The Mexican Revolution As Seen Through the Novelistic Works
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Divisions in Mexican Support of Republican Spain
1 Divisions In Mexican Support Of Republican Spain Carlos Nava [email protected] (214) 245-8209 Presented to the History Department, Southern Methodist University In completion of the Undergraduate History Junior Seminar Research Paper Requirement HIST 4300 Dr. James K. Hopkins Southern Methodist University 05/05/2014 2 On July 17, 1936 the news of the Nationalist uprising in Morocco was confirmed by a radio station at Las Palmas de Gran Canaria, after General Franco alerted his fellow conspirators in the mainland with a telegram that the uprising against the Popular Front government of Spain had begun.1 General Quiepo de Llano occupied Seville after bitter fighting on July 18; General Varela held the port of Cádiz and the eastern coast down to Algeciras near Gibraltar. General Miguel Cabanellas rose in Zaragoza; in Castile the rebellion placed the principal towns In Nationalist hands, and General Mola controlled Pamplona, the capital of Navarre by July 19.2 The initial plan of the coup was for the Army of Africa to mobilize in the early morning of July 18, to be followed 24 hours later by the Army in Spain with the goals of capturing the country’s major cities and communication centers. This would be followed with the ferrying of Franco’s African Army to the peninsula by Navy ships that had joined the rebellion. The forces would converge in Madrid and force the transfer of power, which had happen numerous times in recent Spanish history. However, the uprising of July 17 failed in its initial goal of toppling the Republic in a swift coup. -
A Comparative Study of French-Canadian and Mexican-American Contemporary Poetry
A COMPARATIVE STUDY OF FRENCH-CANADIAN AND MEXICAN-AMERICAN CONTEMPORARY POETRY by RODERICK JAMES MACINTOSH, B.A., M.A. A DISSERTATION IN SPANISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OP PHILOSOPHY Approved Accepted May, 1981 /V<9/J^ ACKNOWLEDGMENTS I am T«ry grateful to Dr. Edmundo Garcia-Giron for his direction of this dissertation and to the other mem bers of my committee, Dr. Norwood Andrews, Dr. Alfred Cismaru, Dr. Aldo Finco and Dr. Faye L. Bianpass, for their helpful criticism and advice. 11 ' V^-^'s;-^' CONTENTS ACKNOWI£DGMENTS n I. k BRIEF HISTORY OF QUE3EC 1 II• A BRIEF HISTORY OF MEXICAN-AMERICANS ^9 III. A LITERARY HISTORY OF QUEBEC 109 IV. A BRIEF OUTLINE OF ^MEXICAN LITERATURE 164 7» A LITERARY HISTORY OF HffiXICAN-AT/lERICANS 190 ' VI. A COMPARATIVE LOOK AT CANADZkll FRENCH AND MEXICAN-AMERICAN SPANISH 228 VII- CONTEMPORARY PRSNCK-CANADIAN POETRY 2^7 VIII. CONTEMPORARY TffiCICAN-AMERICAN POETRY 26? NOTES 330 BIBLIOGRAPHY 356 111 A BRIEF HISTORY OF QUEBEC In 153^ Jacques Cartier landed on the Gaspe Penin sula and established French sovereignty in North America. Nevertheless, the French did not take effective control of their foothold on this continent until 7^ years later when Samuel de Champlain founded the settlement of Quebec in 1608, at the foot of Cape Diamond on the St. Laurence River. At first, the settlement was conceived of as a trading post for the lucrative fur trade, but two difficul ties soon becam,e apparent—problems that have plagued French Canada to the present day—the difficulty of comirunication across trackless forests and m.ountainous terrain and the rigors of the Great Canadian Winter. -
In Search of the Female Bandit in the Novel of the Mexican Revolution: the Case of La Pintada
1 In Search of the Female Bandit in the Novel of the Mexican Revolution: The case of la Pintada. PASCALE BAKER University of Sheffield Abstract In bandit novels from Latin America in the nineteenth and twentieth centuries there is a notable lack of female bandit figures, both real and imagined (especially in leading roles). However, the character la Pintada, in Mariano Azuela’s seminal novel of the Mexican Revolution, Los de abajo (1915), defies the notion that women bandits did not exist or that if they did they were merely followers of male bandit chiefs. A forceful character, Pintada embodies the role of the soldada, as she actively engages in raids, rather than conform to the soldadera stereotype, that of the woman who accompanied the soldiers in their campaigns in a servile role. Pintada, a natural leader, challenges band chief, Demetrio, and leaves without punishment, after committing murder. This paper explores the idea that rather than being one of the Revolution’s victims, Pintada can be seen to be one of its beneficiaries, a brash northerner representing the new modern Mexico that would wrest control in the post- revolutionary period. Resumen Las novelas de bandidos de Latinoamérica en los siglos XIX y XX reflejan una ausencia notable de ‘bandidas’, especialmente en los papeles principales, tanto reales como imaginarios. Sin embargo, el personaje la Pintada en la novela fundamental de la Revolución Mexicana, Los de abajo (1915) de Mariano Azuela, desafía la creencia de que no existían bandidas o que sólo eran seguidoras de bandidos. Poseedora de un carácter fuerte, la Pintada parece ser una soldada y no se somete al estereotipo de la soldadera, en un rol servil, como acompañante de los combatientes. -
From Tomóchic to Las Jornadas Villistas: Literary and Cultural Regionalism in Northern Mexico
From Tomóchic to Las Jornadas Villistas: Literary and Cultural Regionalism in Northern Mexico by Anne M. McGee A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Romance Languages and Literatures: Spanish) in The University of Michigan 2008 Doctoral Committee: Associate Professor Gareth Williams, Chair Associate Professor Cristina Moreiras-Menor Associate Professor Gustavo Verdesio Assistant Professor Lawrence M. La Fountain-Stokes ____________________________© Anne M. McGee____________________________ All rights reserved 2008 Dedication To my first friend, teacher, and confidant, Patricia Ann McGee, otherwise known as, Mom. ii Acknowledgements I would first like to thank my advisor and mentor Gareth Williams who has guided me throughout my graduate career. Without his advice, understanding, and suggestions, I may have never realized this project to completion. It was he who introduced me to the work of Nellie Campobello, and who filled my first summer reading list with numerous texts on Pancho Villa and the Mexican Revolution. I appreciate Gareth for always being frank, and pushing me to improve my work. I have always counted on and appreciated his direct and honest critique. In addition, I would like to express my gratitude to the other members of my committee. Cristina Moreiras-Menor has been both my professor and friend from my very first year in graduate school. She has patiently listened to my ideas, and helped me immensely. I will also never forget my first course, “Rethinking Indigeneities” with Gustavo Verdesio. Whether in class or over a cup of coffee (or other beverage), Gustavo has always been ready and willing to participate in the type of lively discussions that have shaped my work at the University of Michigan. -
Redalyc.Made for the USA: Orozco's Horrores De La Revolución
Anales del Instituto de Investigaciones Estéticas ISSN: 0185-1276 [email protected] Instituto de Investigaciones Estéticas México Indych, Anna Made for the USA: Orozco's Horrores de la Revolución Anales del Instituto de Investigaciones Estéticas, vol. XXIII, núm. 79, otoño, 2001, pp. 153-164 Instituto de Investigaciones Estéticas Distrito Federal, México Disponible en: http://www.redalyc.org/articulo.oa?id=36907905 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto ANNA INDYCH university of new york Made for the USA: Orozco’s Horrores de la Revolución1 hat seems to be the eternal violence of the civil war in Mexico spills out in the crude and raw, yet delicate ink and wash draw- Wings by José Clemente Orozco, known upon their commission as Horrores de la Revolución, and later, in the United States, entitled Mexico in Revolution. One of the lesser known works from the series, The Rape, in the collection of the Philadelphia Museum of Art, exemplifies Orozco’s horrific vision of the Revolution. In a ransacked room, a soldier mounts a half-naked woman, pinning her down to the floor by her arms and hair. He perpetuates a violation committed by the other figures leaving the room—one disheveled soldier, viewed from the back, lifts his pants to cover his rear as a shadowy figure exits through the parted curtains to the right of the drawing. -
The Rise and Fall of Venustiano Carranza and His Contributions to Mexican Constitutionality and Nationalism, 1910-1920
Godfather of the Mexican Revolution: The Rise and Fall of Venustiano Carranza and His Contributions to Mexican Constitutionality and Nationalism, 1910-1920 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Rubalcaba, Christian Jesus. 2011. Godfather of the Mexican Revolution: The Rise and Fall of Venustiano Carranza and His Contributions to Mexican Constitutionality and Nationalism, 1910-1920. Master's thesis, Harvard University, Extension School. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37367556 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Godfather of the Mexican Revolution: The Rise and Fall of Venustiano Carranza and His Contributions to Mexican Constitutionality and Nationalism, 1910-1920 Christian Jesus Rubalcaba A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University March 2011 Copyright 2011 Christian Jesus Rubalcaba Abstract Most of the academic attention devoted to the Mexican Revolution (1910-1920) in recent times has focused on revolutionary leaders. Inspiration for this thesis comes from a desire to understand an important participant of the Revolution, Venustiano Carranza, whose story deserves further investigation because of his catalytic role in the ten-year conflict. This thesis poses the argument that fluctuations in the rhetoric of Carranza’s Constitutionalist campaign reflect a sense of willingness on his part to adapt strategically to new contexts; however, to show deep conviction, he always stood behind a platform that was characterized by an unwavering faith in the political doctrine of constitutionality. -
The Carranza-Villa Split and Factionalism in the Mexican Revolution, 1913--1914
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1986 Prelude to fratricide| The Carranza-Villa split and factionalism in the Mexican Revolution, 1913--1914 Joseph Charles O'Dell The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation O'Dell, Joseph Charles, "Prelude to fratricide| The Carranza-Villa split and factionalism in the Mexican Revolution, 1913--1914" (1986). Graduate Student Theses, Dissertations, & Professional Papers. 3287. https://scholarworks.umt.edu/etd/3287 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUB SISTS. ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR. MANSFIELD LIBRARY UNIVERSITY OF MONTANA DATE : 19 86 PRELUDE TO FRATRICIDE: THE CARRANZA-VILLA SPLIT AND FACTIONALISM IN THE MEXICAN REVOLUTION, 1913-1914 by Joseph Charles O'Dell, Jr. B.A., University of Montana, 1984 Presented in partial fulfillment of requirements for the degree of Master of Arts University of Montana 1986 pproved by: Examiners Dean, GraduaterTschool ^ $4 Date UMI Number: EP36375 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Adolfo Gilly's Revision of the Mexican Revolution
Vol. 4, No. 2, Winter 2007, 243-253 www.ncsu.edu/project/acontracorriente Review/Reseña Adolfo Gilly. The Mexican Revolution: A People’s History. Trans. Patrick Camiller. (New York: The New Press, 2005) From Marxism to Social History: Adolfo Gilly’s Revision of The Mexican Revolution Luis F. Ruiz University of Oregon Adolfo Gilly’s The Mexican Revolution, published in The New Press’s series A People’s History, directed by Howard Zinn, is an updated translation of his influential book La Revolución interrumpida, published originally in 1971. Gilly’s book is a welcome addition to the available literature in English on the Mexican Revolution. Most of the recent books on the Mexican Revolution are either specialized studies of regional history or extensive volumes Ruiz 244 that would overwhelm a good number of undergraduate students and lay readers. With the exception of Michael J. Gonzales’s The Mexican Revolution 1910-1940 (2002), few works in English provide the kind of useful overview presented by Gilly in The Mexican Revolution (2005). Because Gilly focuses on the lower classes and their role as “prime movers” of the revolutionary movement, his work could be described as a bottom-up social history of the Mexican Revolution. His study of class warfare and class relations provides a reasonable interpretation of the complex revolutionary process. Although recent studies on regionalism have made the overall narrative of the Mexican Revolution less succinct and more problematic, historians still need to discuss the event as a whole. Gilly’s work offers one possible interpretive framework for the Mexican Revolution. -
Creación De Pancho Villa Por Nellie Campobello En Los Apuntes Sobre La Vida Militar De Francisco Villa (1940)
Cuando la Historia se hace historia: (re)creación de Pancho Villa por Nellie Campobello en Los apuntes sobre la vida militar de Francisco Villa (1940) Jeromine FRANÇOIS Université de Liège RESUMEN Este artículo lleva a cabo un análisis del texto de la escritora Mexicana Nellie Campobello, Los apuntes sobre la vida militar de Francisco Villa, en el cual el personaje histórico y su protagonismo en la Revolución mexicana pasan a convertirse en una historia novela en la que realidad y ficción rompen sus fronteras. Palabras clave: Nellie Campobello, Pancho Villa, Revolución mexicana, biografía, ficción. When the History does history to itself: (re) Pancho Villa's creation for Nellie Campobello in Los apuntes sobre la vida militar de Francisco Villa (1940) ABSTRACT This article carries out an analysis of the text of the writer Mexicana Nellie Campobello, Los apuntes sobre la vida militar de Francisco Villa, in which the historical personage and his protagonism in the Mexican Revolution happen to turn into a history writes novels in that reality and fiction break his borders. Key words: Nellie Campobello, Pancho Villa, Mexican Revolution, Biography, Fiction. Introducción No son pocas las afinidades que relacionan a Nellie Campobello con el revolucionario Pancho Villa. Contemporánea suya, la madre de Campobello era villista y transmitió a su hija su admiración por el guerrero revolucionario. Además, aunque puedan resultar anecdóticos, los parecidos vitales entre la escritora y Villa no dejan de ser curiosos. Los dos son originarios de Durango y, además, ambos experimentaron un cambio onomástico: Doroteo Arango eligió el seudónimo de Francisco Villa (Berumen, 2006, 34) y Francisca Moya Luna adquirió el seudónimo de Nellie Campobello hacia 1923 (Bautista Aguilar, 2007, 12). -
Mexican Revolution of 1910
Mexican Revolution of 1910 Hannah Boisvert, Sarah Klager, and Angela Patterson Why did it start? / Pre-Revolution ● Widespread dissatisfaction with the power and control of Porfirio Diaz ○ Favored wealthy landlords and industrialists ● Disputes about what needed to be accomplished ○ Political chaos ● General public wanted expeditious and just solutions to Mexico’s problems ● Land divided into large estates, or Mexico’s Problems: Need haciendas for land and Labor ○ Small portion of population owned land ○ Land given to those from Spain or reforms Spanish descent (hacendados) ● Inaccurate/incomplete land ownership records ○ Diaz modernization goals; compensate/ redistribute land taken from peasants ○ Land modernization system ultimately failed ● Peonage System(slavery debt or debt servitude) ○ Agriculturally: peons paid fee of produce to landowner ○ Industrialization: exploited peasants who migrated to cities in search of better paying work (peons of the cities) Mexico’s Problems: The Church’s power in Society Catholic Church was made state religion of Mexico after Mexico gained its independence from Spain in 1824 ● Church largely composed the hacendados; owned many large haciendas ● Church held all responsibility for education ○ Dictated what the people learned about their culture ○ Peon education and involvement in civic affairs made nearly impossible ○ [1910] 3/4 of population illiterate ● Taught people that to question political order was to defy God Political Chaos Mexico’s Problems Excessive Foreign Influence ● After gaining ● Porfirio -
English Translation of the Mexican Novel Las Tribulaciones De Una Familia Decente, with an Introduction| Urban and Political Aspects of the Mexican Revolution
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1951 English translation of the Mexican novel Las tribulaciones de una familia decente, with an introduction| Urban and political aspects of the Mexican revolution Louise Lilly McBride The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation McBride, Louise Lilly, "English translation of the Mexican novel Las tribulaciones de una familia decente, with an introduction| Urban and political aspects of the Mexican revolution" (1951). Graduate Student Theses, Dissertations, & Professional Papers. 2227. https://scholarworks.umt.edu/etd/2227 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. An English Translation of the Mexican Novel LAS TRIBULACIONES DE UNA FAMILIA DECENTE by Mariano Azuela with an Introduction URBAN AND POLITICAL ASPECTS OF THE MEXICAN REVOLUTION BY B. A., Montana Stat^ University, 1929 Presented in partial fulfillment of the requirements for the degree of Master of Arts Montana State University 1951 Approved: •-c•'/ ' "7,.. -7 Chairman of Board of Examiners Chairman of Committee on Graduate Study UMI Number: EP35836 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Performing the Mexican Revolution in Neoliberal Times
ABSTRACT Since the time of the Mexican Revolution of 1910, images associated with this nation-defining event have been presented in an array of media and cultural productions. Within the past two decades these images have been re-imagined, re-coded and re/de- constructed in reaction to social and cultural changes associated with a crisis of political legitimation and the demise of hegemonic revolutionary ideology, as espoused by the long-ruling Party of the Institionalized Revolution (PRI), amid the generalized implementation of neoliberal policies in the county. My dissertation argues that the ascendance of neoliberalism, with the opening of Mexican economic and political systems, has resulted in changes in the socio-cultural work performed by the Revolution- Nation-Gender triad. This trinity, solidified in the post-Revolutionary national imaginary, weaves the three notions together such that as hegemonic discourses of Revolutionary nationalism enter in crisis, discourses of gender are also destabilized. The dissertation consists of three main sub-arguments. First, I argue that the discourse(s) surrounding Revolutionary heroes has been integral to the (re)definition of the Mexican nation and that analyzing recodings of this discourse through the example of Emiliano Zapata reveals a destabilization of hegemonic nationalism. These changes have allowed alternatives to surface both in Mexico and across the border as part of a recoded ii transnational Revolutionary nationalism. As cracks opened in the Revolutionary edifice allowing alternatives to emerge, they have also opened space for alternative gender discourses. I next argue that a close analysis of representations of masculine gender roles as manifested in a variety of cultural texts, specifically through Revolutionary icons Pancho Villa and Emiliano Zapata, reveals a crisis of the macho archetype in the contemporary Mexican nation.