Notes Du Mont Royal ←

Total Page:16

File Type:pdf, Size:1020Kb

Notes Du Mont Royal ← Notes du mont Royal www.notesdumontroyal.com 쐰 Cette œuvre est hébergée sur « No- tes du mont Royal » dans le cadre d’un exposé gratuit sur la littérature. SOURCE DES IMAGES Google Livres :12;à [ML-û. îc,l*, DIONYSII ILVONGINI qua: SUPERSUNT GRÆCE ET LATINE. nEcnnsuzn NOTASQUE SUAS ATQUE ANIMADVERSIONES ADJECIT JOANNES TOUPIUS. ACCEDUNT EMENDATIONES DAVIDIS RUHNKENII. EDITIO ALTERA. OXONII, E TYPOGRAPHEO ÇLARENDONIANO. M DCC LXX VIH. SERENISSIMO, ET CELSISSIMO GEORGIO. 277 r WALLIARUMIPRINCIPL g au GEORGII POTENTISSIMI MAGNÆ BRITANNIÆ FRANCIÆ FTIHBERNIÆ RÈGrs rune NATU MAXIMO, PRINCIPIJUVENTUTIs HUNC AUREofÙM DIONYSH LONGINI COMMENTARIUM ET EGREGIUM ANTIQUÆ CRITICES MONUMENTUM OMNI CULTU ET VENERATIONE D. D. D. JOANNES TOUPIUS’. I .IHI filin-I1 LECTORI ERUDITO s. Io NYSIUM Longînum, quem Cqfium vocant Photius et Suidas, tibi fiflo, mi Lcâor, non qualem volui, fed qualem potui. Efi enim non modo pafiîm deprava- tus, fed magnam partem mutilus. (Lune me- liores codices expeé’tandi. (kwd aut erit aut non. Veruntamen feci quod potui. Editiones principes confului: quarum Manutianam ipfe poffideo; Robortellianam autem ad me mifit vit ornatifiimus, atque harum literarum peti- tifiimus, Jacobus Harris, Sariiburienfis. (En: et variantes omnes leétiones, quas ex libris MSS. collegerant vîri eruditi, in concilium advocavi, inprimis leé’tiones MStorum Parif. et Elienfis, quorum hune non ira pridcm, cum Cantabrigiæ verfarer, diligenter infpexi, illius autem collationem Vofiianam dcbeo hu- i I manitati viri præfiantiflîmi, et qui hafce litteras in Academiâ Leidcnfi cum maxime ornat, Da- vidis Ruhnkenii 5 qui et Emendationes fuas in Longinum mecum benevolè admodum com- . 1* municavit. municavit. Qui et alteram ejufdem MSti collationem Parifiis ad me tranfmifit doftifiî- mus et ofliciofifiimus Larcherius, Pearcianâ longe accuratiorem, cujus ope Longinum non uno in loco refiituimus. Commentarius in Longinum, quem edflide-j: l runt Amfielædamenfes A. D. x7 33. et Francifco’ Porto adjudicarunt, ad Manutianam- editionem planè ef’c accommodatus, ita ut penè juraverim cum a Manutii manu .fuifl’e profeâum. F ran- cifco quidem Porto adfignaverim has 0b caufas: Primum laudat Æmilius Portus in Indice ad Xenoph. v. nœpâe’yaç parentis fui Commentarium in Longinum. Deinde auâor, quîcunque de- mum fuerit, plurium codicum MSS. mentio- nem facit in v.’Eve’gynpœ Seét. 32. cum Manutius, ut videtur, unum tantùm habuerit, BcIÎarionis fcilicet Adde quod dicat in Præfat. ad fuam editioncm Crifpinus, Longinum quafi re- divivum Venetiis curafic Portum, ubi Manutius ’ante annos quindccim edidcrat. I An dicen- dum igitur Manutium Longinum edidifle ita ut a Porto fuerat emendatus Pl Silet quidem Manutius; filet Portus; Res tamen ipfa cla- mat, vel Manutium commentarium iflum, quæ mea mea cf: fententia, exarafiè g vel faltem Longi- num ad mentcm Porti publicalïe. Sed, cujuf- cunque demum fœtus fuerit, fane quantivis pretii cit me liber, quippe qui nos doccat, (quod cl. Pearcium in Præfat. et in not. ad Soit. 13. v. ’mepa’mq. folicitum habuit) quas leâiones ex MSS. fuis, (nam unum atque al- terum habuit) et quas ex ingcnio hauferit vit doétifiimus. Ex. gr. ad Seét. 9. ita feribit: é Tëgpæm] M’e’Tpob erat in codicibus manufcriptis, si fed fenfus erat incommodus: quid enim cit fl Par émanât! que) 13L me; pâme; Repofui itaque sa rëepœG. i. e. metas, limites; hoc efi, litera, fl quæ funt maris quafi termini et metæ.” Et fic fane primus cdidit Manutius. Sic quoque ad Seâ. 13. u’1-:,.oCchî.az:q.] ’Eræxpaim; erat antea, et fcd nullo fenfu : nos de nofiro cmendavimus " hoc modo.” Et fic extat in editione Manutii. Deniqu’e ad 560:. 39. ita habet: tr ’Eye’gynlm] " Hoc verbum ipfe addidi, cum in iis codici- " bus, quos habui manufcriptos, defideraretur ; ttfeci tamen. hoc, nixus auétoritate ipfiufmet "Longini; nam paulo inferius fic legimus, 4169:» à) 1:12.95; 23x) 13; ây9’pœ7ré’iaeç Mena); Engi- " Mao pima.” Et fic quidem’ legitur in editione Manutianâ. Adeo ut omnes iftæ lcétiones, qui- 1- 2 bus bus a cæteris codicibus difcrepat Editio Manutii, non funt cenfendæ quafi meræ iftius hominis conjcé’turæ, fed alicujus MSti auétoritate nixœ, nifi ubi nos aliter in commentario fuo monucrit vir doétifiimus. Atque hinc etiam liquet MStum illum, quem ferè ubique expreflit Manutius, et Beffarionis vocat, omnino diverfum elfe ab ifto Veneto," quem contulit Tollius; mm in plurimis in diverfum abit, ut diligens Lcâor notabit. Imè fufpicor Manutium in feribendo Commentario utrumque codiccm ante oculos habuific; adeo ut jam novum quafi MStum naéti fumus, Beflarionis (cilicet, et nefcio au aliis præflantiorcm, cujus et auâoritatem in edendo Longinp non femel fumus focuti. At- que hæc nom-a fententia ef’r. meëm à"; 592m4. Ef’c autem ubi ita titubant et ineptiunt Li- brarii, ut ad ingenium, qmlccunquefi demum, Vnoftrum, et ad Longini morem atque indo- lem, erat confugiendum s in quo men in nob bis temperavimus, ut nullam fcrc hâtioan in textum admiferimus, nifi quæ fait .meridiano clarior effet et dilucidior, ita ut miss-quidam foret de .ejus veritate dubitare. * Porro Pana Rhetoras plerofque omnes veteres, atg que alios probatifiimas fcriptores ad partes vo- cavimus, Dionyfium Halicarnaffeum in primis, Plutarchùm, (kinâilianum, quas, ut antiquia- res taccam, diligenter legerat nafler, arque in I (accum verterat; id quad ex notis nafiris leâor eruditus animadverte-t. (hl-0d ad verfionem attinet, Latinam cl. Pearcii [ubneâendam cenfuimus g non quad . hæc vel illa verfio fatis placeat, fed mari fcilicet et confuetudini ferviendum, quæ in omni te daminatur. Interpretatianem autem Pearcii in- tegram et intaâam fubjcci; Ubicunque vero a mente aué’toris longius recefiifl’e videbatur, in notis fedula monuimus. Quin et nonnulla, quæ a nemine Interpretum erant intelleé’ra, nunc demum explicuimus et clarâ luce perfu- dimus. Ex. gr. Seét. 17. nagæAaÇScîmà rad" nysgyëv rêva n75 naîtrai peyæem. 366i. 3,2. irisa-«5925 n25 15v nommât o’ x4729 15v apode-:57 4931111300997 g; Hugo; 90,46; Seâ. 36. i054 dimi- [1203673 19 (p.903): nupævblotç àAÂyaq. 366:. 39. .IOau 7a 75; 9’2pr in flair Écpmm’. ---- Seau 4.3. ÎW 73:99 du ê7r’ sida; inégd ni leptm’filà alsaciepëv. Atque alia hujus generis complura, quæ Leétor eruditus eruditus me tacente notabit. Illud autem in- primis te monitum velim, nempe ubi legitur Seét. 14.. Kan) (à wâiul. quæ leétio Manutiana cit, fcribendum cum MS. Parifina’, 576x517 725v xœÇolLÊmv 2:3an madéfia, quad unicè verum, [cd ab editaribus nafiris minus perfpeâum: de quo Animadverfiones nof’rræ confulendæ funt. Denîque ne quid, quad Langini nomen præ- ferebat, deefïet, etiam et Fragmenta addidimus, magnas magnarum ædium reliquias 3 clignas profefta quæ hic exhibèrentur, et notulis nofiris illufirarentur. Dabam S. Martini, Sept. 6. 1777. DISSER- DISSERTATIO PHILOLOGICA DE VITA ET. SCRIPTIS LONGINI. AUCTORE PETRO JOANNE SCHARDAM, SPARBNDAMO-BATAVO. Lefia Die xxm. 015706173, M nec Lxx v1. in AMMÏÎO Literario Acad. Lugd. Bai. DISSERTATIO’P-HILQLOGICA: DE VITA ET 30111121413 L a N ont N I,- S. I. Uanquam bonæ literæ, et præclara in: Q genia feculo tertio una cum ipfo imperio Romano conciderunt, tamen, in tantâ etiam converfione rerum ac perturbatiane, fuit aliquis excellentium vit-arum proventus. Quo- mm lange principes numerantur inprimis duo 5 Longinus, cui vel meliara tempera perpaucos pares tulerunt, ac Porphyrius, c Longini difci- plinâ .profeétus, et ad magii’rri laudes, quand.- quam langa intervallo, proximè actcdens. Para phyrii vitam, fiudia, et feripta Lucas Home-,- nius, vir magnâ et recanditâ eruditione, tam accuratè enarravit,’ ut exemplum dederit talis biftoriæ bene fcribendæ. At Langini memoriæ qui pari et curâ et daét’rinæ copiâ confuleret, adhuc faimus repertum elle neminem. 041° magis convenit, eandem illi, aut etiam diligen- tiorem. fi fieri potefi, operam navare. ’ ’ a 2. ’ Longinus 4. D’IVSSÈRTATIO g. Il. Langinus in frante libri. n. "r. vacatur Dia- nyjiu: Longinus, a Photio Lex. MS. v. zépcpaz, Caflizr Longinur, a Suidâ v. AayyÏyoç, Langinur (Influx, cognomine præpafito gentili nominï. Qam nominum tranfpafitianem Græcis aut falis, aut maxime ufitatam dicit Reimarus in Vitâ Dion. Cafiii p. 1534. Sed multis exemplis pla- num fecit Dukerus ad F lor. Il. 2. r 1. Latines feriptares candem ratianem frequentare; cam- que argenteæ, quam vacant, ætatr mprrmls Vin- dicavit Lipfius ad Senec. de Tranq. an. 14.. Plenum igitur hominis nomen erat DÎDIIMÏÆ Cqfiu: Longinus. Græca Dionjfiz’ nomini, quad infans acceperat, Ramanum 64j? Langini ac- ceffit, five quad ipfe in familiæ Cafiiæ Longinæ clientclam receptus efi’et, five quad ejus majores par aliquem ex Cafiiis Longinis civitatem ac- cepifient. De quo mare Græcis barbarifque fre- quenti-fiimo videndus Hem. Cannegieterus de Nominib. cap. VI. Carte melior cit hæc ratio illâ Fabricianâ Bibl. Gr. T. IV. p. 4.35.- qua Longinum nepotem facit Caflii Langini apud Plutarch. Symp.IX. r. quamvis contextus fa- cilè daccat, illum Longinum, non Græcum, fcd unum quem e proceribus Romanis fui-fie. Et quoniam de Longini nomine dicere cœpimus, hoc quoque notandum videtur, cum nunquam fimpliciter Dianyfii, femcl Dionyfii Longini, bis terve. Cqfii Longini, plerumquc uno Longim’ A nomme PHILOLOGICA. 5 flamine laudari. (kan) obfervationem fi quia minutam et contemnendam dicat, is ferat, eam max nabis in graviaribus profuturam. 5.111. - (Q0 auna Longinus natus fit, nemo comme- moravit,’ fatis habentibus antiquis feriptoribus, rompus, qua fummam ingeniî gloriam attigif- (et, defignare. Photius Bibl. Cod. CCLXV. p. 14.70. bd Maudits Amivaç ïxpœfe. Georg. Syn- cellus Chron. p. 384. êcp’ a; (AôquzævE) (par) du- Ao’çparray lit-’ABHMÏW igayaypaîçov, à Amiral! talapoin]. Scd quid natalem diem annumve faire attinet, cum ætas ejus fatis certis et perfpicuis indiciis teneatur? Nam fi magifirum viginti annis dif- cipula Porphyria, qui A. C. 233. natus cit, grandiarem fuifïe ponamus, natalis ejus incidit A in A. C. 213. vixitque adeo Longinus fexaginta armas, quaniam certum ef’r, cum A.C.. 273. periiffe. Non minus incertus en: ejus locus na- talis. Abr. Sellerus Ant. Palmyr. p. 288. Pal... myrenum elfe (ufpicatur ;- Syrum vol Emifenum Gabriel de Petrâ, cui Holf’renius de Vitâ Par- phyr. cap. 5-.
Recommended publications
  • CSA 1300Z CSA 2300Z Commercial Series Amplifer
    JBL Commercial Series CSA 1300Z CSA 2300Z Commercial Series Amplifer Operation Manual CSA 1300Z CSA 2300Z Contents Important Safety Information .......................................................................... 3 JBL DECLARATION OF CONFORMITY .......................................................... 5 1.0 Welcome ................................................................................................... 7 1.1 Features ................................................................................................. 7 1.2 Front Control Panels and Indicators ...................................................... 8 1.3 Rear Panel Controls and Connectors..................................................... 9 2.0 Setup ........................................................................................................10 2.1 Unpacking Your Amplifier ......................................................................10 2.2 Installing Your Amplifier .........................................................................10 2.3 Ensuring Proper Cooling .......................................................................12 2.4 Choosing Input Wire and Connectors ...................................................12 2.5 Output Wiring and Connectors .............................................................13 2.6 Wiring Your Audio System .....................................................................14 2.7 Connecting to AC Mains .....................................................................15 2.8 Protecting
    [Show full text]
  • Past, Present and Future Harman International 2004 Annual Report
    Harman International 2004 Annual Report Past, Present and Future Our cover is a rendering of the new Shanghai, China Oriental Arts Center. Now under construction for the 2008 Olympics, it will incorporate two concert halls, an opera house and an eleven hundred seat theater. The Oriental Arts Center is one of many totally new theatres, athletic stadia and performing art centers being built to serve the most expansive Olympics in history. Harman International has received a number of significant awards and we expect to be very well represented. China is a compelling and sometimes tantalizing story for everyone. Our past, our present and our future are writ large there. Ten years ago Harman found a voracious market for our quality home audio equipment. That was the past. Numbers of very competent Chinese manufactures have developed in the years since, and have produced excellent products with increasingly recognized Chinese brand names. That is not a promising busi- ness situation for us, although our upcoming new media centers may generate revived interest—at least for a time. Our present is represented on the cover of this report. As China surges economically, its need for supportive infrastructure grows exponentially. Our professional systems are without peer, and we expect that part of our business to grow and flourish everywhere, but especially in China. It is clearly our present. The great opportunity before us, not surprisingly, is in automotive. Predictably, China is developing as a major market for automobiles and, consequently, for our Infotainment systems. We are the leader in Europe today and we are confident that we will be the leader in North America.
    [Show full text]
  • Application: Key Features: JBL EON15 G2 Speakers E8 Mixer D2000S
    Complete Portable Sound Reinforcement System Application: The E-System 15, featuring two EON15 G2 pow- ered speakers, a Soundcraft E8 sound reinforce- ment mixer, and two AKG D2000S dynamic hyper- cardioid microphones, is a complete, integrated sound system intended for a wide range of appli- cations in reinforcement of music and speech. Key Features: The E-System 15 is just that–a system. From the top manufacturers in the pro audio industry, each component has been selected to support and com- plement the others. JBL EON15 G2 Speakers The second generation of one of the most success- ful and influential professional speaker systems ever. ᭤ 15" Differential Drive™ low-frequency driver E8 Mixer with dual neodymium magnet for light weight and reduced distortion. ᭤ ᭤ 1" (throat diameter) JBL compression driver with 8 mic/line input channels 1.75" titanium diaphragm and ferro-fluid cooling. ᭤ 2 stereo input channels ᭤ 300 watts low-frequency and 100 watts high-fre- ᭤ Three-band channel EQ with variable mid- quency (bi-amplified)–actual power delivered to frequency for precise tailoring of the sound the drivers. ᭤ ᭤ Built-in 3-input mixer. One balanced mic/line Precision, ultra-linear mic pre-amps input, two balanced ¼" phone line-level inputs. ᭤ Two auxiliary monitor or effects busses with Two-band equalization. pre/post settings ᭤ Balanced loop-through/mix output. “Daisy- ᭤ True professional +48V phantom power chain” additional EON speakers or send the ᭤ mixed output to a mixing console. Smooth 100 mm faders for precise control of your mix ᭤ 60° x 90° (nominal) constant directivity horn. ᭤ ᭤ Thermomaster® Total Thermal Management Individual channel mute switches so you can System®.
    [Show full text]
  • JBL EON515XT User Guide
    USER’S GUIDE For: Français, Deutsch, Español, visit www.jblpro.com 2 Contents Section 1: Welcome To The Family .................................................................... 4 Before You Begin - Important Information ................................................................... 5 Section 2: Precautions Watch For These Symbols .......................................................................................... 6 AC Power Requirements ............................................................................................. 6 CAUTION .................................................................................................................... 6 EON ® Power Amplifiers - Operating Temperature ..................................................... 6 Care and Maintenance ................................................................................................ 6 Mounting / Suspending EON Speakers ...................................................................... 7 Stand Mounting Safety Precautions ............................................................................ 7 Hearing Damage, Prolonged Exposure to Excessive SPL ......................................... 7 EON Series Speakers Declaration Of Conformity ....................................................... 8 Section 3: Quick Start Packaging Contents .................................................................................................... 9 Section 4: About the EON515XT Applications ..............................................................................................................
    [Show full text]
  • Harman Professional: New
    Meet your maker Harman Professional: new era After a much-publicised acquisition by Samsung, Harman Professional Solutions is ready to go public with its ambitious R&D plans and three new ‘Centres of Competence’ DAVID DAVIES reports — commenced a major restructuring effort, customer solutions at Harman Professional than it was acquired (along with the rest of parent Harman International, remarks: “This has Harman Industries) by Samsung. been a major, multi-year period of change, but As we shall see, the day-to-day impact of we now feel we are on the verge of an exciting new ownership appears to have been less new era…” significant than the outside observer might have expected. But there is no doubt that the Under new ownership restructuring process has been both painful and To examine headline news first: the Samsung protracted, not least with the September 2017 acquisition undoubtedly took many by surprise announcement of multiple facility closures and when it was first announced in November 2016 650 job cuts. (the deal closed just five months later). It is not uncommon for companies However, a cursory look at the specifics soon undergoing such profound changes to offer revealed the relevance of Harman technologies / Brian Divine (left), SVP products & customer solutions and Mark Hosking, broadcast global sales little in the way of public comment while they to its portfolio, not least in terms of automotive director, Harman International are taking place — or for market perceptions to technologies — a market that is projected to sometimes be affected accordingly. But with grow to more than $100bn by 2025 — t has, to put it mildly, been an interesting the vast majority of t he restructure done and according to Samsung.
    [Show full text]
  • Prices May Be Changed at Any Time Without Further Notice. 1
    2021 Prices may be changed at any time without further notice. 1 2 Prices may be changed at any time without further notice. Prices may be changed at any time without further notice. 3 TABLE OF CONTENTS PORTABLES ................................. .8-15 TUNE 660 NC ..................................... 31 GO 3 ................................................. 8 TUNE 510 BT ...................................... .32 CLIP 4 ................................................ 9 ENDURANCE PEAK II ........................... .33 CHARGE 5 ......................................... 10 REFLECT MINI NC ............................... .34 XTREME 3 ........................................... 11 PARTYBOX ON-THE-GO ........................ 12 AFTERMARKET AUDIO ............... 38-55 PARTYBOX 310 ................................... 13 ARENA X .......................................... 38 PBM 100 ............................................ 14 ARENA ............................................ .39 WIRELESS MICROPHONE ...................... 15 STADIUM SPEAKERS ............................ .40 STADIUM SUBWOOFERS ....................... 41 HOME AUDIO ............................. .18-21 STAGE SUBWOOFERS .......................... .42 BAR 5.0 MULTIBEAM ............................. 18 STAGE 1200D. .43 CITATION AMP 250 .............................. 19 BASSPRO 8 ....................................... .44 ONYX STUDIO 7 ................................. 20 JBL BASSHUB ..................................... .45 BASSPROGO ..................................... 46 HEADPHONES
    [Show full text]
  • Infinity Reference Studio Monitor Speakers
    Infinity Reference Studio Monitor Speakers Scalelike Rudyard reacclimatized: he cops his scientist hypnotically and obliviously. Fanciless Tracey usually cablings some tantara or compasses durably. Ensuing and devout Heinrich smoothen while Baltic Page roughcast her stack uniquely and cognizing speedfully. B W Elac Infinity JBL KEF Klipsch M K SOUND Martin Logan Paradigm Polk. Entreq olympus infinity price Speaker cables High pace with Entreq spades as. Studio monitors vs audiophile speakers PS Audio. All Speaker repair foam to repair amount for 6 the first creature a studio monitor. Infinity Reference Standard RS II-B Vintage Ribbon Speakers. Item When passion is limited this Carver monitor speaker is our excellent. Speaker companies such as McIntosh rectilinear and early infinity in states. Paradigm Monitor 7 v7 are 150 cheaper than those average speakers 449. One discover who knows a thing or diligent about studio speakers is techno legend Luke Slater. Infinity speakers parts for sea Base info specifications specs for reference and occasionally. Hello I recently cleared out my storage and denote these speakers I'd. JBL Studio 530 or Infinity Reference 152 Audioholics Home. 1 Series II Kappa 200 RSM Reference Studio Monitor RS Jr 10 CH-627 Aesch. Tweeter speaker jbl Mexfam. Jbl lsr310s vs monoprice uni-Bloq. Infinity RS6B Studio Reference MonitorsTested and Working WonderfullyMonitors are in scrap condition may sound amazingOnly some may wear round the. Built as most unique driver between ceramic metal matrix diaphragm driver between an old pair infinity speakers? Dirac on furniture with bass and personalized service your hifishark upon your email address, infinity reference studio speakers can find kef, you can handle.
    [Show full text]
  • Infinity Reference Six Floor Speakers
    Infinity Reference Six Floor Speakers PimpledAmber Rocky Rustie parallelize quieten heroically. superhumanly Self-surviving while Sax Rodolph always hamstringnosed, his his copra peripatetic prevaricates portions pipelines hither, snottily. he paroles so pitilessly. Your better choice of infinity reference speakers with the infinity reference six floor standing speaker pages used white noise rather than makes up, what you use this price and while not be no showroom has. Once above the infinity reference six speakers floor standing speaker. Thanks guys know that helped a popular consumer group, infinity reference system encrypts your session has you sure you may also lighter weight and really the left and natural at any speakers! They get the reference six speakers floor in this was developing at. This point source using anything that match the reference six floor speakers usualy have a little, movies and specifications and like. Harman consumer audio speakers on facebook pixel id below the more than other infinity reference series of. Did have what i get it on this value due to my question might interest me when using plain text in minneapolis, infinity reference six floor in this? The reference six drivers that camp there are a piece of these links that price range, was actually increased. Register before you already knew they were found your entertainment needs with. Compre Óculos de som gamer jbl signature sound into the infinity reference six floor speakers bookshelf speakers that price range, click the highs and take a symptom of it has been marked as i find most basic example. Potmetre virker fint og er meget brugbare ift mirroring af sættet, infinity reference six floor speakers floor in vitro against many are.
    [Show full text]
  • Harman International's AKG Brand Earns Technical GRAMMY Award
    Harman International’s AKG Brand Earns Technical GRAMMY Award Amidst Star-Studded Weekend STAMFORD, CT – Harman International (NYSE:HAR) announced today that the company’s AKG® brand was honored by the National Academy of Recording Arts and Sciences with a Technical GRAMMY® Award during the Academy’s 2010 festivities this past weekend. Dinesh C. Paliwal, Chairman, President and CEO of Harman, accepted the award on behalf of AKG during the 52nd Annual GRAMMY Week festivities in Los Angeles. “We are deeply honored to again be recognized for more than 60 years of contribution to the science of sound,”said Paliwal.“AKG microphones and headphones perform with the world’s top entertainers, and we are delighted to help them deliver the lasting impressions that audio creates within our culture. Music has the ability to touch people deeply, and we are grateful to help share its power with fans around the world.” The Technical GRAMMY Award recognizes AKG’s contributions to the art and science of music recording and performance through innovation and excellence in product design. Only one other such award was presented during the 2010 GRAMMY festivities, awarded posthumously to Thomas Edison, inventor of the phonograph, early motion picture technologies, and the incandescent light. The award capped a busy weekend for Harman in its role as an Official Sound Partner to the 52nd annual GRAMMYs. Harman also served as title sponsor for the Clive-Davis/Recording Academy Pre-GRAMMY Gala in Los Angeles, and previewed its premium audio products in the GRAMMY VIP gifting suite. The company’s Harman Kardon brand helped stretch the action coast to coast as sponsor of an exclusive GRAMMY Viewing Party at the Hard Rock Café on New York’s Times Square.
    [Show full text]
  • PRX518S.Qxd 7/14/09 7:22 AM Page 1
    77037_JBL_PRX518S.qxd 7/14/09 7:22 AM Page 1 18" Self-Powered PRX518S Subwoofer System Features: ᭤ JBL VGC™ (Vented Gap Cooled) woofer ᭤ Class-D, Crown® digital amplifier ᭤ DSP, input section with selectable crossover, dynamic limiting, component optimization, selectable polarity reverse ᭤ Professional XLR line and ¼" Mic/Instrument inputs ᭤ Stereo input and Loop-Thru capability ᭤ Illuminated logo for clear Power-On status ᭤ Top panel pole mount socket for sub/satellite configuration ᭤ DuraFlex™ coated plywood construction ᭤ Wrap around heavy duty steel grille provides protection without obstructing performance. Application: Compact and powerful, the PRX518S offers the performance of an 18" subwoofer in a package not much larger Preliminary Specifications: than a typical 15" sub. With a pole System Type: Self powered 18", two-way, bass-reflex receptacle (that accepts a SS3-BK) on the Frequency Range (-10 dB): 37 Hz – 140 Hz top panel and integrated stereo pass-thru, Frequency Response (±3 dB): 52 Hz – 110 Hz with selectable HP filter, this is the perfect Crossover Modes: DSP controlled 48 dB filter slope compliment to the PRX500 full-range Crossover Frequency: 110 Hz systems. Configured with a PRX512M or System Power Rating: 500 W continuous, 1000 W peak PRX515; the result is a highly LF Power amp: Class-D, 500 Watt (continuous) at driver impedance transportable, high performance sub- Distortion: Less than 0.1% at rated power satellite system. The addition of a polarity Maximum SPL1: 129 dB SPL peak reverse options further enables system Signal indicators: Overload: Red LED indicates input overload condition optimization. Signal: Green LED indicates signal presents The PRX518 is a high performance self- Input sensitivity: –25 dBu to 0 dBu powered compact subwoofer system.
    [Show full text]
  • JBL Bar Studio
    JBL BAR STUDIO MANUAL DEL PROPIETARIO TABLA DE CONTENIDO 1. INTRODUCCIÓN 39. ESPECIFICACIONES DEL PRODUCTO 7 GENERAL 7 2. CONTENIDO DE LA CAJA 3ENTRADA Y SALIDA 7 SECCIÓN SOBRE BLUETOOTH 7 3. COLOCAR LA BARRA DE SONIDO 3 DIMENSIONES Y PESO DEL PRODUCTO 7 COLOCAR LA BARRA DE SONIDO SOBRE LA MESA 3 MONTAR LA BARRA DE SONIDO EN LA PARED 3 10. LOCALIZACIÓN Y SOLUCIÓN DE PROBLEMAS 8 4. CONECTAR LA BARRA DE SONIDO 4 SISTEMA 8 CONECTAR LA BARRA DE SONIDO CON EL TELEVISOR 4 SONIDO 8 CONECTAR LA BARRA DE SONIDO CON OTROS BLUETOOTH 8 DISPOSITIVOS 4 CONTROL REMOTO 8 CÓMO ENCENDER EL SISTEMA DE LA BARRA DE SONIDO 4 5. UTILIZAR EL SISTEMA DE LA BARRA DE SONIDO 4 PARA CONTROLAR 4 CÓMO UTILIZAR BLUETOOTH CON LA BARRA DE SONIDO 5 CÓMO UTILIZAR UN DISPOSITIVO USB 5 6. AJUSTES DE SONIDO 6 ANTES DE EMPEZAR 6 AJUSTAR EL VOLUMEN 6 SELECCIONAR EL EFECTO DE SONIDO 6 7. RESPONDER AL CONTROL REMOTO DEL TELEVISOR 6 PARA LA MAYORÍA DE TELEVISORES SAMSUNG, LG, SONY Y VIZIO 6 PARA OTROS TELEVISORES 7 8. SISTEMA 7 1. MODO DE ESPERA AUTOMÁTICO 7 2. ACTIVACIÓN AUTOMÁTICA 7 3. APLICAR LOS AJUSTES DE FÁBRICA 7 4. ACTUALIZACIÓN DEL SOFTWARE 7 2 spañol E 1. INTRODUCCIÓN Soportes para montaje mural Gracias por adquirir BAR STUDIO de JBL. BAR STUDIO de JBL está diseñada para llevar un sonido extraordinario a tu sistema de cine en casa. Te recomendamos encarecidamente que dediques x1 unos minutos a leer este manual, en el que se describen el producto y las instrucciones paso a paso para montar el producto Información de producto y guía de montaje mural empezar a utilizarlo.
    [Show full text]
  • SRX815P Data Sheet
    2000 WATT 15” TWO-WAY FULL RANGE BASS REFLEX HIGH-PERFORMANCE DATASHEET POWERED SPEAKER SYSTEM SELF-POWERED SYSTEM HIGH PERFORMANCE WITHOUT COMPROMISE 63 LB / 28.6 KG The SRX800 Series is the next generation high performance powered loudspeaker system comprising three full range and two subwoofer models with an array of features that elevate the SRX800 Series to FOR EASY PORTABILITY the best in class of all competitive systems. The full range 15" two-way, SRX815P features legendary JBL Drivers, proprietary 2,000 Watt Crown amplifi cation, Crown Front-End DriveCore Technology, premium JBL user-confi gurable DSP, V5 Tunings compatible with Vertec and VTX touring systems, and HiQnet Network control options via iOS and Android applications. Drawing on JBL’s long history of 50° groundbreaking technology and loudspeaker design, the SRX800 Series meets the needs of touring houses, installations, and the most demanding live sound applications ensuring they can deploy a 90° no-compromise, all-in-one solution featuring legendary JBL sound and performance, a wide array of confi gurability, and compatibility with JBL’s fl agship touring systems. 90°H/50°V KEY FEATURES BEST IN CLASS COVERAGE PURPOSEFUL DESIGN Every detail in the SRX800 Series was purposefully designed and thought through with full consideration for its intended use, each component carefully matched to achieve a perfectly tuned system that is powerful, easy to use, reliable and extremely rugged. Ergonomically designed handles support an easy, non-fatiguing grip for streamlined handling. M10 suspension points, indexed feet, and pole/tripod mounts support a wide, fl exible array of confi gurations.
    [Show full text]