The Right Hand of the Lord
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BCN 205 Woodland Park No.261 Georgetown, TX 78633 September-October 2011
BCN 205 Woodland Park no.261 Georgetown, TX 78633 september-october 2011 FIRST CLASS MAIL Olde Prints BCN on the web at www.boxingcollectors.com The number on your label is the last issue of your subscription PLEASE VISIT OUR WEBSITE AT WWW.HEAVYWEIGHTCOLLECTIBLES.COM FOR RARE, HARD-TO-FIND BOXING ITEMS SUCH AS, POSTERS, AUTOGRAPHS, VINTAGE PHOTOS, MISCELLANEOUS ITEMS, ETC. WE ARE ALWAYS LOOKING TO PURCHASE UNIQUE ITEMS. PLEASE CONTACT LOU MANFRA AT 718-979-9556 OR EMAIL US AT [email protected] 16 1 JO SPORTS, INC. BOXING SALE Les Wolff, LLC 20 Muhammad Ali Complete Sports Illustrated 35th Anniver- VISIT OUR WEBSITE: sary from 1989 autographed on the cover Muhammad Ali www.josportsinc.com Memorabilia and Cassius Clay underneath. Recent autographs. Beautiful Thousands Of Boxing Items For Sale! autographs. $500 BOXING ITEMS FOR SALE: 21 Muhammad Ali/Ken Norton 9/28/76 MSG Full Unused 1. MUHAMMAD ALI EXHIBITION PROGRAM: 1 Jack Johnson 8”x10” BxW photo autographed while Cham- Ticket to there Fight autographed $750 8/24/1972, Baltimore, VG-EX, RARE-Not Seen Be- pion Rare Boxing pose with PSA and JSA plus LWA letters. 22 Muhammad Ali vs. Lyle Alzado fi ght program for there exhi- fore.$800.00 True one of a kind and only the second one I have ever had in bition fi ght $150 2. ALI-LISTON II PRESS KIT: 5/25/1965, Championship boxing pose. $7,500 23 Muhammad Ali vs. Ken Norton 9/28/76 Yankee Stadium Rematch, EX.$350.00 2 Jack Johnson 3x5 paper autographed in pencil yours truly program $125 3. -
In This Corner
Welcome UPCOMING Dear Friends, On behalf of my colleagues, Jerry Patch and Darko Tresnjak, and all of our staff SEA OF and artists, I welcome you to The Old TRANQUILITY Globe for this set of new plays in the Jan 12 - Feb 10, 2008 Cassius Carter Centre Stage and the Old Globe Theatre Old Globe Theatre. OOO Our Co-Artistic Director, Jerry Patch, THE has been closely connected with the development of both In This Corner , an Old Globe- AMERICAN PLAN commissioned script, and Sea of Tranquility , a recent work by our Playwright-in-Residence Feb 23 - Mar 30, 2008 Howard Korder, and we couldn’t be more proud of what you will be seeing. Both plays set Cassius Carter Centre Stage the stage for an exciting 2008, filled with new work, familiar works produced with new insight, and a grand new musical ( Dancing in the Dark ) based on a classic MGM musical OOO from the golden age of Hollywood. DANCING Our team plans to continue to pursue artistic excellence at the level expected of this IN THE DARK institution and build upon the legacy of Jack O’Brien and Craig Noel. I’ve had the joy and (Based on the classic honor of leading the Globe since 2002, and I believe we have been successful in our MGM musical “The Band Wagon”) attempt to broaden what we do, keep the level of work at the highest of standards, and make Mar 4 - April 13, 2008 certain that our finances are healthy enough to support our artistic ambitions. With our Old Globe Theatre Board, we have implemented a $75 million campaign that will not only revitalize our campus but will also provide critical funding for the long-term stability of the Globe for OOO future generations. -
Boxers of the 1940S in This Program, We Will Explore the Charismatic World of Boxing in the 1940S
Men’s Programs – Discussion Boxers of the 1940s In this program, we will explore the charismatic world of boxing in the 1940s. Read about the top fighters of the era, their rivalries, and key bouts, and discuss the history and cultural significance of the sport. Preparation & How-To’s • Print photos of boxers of the 1940s for participants to view or display them on a TV screen. • Print a large-print copy of this discussion activity for participants to follow along with and take with them for further study. • Read the article aloud and encourage participants to ask questions. • Use Discussion Starters to encourage conversation about this topic. • Read the Boxing Trivia Q & A and solicit answers from participants. Boxers of the 1940s Introduction The 1940s were a unique heyday for the sport of boxing, with some iconic boxing greats, momentous bouts, charismatic rivalries, and the introduction of televised matches. There was also a slowdown in boxing during this time due to the effects of World War II. History Humans have fought each other with their fists since the dawn of time, and boxing as a sport has been around nearly as long. Boxing, where two people participate in hand-to-hand combat for sport, began at least several thousand years ago in the ancient Near East. A relief from Sumeria (present-day Iraq) from the third millennium BC shows two facing figures with fists striking each other’s jaws. This is the earliest known depiction of boxing. Similar reliefs and paintings have also been found from the third and second millennium onward elsewhere in the ancient Middle East and Egypt. -
Sample Download
What they said about Thomas Myler’s previous books New York Fight Nights Thomas Myler has served up another collection of gripping boxing stories. The author packs such a punch with his masterful storytelling that you will feel you were ringside inhaling the sizzling atmosphere at each clash of the titans. A must for boxing fans. Ireland’s Own There are few more authoritative voices in boxing than Thomas Myler and this is another wonderfully evocative addition to his growing body of work. Irish Independent Another great book from the pen of the prolific Thomas Myler. RTE, Ireland’s national broadcaster The Mad and the Bad Another storytelling gem from Thomas Myler, pouring light into the shadows surrounding some of boxing’s most colourful characters. Irish Independent The best boxing book of the year from a top writer. Daily Mail Boxing’s Greatest Upsets: Fights That Shook The World A respected writer, Myler has compiled a worthy volume on the most sensational and talked-about upsets of the glove era, drawing on interviews, archive footage and worldwide contacts. Yorkshire Evening Post Fight fans will glory in this offbeat history of boxing’s biggest shocks, from Gentleman Jim’s knockout of John L. Sullivan in 1892 to the modern era. A must for your bookshelf. Hull Daily Mail Boxing’s Hall of Shame Boxing scribe Thomas Myler shares with the reader a ringside seat for the sport’s most controversial fights. It’s an engaging read, one that feeds our fascination with the darker side of the sport. Bert Sugar, US author and broadcaster Well written and thoroughly researched by one of the best boxing writers in these islands, Myler has a keen eye for the story behind the story. -
Fight Year Duration (Mins)
Fight Year Duration (mins) 1921 Jack Dempsey vs Georges Carpentier (23:10) 1921 23 1932 Max Schmeling vs Mickey Walker (23:17) 1932 23 1933 Primo Carnera vs Jack Sharkey-II (23:15) 1933 23 1933 Max Schmeling vs Max Baer (23:18) 1933 23 1934 Max Baer vs Primo Carnera (24:19) 1934 25 1936 Tony Canzoneri vs Jimmy McLarnin (19:11) 1936 20 1938 James J. Braddock vs Tommy Farr (20:00) 1938 20 1940 Joe Louis vs Arturo Godoy-I (23:09) 1940 23 1940 Max Baer vs Pat Comiskey (10:06) – 15 min 1940 10 1940 Max Baer vs Tony Galento (20:48) 1940 21 1941 Joe Louis vs Billy Conn-I (23:46) 1941 24 1946 Joe Louis vs Billy Conn-II (21:48) 1946 22 1950 Joe Louis vs Ezzard Charles (1:04:45) - 1HR 1950 65 version also available 1950 Sandy Saddler vs Charley Riley (47:21) 1950 47 1951 Rocky Marciano vs Rex Layne (17:10) 1951 17 1951 Joe Louis vs Rocky Marciano (23:55) 1951 24 1951 Kid Gavilan vs Billy Graham-III (47:34) 1951 48 1951 Sugar Ray Robinson vs Jake LaMotta-VI (47:30) 1951 47 1951 Harry “Kid” Matthews vs Danny Nardico (40:00) 1951 40 1951 Harry Matthews vs Bob Murphy (23:11) 1951 23 1951 Joe Louis vs Cesar Brion (43:32) 1951 44 1951 Joey Maxim vs Bob Murphy (47:07) 1951 47 1951 Ezzard Charles vs Joe Walcott-II & III (21:45) 1951 21 1951 Archie Moore vs Jimmy Bivins-V (22:48) 1951 23 1951 Sugar Ray Robinson vs Randy Turpin-II (19:48) 1951 20 1952 Billy Graham vs Joey Giardello-II (22:53) 1952 23 1952 Jake LaMotta vs Eugene Hairston-II (41:15) 1952 41 1952 Rocky Graziano vs Chuck Davey (45:30) 1952 46 1952 Rocky Marciano vs Joe Walcott-I (47:13) 1952 -
Extract Catalogue for Auction
Auction 241 Page:1 Lot Type Grading Description Est $A BOXING 19 Trophy shield with brass boxer and plaque 'Bomber Command, Boxing Championships 1938, Fly, Runner Up, EH Richards'; plus boxing posters (12) including 'Fenech v Calvin Grove' (1993) signed by Jeff Fenech. 100 Ex Lot 20 - Extract 20 Photographs including Bob Fitzsimmons, Les Darcy (5 - including one of Darcy as a blacksmith's apprentice and another of Darcy's funeral cortege), Dave & Clem Sands, Joe Louis, Vic Patrick (4), and a bloodied Jimmy Carruthers. (14) 350 21 Share Certificate 'The National Sporting Club Limited', share certificate No.12 for one share owned by B Glass, dated 11th Feb.1905. Signed by Sec R Isaacs & Director S Myers, with handstamps 'The National Sporting Club Limited, Melbourne'. Folded up into small green leather holder with a diamond faced window. [The club opened in Sydney in October 1902 with the heavyweight boxing championship of Australasia, McColl v Doherty, but collapsed in 1906]. 100 Ex Lot 22 22 Photographs signed by Jersey Joe Walcott, Don King, Larry Holmes, Ingemar Johansson, Floyd Patterson, Joe Frazier, Archie Moore, Sugar Ray Leonard & Johnny Famechon. (9) 200 Page:2 www.abacusauctions.com.au Apr 18, 2020 BOXING (continued) Lot Type Grading Description Est $A Ex Lot 23 - Extract 23 JOHNNY FAMECHON: Original fight poster for Featherweight Championship of the World, Jose Legra v Johnny Famechon, at Royal Albert Hall in London on 21.1.1969 (also includes Joe Bugner v Rudolph Vaughan), laminated, framed & glazed, overall 49x68cm; together with flyer for fight signed by Johnny Famechon (with originally scheduled date 3.12.1968) & ticket to this fight. -
Modern Art and Politics in Prewar Germany
Stephanie Barron, “Modern Art and Politics in Prewar Germany,” in Barron (ed.), Degenerate Art: The Fate of the Avant-Garde in Nazi Germany (Los Angeles: Los Angeles County Museum of Art, 1991): 9-23. In 1937 the National Socialists staged the most virulent attack ever mounted against modern art with the opening on July 19 in Munich of the Entartete Kunst (Degenerate art) exhibition, in which were brought together more than 650 important paintings, sculptures, prints, and books that had until a few weeks earlier been in the possession of thirty-two German public museum collections. The works were assembled for the purpose of clarifying for the German public by defamation and derision exactly what type of modern art was unacceptable to the Reich, and thus “un-German.” During the four months Entartete Kunst was on view in Munich it attracted more than two million visitors, over the next three years it traveled throughout Germany and Austria and was seen by nearly one million more On most days twenty thousand visitors passed through the exhibition, which was free of charge; records state that on one SundayAugust 2, 1937-thirty- six thousand people saw it.1 The popularity of Entartete Kunst has never been matched by any other exhibition of modern art. According to newspaper accounts, five times as many people visited Entartete Kunst as saw the Grosse Deutsche Kunstaussiellung (Great German art exhibition), an equally large presentation of Nazi-approved art that had opened on the preceding day to inaugurate Munich's Haus der Deutschen Kunst (House of German art), the first official building erected by the National Socialists. -
Popular Culture from Weimar to Hitler
How American Was It? Popular Culture from Weimar to Hitler Thomas J. Saunders The categories with which scholars have understood and analyzed Americanization have largely been inherited from the interwar period. Two broad lines of inquiry emerged. The ‹rst sought to identify and quantify the increase in European exposure to the American way of life as evidenced by the combination of travel to the United States and, more essentially, the marketing and appropriation of elements of American popular culture in Europe. The second endeavored to con- ceptualize the parallels and contrasts between European and American culture and to assess the impact of the latter on the former. Both approaches have been differentiated and reformulated over recent decades through analytical categories of modernization, Westerniza- tion, and globalization. Some commentators have discarded the notion of “Americanization” as too general, unilateral, and mechanical for analyzing the nature of cultural interchange.1 Yet if, as interwar observers already recognized, the line between Americanization and modernization can blur, one can still question how American German popular culture was between the wars. The burgeoning literature on the Americanization of Germany since World War II cannot escape the intense debates of the 1920s.2 Those debates have long been taken as an indication that in the period before 1945 Germany was the European country most exposed to American in›uence. Among recent formulations of this phenomenon, Janet Lungstrum calls the Germany of the 1920s Europe’s most American- ized counterpart; Sabine Hake locates in this era “the rise of Ameri- canism as the main paradigm of mass culture.”3 A host of familiar images fuels these perceptions—jazz in Berlin nightlife, the prevalence of American movies, preoccupation with American achievements, vis- its by Josephine Baker and Charlie Chaplin, the popularity of the 52 How American Was It? 53 Bubikopf, and the emergence of the so-called new woman. -
Max Schmeling: Righteous Ring Warrior? Weisbord, Robert, Hedderich, Norbert
Max Schmeling: Righteous ring warrior? Weisbord, Robert, Hedderich, Norbert. History Today. London: Jan 1993.Vol.43 pg. 36 » Jump to full text Subjects: Personal profiles, History, Boxing, Athletes People: Schmeling, Max Author(s): Weisbord, Robert, Hedderich, Norbert Document Feature types: Publication History Today. London: Jan 1993. Vol. 43 pg. 36 title: Source type: Periodical ISSN/ISBN: 00182753 ProQuest 8736370 document ID: Text Word 3806 Count Document http://proquest.umi.com/pqdweb?did=8736370&sid=3&Fmt=3&clientId URL: =18133&RQT=309&VName=PQD More Like This »Show Options for finding similar documents Abstract (Document Summary) In the minds of Americans, Max Schmeling is still best remembered as the Nazi boxer who upset Joe Louis in 1936 and two years later got his come-uppance. A different interpretation of Schmeling's life and motives is presented. Full Text (3806 words) Copyright History Today Ltd. Jan 1993 More than half a century has passed since the legendary Joe Louis dispatched the German boxer, Max Schmeling, in just 124 seconds before 70,000 delirious fans in Yankee Stadium. In the minds of Americans, Schmeling is still best remembered as the Nazi who had upset Louis in 1936 and two years later got his come-uppance. As recently as October, 1991, the author of an article on boxing which appeared in the popular history magazine, American Heritage, described Schmeling as 'vehemently pro-Hitler'. That simplistic and distorted description was first spawned by the highly charged chauvinistic atmosphere of the depression-ridden decade of the 1930s. Fascism had held sway in Mussolini's Italy since 1922 and in Hitler's Germany since 1933. -
By Nigel Collins a GOD AMONG MORTALS
t was a difficult decision to make, play softball with my buddies from work or watch MEMORIES OF MARVIN HAGLER Marvelous Marvin Hagler challenge middleweight champion Alan Minter on television. The thorny issue was settled when a teammate somehow jury-rigged a small TV to the battery of his car, which was parked on the stretch of grass where we played. IFor some inexplicable reason that autumn afternoon in 1980 was the first thing that flashed through my mind after learning that Marvin had died, unexpectedly, March 13 at the age of 66. Maybe it was because he made his bones fighting a series of badass Philly middleweights at the Spectrum, located almost within homerun distance from where we clustered around a middle-aged Chevy with a black and white TV on its roof—an echo of the time when folks huddled around a radio to listen to Joe Louis fight. Our game wasn’t delayed for long. Hagler, a savvy, ambidextrous southpaw with a jackhammer punch, stopped Minter in the third round. The quick demise of the Brit sparked a disgraceful racist-fueled riot fermented by drunken thugs among the sellout crowd of 12,000 at London’s Wembley Arena. A fusillade of beer bottles came crashing A GOD into the ring like mortar shells and there were no foxholes in which to hide. AMONG MORTALS By Nigel Collins A GOD AMONG MORTALS What should have been the greatest moment of Hagler’s career turned into a scramble for safety when hooligans and degenerates pelted the ring with gar- bage following Hagler’s stoppage of Alan Minter to win the middleweight title in London in 1980. -
The Brown Bomber Battles Hitler's Favorite Fighter
GreatMomentsinSports_v14_toprint 04/02/12 The Brown Bomber Battles Hitler’s Favorite Fighter Heavyweight champion Muhammad Ali was famous for loudly proclaiming, “I am the greatest.” Yet even Ali would probably agree that there was one fighter who was at least his equal, if not even greater. That man was known as the Brown Bomber—world heavyweight champion Joe Louis. 1 GreatMomentsinSports_v14_toprint 04/02/12 2 RUTH ROUFF Joe Louis was not exactly a natural at boxing. As a teenager in Detroit in 1932, he was knocked down seven times in his first amateur fight. But his family was very poor, and he dreamed of making enough money to lift them all out of poverty. So he kept training and soon started winning. Noticing his raw power, two fight managers took him to see a veteran trainer, Jack Blackburn. Although Blackburn was himself black, he preferred to work with white fighters. There were two reasons for this. One was that in the 1930s it was much easier for whites to get a shot at title fights. This was partly a white reaction to black heavyweight champion Jack Johnson, the title-holder from 1908–1915. At a time when blacks were supposed to “know their place,” Johnson went out of his way to anger whites. He humiliated his opponents. He loved to show off his money by spending it on flashy clothes, fast cars, and the late-night bar scene. Worst of all, he paraded around with white women on his arm. Some might say that Johnson was simply being himself. That was certainly true. -
Ring Magazine
The Boxing Collector’s Index Book By Mike DeLisa ●Boxing Magazine Checklist & Cover Guide ●Boxing Films ●Boxing Cards ●Record Books BOXING COLLECTOR'S INDEX BOOK INSERT INTRODUCTION Comments, Critiques, or Questions -- write to [email protected] 2 BOXING COLLECTOR'S INDEX BOOK INDEX MAGAZINES AND NEWSLETTERS Ring Magazine Boxing Illustrated-Wrestling News, Boxing Illustrated Ringside News; Boxing Illustrated; International Boxing Digest; Boxing Digest Boxing News (USA) The Arena The Ring Magazine Hank Kaplan’s Boxing Digest Fight game Flash Bang Marie Waxman’s Fight Facts Boxing Kayo Magazine World Boxing World Champion RECORD BOOKS Comments, Critiques, or Questions -- write to [email protected] 3 BOXING COLLECTOR'S INDEX BOOK RING MAGAZINE [ ] Nov Sammy Mandell [ ] Dec Frankie Jerome 1924 [ ] Jan Jack Bernstein [ ] Feb Joe Scoppotune [ ] Mar Carl Duane [ ] Apr Bobby Wolgast [ ] May Abe Goldstein [ ] Jun Jack Delaney [ ] Jul Sid Terris [ ] Aug Fistic Stars of J. Bronson & L.Brown [ ] Sep Tony Vaccarelli [ ] Oct Young Stribling & Parents [ ] Nov Ad Stone [ ] Dec Sid Barbarian 1925 [ ] Jan T. Gibbons and Sammy Mandell [ ] Feb Corp. Izzy Schwartz [ ] Mar Babe Herman [ ] Apr Harry Felix [ ] May Charley Phil Rosenberg [ ] Jun Tom Gibbons, Gene Tunney [ ] Jul Weinert, Wells, Walker, Greb [ ] Aug Jimmy Goodrich [ ] Sep Solly Seeman [ ] Oct Ruby Goldstein [ ] Nov Mayor Jimmy Walker 1922 [ ] Dec Tommy Milligan & Frank Moody [ ] Feb Vol. 1 #1 Tex Rickard & Lord Lonsdale [ ] Mar McAuliffe, Dempsey & Non Pareil 1926 Dempsey [ ] Jan