Iiíirage' Iysz'8 SPEAKER SENSATIONAL NAD AMP and the EQUIPMENT AUTHORITY PREAMP

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Iiíirage' Iysz'8 SPEAKER SENSATIONAL NAD AMP and the EQUIPMENT AUTHORITY PREAMP TESTE : IIíIRAGE' IYsz'8 SPEAKER SENSATIONAL NAD AMP AND THE EQUIPMENT AUTHORITY PREAMP AmericanRadioHistory.Com SURGEON GENERAL'S WARNING: Smoking By Pregnant Women May Result in Fetal Injury, Premature Birth, And Low Birth Weight. Blue collar. White collar. How about no collar No additives in our tobacco does NOT mean a safer cigarette. AmericanRadioHistory.Com 14 mg. "tar", 1.0 mg. nicotine ay. per cigarette by FTC method. AmericanRadioHistory.Com 9B ST Hearing is Believing... Feel the Emotions Bryston's 9B ST delivers extraordinary quality to your entire home theatre surround sound experience. Feel the emotions: be shocked, be happy, feel sad, scared out of your wits, surprised, be moved, be excited, feel like you want to cry with joy. The Bryston 9B ST amplifier will awaken all of your emo- tions in a simple elegant package designed to provide 5 channels of uncompromised sound quality. Tel 1-800-632-8217 Fax 705-742-0882 www.bryston.ca AmericanRadioHistory.Com AUDIO ,Iae anis ISSUÙ FEATURE EQUIPMENT PROFILES PREAMP BASS VERSUS SPACE NAD S200 AMP AND S100 Daniel Kumin NAD goes `affordable high -end" with David J. Weinberg and Howard W. Ferstler components that look and act the part. 35 A tactical guide to low frequency acoustics 28 MISSION 774 SPEAKER D. B. Keele, Jr. DEPARTMENTS A diminutive floor -standing speaker with clean, accurate sound 40 FAST FORE -WORD Michael Riggs 4 ADA CINEMA REFERENCE LETTERS 6 A/V PREAMP Edward J. Foster Great AUDIOCLINIC Joseph Giovanelli 10 great sound. 45 WHAT'S NEW 14 versatility, COINCIDENT TRIUMPH SIGNATURE SPECTRUM Ivan Berger 19 SPEAKER Edward M. Long Clear, smooth MONDO AUDIO Ken Kessler 23 sound that's punchy but not aggressive 51 RECORDINGS AURICLES 72 CLASSICAL MIRAGE 0M-8 SPEAKER ROCK/POP 74 Edward J. Foster Extraordinarily natural sound & BLUES 76 JAZZ field and imaging, like the sound of a great DVD 78 concert hall 55 PASS LABS X600 MONO AMP PLAYBACK Anthony H. Cordesman So transparent you POLK AUDIO SIGNATURE never hear the amp, just the recording 59 REFERENCE SURROUND WESTLAKE AUDIO SURROUND SPEAKER, B&W WP1 INDOOR/ SPEAKER SYSTEM John Gatski No wonder SPEAKER, AND MSB OUTDOOR the pros are mixing with these speakers 62 TECHNOLOGY DIGITAL DIRECTOR ARCAM ALPHA 9C PREAMP Short and sweet hands-on reviews 88 Ken Kessler Sane and sensible, with a touch of Cover Photographer: Bill Kouirinis Studio; Cover Equipment: tube gentility 64 NAD S200 amp and S100 preamp and Mirage 0M-8 speaker. Audio Publishing, Editorial, and Advertising Offices, HALES TRANSCENDENCE EIGHT 1633 Broadway, New York, N.Y. 10019. Editorial E-Mail: SPEAKER Anthony H. Cordesman [email protected]. Subscription Inquiries: phone, 303/604-1464; fax, 303/604-7455; e-mail, hachette@ Remarkably revealing of previously unheard neodata.com (must include magazine title, your name, and old and new addresses). musical nuances 68 AmericanRadioHistory.Com FAST FORE -WORD I,U DIO If you're very observant, you may concerns haven't altered, just EDITOR -IN -CHIEF Michael Riggs have noticed something unusual the environment in which they dwell. EDITOR about this iteration of Audio: the Like any other entity, we must adjust Corey Greenberg July/August issue date. Like many and evolve. It won't be the first ART DIRECTOR time, or Cathy Cacchione other magazines these days, we the last. ASSOCIATE ART DIRECTOR Linda Zerella are going to a ten -times -per-year Two years ago, when Audio turned 50, TECHNICAL EDITOR SENIOR EDITOR schedule, with combined February/ we celebrated with a special issue Ivan Berger Alan Lof MANAGING EDITOR March and July/August issues. Do not, commemorating the progress made over Kay Blumenthal however, take this to mean you will be that half century, from the birth of hi-fi MUSIC EDITOR Douglas Hyde getting less from us. Indeed, we expect to the present. In that time, high- ASSOCIATE MANAGING EDITOR you will wind up getting morejust performance audio went from mono to Scott Van Camp distributed differently through the year. multichannel, from analog to digital, ASSISTANT MANAGING EDITOR Warren L. Meislin And if you are a subscriber, your and from the obsession of a handful of EDITORIAL ASSISTANT Michael Raz subscription will be fulfilled based hobbyists and tinkerers to a multibillion - SENIOR CONTRIBUTING EDITORS on the number of issues dollar industry. Paging through old Edward J. Foster, D. B. Keefe, Jr., Bascom H. King David Lander, Edward M. Long you originally volumes of Audio, I could trace the CONTRIBUTING EDITORS/ARTISTS signed magazine's adjustments to the evolution Rad Bennett, Anthony H. Cordesman, Ted Costa John Diliberto, John Eargle, John Gatski up for. of the world it covered, from the first Joseph Giovanelli, Dawn Joniec, Ken Kessler, Daniel 'Cumin Robert Long, John Sunier, Michael Tearson In other issues of the then Audio Engineering to words, the one you hold in your hand today. V.P./GROUP PUBLISHER if you Tony Catalano 212/767-6061 We've come a long way, yet we're V.P./PUBLISHER currently still, I think, far from the Scott Constantine 212/767-6346 a have journey's end. GENERAL MANAGER Greg Roperti three-year BUSINESS MANAGER Sal Del Giudice I hope you PRODUCTION DIRECTOR Michael Esposito PRODUCTION MANAGER Lynn O. Scaglione subscription, I enjoy this issue. SR. PRODUCTION ASSISTANT Eugenia Slubski you will get 36 hope you enjoy the DIRECTOR OF MARKETING Rob Sabin PROMOTION MANAGER Adele Ferraioli -Kalter issues, even though ones to follow even OFFICE MANAGER Maria Coppola OPERATIONS MGR./AD COORDINATOR Linda Neuweiler that will wind up more. That's what SUBSCRIPTION DIRECTOR John Dagney NEWSSTAND SALES DIRECTOR Megan Jenkins lasting more than we're trying to achieve. DIR. OF CIRCULATION SERVICES Rocco P. Chiappetta three years. More I encourage you, ADVERTISING REGIONAL ACCOUNT MANAGERS of more! however, to let us know Jerry Stoeckigt 312/923-4804 Paul C. Smith 212/767-6077 But there's more to what you think, what you Gabrielle DiFolco 212/767-6063 REGIONAL V.P./AD DIRECTOR, WEST COAST the story than just a like and don't like. After Bob Meth 323/954-4831 change in frequency. NATIONAL RECORD LABEL SALES you've read a few issues, MAG Inc. Mitch Herskowitz 212/490-1715 Come September, you will see drop us a line, whether by CLASSIFIED ADVERTISING 800/445-6066 GLOBAL ADVERTISING a change in style as well, both graphic postal mail or e-mail V.P., Aude de Rose 212/767-6369 and editorial. I don't want to spoil ([email protected]). Tell us exactly The the surprise, so Yin not going to go into how well we're succeeding-or how Audit Bu a lot of detail here. Again, however, we're not. After all, we've changed the goal is to provide more-in this case, before; we can do it again. CHAIRMAN Daniel Filipacchi more of what's best about Audio. More SR. EXECUTIVE V.P. AND EDITORIAL DIRECTOR Jean-Louis Ginibre equipment, some new bylines to EXECUTIVE V.P. AND COO John Fennell PRESIDENT, HACHETTE FILIPACCHI NEW MEDIA supplement the old familiars, and James E Docherty a streamlined, up-to-the-minute SR. V.P./DIR., CORP. SALES Nicholas J. Matarazzo SR. V.P./CFO & TREASURER John T. O'Connor approach to the contemporary world of SR. V.P./MFG. & DISTRIBUTION Anthony R. Romano /V7di SR. V.P./GENERAL COUNSEL AND SECRETARY high-performance audio. Catherine Flickinger V.P., CIRCULATION David W. Leckey As significant as the changes will be, V.P., COMMUNICATIONS & SPECIAL PROJECTS Keith Estabrook I think it is just as important that Audio V.P., CORPORATE COMPLIANCE Carlo A Boccia will still be Audio. Our values and V.P., BUSINESS DEVELOPMENT Raymond Dreyfus AUDIO/JULY/AUGUST 1999 4 AmericanRadioHistory.Com Meet B&W's new DM-600 Series 2 loudspeakers. The ultimate in high performance engineering without the high price tag. Quite simply, we completely re -engineered our most successful speakers ever, starting with our famous yellow Kevlar cones for superior imaging. Likewise, our revolutionary Nautilus tapered wave -guide tweeters have forever redefined high frequency perfection, especially at these prices. Even our crossovers have been upgraded to ensure vanishingly low distortion. Wish you could hear more? Listen to them at your authorized B&W dealer. "nothing short of miraculous." Y1,Ú5 ¿i, Y-,: t,w,..".4.> you were here? DM 602S2 DM 604S2 (Stand not included) Tel. 978.664.2870 - Fax 978.664.4109 wwwbwspeakers.com LISTEN AND YJU'LL SEE AmericanRadioHistory.Com Ye Shall Be Saved LETTERS For some time, I've been reading the on- going debate about what makes a difference in the sound reproduction chain. I had al- ways believed, as do many writers, that the only real discernible difference would come Front and Center corded with a Seck 1882 mixer, but when I from changing loudspeakers-until nine When I listen to classical music, I use bought the second deck I needed some- months ago, that is. single -ended triode tube amplifiers with thing larger so I sold it and bought a Stu- My music system has been pretty stable McIntosh speakers. I have two main chan- diomaster 16 x 8 x 2 Mixdown, which was for the past 12 years: Hafler preamp, amp, nels and four surround speakers for a expanded to 32 channels. For playback, the and tuner; B&O turntable; Sony cassette Yamaha DSP-1 processor. For movies, I monitor output of the board was plugged deck; Nakamichi CD changer (replacing a have a center -channel speaker connected directly into an NEC power amp, which B&O CD player about six years ago); Casio to a solid-state amp, which is fine for hear- drove a pair of Fostex studio monitors.
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