Boulder International Film Festival Welcome to an Exhibition of the Best Works of the Greatest Film Artists of Their Genres

Total Page:16

File Type:pdf, Size:1020Kb

Boulder International Film Festival Welcome to an Exhibition of the Best Works of the Greatest Film Artists of Their Genres FOUR DAYS OF CONTROVERSY, SPICE, COLOR, LAUGHTER, OUTRAGE, ADVENTURE, IDEAS, CULTURE AND COMMUNITY p a s s ! o n p l a y BOULDER INTERNATIONAL 08 FI L M F EST I VAL sralang dralas feb 14 -17 peace PASS!ON POWER p s y c h i c p l e a s u r e PURPOSE CELEBRATING THE BOLD SPIRIT OF INDEPENDENT FILM biff1.com ORDER BIFF TICKETS AT 303.786.7030 OR WWW.BOULDERTHEATER.COM WWW.BIFF1.COM | 1 To the legions of highly discerning individuals who actually read the Robin Beeck, Executive Director welcome letters in film festival programs, welcome! Boulder International Film Festival Welcome to an exhibition of the best works of the greatest film artists of their genres. Welcome to the exciting and unpredictable world beyond mass entertainment, where the advent of high-quality, low-cost equipment has created an explosion of creativity and innovation in film. Welcome to a darkened theater where you’ll be drawn into the screen by the world’s storytelling masters—quixotic, thrilling, funny, sad, shocking stories told with respect and affection for their audiences, the hallmark of all great artists. Welcome to the two-million-person audience of film festivals worldwide, where the unique ability to meet and interact with many of the artists themselves has made film festivals into trend-makers for one of the largest and most influential industries on earth. Having trouble deciding what films to see? Then join the growing crowd of Boulder film buffs who buy an all-access Festival pass. Get treated like a VIP, walk to the head of the lines, go to all the free-food-and-drink parties, meet filmmakers and new friends you can talk with about the films. But mostly, see all the great films you want to see. It’s like a first-class vacation without leaving the city. We look forward to greeting you personally throughout the Boulder International Film Festival, Feb 14-17, 2008. See you at the movies! Photo by Mary Krafczyk-Johnston biff venues Hotel N P Boulderado Spruce St 10th Boulder PG Redfish 2 Brewhouse Theater Pearl St Pearl Street Mall Broadway 13th 15th 11th 14th 16th 17th 9th 14th St PG Bar & Grill Walnut St 1 PG PG PG PG St Julien Hotel Canyon Blvd P BMOCA Boulder Public Library Arapahoe Ave Film Venue Parking Garage: P PG free on weekends 1 Festival Registration Parking Lot or Meters: P free after 7pm & Sundays, 2 Filmmakers’ Lounge Boulder High School Boulder High: free on weekends BMOCA Boulder High School Boulder Public Library Boulder Theater Hotel Boulderado Redfish Brewhouse St Julien Hotel 1750 13th St 1604 Arapahoe Ave 1000 Canyon Blvd 2032 14th St 2115 13th St 2027 13th St 900 Walnut St GENEROUS SUPPORT FOR THE FESTIVAL PROVIDED BY THE FOLLOWING GRANTING ORGANIZATIONS 2 | BOULDER INTERNATIONAL FILM FESTIVAL 08 WWW.BIFF1.COM sponsors PLATINUM GOLD SILVER BRONZE Black Moosehead Lager Horizontal Logo B&W.ai Phase_12 / Design / MOO - 037 • Moosehead Lager / Moosehead / Studio / SC / November 5, 2007 CONTRIBUTING PARTNERS eco-fine dining COLORADO FILM COMMISSION MILLER & HARRISON HUTCHINSON & COOK DR. DAVID JACKSON, DDS BUSINESS PARTNERS THE MOVING CONNECTION KFSM ENTERTAINMENT AEROGROW INTERNATIONAL BENEFACTOR LEVEL PATRON LEVEL BIFF BUFF LEVEL J ARED P OLIS K AT H Y & D AN B EE C K S UE AND P AUL R AAB D ORY AND K AT E H AGAN * C A R O LY N S C HUHAM M AR J ORIE G OLDMAN B ERYLE R ANDALL C HU C K H UNKER PATTI BRUCK AND BILL SPENC ER P RIA H ARMON TK SMITH AND CONNIE HOLDEN* M ARY AND L UKE J OHNSTON M ARSHA AND J A C K W ALKER * C INDY L I N D S AY S ON J A AND K EN T UITELE M ARY M ULRY * INDIVIDUALS R I C K W EISMAN R ENE M ORGAN NICKY WOLMAN AND DAVID FULKER K ITTY N I C HOLASON * S ANDY Y OUNGHANS R I C HARD P OLK D IANE R OSENTHAL B ILL V IELEHR * * FOUNDING SPONSORS 3 | BOULDER INTERNATIONAL FILM FESTIVAL 08 WWW.BIFF1.COM FREE STUFF SPECIAL EVENT A tickets FILMMAKERS’ panel FILM PROGRAM TICKETS STUDENTS ALL FILMS AT BOULDER HIGH SCHOOL. REGULAR ADMISSION $10 FREE FOR STUDENTS AGE 13+ WITH VALID ID STUDENTS / SENIORS WITH VALID I.D. $ 8 senior CitiZens PROGRAMS 21 AND 30, FREE FOR SENIORS OVER 65 WITH VALID ID PLEASE NOTE: VIP PRIORITY PASS $295 $ This program is subject to change. Films are not rated and may include OPENING NIGHT GALA & FILM PROGRAM 1 50 profanity, nudity and mature subject matter. Many of the scenes in these $ films are performed by trained professional actors and should not be FILMMAKERS’ RECEPTION SPECIAL EVENT C 12/15door $ attempted at home. CLOSING NIGHT AWARDS & FILM PROGRAM 31 25 how to purchase tix Please note the program numbers of your chosen films and events before you get online or call for tickets – you will need these to complete your order. > online: > phone: > in person: www.biff1.com 303.786.7030 Boulder Theater Box Office www.bouldertheater.com Or at the door 30’ before start time PURCHASE IN ADvaNCE PURCHASE Day OF SHOW PICKING UP YOUR TICKETS Advance tickets for all BIFF programs, Tickets can be purchased from the Boulder Boulder Theater: For programs being held workshops and events must be purchased Theater online and over the phone until 90 at the Boulder Theater, advance purchase through the Boulder Theater Box Office minutes before the program begins. Tickets tickets are available for pickup anytime that online, over the phone or in person. may also be purchased the day of the event the Boulder Theater box office is open. at the program venue 30 minutes before Other Venues: If your program or event is at start time. another venue, advance purchase tickets will be available for pickup at the Boulder Theater anytime up to ONE HOUR before the program begins. For pickup less than an BOX OFFICE BOULDER THEATER hour before your program begins, tickets will BOX 2032 14th Street Boulder, Colorado 80302 be available for pickup at the venue in which the program is being held. festival HOURS OFFICE 3:00pm - 9:00pm Thursday, Feb. 14 9:30am - 10:30pm REGULAR HOURS Friday, Feb. 15 9:30am - 10:30pm Monday - Friday: 3:00pm - 7:00pm Saturday, Feb. 16 9:30am - 10:30pm Saturday: 12:00pm - 5:00pm Sunday, Feb. 17 be a VIP FILM LOVERS UNITE THE BIFF VIP PRIORITY PASS Spend Valentine’s night at the For the ultimate film lover who wants a guaranteed seat to all film programs and all events, and wants to walk right past the line. Provides access to all romantic and historic Hotel screenings, panels, workshops and public parties with guaranteed VIP Boulderado with an priority seating. exclusive Valentine This pass includes: An invitation to the Opening Night Gala, the BIFF Filmmakers’ Reception, package that includes the Closing Night Film and Awards Celebration, as well as priority registra- 2 tickets to the tion and access to all workshops and panels. BIFF Opening Night Gala. A limited number of VIP Passes are available, so reserve yours early. Please Note: Passes are non-transferable. Passholders must arrive for programs Starting at $199. at least 15 minutes prior to the start of the film to guarantee priority seating. ^photo: fashionistaphoto.com 4 | BOULDER INTERNATIONAL FILM FESTIVAL 08 WWW.BIFF1.COM SPECIAL EVENT AB Filmmakers’ Panel Saturday, 2:30-4:00pm, Boulder Public Library panel Free to the public – No ticket required Our annual free-for-all brings together a table’s worth of visiting filmmakers from around the world for a wide-ranging discussion. This year our moderator will be none other than Chris Gore, an author, columnist, television host and filmmaker who has built a solid reputation as the brutally honest founder of the legendary Film Threat online magazine. He is the author of four books on film, including The Ultimate Film Festival Survival Guide, considered a bible for fans and film- makers touring the festival circuit. Gore began his independent filmmaking career with the cult short Red starring tough guy Lawrence Tier- ney from Reservoir Dogs. He also co-wrote and pro- duced the feature comedy that toured the festival circuit, My Big Fat Independent Movie. In addition, Gore appears on television weekly as the film expert on G4 TV’s Attack of the Show. He was named one of the 25 Most Influential People in Independent Film by Film Festival Today magazine. BIFF VIP filmmakerlounge hosted by Redfish Brewhouse Just one block west from the front door of the Boulder Theater Come discuss “everything film” over a delicious Redfish-brewed beer, a glass of wine or an organic vodka drink from Vodka 14. Live music and great food! HAPPY HOUR DRINK PRICES FOR PASSHOLDERS 4PM TO CLOSE sponsored spirits bargain bevvies from generous sponsors... nudge, nudge. deals are good with your BIFF ticket stub or pass. Corner Bar T-Zero at St Julien at the Boulderado $2 off any drink $2 draft of your choice beer of the day (does not include happy hour prices) $4 happy hour wines offered all day/night ^photos: photomalone.com 5 | BOULDER INTERNATIONAL FILM FESTIVAL 08 WWW.BIFF1.COM PROGRAM 1 Colorado Film Society Valentine’s Thursday, February 14, 6:00pm Boulder Theater Opening Night Gala $50 / Free for VIP Passholders Food by The Cheesecake Factory & Film Music by the Hazel Miller Jazz Trio Step out onto the red carpet this Valentine’s Day. Plan a romantic date with your special sweetheart, or meet new friends on this night of glamour.
Recommended publications
  • PAM WISE, A.C.E. EDITOR Local 700 Member of the Academy of Motion Picture Arts & Sciences
    PAM WISE, A.C.E. EDITOR Local 700 Member of the Academy of Motion Picture Arts & Sciences FEATURES THE LAST SONG (Short) Duly Noted Inc./HBO Sponsored Prod: Effie Brown Dir: Sasie Sealy SHOULD’VE BEEN ROMEO Angel Baby Ent. Prod: Gregory Segal, Paul Ben-Victor Dir: Marc Bennett EVERY DAY Ambush Ent. Prod: Miranda Bailey, Amanda Marshall Dir: Richard Levine Cast: Helen Hunt, Liev Schreiber, Brian Dennehy, Eddie Izzard, Carla Gugino *Official Selection: Tribeca Film Festival 2010, Seattle Film Festival 2010 THEN SHE FOUND ME Killer Films Prod: Pamela Koffler, Christine Vachon Dir: Helen Hunt Cast: Helen Hunt, Bette Midler, Colin Firth, Matthew Broderick *Official Selection, Toronto International Film Festival 2007 *Audience Award, Palm Springs International Film Festival 2008 DARK MATTER Myriad Pics. Prod: Mary Salter, Janet Yang Dir: Chen Shi-Zheng Cast: Liu Ye, Meryl Streep, Bill Irwin, Blair Brown *Alfred P. Sloan Feature Film Prize, Sundance Film Festival 2007 TRANSAMERICA IFC Films Prod: Rene Bastian, Linda Moran Dir: Duncan Tucker Cast: Felicity Huffman, Kevin Zegers *Nominated for Best Actress, Academy Awards 2006 SECRETARY Lions Gate Prod: Andrew Fierberg, Amy Hobby Dir: Steven Shainberg Cast: Maggie Gyllenhaal, James Spader *Nominated for Best Feature, Independent Spirit Awards 2003 *Special Jury Prize, Sundance Film Festival 2002 THE QUICKIE Pandora Filmproduktion Prod: Karl Baumgartner Dir: Sergei Bodrov Cast: Vladimir Moshkov, Jennifer Jason Leigh, Dean Stockwell, Lesley Ann Warren, Henry Thomas *Official Selection Moscow International
    [Show full text]
  • Cinema of the Dark Side Atrocity and the Ethics of Film Spectatorship
    Cinema of the Dark Side Atrocity and the Ethics of Film Spectatorship Shohini Chaudhuri CHAUDHURI 9780748642632 PRINT.indd 1 26/09/2014 16:33 © Shohini Chaudhuri, 2014 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 4263 2 (hardback) ISBN 978 1 4744 0042 8 (paperback) ISBN 978 0 7486 9461 7 (webready PDF) ISBN 978 1 4744 0043 5 (epub) The right of Shohini Chaudhuri to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). CHAUDHURI 9780748642632 PRINT.indd 2 26/09/2014 16:33 Contents Acknowledgements iv List of Figures viii Introduction 1 1 Documenting the Dark Side: Fictional and Documentary Treatments of Torture and the ‘War On Terror’ 22 2 History Lessons: What Audiences (Could) Learn about Genocide from Historical Dramas 50 3 The Art of Disappearance: Remembering Political Violence in Argentina and Chile 84 4 Uninvited Visitors: Immigration, Detention and Deportation in Science Fiction 115 5 Architectures of Enmity: the Israeli–Palestinian Conflict through a Cinematic Lens 146 Conclusion 178 Bibliography 184 Index 197 CHAUDHURI 9780748642632 PRINT.indd 3 26/09/2014 16:33 Introduction n the science fiction film Children of Men (2006), set in a future dystopian IBritain, a propaganda film plays on a TV screen on a train.
    [Show full text]
  • Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
    1 COM 321, Documentary Form in Film, Television, & Interactive Media 1/27/17 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anderson, Paul Junun, 2015 Boogie Nights, 1997 Thomas There Will be Blood, 2007 The Master, 2012 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Antonioni, Ragazze in bianco, 1949 L’Avventura, 1960 Michelangelo Chung Kuo – Cina, 1972 La Notte, 1961 Italy L'Eclisse, 1962 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Berlinger, Joe Brother’s Keeper, 1992 Book of Shadows: Blair Witch 2, 2000 US The Paradise Lost Trilogy, 1996-2011 Facing the Wind, 2015 (all with Bruce Sinofsky) Berman, Shari The Young and the Dead, 2000 The Nanny Diaries, 2007 Springer & Pulcini, Hello, He Lied & Other Truths from Cinema Verite, 2011 Robert the Hollywood Trenches, 2002 Girl Most Likely, 2012 US American Splendor, 2003 (hybrid) Wanderlust, 2006 Blitz, Jeffrey Spellbound, 2002 Rocket Science, 2007 US Lucky, 2010 The Office, 2006-2013 (TV) Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man,
    [Show full text]
  • Alan Baumgarten
    ALAN BAUMGARTEN, ACE Editor Features: BEING THE RICARDOS - Amazon - Aaron Sorkin, director THE TRIAL OF THE CHICAGO 7 - Netflix - Aaron Sorkin, director Academy Award Nomination - Achievement in Film Editing ACE Award - Best Edited Feature Film (Dramatic) BAFTA Award Nomination - Best Editing Critics Choice Award - Best Editing Hollywood Critics Association Award - Best Editing Satellite Award - Best Film Editing CHARLIE’S ANGELS - Sony Pictures - Elizabeth Banks, director JOJO RABBIT (additional editing) - Fox Searchlight - Taika Waititi, director VENOM - Sony Pictures/Marvel - Ruben Fleischer, director MOLLY’S GAME - STX Entertainment - Aaron Sorkin, director THE CLOVERFIELD PARADOX - Netflix/Bad Robot - Julius Onah, director JOY - 20th Century Fox/Annapurna - David O. Russell, director ACE Award Nomination - Best Edited Feature Film (Comedy or Musical) TRUMBO - Bleeker Street/Groundswell Productions - Jay Roach, director AMERICAN HUSTLE - Sony/Annapurna/Atlas - David O. Russell, director Academy Award Nomination - Achievement in Film Editing ACE Award - Best Edited Feature Film (Comedy or Musical) GANGSTER SQUAD - Warner Bros. - Ruben Fleischer, director THE MUPPETS (additional editor) - Walt Disney Pictures/Mandeville Films - James Bobin, director 30 MINUTES OR LESS - Columbia Pictures/MRC - Ruben Fleischer, director DINNER FOR SCHMUCKS - Paramount Pictures/DreamWorks - Jay Roach, director ZOMBIELAND - Columbia Pictures - Ruben Fleischer, director FUNNY PEOPLE (additional editor) - Universal Pictures/Columbia - Judd Apatow, director
    [Show full text]
  • The Fundamental Paradoxes of Modern Warfare in Al Maqaleh V
    PAINTING OURSELVES INTO A CORNER: THE FUNDAMENTAL PARADOXES OF MODERN WARFARE IN AL MAQALEH V. GATES Ashley C. Nikkel* See how few of the cases of the suspension of the habeas corpus law, have been worthy of that suspension. They have been either real treason, wherein the parties might as well have been charged at once, or sham plots, where it was shameful they should ever have been suspected. Yet for the few cases wherein the suspension of the habeas corpus has done real good, that operation is now become habitual and the minds of the nation almost prepared to live under its constant suspension.1 INTRODUCTION On a cold December morning in 2002, United States military personnel entered a small wire cell at Bagram Airfield, in the Parwan province of Afghan- istan. There, they found Dilawar, a 20-year-old Afghan taxi driver, hanging naked and dead from the ceiling.2 The air force medical examiner who per- formed Dilawar’s autopsy reported his legs had been beaten so many times the tissue was “falling apart” and “had basically been pulpified.”3 The medical examiner ruled his death a homicide, the result of an interrogation lasting four days as Dilawar stood naked, his arms shackled over his head while U.S. inter- rogators performed the “common peroneal strike,” a debilitating blow to the side of the leg above the knee.4 The U.S. military detained Dilawar because he * J.D. Candidate, 2012, William S. Boyd School of Law, Las Vegas; B.A., 2009, University of Nevada, Reno. The Author would like to thank Professor Christopher L.
    [Show full text]
  • Documentary Movies
    Libraries DOCUMENTARY MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days that Unexpectedly Changed America DVD-2043 56 Up DVD-8322 180 DVD-3999 60's DVD-0410 1-800-India: Importing a White-Collar Economy DVD-3263 7 Up/7 Plus Seven DVD-1056 1930s (Discs 1-3) DVD-5348 Discs 1 70 Acres in Chicago: Cabrini Green DVD-8778 1930s (Discs 4-5) DVD-5348 Discs 4 70 Acres in Chicago: Cabrini Green c.2 DVD-8778 c.2 1964 DVD-7724 9/11 c.2 DVD-0056 c.2 1968 with Tom Brokaw DVD-5235 9500 Liberty DVD-8572 1983 Riegelman's Closing/2008 Update DVD-7715 Abandoned: The Betrayal of America's Immigrants DVD-5835 20 Years Old in the Middle East DVD-6111 Abolitionists DVD-7362 DVD-4941 Aboriginal Architecture: Living Architecture DVD-3261 21 Up DVD-1061 Abraham and Mary Lincoln: A House Divided DVD-0001 21 Up South Africa DVD-3691 Absent from the Academy DVD-8351 24 City DVD-9072 Absolutely Positive DVD-8796 24 Hours 24 Million Meals: Feeding New York DVD-8157 Absolutely Positive c.2 DVD-8796 c.2 28 Up DVD-1066 Accidental Hero: Room 408 DVD-5980 3 Times Divorced DVD-5100 Act of Killing DVD-4434 30 Days Season 3 DVD-3708 Addicted to Plastic DVD-8168 35 Up DVD-1072 Addiction DVD-2884 4 Little Girls DVD-0051 Address DVD-8002 42 Up DVD-1079 Adonis Factor DVD-2607 49 Up DVD-1913 Adventure of English DVD-5957 500 Nations DVD-0778 Advertising and the End of the World DVD-1460
    [Show full text]
  • Projections of International Solidarity and Security in Contemporary Estonia
    DUKE UNIVERSITY Durham, North Carolina The Spirit Of Survival: Projections of International Solidarity and Security in Contemporary Estonia Katharyn S. Loweth April 2019 Under the supervision of Professor Gareth Price, Department of Linguistics Submitted in Partial Fulfillment of the Requirement for Graduation with Distinction Program in International Comparative Studies Trinity College of Arts and Sciences Table of Contents List of Figures ........................................................................................................................................... 1 Acknowledgements .................................................................................................................................. 2 Abstract ...................................................................................................................................................... 3 Introduction ............................................................................................................................................... 4 i. An Overview of the Estonian Nation-State ................................................................................................ 8 ii. Terminology ................................................................................................................................................... 12 iii. Methodology ................................................................................................................................................. 17 iv. Overview of the Chapters
    [Show full text]
  • Guantánamo and Its Aftermath
    Guantánamo and Its Aftermath u.s. detention and interrogation practices and their impact on former detainees November 2008 Human Rights Center International Human Rights Law Clinic In partnership with University of California, Berkeley University of California, Berkeley Center for Constitutional Rights Guantánamo and Its Aftermath u.s. detention and interrogation practices and their impact on former detainees Laurel E. Fletcher Eric Stover with Stephen Paul Smith Alexa Koenig Zulaikha Aziz Alexis Kelly Sarah Staveteig Nobuko Mizoguchi November 2008 Human Rights Center University of California, Berkeley International Human Rights Law Clinic University of California, Berkeley, School of Law In partnership with Center for Constitutional Rights ISBN# 978-0-9760677-3-3 Human Rights Center and International Human Rights Law Clinic, University of California, Berkeley Cover photos: Louie Palu/ZUMA Design: Melanie Doherty Design, San Francisco Human Rights Center, University of California, Berkeley The Human Rights Center promotes human rights and international justice worldwide and trains the next generation of human rights researchers and advocates. We believe that sustainable peace and devel- opment can be achieved only through efforts to prevent human rights abuses and hold those responsible for such crimes accountable. We use empirical research methods to investigate and expose serious viola- tions of human rights and international humanitarian law. In our studies and reports, we recommend specific policy measures that should be taken by governments and international organizations to protect vulnerable populations in times of war and political and social upheaval. For more information, please visit hrc.berkeley.edu. International Human Rights Law Clinic, University of California, Berkeley, School of Law The International Human Rights Law Clinic (IHRLC) designs and implements innovative human rights projects to advance the struggle for justice on behalf of individuals and marginalized communities through advocacy, research, and policy development.
    [Show full text]
  • 2012Woodstockfilmfestivalpre
    FEATURES World Premiere East Coast Premiere East Coast Premiere 2nd Serve 419 Any Day Now Apartment in Athens Directed by Tim Kirkman Directed by Ned Thorne Directed by Travis Fine (Appartamento ad Atene) USA / 2012 / 89 minutes USA / 2012 / 90 minutes USA / 2012 / 98 minutes Directed by Ruggero Dipaola Utopia Studios WOODSTOCK Upstate Films WOODSTOCK Italy / 2011 / 95 minutes Upstate Films WOODSTOCK Sat Oct 13 • 7:30PM Fri Oct 12 • 9:30PM Fri Oct 12 • 7:00PM In Greek and German with subtitles Upstate Films I RHINEBECK Upstate Films II RHINEBECK Upstate Films II RHINEBECK Sun Oct 14 • 6:30PM Sat Oct 13 • 9:30PM Upstate Films I RHINEBECK Sat Oct 13 • 7:00PM Sat Oct 13 • 2:00PM Owen “Game Set” Match (Josh Hopkins) Ned Thorne’s directorial debut is a Set in the 1970s, Travis Fine’s Any Day Upstate Films WOODSTOCK is one of the best tennis pros around. He documentary-style narrative that gives Sun Oct 14 • 7:30PM Now explores the unique struggles of a coasts through life while working at the af- a raw look at what a man will do when Ruggero Dipaulo brings home the pain gay couple as they fight both prejudice fluent Fountain Club, until his bad decisions he feels he has nothing left to lose. of occupation of World War II in his and the law for custody of a a junkie lead to him being fired by his boss and high A struggling American actor (Mike Ivers) feature debut, Apartment in Athens, neighbor’s neglected and abandoned school tennis nemesis Charles (Dash Mihok).
    [Show full text]
  • The Singing Revolution: Chamber Singers in Concert
    Illinois State University ISU ReD: Research and eData School of Music Programs Music Fall 10-25-2018 The Singing Revolution: Chamber Singers in Concert Mark Grizzard Director Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Grizzard, Mark Director, "The Singing Revolution: Chamber Singers in Concert" (2018). School of Music Programs. 3750. https://ir.library.illinoisstate.edu/somp/3750 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University College of Fine Arts School of Music I LL I NOl"i SYMl'IIUNV OKl.ll["if'RA 'fl 11 ..ci, .. ilsymphony org Upcoming Events Saturday I October 27 "Ow.a Pdu,h1~" ~hdu:Uc \'nwht Stud1° Rn:n 11 The Singing Revolution: 1030 Jm Kemp Chamber Singers in Concert Pd, \mun \'mn: SstKIKJ lh·cu·1J 2:00 pm Kemp Mark Grizzard, director Scmor Rcs:ual· R u:hd Mdls:r mr~ 1°tmmo 430 pm Kemp Sunday, Ocrobcr 28 GfJJu-uc Rccirnl Uas: Ra l·mr ('lµm1 "T.JOpm Kemp Monday, October 29 JS(J Gunar Fns,-mhk and Encmls 7.30pm Kemp Tuesday, Occobcr JO C:mJ\'oc;atum Breu 11 ll·<K>Jm Kemp Clrndcs \X ' lfokn E·wuhy Reen 11· Fu:uh) Pnon Ouausa 7.30 pm Kemp Wednesday, October l t smnr Qas~ Fn~cmhk KOO pm Kemp Friday, November 2 hzz En;;emhlc I & II K·OOpm CP.1 Kemp Recital Hall Please see the ISU event calendar for more information on the CFA events.
    [Show full text]
  • The Estonian Singing Revolution: Musematic Insights Kaire Maimets 18.11.2016
    The Estonian Singing Revolution: musematic insights Kaire Maimets 18.11.2016 Abstract: In the heart of ‘Singing Revolution’, Baltic nonviolent political movement in the late 1980s, there was music – songs and singing –, and rock musicians were its most critical conduit. As yet only little is known about the actual musical mechanisms by which songs affected people, expressed national identity, proposed action derived from that identity, and moved historical events. This paper focuses on one Estonian pop-rock anthem: “Koit” (Dawn, 1988), written and performed by singer-songwriter Tõnis Mägi (b. 1948). My primary analytical focus is on the social(- political), ideological and musical meanings of this song as performed, recorded and perceived sound. I will concentrate on one musematic structure in “Koit”: that of a ‘bolero snare drum’. The larger aim of my research is to integrate the discussion of music’s “sonic materiality” (its actual sounds) into discourse about culture and society. Keywords: Singing Revolution, Estonia, Soviet Union, music semiotics, Tõnis Mägi, Dawn. On 11 September 1988, an unprecedented number of Estonian people (estimates range between 20% and one third of the population) congregated in Tallinn Song Festival Grounds to express their national sentiment and collective political will through speeches, slogans, and the singing of songs. Notice of the upcoming event was spread solely by word of mouth. This was just one of many such unofficially organised gatherings taking place between 1987 and 1991 that together became known as the “Singing Revolution”,1 a nonviolent national protest against Soviet occupation.2 The Estonian Singing Revolution started shortly after Mikhail Gorbachev’s introduction of perestroika and glasnost in the Soviet Union,3 and ended with the collapse of the Soviet Union and Estonia’s restoration of independence in 1991.
    [Show full text]
  • AMERICAN BLUFF Textes DP OK 030114
    METROPOLITAN FILMEXPORT présente Un film Columbia Pictures et Annapurna Pictures Une production Atlas Entertainment Un film de David O. Russell AMERICAN BLUFF (American Hustle) Christian Bale Bradley Cooper Jeremy Renner Amy Adams Jennifer Lawrence Scénario : Eric Warren Singer et David O. Russell Image : Linus Sandgren, F.S.F. Décors : Judy Becker Montage : Jay Cassidy, A.C.E., Crispin Struthers, Alan Baumgarten, A.C.E. Costumes : Michael Wilkinson Musique : Danny Elfman Un film produit par Charles Roven, Richard Suckle, Megan Ellison, Jonathan Gordon Durée : 2h17 Sortie : 5 février 2014 Notre portail est à votre disposition. Inscrivez-vous à l’espace pro pour récupérer le matériel promotionnel du film sur : www.metrofilms.com Distribution : Relations presse : METROPOLITAN FILMEXPORT KINEMA FILM 29, rue Galilée - 75116 Paris François Frey Tél. 01 56 59 23 25 15, rue Jouffroy-d’Abbans – 75017 Paris Fax 01 53 57 84 02 Tél. 01 43 18 80 00 info@metropolitan -films.com Fax 01 43 18 80 09 Programmation : Partenariats et promotion : Tél. 01 56 59 23 25 AGENCE MERCREDI Tél. 01 56 59 66 66 1 L’HISTOIRE Entre fiction et réalité, AMERICAN BLUFF nous plonge dans l’univers fascinant de l’un des plus extraordinaires scandales à avoir secoué l’Amérique dans les années 70. Un escroc particulièrement brillant, Irving Rosenfeld, et sa belle complice, Sydney Prosser, se retrouvent obligés par un agent du FBI, Richie DiMaso, de nager dans les eaux troubles de la mafia et du pouvoir pour piéger un homme politique corrompu, Carmine Polito. Le piège est risqué, d’autant que l’imprévisible épouse d’Irving, Rosalyn, pourrait bien tous les conduire à leur perte… 2 NOTES DE PRODUCTION Toute ressemblance avec des faits réels ou des personnages ayant existé serait fortuite et involontaire, sauf que… David O.
    [Show full text]