DOCSLIB.ORG

Der Zeit Voraus

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ARS ELECTRONICA Art, Technology & Society voraus Hannes Leopoldseder der zeit der zeit Dr. Hannes Leopoldseder, geboren 1940 in St. Leonhard bei Freistadt. Er war als Fernsehjournalist für den ORF Wien (ab 1967), als Intendant des ORF-Landesstudios Oberösterreich (1974 – 1998) und als Informations- intendant des ORF Wien (1998 – 2002) tätig. 2007 erhielt er das Öster- reichische Ehrenkreuz für Wissenschaft und Kunst 1. Klasse und 2013 das Große Ehrenzeichen für Verdienste um die Republik Österreich. Im Jahr 2009 wurde er zum Ehrenprofessor an der Kunstuniversität Linz- Universität für künstlerische und industrielle Gestaltung ernannt. Er ist Mitbegründer der Ars Electronica und der Linzer Klangwolke (1979), initiierte den Prix Ars Electronica (1987) und das Ars Electronica Center (1996) und ist Mitherausgeber der Ars Electronica Kataloge. Hannes Leopoldseder, PhD., was born in 1940 in St. Leonhard near Freistadt. He has worked as a television journalist for ORF Vienna (from 1967), as the managing director of ORF Upper Austria (1974 – 1998), and as the information director of ORF Vienna (1998 – 2002). In 2007 he received the Austrian Cross of Honour for Science and Art, First Class, and in 2013 the Grand Decoration of Honour for Services to the Republic of Austria. In 2009 he was appointed Honorary Professor Hannes Leopoldseder at the University of Art and Design Linz. He co-founded Ars Electronica and the Linzer Klangwolke in 1979 and initiated the Prix Ars Electronica (1987) and the Ars Electronica Center (1996). He is Originaltexte und Textauszüge aus den Ars Electronica Publikationen also the co-editor of Ars Electronica’s catalogues. der Jahre 1979–2019, verfasst von Hannes Leopoldseder, Stocker (Hrsg.) Stocker dem Mitbegründer und Wegbereiter der Ars Electronica. • Eine bemerkenswerte Zeitreise durch die Digitale Revolution. der zeit voraus Original texts and excerpts from Ars Electronica publications from 1979–2019, written by Hannes Leopoldseder, the co-founder and pioneer of Ars Electronica. Kommentare und Analysen zum digitalen Wandel A fascinating journey through the history of the Digital Revolution. Schwarzmair von Kunst, Technologie und Gesellschaft ARS ELECTRONICA Art, Technology & Society voraus Hannes Leopoldseder der zeit der zeit Dr. Hannes Leopoldseder, geboren 1940 in St. Leonhard bei Freistadt. Er war als Fernsehjournalist für den ORF Wien (ab 1967), als Intendant des ORF-Landesstudios Oberösterreich (1974 – 1998) und als Informations- intendant des ORF Wien (1998 – 2002) tätig. 2007 erhielt er das Öster- reichische Ehrenkreuz für Wissenschaft und Kunst 1. Klasse und 2013 das Große Ehrenzeichen für Verdienste um die Republik Österreich. Im Jahr 2009 wurde er zum Ehrenprofessor an der Kunstuniversität Linz- Universität für künstlerische und industrielle Gestaltung ernannt. Er ist Mitbegründer der Ars Electronica und der Linzer Klangwolke (1979), initiierte den Prix Ars Electronica (1987) und das Ars Electronica Center (1996) und ist Mitherausgeber der Ars Electronica Kataloge. Hannes Leopoldseder, PhD., was born in 1940 in St. Leonhard near Freistadt. He has worked as a television journalist for ORF Vienna (from 1967), as the managing director of ORF Upper Austria (1974 – 1998), and as the information director of ORF Vienna (1998 – 2002). In 2007 he received the Austrian Cross of Honour for Science and Art, First Class, and in 2013 the Grand Decoration of Honour for Services to the Republic of Austria. In 2009 he was appointed Honorary Professor Hannes Leopoldseder at the University of Art and Design Linz. He co-founded Ars Electronica and the Linzer Klangwolke in 1979 and initiated the Prix Ars Electronica (1987) and the Ars Electronica Center (1996). He is Originaltexte und Textauszüge aus den Ars Electronica Publikationen also the co-editor of Ars Electronica’s catalogues. der Jahre 1979–2019, verfasst von Hannes Leopoldseder, Stocker (Hrsg.) Stocker dem Mitbegründer und Wegbereiter der Ars Electronica. • Eine bemerkenswerte Zeitreise durch die Digitale Revolution. der zeit voraus Original texts and excerpts from Ars Electronica publications from 1979–2019, written by Hannes Leopoldseder, the co-founder and pioneer of Ars Electronica. Kommentare und Analysen zum digitalen Wandel A fascinating journey through the history of the Digital Revolution. Schwarzmair von Kunst, Technologie und Gesellschaft ARS ELECTRONICA Art, Technology & Society Diethard Schwarzmair, Gerfried Stocker (Hrsg.) Hannes Leopoldseder der zeit voraus Kommentare und Analysen zum digitalen Wandel von Kunst, Technologie und Gesellschaft Inhalt Contents Gerfried Stocker, Diethard Schwarzmair 1990 6 Zeitlos der Zeit voraus – 42 Multi-Trends zu Millennium III Hannes Leopoldseder Multi-Trends for Millennium III Timelessly Ahead of His Time— Hannes Leopoldseder 1991 44 Der Mythos des Künstlichen 10 Über dieses Buch The Myth of the Artificial About this Book 1992 1979 46 Ars Electronica Center 12 Ars Electronica Museum des 21. Jahrhunderts Idee und Konzept Ars Electronica Center Idea and Concept Museum of the 21st Century 1980 1993 14 Elektronik – Kunst – Gesellschaft 48 Ars Electronica, Prix Ars Electronica, Electronics—Art—Society Ars Electronica Center Ars Electronica, Prix Ars Electronica, 1982 Ars Electronica Center 16 Kultur der Informationsgesellschaft Culture of the Information Society 1994 50 Ein Festival als Frühindikator 1984 des Medienbruchs 20 Die neue Computerkultur Ten Indications of an Emerging The New Computer Culture Computer Culture 1986 1995 22 Zehn Indizien für das Werden 52 Welcome to the Wired World der Computerkultur Welcome to the Wired World Ten Indications of an Emerging Computer Culture 1996 54 Von der Idee zur Wirklichkeit 1987 From the Idea to Reality 24 Prix Ars Electronica 56 Ars Electronica Center 26 Die fünfte Kulturtechnik The Fifth Cultural Technique 1997 64 Cyberart: Art of the Future – 1988 The Future of Art 32 Der goldene Balken Cyberart: Art of the Future— The Golden Crossbar The Future of Art 1989 1998 34 Kunst im Zeitsprung – Zeitsprung 66 Aufbruch der Cybergeneration in die Zukunft The Cybergeneration Takes Off Art in a Time Warp—A Time Warp into the Future 1999 36 10years Ars Electronica 68 Digitale Morgendämmerung Digital Dawn 72 20years Ars Electronica 1990 2000 2011 42 Multi-Trends zu Millennium III 74 Individualität – Mobilität – Globalität 130 Dekade der Entscheidung Multi-Trends for Millennium III Individuality—Mobility—Globality The Decade of Decision 1991 2001 2012 44 Der Mythos des Künstlichen 78 Douglas Adams’ Dream 138 Damien Hirst, Spot Painting The Myth of the Artificial Douglas Adams’ Dream and Ars Electronica 2012 Damien Hirst, Spot Painting and 1992 2002 Ars Electronica 2012 46 Ars Electronica Center 81 Fantasie der Realität Museum des 21. Jahrhunderts Fantasy of Reality 2013 Ars Electronica Center 146 Quantum 2003 Museum of the 21st Century Von der Unendlichkeit der Daten 84 Orwells Kinder werden erwachsen On the Infinity of Data 1993 Orwell’s Children Are Growing Up 48 Ars Electronica, Prix Ars Electronica, 2014 2004 Ars Electronica Center 156 Das magische Dreieck Ars Electronica, Prix Ars Electronica, 88 Medienkultur als Markenzeichen The Magic Triangle Ars Electronica Center Media Culture as a Trademark 92 25years Ars Electronica 2015 1994 166 The Creative Outbreak 2005 50 Ein Festival als Frühindikator Alles ändert sich, nichts bleibt so, des Medienbruchs 94 Die (R)evolution der Ameisen wie es ist Ten Indications of an Emerging The (R)evolution of Ants Everything changes, nothing Computer Culture remains as it is 2006 1995 97 Die neuen Augen der Millennials 2016 52 Welcome to the Wired World The New Eyes of Millennials 176 Plädoyer gegen den Unmut der Zeit Welcome to the Wired World A Plea in Opposition to the 2007 Discontented Spirit of the Times 1996 100 Das Jahr des Avatars 2017 54 Von der Idee zur Wirklichkeit The Year of the Avatar From the Idea to Reality 186 Erwartet das Unerwartete! 56 Ars Electronica Center 2008 Expect the Unexpected! 103 Upgrade – von der Magie des Flow 1997 2018 Upgrade—the Magic of the Flow 64 Cyberart: Art of the Future – 196 Imperfection is Beauty The Future of Art 2009 Imperfection is Beauty Cyberart: Art of the Future— 106 Auf dem Weg zum digitalen Leben 2019 – 40years Ars Electronica The Future of Art On Our Way towards Digital Life 110 30years Ars Electronica 206 Zeitenwende 1998 111 Ars Electronica & Linzer Klangwolke am Morgen einer neuen Welt 66 Aufbruch der Cybergeneration The History Turning Point The Cybergeneration Takes Off at the Dawn of a New World 2010 1999 118 „… zu jeder Zeit das Fotonachweis / Photo credit 68 Digitale Morgendämmerung Unerwartete erwarten“ Impressum Digital Dawn “… at all times expect the unexpected” 72 20years Ars Electronica Gerfried Stocker, Diethard Schwarzmair Zeitlos der Zeit voraus – Hannes Leopoldseder Timelessly Ahead of His Time—Hannes Leopoldseder Als Hannes Leopoldseder, inspiriert von seinen Mit- When Hannes Leopoldseder, inspired by his col- streitern, Ende der 1970er Jahre die Ars Electronica leagues, founded Ars Electronica at the end of gründet und mit dem visionären Untertitel „Festival the 1970s, giving it the visionary subtitle “Festi- für Kunst, Technologie und Gesellschaft“ mit einem val for Art, Technology and Society” and furnish- Missionstatement ausstattet, das bis heute von ing it with a mission statement that still today is höchster Relevanz ist, da war die Digitale Revolution of the highest relevance, the Digital Revolution wohl noch mehr eine vage Spekulation, als etwas, das was
Recommended publications
  • Media Nations 2019

    Media Nations 2019

    Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube.
  • Connecticut College Magazine, Summer 1999

    Connecticut College Magazine, Summer 1999

    Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Summer 1999 Connecticut College Magazine, Summer 1999 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Magazine, Summer 1999" (1999). Alumni News. 347. https://digitalcommons.conncoll.edu/alumnews/347 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Contents Summer 1999 Vol. 8, No. 3 CONNECTICUT CO LLEG £Magazine • PEER PROFILES: 14 p. 57: Liz tone '49, hampion row r COMMENCEMENT p. 63: i ki Rogo in Lansl-. '63, The Class of 1999 bo k publish r p. 67: Li a Kaufman er hbow '75, art oil tor 16 p. 71: P ter John ton ' , ailb at maker VERBATIM p. 75 F rnand puela '88, Frank Mc ourt on teaching, writing f under of tarM dia and the meri an dream 19 LIKE FATHER, LIKE SONS 2 The President's Page hri ooper '77 and hri ooper '99, . .' fir t father- on I ga y 3 Letters to the Editor 5 CC students help NL school 20 CHAPTER AND VERSE 6 Solar timepiece in the Plex Thoreau lives next door 7 From Brazil to Japan David R. Fo ter '76 re i it Thoreau' 01111try 8 Social justice in New London 9 Walkway will link campus to NL CLASSso NOTES orrespondent ' report 10 Fulbright and Watson winners 11 Researching a CT river 80 12 Monk by the Sea LAST LOOK see page 75 features 40 THE DANCE Writing teacher Barbara Flug olin '61 learn a les on in humanity from her ph ically hallenged tudents.
  • Connected by Music Dear Friends of the School of Music

    Connected by Music Dear Friends of the School of Music

    sonorities 2021 The News Magazine of the University of Illinois School of Music Connected by Music Dear Friends of the School of Music, Published for the alumni and friends of the ast year was my first as director of the school and as a member School of Music at the University of Illinois at of the faculty. It was a year full of surprises. Most of these Urbana-Champaign. surprises were wonderful, as I was introduced to tremendously The School of Music is a unit of the College of Lcreative students and faculty, attended world-class performances Fine + Applied Arts and has been an accredited on campus, and got to meet many of you for the first time. institutional member of the National Association Nothing, however, could have prepared any of us for the of Schools of Music since 1933. changes we had to make beginning in March 2020 with the onset of COVID-19. Kevin Hamilton, Dean of the College of Fine + These involved switching our spring and summer programs to an online format Applied Arts with very little notice and preparing for a fall semester in which some of our activi- Jeffrey Sposato, Director of the School of Music ties took place on campus and some stayed online. While I certainly would never Michael Siletti (PhD ’18), Editor have wished for a year with so many challenges, I have been deeply impressed by Design and layout by Studio 2D the determination, dedication, and generosity of our students, faculty, alumni, and On the cover: Members of the Varsity Men’s Glee friends.
  • College Voice Vol. 9 No. 10

    College Voice Vol. 9 No. 10

    Connecticut College Digital Commons @ Connecticut College 1985-1986 Student Newspapers 12-11-1985 College Voice Vol. 9 No. 10 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1985_1986 Recommended Citation Connecticut College, "College Voice Vol. 9 No. 10" (1985). 1985-1986. 13. https://digitalcommons.conncoll.edu/ccnews_1985_1986/13 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1985-1986 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. THE COLEEGE VOICE DECEMBER II. 19115 'OLUME IX. NUMBER 10 CONNECTICUT COLLEGE'S 75TH ANNIVERSARY Long Range Plans for Improvement tive campus center were noted. infirmary building and the in- by Shelley Brown "By moving the post office firmary would then be moved Major changes may be in and bookshop to a more cen- to Lazrus Dormitory store for the Connecticut Col- tral location (such as Crozier Lazrus students displaced lege campus if the proposed Williams), faculty, students by the move would most likely plans of the Long Range Plan- and administrators would rub live in Winthrop Hall, which ning Committee are approved elbows on a daily basis," said would once again be used as a by the Board of Trustees. architect Raymond Sevigny. dorm. The possibility of a new Faculty and students were in- The Dance department's im- dorm was also considered. A vited to respond to the Com- mediate needs were assessed new location for a larger com- mittee's plan of changes for and the architects said that puter center was discussed, the Campus in a meeting held ideally an additional building and agreed on as the present Monday, November 25 in should be added below Cum- post office.
  • Expert Podcasting Practices for Dummies (ISBN

    Expert Podcasting Practices for Dummies (ISBN

    01_149263 ffirs.qxp 10/25/07 9:07 PM Page iii Expert Podcasting Practices FOR DUMmIES‰ by Tee Morris, Evo Terra, and Ryan Williams 01_149263 ffirs.qxp 10/25/07 9:07 PM Page ii 01_149263 ffirs.qxp 10/25/07 9:07 PM Page i Expert Podcasting Practices FOR DUMmIES‰ 01_149263 ffirs.qxp 10/25/07 9:07 PM Page ii 01_149263 ffirs.qxp 10/25/07 9:07 PM Page iii Expert Podcasting Practices FOR DUMmIES‰ by Tee Morris, Evo Terra, and Ryan Williams 01_149263 ffirs.qxp 10/25/07 9:07 PM Page iv Expert Podcasting Practices For Dummies® Published by Wiley Publishing, Inc. 111 River Street Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2008 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade dress are trade- marks or registered trademarks of John Wiley & Sons, Inc.
  • Argentina-Punto-Com: an Analysis of the Development of the Dot-Com Sector in Argentina

    Argentina-Punto-Com: an Analysis of the Development of the Dot-Com Sector in Argentina

    Argentina-punto-com: An Analysis of the Development of the Dot-com Sector in Argentina Ed Marcum The Lauder Institute April 10, 2001 Introduction....................................................................................................................................1 Section I – Foundations and Fundamental Drivers ...................................................................5 Wealth.......................................................................................................................................5 Education..................................................................................................................................7 Infrastructure ...........................................................................................................................9 Public Policy ..........................................................................................................................13 Government/Stability ...........................................................................................................16 Section II – Other Drivers ...........................................................................................................18 Timing .....................................................................................................................................18 Venture Capital......................................................................................................................20 Other Actors ...........................................................................................................................22
  • JULY 29-AUGUST 1, 2014 the Aspen Institute Is an Educational and Policy Studies Organization Based in Washington, DC

    JULY 29-AUGUST 1, 2014 the Aspen Institute Is an Educational and Policy Studies Organization Based in Washington, DC

    JULY 29-AUGUST 1, 2014 The Aspen Institute is an educational and policy studies organization based in Washington, DC. Its mission is to foster leadership based on enduring values and to provide a nonpartisan venue for dealing with critical issues. The Institute has campuses in Aspen, Colorado, and on the Wye River on Maryland’s Eastern Shore. It also maintains offices in New York City and has an international network of partners. For more information, visit www.aspeninstitute.org. The Aspen Global Leadership Network (AGLN) is a worldwide community of successful, high-integrity, entrepreneurial leaders, called Aspen Global Leadership Fellows. Because of their demonstrated leadership accomplishments and abilities, these Fellows have been selected to be part of one of 12 active or sector-specific Fellowships around the world. These Fellowships include or are modeled after the Aspen Institute’s flagship values-based leadership program, the Henry Crown Fellowship Program, launched in 1997. Fellows enter their program having demonstrated a great deal of personal success. They leave it inspired to make a greater mark on their communities and the world; to move, as we say, “from success to significance.” In between, they are provided with an intimate forum for deep introspection, probing dialogue, and interactive problem-solving. The Aspen Global Leadership Network is designed to spur these Fellows to stretch themselves — to take their leadership to greater heights and broaden their impact to include society at large. The Network connects Fellows through events like the Aspen Action Forum so that they can learn from, collaborate with, and support one another. The Aspen Global Leadership Network includes nearly 1,900 Fellows from 48 countries — and is growing.
  • UNITED STATES DISTRICT COURT SOUTHERN DISTRICT of NEW YORK ------X : SECURITIES and EXCHANGE COMMISSION, : : 06 Civ

    UNITED STATES DISTRICT COURT SOUTHERN DISTRICT of NEW YORK ------X : SECURITIES and EXCHANGE COMMISSION, : : 06 Civ

    Case 1:06-cv-02435-PAE-DCF Document 208 Filed 10/26/12 Page 1 of 29 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ------------------------------------------------------------------------X : SECURITIES AND EXCHANGE COMMISSION, : : 06 Civ. 2435 (PAE) Plaintiff, : : OPINION & ORDER -v- : : FERNANDO J. ESPUELAS et al., : : Defendants. : : ------------------------------------------------------------------------X PAUL A. ENGELMAYER, District Judge: In this lawsuit, the Securities Exchange Commission (“SEC”) has sued various former executives of StarMedia Network, Inc. (“StarMedia” or the “Company”) for accounting fraud. Pending here is defendant Betsy Scolnik’s motion for summary judgment as to the remaining claims against her: for aiding and abetting StarMedia’s violations of Sections 13(a) and 13(b)(2)(A) of the Exchange Act and Exchange Act Rules 12b-20, 13a-1, and 13a-13, and for directly violating Exchange Act Rule 13b2-1. For the reasons stated below, Scolnik’s motion is granted. I. Background and Undisputed Facts1 1 The Court’s account of the underlying facts of this case is drawn from the parties’ respective Local Rule 56.1 Statements (“Pl.’s 56.1”, “Def.’s 56.1”, and “Pl.’s Reply 56.1”), as well as, where uncontested, various exhibits to the parties’ submissions on the instant motion. These submissions include: the Declaration of Ana C. Reyes in Support of Scolnik’s Motion for Summary Judgment (“Reyes Decl.”), and attached exhibits; the Declaration of Paul W. Sharratt in Opposition to Scolnik’s Motion for Summary Judgment (“Sharratt Decl.”), and attached exhibits; and the Declaration of Michael Hartman in Opposition to Scolnik’s Motion for Summary Judgment (“Hartman Decl.”), and attached exhibits.
  • México Group

    México Group

    CS377C - México Group Objectives: ● To find the barriers to Internet Development in México ● To see how the new National Action Party (PAN) Administration will change policies and break barriers ● To document Telefonos de México's (Telmex's) role in this development ● To make recommendations on these issues We explore these objectives through the categories listed on your left. We hope you find this site useful, and send us feedback if you would like more information or to comment on our work. Enjoy! Team México http://www.stanford.edu/~gguevara/mexico/ [3/19/2001 11:29:46 AM] CS377C - México Group Economic Profile 1998 1999 2000 2001 % Change in GDP 4.8 3.7 6.9 3.0 Nominal GDP (mil U.S.) 420972 4779478 561158 578745 Agr/GDP (%) 5.8 5.8 5.6 5.5 Ind/GDP (%) 28.7 28.8 28.8 29.2 Serv/GDP (%) 65.4 65.4 65.6 65.2 Consumer Prices (%chng) 15.9 16.6 9.5 7.9 Pop. (mil) 94.8 96.1 97.4 98.8 GDP/head ($at PPP) 9062 9410 10100 10500 Unemplymt(%) 21.8 19.1 18.5 21.0 Cur. Act. Bal/GDP(%) -3.7 -3.0 -3.2 -3.8 http://www.stanford.edu/~gguevara/mexico/profile.html [3/19/2001 11:29:50 AM] CS377C - México Group Education Most public elementary and secondary schools in Mexico lack Internet, let alone computer access. Private schools and universities are slightly more developed, but still have not reached desirable levels. There are a variety of programs in place to change this situation and improve the adaptation of technology in Mexican education.
  • Ahha Cover 10Friday At.Qxp 2/15/2007 4:36 PM Page 1

    Ahha Cover 10Friday At.Qxp 2/15/2007 4:36 PM Page 1

    ahha cover 10friday at.qxp 2/15/2007 4:36 PM Page 1 SPECIAL ADVERTISING SECTION OF THE EVOLUTION OF HISPANIC MARKETING at Celebrating Our Past, Present & Future: Taking Our Industry to New Heights Project3 1/26/07 2:51 PM Page 1 on ten years of growing, strengthening, and protecting the Hispanic Marketing and Advertising industry. CONGRATULATIONS TOC.qxp 2/15/2007 3:37 PM Page 1 Una Decada ime—measured in seconds, minutes, hours, days, months, years. Regardless of how we quantify a sequence of events and the intervals in between them, most would agree that time seems to pass all too quickly. And the visionaries in U.S. Hispanic marketing who 10 years ago gathered to discuss how collectively agencies could enumerate the Hispanic market A10 A18 potential to corporate marketers, feed the professional needs of emerging Ttalent and create a community of sharing to enable the industry to flourish, would agree. It seems like just yesterday that the Association of Hispanic Advertising Agencies was born out of that passion that took root 10 years ago and today has grown to 100 agencies strong representing 98% of the Hispanic marketing firms in the U.S. and more than $5 bil- lion in Hispanic advertising spending. The narratives that follow capture the dedication and zeal of industry pioneers, as well as the commitment of current and future leaders to the expansion and evolution of a respected trade. In this special section, AHAA celebrates significant industry milestones through the contributions of many and salutes the alle- A26 A32 giance of those to come who pledge continued excellence.
  • Public Events

    Public Events

    Public Events April 2017 Subscribe to this publication by emailing Carol Chen at [email protected] Table of Contents Overview Highlighted April 2017 Events .................................................................... 3 Children’s Events .......................................................................................... 4 Earth Month .................................................................................................. 5 Northwestern Events Arts Music Performances .................................................................................... 7 The 2017 American Liszt Society Festival Theatre .......................................................................................................... 12 Film ............................................................................................................... 14 Exhibits ......................................................................................................... 16 Arts and Music Lectures ............................................................................... 19 Neighborhood and Community Relations Living 1603 Orrington Avenue, Suite 1730 Leisure and Social ......................................................................................... 22 Evanston, IL 60201 Norris Mini Courses www.northwestern.edu/communityrelations Around Campus ARTica (art studio) Norris Outdoors Alan Anderson Religious Services ........................................................................................ 25 Executive Director [email protected]
  • Music Gallery History Series: Creative Music Journalism Presented by the Music Gallery and Musicworks Magazine

    Music Gallery History Series: Creative Music Journalism Presented by the Music Gallery and Musicworks Magazine

    Music Gallery History Series: Creative Music Journalism Presented by the Music Gallery and Musicworks Magazine Friday, April 6, 2018 Doors: 6PM 918 Bathurst St., Toronto, ON, Canada Tickets: FREE https://musicgallery.org/events/history-series-creative-music-journalism/ Panel Moderator: David Dacks Panel Members: Mark Miller Jerry Pratt Katie Jensen Carl Wilson Jennie Punter Transcript – Clean Read Version Duration: 1:13:42 David Dacks: [0:00:00] Welcome to the basement of the Music Gallery at 918 Bathurst [...] [0:00:34] This is the Music Gallery’s History Series; it’s the second season of the History Series. [...] [0:01:02] The History Series looks at creative music in Toronto, and its various manifestations over the last several decades. It came from other outreach activities that the Music Gallery has done in the past, where the desire to dig into topics in a more ‘oral history’ kind of a way came about. If people don’t tell their stories and don’t have them recorded, then they tend to be lost – and Toronto is full of people who have unfortunately had to reinvent the wheel over the years when it comes to trying to trace history or histories that come through. So hopefully the History Series speaks to that in various ways. We did a session during the winter, in February, at CIUT Studios, a counterpart to this one, which was called “The History of Creative Music on Campus Radio in Toronto”. And so this series, which is dedicated to coverage of creative music through journalism in Toronto - print sources, is the written word counterpart to that.