MAKING SENSE with the SENSE of HUMOR an Examination of the Joke As a Hermeneutic Unit and Its Potential Place in Education
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
+\Shu Dqg Plvxqghuvwdqglqj Lq Lqwhudfwlrqdo
1 +\SHUDQGPLVXQGHUVWDQGLQJLQLQWHUDFWLRQDOKXPRU Geert Brône University of Leuven Department of Linguistics Research Unit &UHDWLYLW\+XPRUDQG,PDJHU\LQ/DQJXDJH (CHIL) E-mail address: [email protected] $ ¢¡¤£¦¥¢§©¨ £ This paper explores two related types of interactional humor. The two phenomena under scrutiny, K\SHUXQGHUVWDQGLQJ and PLVXQGHUVWDQGLQJ, categorize as responsive conversational turns as they connect to a previously made utterance. Whereas hyper-understanding revolves around a speaker’s ability to exploit potential weak spots in a previous speaker’s utterance by playfully echoing that utterance while simultaneously reversing the initially intended interpretation, misunderstanding involves a genuine misinterpretation of a previous utterance by a character in the fictional world. Both cases, however, hinge on the differentiation of viewpoints, yielding a layered discourse representation. A corpus study based on the British television series %ODFNDGGHU reveals which pivot elements can serve as a trigger for hyper- and misunderstanding. Common to all instances, it is argued, is a mechanism ofILJXUHJURXQG UHYHUVDO. Key words: interactional humor, hyper-understanding, misunderstanding, layering, mental spaces, figure-ground reversal 2 ,QWURGXFWLRQ Recent studies in pragmatics (see e.g. Attardo 2003) have shown a renewed interest in humor as a valuable topic of interdisciplinary research. More specifically, these studies have extended the traditional focus of humor research on jokes to include longer narrative texts (Attardo 2001a, Triezenberg 2004) and conversational data (Boxer and Cortés-Conde 1997, Hay 2001, Kotthoff 2003, Norrick 2003, Antonopoulou and Sifianou 2003, Archakis and Tsakona 2005). New data from conversation analysis, text linguistics and discourse psychology present significant challenges to linguistic humor theories like the General Theory of Verbal Humor (Attardo 1994, 2001a), and call for (sometimes major) revisions. -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Defamatory Humor and Incongruity's Promise
JUST A JOKE: DEFAMATORY HUMOR AND INCONGRUITY’S PROMISE LAURA E. LITTLE* Can’t take a joke, eh? A little levity is good for body, mind, and soul, y’know. Suing over THAT little schoolyard jab? I say you’re either “thin- skinned or a self-important prig . .”1 I. INTRODUCTION At what point does a joke become a legal wrong, justifying resort to defamation law? And at what point must a lawyer tell his or her client to steer clear of humor—or at least keep jokes focused exclusively on public figures, officials, and matters of clear public interest? The challenge of drawing the line between protecting and restricting humor has dogged United States courts for years. And what a difficult line it is to chart! First, the line must navigate a stark value clash: the right of individuals and groups to be free from attack on their property, dignity, and honor versus the right of individuals to free expression. To make matters more complicated—in fact, much more complicated—the line must not only account for, but also respect, the artistry of comedy and its beneficial contributions to society. In regulating defamation, American courts deploy a familiar concept for navigating the line between respecting humor and protecting individual * Copyright 2012 held by Laura E. Little, Professor of Law, Temple University’s Beasley School of Law; B.A. 1979, University of Pennsylvania; J.D. 1985 Temple University School of Law. I am grateful for the excellent research assistance of Theresa Hearn, Alice Ko, and Jacob Nemon, as well as the helpful comments of my colleague Professor Jaya Ramji-Nogales. -
The Novel and the Short Story in Ireland
The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Anthony Halpen April 2016 Anthony Halpen Institute of Irish Studies The University of Liverpool 27.03.2016 i ABSTRACT The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Anthony Halpen, The Institute of Irish Studies, The University of Liverpool. This thesis considers the novel and the short story in the decades following the achievement of Irish independence from Britain in 1922. During these years, many Irish practitioners of the short story achieved both national and international acclaim, such that 'the Irish Short Story' was recognised as virtually a discrete genre. Writers and critics debated why Irish fiction-writers could have such success in the short story, but not similar success with their novels. Henry James had noticed a similar situation in the United States of America in the early nineteenth century. James decided the problem was that America's society was still forming - that the society was too 'thin' to support successful novel-writing. Irish writers and critics applied his arguments to the newly-independent Ireland, concluding that Irish society was indeed the explanation. Irish society was depicted as so unstructured and fragmented that it was inimical to the novel but nurtured the short story. Ireland was described variously: "broken and insecure" (Colm Tóibín), "often bigoted, cowardly, philistine and spiritually crippled" (John McGahern) and marked by "inward-looking stagnation" (Dermot Bolger). -
How to Develop a Perfect Memory Will Show You in Simple Language and Easy Stages
HOW TO DEVELOP A DOMINIC O’BRIEN Lybrary.com To my dear mother Pamela who is forever saying, ‘How does he do it!’ The author would like to thank Jon Stock for his invaluable assistance in preparing this book. This is an electronic republication by Lybrary.com of the first edition, 1993 by Pavilion Books Limited. Lybrary.com, PO Box 425281, Cambridge, MA 02142, USA www.lybrary.com ISBN 1-59561-006-5 Copyright © Dominic O’Brien 1993 Electronic Version Copyright © Dominic O’Brien 2005 All rights reserved. The Father of the Bride speech by Richard Curtis and Rowan Atkinson is reproduced by kind permission of The Peters, Fraser & Dunlop Group Ltd and PJB Management. Dominic O'Brien is the eight times winner of the The World Memory Championships and has a number of entries in the Guinness Book of Records including the memorisation of 54 packs of shuffled cards after just a single-sighting of each card. How does he do it? What is his system and how can it help YOU remember names, faces, telephone numbers, pass exams, learn languages, win at Trivial Pursuit and clean up at the Blackjack table? How to Develop a Perfect Memory will show you in simple language and easy stages. 1 INTRODUCTION I know what it is like to forget someone's name. In my time, I have forgotten appointments, telephone numbers, speeches, punch lines of jokes, directions, even whole chapters of my life. Up until recently, I was the most absent- minded, forgetful person you could imagine. I once saw a cartoon of two people dancing rather awkwardly at the Amnesiacs' Annual Ball. -
The Duncairn, Belfast 18Th January 2020 There's a Strongly Held View
ALTAN LIVE IN BELFAST 20 JANUARY 2020 The Duncairn, Belfast 18th January 2020 There’s a strongly held view that Altan are the nest traditional Irish band in the world, bar none. I imagine the people holding that opinion has grown in number, joined by a large contingent in the packed audience at The Duncairn, who witness a quite superb show by the Donegal quartet. For over thirty years, the band has curated, publicised and brought the Donegal airs and tunes to a world wide audience. Tonight they delighted, and entertained the crowd with a onslaught of virtuoso musicianship and sheer sense of joy that was impossible not to be aected by. Fronted as ever by the enchanting and aable Mairead Ni Mhaonaigh, and despite the disclaimer that much of the material was of a sad nature, the band lead the crowd on a merry dance, some slow, some quick, all exalting the emotions in diering directions. Impossible to sit still during the reels and jigs, dicult not to moved by the slow, graceful airs. Physiotherapy for the soul! Featuring selected tracks from their most recent album ‘ The Gap of Dreams’ , Itself a thing of beauty, the gig showed a band at the top of their game, seemingly having as much fun, if not more as the audience. A mention, as always from Mairead, to her much missed partner Frankie Kennedy, and his suggestion that a tune based on wet seaweed, Dulaman is actually a Beatles song, “ Kelp” ! The camaraderie on stage is evident throughout and the good humour shared with the audience, as are stories behind the songs. -
Translating Puns
TRANSLATING PUNS A STUDY OF A FEW EXAMPLES FROM BRITISH SERIES, BOOKS AND NEWSPAPERS MEMOIRE DE MASTER 1 ETUDES ANGLOPHONES AGNES POTIER-MURPHY Sous la direction de Mme Nathalie VINCENT-ARNAUD Année universitaire 2015-2016 Acknowledgements Firstly, I would like to express my sincere gratitude to my research director, Nathalie Vincent-Arnaud, for her continuous support, for her patience, motivation, and invaluable insights. I would also like to thank my assessor, Henri Le Prieult, for accepting to review my work and for all the inspiration I drew from his classes. Finally, I need to thank my family for supporting me throughout the writing of the present work. 1 Table of Contents 1. Introduction .................................................................................................................................... 3 2. Theoretical Background .................................................................................................................. 5 2.1. What is Humour? .................................................................................................................... 5 2.2. Linguistic Humour: Culture and Metaphor ............................................................................. 7 2.3. Puns: a very specific humorous device ................................................................................... 9 2.4. Humour theories applied to translation ............................................................................... 10 3. Case study .................................................................................................................................... -
Where Are We Going?
VOL 11 | No 1 | MAY 2011 www.corrymeela.org embracing difference • healing divisions • enabling reconciliation Where are we going? 4 8 9 Corrymeela will donate to Northern Volume 11 Ireland’s Carbon Footprint Tree No 2 Planting Scheme, to offset the November 2011 environmental impact of this magazine. corrymeela.org REFLECTION The hard yellow hats have hustled down the hill. The troubling rubble has trundled off. Heavy machinery halted. The din of drilling has been silenced. Building The dividing fence has Jericho-fallen. The pencil drawings have become brick steel plastic wood. Grass seed sown. The first group on a warmly welcomed and waved a cheery not cheesy goodbye. The first moment of silence has gathered us in thanks. The new cups counted. cliff The en-suites flushed. The flip-chart Paul Hutchinson flipped. The kitchen has been used and cleaned, scrubbed and dubbed fit to serve a welcome meal again again again, and one particular sunset warmed a cynical heart thankful. Now what? Now we continue to be…. a healing, loving interface: across the generations; across class, across the classroom; between the tribes - in tantrum, talks, touch and torch-song; between the faiths – in silence, strain, thanks and solace; between the dead and living -lamenting in black and sharing in gold; between the high-hedge and the painted kerb; between the suits and the track-suits; between the violent and the violent, (which is all of us); between the words in conversations concerning sex and God and war and shopping, doubt and daring, rage and bird-song, and in quietness gazing at Rathlin Island, The new Davey Village has been welcoming watching powerful underflows visitors from June 2011 and will officially pull an orange buoy open in Spring 2012. -
The Poetics of Sketch Comedy
UNLV Retrospective Theses & Dissertations 1-1-1994 The poetics of sketch comedy Michael Douglas Upchurch University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Upchurch, Michael Douglas, "The poetics of sketch comedy" (1994). UNLV Retrospective Theses & Dissertations. 368. http://dx.doi.org/10.25669/8oh8-bt66 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS TTiis manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Famous Famine Letter Once Owned by Rita Hayworth's Family Returns To
1 The Irish Center of Southern California Inc., Vista on Glenoaks (right next to St. Leon’s Cathedral). is a 501 c (3) Not for Profit Corporation Tax Hill Street Café telephone number is 818-845-0046. ID No. is 95-4442397 Order what you want – a cup of coffee to full breakfast or lunch – and pay separately. SEPTEMBER We are a fundraising group with no “paid” staff. MEETING CANCELED Our primary aim is to acquire a multi- purpose facility including a theater, library, social hall, FRIENDS OF IRELAND Breakfast meeting (1st meeting rooms, etc. Please send news re Tuesday of the month) Tuesday, at 9:00 a.m. at graduations, births, weddings, deaths, relocating, Katella Restaurant, 4470 Katella Avenue, Los Alamitos, CA 90720. RSVP (Pete Walsh, 714-200- etc., to [email protected] Our new mailing 7365) [email protected] CA. SEPTEMBER address is Post Office Box 901, La Canada, CA MEETING CANCELED 91011. You will find the newsletter and updated ST. CORNELIUS CHURCH HALL, IRISH information on our website at SOCIAL, from 2 p.m. to 6 p.m. at 5500 E. www.irishcenter.org It is not always possible to Wardlow, Long Beach, CA 90808. Good food, good distribute information regarding death notices and music, good conversation, singing and dancing. Music by Dennis Murray. Thanks to the organizer, Sister events timely. However, if you have access to a Alicia from Castleblaney, who says “Please come and computer chances are you can find the website. bring a friend and a dish.” CHECK W/ SR ALICIA Check it a few times a week for updates and for the newsletter. -
SCI Newsletter May / June 2009
W W W . S O C I E T Y O F C O M P O S E R S . O R G … dedicated to the promotion, composition, performance, understanding and dissemination of new and contemporary music … N E W S L E T T E R C O N T E N T S XXXIX: 3, May–June 2009 Resources About Features SCItings New Site Join SCI Learn about the Three reviews of the Richard Zarou launched Newsletter, upcoming 2009 SCI National No Extra Notes, a SCI Events and our Conference in Sante Fe, podcast and website to many online resources New Mexico promote new music. SCI is an organization for composers. Our Message from the Performances, Awards, membership categories Editors, members of the Commissions, Honors, include full member, National Council/ Publications and other student member, retired Executive Committee Member Activities member or life member. Page 2 Page 3 Page 4 Page 7 Page 9 Page 10 F E A T U R E : 2 0 0 9 N A T I O N A L C O N F E R E N C E 2009 SCI National Conference Santa Fe, New Mexico, April 2–4 Review by Kari Besharse The SCI National Conference this ences normally get. However, I think year was held in conjunction with the that this was an excellent idea and Santa Fe International Festival of Elec- holding concerts in a variety of venues troacoustic Music. Although this in it- should be considered at all SCI confer- self was not readily apparent, there was ences. -
Production Notes
PRODUCTION NOTES Director | Nick Gillespie Producer | Finn Bruce Cast | Tom Meeten, Kris Marshall, Johnny Vegas, Katherine Parkinson, Kevin Bishop, Steve Oram, Alice Lowe, Jarred Christmas, Mandeep Dhillon, Pippy Haywood, Craig Parkinson, Steve BroDy, Neil EDmonD, Lloyd Griffith Executive Producers| Finn Bruce, Pandora Edmiston, Matthew ShreDer, James Appleton Writers | Brook Driver, Matt White & Nick Gillespie Editor | Tom Longmore Cinematographer | Billy J Jackson Run Time | 1h 35m 05s Rating | TBC Company | Belstone Pictures Publicity Contact The DDA Group [email protected] LOGLINE: When Paul’s chances of winning a national talent competition are ruined and his dreams of fame slashed, he plans a deathly revenge mission. One lunch break, five spectacular murders! Will the sparkly suited Paul pull it off, stay one step ahead of the cops and find the fame he’s always longed for? SYNOPSIS: Paul, a weedy charity-shop worker has his heart set on winning a national talent competition. With a sparkly suit, killer routine, and his dear old mother in tow… this is his big chance. But when the actions of five intransigent, selfish people get in his way and cause him to miss the audition, Paul plans a deathly revenge mission. One lunch break, five spectacular murders! Each wrongdoer seemingly dispatched in a fitting manner by a sparkly-suited Paul on a revenge rampage around his small hometown. But will he pull it off, stay one step ahead of the cops and find the fame he’s always longed for? DIRECTOR’S STATEMENT | NICK GILLESPIE “This story for me has always been an uplifting one but at the heart of which it’s essentially about grief and loss and how people deal with that.