not well. I would love to know what ever happened after her death, what ever happened to all the, the ETZ: the memorabilia DD: the memorabilia that she had, yes. She had a huge…she had James Joyce manuscripts on, she had them framed. Oh there’s so much. Was there a Mister…Who was the man who ran the audio at the top of the, the hall when they recorded us and did some things? ETZ: That I do not know. I mean that’s a very interesting question. I don’t know that those things are around. DD: David Diamond interviewed by Ellen Taaffe Zwilich at Carnegie Hall on October 15, 1995. : http://www.loc.gov/item/ihas.200217612 Library of Congress (Music Division) In those days, but, but that’s…they say he was the one who really rounded up all the stuff. ETZ: Mm hm. I don’t know. I’d like to get to the bottom of it. DD: Should I take these off? Cameraman: Let’s…You can take them off. -
Stanley Hasty: His Life and Teaching Elizabeth Marie Gunlogson
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Stanley Hasty: His Life and Teaching Elizabeth Marie Gunlogson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC STANLEY HASTY: HIS LIFE AND TEACHING By ELIZABETH MARIE GUNLOGSON A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2006 Copyright @ 2006 Elizabeth M. Gunlogson All Rights Reserved The members of the Committee approve the Treatise of Elizabeth M. Gunlogson defended on November 10, 2006. ______________________ Frank Kowalsky Professor Directing Treatise ______________________ Seth Beckman Outside Committee Member ______________________ Patrick Meighan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Stanley and June Hasty iii ACKNOWLEDGEMENTS First and foremost I would like to thank Stanley and June Hasty for sharing their life story with me. Your laughter, hospitality and patience throughout this whole process was invaluable. To former Hasty students David Bellman, Larry Combs, Frank Kowalsky, Elsa Ludewig- Verdehr, Tom Martin and Maurita Murphy Mead, thank you for your support of this project and your willingness to graciously share your experiences with me. Through you, the Hasty legacy lives on. A special thanks to the following people who provided me with valuable information and technical support: David Coppen, Special Collections Librarian and Archivist, Sibley Music Library (Eastman School of Music); Elizabeth Schaff, Archivist, Peabody Institute/Baltimore Symphony Orchestra; Nicole Cerrillos, Public Relations Manager, Pittsburgh Symphony Orchestra; Tom Akins, Archivist, Indianapolis Symphony Orchestra; James Gholson, Professor of Clarinet, University of Memphis; Carl Fischer Music Publishing; and Annie Veblen-McCarty. -
Recital Programs 1925-1926
(E Curtis Institute of Music Encov.'ed bv Maky Loinsii Curtis Bok ReciMt Proorftmrnesj 1925-1926 Sui- J. ^-i r it I \Y'' B rf^ 1<^ The Curtis Institute of Music Endowed by Mary Louise Curtis Bok Second Season 19254926 FIRST FACULTY RECITAL Mr. Wilhelm Bachaus, Piano Mr. Felix Salmond, Violoncello Thursday Evening, 7<[ovemher 19, at 8:30 The Academy of Music Foyer Programme 1. R.\CHMANIN0FF . Sonata for Piano and Violoncello, Op. 19 Lento—allegro moderato Allegro scherzando Andante Allegro mosso Mr. Bachaus and Mr. Salmond 2. Br.'^HMS Variations on a Theme by Paganini Mr. B.\chaus 3. VeR-ACINI Sonata for Violoncello in D minor (Piano accompaniment by Joseph S.m.vok) Allegro Minuetto and Gavotte Ritornello—Largo Gigue Mr. Salmoxd (Mr. Harry Kaufmax at the Piano) 4. Beetho\tn Sonata for Piano and Violoncello, in A Major, Op. 69 Allegro ma non tan to Scherzo—allegro molto Adagio cantabile Allegro vivace Mr. Bachaus and Mr. Salmond The Steinway is the official piano of The Curtis Institute of Music Mr. Bachaus uses the Baldwin piaoo The second faculty recital of The Curtis Institute of Music will be given by Madame Charles Cahier and Mr. Louis Bailly in the Academy of Music Foyer, Thursday evening, December 17, 1925. e^ <<i? The Curtis Institute of Music Endowed by Mary Louise Curtis Bok Second Season 19254926 SECOND FACULTY RECITAL Madame Charles Cahier, Contralto Mr. Louis B.\illy, Viola Kurt Ruhrseitz and Harry Kaufman at the Piano Thursday Evening, December 17, at 8:30 The Academy of Music Foyer d^ -f^ C<^ ^c<^ Programme 1. -
Tentative Pact Ends Afm Strike Against Movie/Tv Producers
E Official Journal of the AMERICAN FEDERATION OF MUSICIANS of the United States & Canada lkifeerbiARY, 1981 TENTATIVE PACT ENDS AFM STRIKE IMPORTANT NOTICE AGAINST MOVIE/TV PRODUCERS REPORTING OF ENGAGEMENTS jaundiced eye by the general public, A tentative agreement between representatives withdrew mu- Pursuant to the authority granted the International Exec- sicians' demand for residual pay- the musicians' strike against the the American Federation of Mu- utive Board with the adoption of Amended Recommen- sicians and the Association of ments for television and film work. producers gathered considerable dation 1 by the 1980 Convention ( Federation Work Dues), Motion Picture and Television An agreement was then reached in a support. Prior to the settlement, Producers and the Alliance has prolonged one-day meeting in Los Cash Box, arespected musical trade the IEB on October 21, 1980, adopted the following ruling brought to an end the musicians' Angeles. publication, ran a particularly relating to the reporting of Local engagements effective strike that began last August 1. In Fuentealba asserted that " We sympathetic editorial titled, " The January 1, 1981. his announcement, AFM President are of course pleased with the reso- Absurdity of It All." In it, Cash Box Each Local leader or Local individual member performing Victor W. Fuentealba said that the lution of the strike and gratified by declared, " The musicians have dis- settlement was reached on January the ternas of the agreement." He played integrity in their fight to get alone, prior to the time an engagement is performed, must 14, 1981, at 8:45 P.M., at a meeting added that the approximately 5,000 paid for the a% ork they do.