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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Etel Adnan CV PUBLICATIONS English
Etel Adnan CV PUBLICATIONS English – Books, Magazines, Anthologies French – Books, Magazines, Anthologies Arabic – Books, Magazines Italian – Books, Magazines German – Books Dutch – Books Urdu Portuguese Bosnian Turkish Bilingual Editions Theatrical & Musical Productions Awards and Honors ENGLISH BOOKS 1966. Moonshots. Beirut, LeBanon: BEYROUTH. Out of Print 1971. Five Senses for One Death. New York, NY: The SMith. Out of Print 1982. From A To Z. Sausalito, CA: The Post-Apollo Press. 1982. Sitt Marie-Rose. Trans. (froM the French) Georgina Kleege. Sausalito, CA: The Post-Apollo Press. Now in its 8th edition. 1985. The Indian Never Had A Horse & Other Poems. Illustrated BY Russell Chatham. Sausalito, CA: The Post-Apollo Press. 1986. Journey To Mount Tamalpais. Illustrated BY Etel Adnan. Sausalito, CA: The Post-Apollo Press. 1989. The Arab Apocalypse. Trans. (froM the French) Etel Adnan. Sausalito, CA: The Post-Apollo Press. 1990. The Spring Flowers Own & The Manifestations of the Voyage. Sausalito, CA: The Post- Apollo Press. 1993. Of Cities and Women: Letters To Fawwaz. Sausalito, CA: The Post-Apollo Press. 1993. Paris, When It’s Naked. Sausalito, CA: The Post-Apollo Press. 1997. There In the Light and the Darkness of the Self and of the Other. Sausalito, CA: The Post- Apollo Press. 2003. In/somnia. Sausalito, CA: The Post-Apollo Press. 2005. In the Heart of the Heart of Another Country. San Francisco, CA: City Lights Books. 2008. Seasons. Sausalito, CA: The Post-Apollo Press. 2009. Master of the Eclipse. Northampton, MA: Interlink Books. Winner of the Oakland Pen Award, 2010 2011. Etel Adnan: On Love and the Cost We Are Not Willing to Pay Today: 100 Notes, 100 Thoughts: DocuMenta Series 006. -
Artist / Bandnavn Album Tittel Utg.År Label/ Katal.Nr
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP A AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. AEROSMITH PUMP 1989 GEFFEN RECORDS 924254 EUR LP Steven Taylor, Joe Perry, Tom Hamilton, Joey Kramer. Spilt inn i Canada. AKKERMAN, JAN & KAZ LUX JAN AKKERMAN & KAZ LUX 1976 ATLANTIC K 50320 UK LP Akkermann med et mere bluespeget album, sammen med bluesvokalist Kaz Lux. AKKERMAN, JAN JAN AKKERMAN 1977 ATLANTIC 50420 HOL LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. 20TH CENTURY FOX MOV- ALAN PARSONS PROJECT, THE TALES OF MYSTERY AND IMAGINATION 1976 POR LP Portugisisk LP utgivelse, basert på tekster av Edgar Allan Poe.Hipgnosis cover. 7003 ALAN PARSONS PROJECT, THE I ROBOT 1977 ARISTA 062-99168 SWE LP Coverdesign av Hipgnosis En av de beste med Alan Parsons,med tysk symf.orkester,vocalhjelp fra Leslie Duncan, ALAN PARSONS PROJECT, THE EVE 1979 ARISTA 201 157 HOL LP Clare Torry (P:Floyd), hun med den utrolige bra vocalen i Great gig in the sky (Dark side of the moon).Coverdesisgn av Hipgnosis. Hjelp av Elmer Ganrtry (Velvet Opera) på vocal.Tysk symf.orch.Cover av Kevin Godley & ALAN PARSONS PROJECT, THE THE TURN OF A FRIENDLY CARD 1980 ARISTA I-203000 SPA LP Lol Creme fra 10 CC. ALARM, THE DECLARATION 1983 ILP 25887 UK LP Debutalbumet til Walesbandet , friskt rockepust inspirert av punken. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Band's Former Manager and Creative Consultant, De- "We Were Just 'Watch and See,' " He Says
"When we put the last record out, iTunes were prob- ably the fifth or sixth account," he says. "To come back on this record and have them be the No. 1 account in America, that's probably one of the biggest, most sig- nificant differences." At iTunes, digital album pre- orders began May 6, when "Violet Hill" became available as a download, with consumers able to secure a bonus track to be de- livered with it on album release day. The street date version of the album via iTunes will have a different exclusive bonus track, plus an exclusive music video. Holmes also cites the growth of YouTube as a new factor. "So that's a part of your marketing plan now, which it wouldn't have been three -and -a -half years ago. I was cleaning my desk out recently and found an old MySpace marketing plan when they'd come to us on the last record, [when] they had about 400,000 members. We did a big promotion with them, but it's funny looking back that that was a new platform, and social networking in general was not part of your mar- keting plan. Now it's a major part." But the Coldplay manager regards the retail arena as no less vital. "It's just as important to me. People still buy CDs, and Coldplay are one of those artists where a lot of the fans want to own the CD, they want We all had our corner office in a big tower block, but the whole package." there was no vibe. -
EDITORIAL: SCANDINAVIAN JOURNAL of COMIC ART VOL. 1: 2 (AUTUMN 2012) by the Editorial Team
EDITORIAL: SCANDINAVIAN JOURNAL OF COMIC ART VOL. 1: 2 (AUTUMN 2012) by the Editorial Team SCANDINAVIAN JOURNAL OF COMIC ART (SJOCA) VOL. 1: 2 (AUTUMN 2012) Everything starts with a First step – but to keep going with a sustained eFFort is what really makes for change. This is the second issue of the Scandinavian Journal of Comic Art and its release makes us just as proud – if not even more so – as we were when the very First issue was published last spring. We are also immensely proud to be part oF the recently awaKened and steadily growing movement oF academic research on comics in the Nordic countries. Since our First issue was published, another three Nordic comics scholars have had their PhDs accepted and several more PhD students researching comics have entered the academic system. Comics studies is noticeably growing in the Nordic countries at the moment and SJoCA is happy to be a part of this exciting development. SJoCA was initiated to ensure that there is a serious, peer reviewed and most importantly continuous publishing venue for scholars from the Scandinavian countries and beyond who want to research and write about all the diFFerent aspects oF comics. In order to Keep this idea alive, SJoCA is in constant need of interesting, groundbreaKing and thought-provoking texts. So, do send us everything from abstracts to full fledged manuscripts, and taKe part in maKing the field of Nordic comics research grow. – 2 – SCANDINAVIAN JOURNAL OF COMIC ART (SJOCA) VOL. 1: 2 (AUTUMN 2012) “TO EMERGE FROM ITS TRANSITIONAL FUNK”: THE AMAZING ADVENTURES OF KAVALIER & CLAY’S INTERMEDIAL DIALOGUE WITH COMICS AND GRAPHIC NOVELS by Florian Groß ABSTRACT ThE artIclE tracEs thE currENt crItIcal dEbatE oN thE phENomENoN of thE graphIc Novel through an analysIs of MIchael ChaboN’s Novel The Amazing Adventures of Kavalier & Clay (2000). -
Pixies Live Mp3, Flac, Wma
Pixies Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live Country: US Released: 1989 Style: Indie Rock MP3 version RAR size: 1365 mb FLAC version RAR size: 1135 mb WMA version RAR size: 1513 mb Rating: 4.5 Votes: 350 Other Formats: AHX WMA MP2 MPC AU DTS MIDI Tracklist A1 Bone Machine 3:10 A2 Cactus 2:38 A3 Debaser 2:43 A4 Gigantic 3:11 A5 Gouge Away 2:40 A6 The Holiday Song 2:11 A7 Nimrod's Son 3:04 Companies, etc. Manufactured By – Elektra Entertainment Phonographic Copyright (p) – Elektra Entertainment Phonographic Copyright (p) – 4AD Copyright (c) – 4AD Published By – Rice And Beans Music Recorded At – Cabaret Metro Remixed At – Lake Sity Studios Mastered At – Masterdisk Pressed By – Specialty Records Corporation Credits Mastered By – Howie Weinberg Mixed By [Remixed By] – The Pixies*, Rob Genadek Written-By – Black Francis, Kim Deal (tracks: A4) Notes Recorded on August 10th, 1989 at Cabaret Metro for WXRT in Chicago, IL. Remixed at Lake Sity Studios, MN. Mastered at Masterdisk, NYC. Genuine copies come in spineless flat 'flip-back' sleeves made with textured paper and white labels (see images). There are also counterfeits in 'box' type sleeves with spines and with yellow labels. Barcode and Other Identifiers Matrix / Runout (Side A, Etched): PR-8127-A P̶R̶-̶ ̶8̶1̶2̶4̶ ̶-̶ ̶A̶ Matrix / Runout (Side A, Stamped): SRC Other versions Category Artist Title (Format) Label Category Country Year Live (12", S/Sided, PR-8127 Pixies Elektra , 4AD PR-8127 US Unknown Promo, Unofficial) 4AD, FNAC, Les SA2113 Pixies (Live) (CD, Promo) SA2113 France 1990 Inrockuptibles Related Music albums to Live by Pixies Pixies - NYC December 12 2004 Pixies - NYC (Early) December 18 2004 Pixies - Debaser (Studio) Pixies - Come On Pilgrim Pixies - Alec Eiffel Pixies - Doolittle Pigface - Live Archive 91-05 Volume #5 - Cabaret Metro Chicago, IL 12/22/92 Pixies - Death To The Pixies Pixies - Zurich 1989 Pixies - Surfer Rosa & Come On Pilgrim. -
The B-52'S Mesopotamia Mp3, Flac, Wma
The B-52's Mesopotamia mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Mesopotamia Country: Europe Style: New Wave, Synth-pop MP3 version RAR size: 1460 mb FLAC version RAR size: 1982 mb WMA version RAR size: 1883 mb Rating: 4.9 Votes: 227 Other Formats: VQF WAV MP4 MPC VOX AUD DMF Tracklist Hide Credits Loveland A1 8:33 Written-By – C. Wilson*, F. Schneider*, K. Strickland*, R. Wilson* Deep Sleep A2 3:30 Written-By – K. Pierson*, K. Strickland*, R. Waldrop* Mesopotamia A3 3:50 Written-By – C. Wilson*, F. Schneider*, K. Strickland*, R. Wilson* Cake B1 7:45 Written-By – C. Wilson*, K. Pierson*, K. Strickland*, R. Wilson* Throw That Beat In The Garbage Can B2 5:46 Written-By – F. Schneider*, K. Strickland*, R. Wilson* Nip It In The Bud B3 3:31 Written-By – C. Wilson*, K. Strickland*, R. Wilson* Companies, etc. Record Company – Ariola Eurodisc GmbH Distributed By – Ariola Group Of Companies Phonographic Copyright (p) – Island Records Inc. Phonographic Copyright (p) – Warner Bros. Records Copyright (c) – Warner Bros. Records Recorded At – Blank Tape Studios Mastered At – Sterling Sound Pressed By – Sonopress Printed By – Mohndruck Graphische Betriebe GmbH Credits Accordion – Charles Rocket Art Direction, Design – Simon Levy Coordinator [Coordination] – Gloria-Veronica Robinson* Crew [Live Sound Engineer] – Mo Slotin Crew [Monitors] – Lyle Chernoff Crew [Roadie] – Keith Bennett Drums – Yogi Horton Engineer – Butch Jones Guitar, Keyboards, Bass, Organ – Ricky Wilson Illustration – Desiree Rohr Keyboards, Bass, Drums, Organ, Piano, Marimba, Guitar – Keith Strickland Management – Gary Kurfirst Mastered By – Greg Calbi Percussion – Steve Scales Producer, Bass [Fretless], Synthesizer, Guitar, Percussion – David Byrne Saxophone – Ralph Carney, Roberto Arron Trumpet – David Buck Vocals – Cindy Wilson, Fred Schneider Vocals, Keyboards, Bass, Organ, Performer [Bird Calls] – Kate Pierson Notes On this edition, there's no barcode, and there are several defining features are visible on the center labels: 1. -
I Coldplay, La Band Più Popolare Al Mondo
12 Luglio 2017 I Coldplay, la band più popolare al mondo I Coldplay sono la band più popolare del momento ed assistere ai loro concerti è veramente difficile poiché non appena i biglietti vengono messi in vendita, sono subito sold out. La band è formata da Chris Martin, Jonny Buckland, Guy Berryman e Will Champion . Di origine inglese sono interessati alla musica sin dall’adolescenza e poi incontrandosi formano l’attuale incredibile gruppo. I Coldplay nascono ufficalmente nel 1997, da un’idea di un amico di Chris Martin,Tim. La loro prima canzone si intitola So Sad, un brano che però non sarà mai pubblicato. Nel 1998 producono, un’audiocassetta demo lunga 4 minuti e 23 secondi che contiene due canzoni: Ode to Deodorant sul lato A e Brothers & Sisters sul lato B. Questa cassetta si può definire come il primo lavoro ufficiale dei Coldplay. | 1 12 Luglio 2017 I Coldplay, la band più popolare al mondo Sempre nel 1998, i quattro autoproducono il primo vero e proprio lavoro, un EP. La pubblicazione si intitola Safety. Un anno dopo esce il Brothers & Sisters EP, la seconda release ufficiale, dopo l’’incontro con Simon Williams, co- fondatore della casa discografica Fierce Panda,. La prima canzone, Brothers & Sisters è una delle prime scritte dai Coldplay insieme a Easy To Please. E’ nel luglio del 2000 che esce finalmente il primo album dei Coldplay, che si intitola Parachutes. Già il secondo singolo dell’album yellow inizia a spopolare in tutto il mondo. Dal cd Parachutes, sono estratti altri tre singoli: Shiver, Trouble e Don’t Panic. -
The Role of Social Agents in the Translation Into English of the Novels of Naguib Mahfouz
Some pages of this thesis may have been removed for copyright restrictions. If you have discovered material in AURA which is unlawful e.g. breaches copyright, (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please read our Takedown Policy and contact the service immediately The Role of Social Agents in the Translation into English of the Novels of Naguib Mahfouz Vol. 1/2 Linda Ahed Alkhawaja Doctor of Philosophy ASTON UNIVERSITY April, 2014 ©Linda Ahed Alkhawaja, 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without proper acknowledgement. Thesis Summary Aston University The Role of Social Agents in the Translation into English of the Novels of Naguib Mahfouz Linda Ahed Alkhawaja Doctor of Philosophy (by Research) April, 2014 This research investigates the field of translation in an Egyptain context around the work of the Egyptian writer and Nobel Laureate Naguib Mahfouz by adopting Pierre Bourdieu’s sociological framework. Bourdieu’s framework is used to examine the relationship between the field of cultural production and its social agents. The thesis includes investigation in two areas: first, the role of social agents in structuring and restructuring the field of translation, taking Mahfouz’s works as a case study; their role in the production and reception of translations and their practices in the field; and second, the way the field, with its political and socio-cultural factors, has influenced translators’ behaviour and structured their practices. -
The Lost Art of Keeping a Secret
January 15 - January 22, 2014 Vol. 2 -747 NEWSSTAND PRICE: $2.00 FEATURE: The 100 Best Movies Of 20 13 PLUS: VAN DYKE Madysin Hatter PARKS: Jonatha Brooke Endless Syrens Calling Cycle Hard Working Americans Light The Melodic Of Day W.C. Lindsay Salutes Doug Paisley THE Remembering ASBURY Thomas ANGELS Chapin Million Dollar Quartet Alestorm Eureka Birds Candy Warpop Levin Minnemann Rudess Blank Realms And More! THE PIXIES $2.00 The Lost Art Of Keeping A Secret HOTO BY MICHAEL HALSBAND e r u t a e f THE PIXIES New Transmissions From The Planet Of Sound by Gregg McQueen singer/guitarist Francis, drummer David around for the long run—I think she’s a side of it,” said Lovering, a part-time to do next, and pondered if they should Black Francis famously sang, “Your Lovering and guitarist Joey Santiago are great fit,” he said. magician himself. end the act. Ultimately, they decided it head will collapse/And you’ll ask taking everything in stride. Diehard fans starved for new Pixies The fact that no fans or media even was best to persevere. yourself/Where is my mind?” “We’re just a bunch of rock musicians, material must feel they’ve hit the jackpot knew the Pixies were in the studio “The Pixies are more than just one For fans of the Pixies, the past few trying to figure it out,” Francis quipped. lately. Except for a one-off single in 2004, recording again in October 2012 is member, so we forged ahead,” stated months have definitely been enough to The band, with Lenchantin in tow, has the recent releases marked the first new something the band takes pride in. -
Advance Praise for Something to Believe In
Advance praise for Something To Believe In ‘Andrew Stafford’sSomething To Believe In is quite an achievement. It’s all here: part tragicomic tale of a fanboy writer struggling to translate his primal affair with music into a “real” job; part exco- riating account of his ride from adolescence to adulthood and self-discovery; and part blossoming tale of love and forgiveness. Written with great humanity and girded by a soundtrack to die for – which he almost did on more than one occasion – this memoir is a punchy, unputdownable must-read.’ PETER GARRETT ‘A pulsing, rattling jukebox of a music memoir. Drop a coin, find your sound. Rock and punk and pop; the rock bottom and the very top. Love, family, sorrow, pain; the birds, the blues, the brain. A pull out your heart and feed it to anyone rock & roll sock to the core, Something To Believe In is a soaring, sweat-soaked tribute to life’s two great miracles: music and waking up each day to hear it.’ TRENT DALTON ‘Lyrical, wise and full of wonder. Andrew Stafford strips himself bare with courage, candour, and vulnerability.’ TRACEY SPICER ‘Andrew Stafford takes us on an exhilarating ride through his life as birdwatcher, cab driver, roadie, son, lover and writer. His astute and insightful observations on music and politics in Brisbane in particular from the late eighties provide a stunning backdrop to this personal expression of his life story.’ LINDY MORRISON ‘This beautifully written book reminded me of how much music helps us navigate through life, in all its complicated glory.’ MYF WARHURST Andrew Stafford is a freelance journalist and the author of Pig City: From The Saints To Savage Garden, a musical and political history of Brisbane first published in 2004.