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Brisbane Comedy Festival Returns in 2020
MEDIA RELEASE Tuesday 26 November 2019 BRISBANE COMEDY FESTIVAL RETURNS IN 2020 Brisbane Comedy Festival enters its second big decade in 2020, playing in more venues, welcoming more international stars, promoting more local talent and bringing more laughs than ever before. A highlight of the international comedy calendar, Brisbane Comedy Festival 2020 returns for its 11th year with a bumper line-up of 85 acts playing in 14 performance spaces across five Brisbane venues from 21 February to 22 March, 2020. Brisbane Powerhouse is comedy central, hosting performances and gigs across its iconic New Farm space – from its rooftop to its storeroom – with Brisbane City Hall and Newstead Brewing Co again throwing open their doors to entertainers. Joining the fold for the first time are two new Fortitude Valley venues: the old-world charm of The Tivoli and the shiny newness of Fortitude Music Hall. The month-long festival of fun and frivolity begins with the popular Brisbane Comedy Festival Opening Gala, hosted by a soon-to-be-revealed act who will attempt to corral the comedic chaos of more than 9 comedians at Brisbane City Hall on Friday 21 February. The festival again shines the spotlight on top Queensland talent including Mel Buttle, Steph Tisdell, Becky Lucas and Matt Okine; local collectives Act/React, Brisburned and Politics in the Pub; and the dazzling return of a ‘90s icon – Agro with Jamie Dunn. Grin, giggle and guffaw with a slate of national comedy heavyweights such as Dave Hughes, Peter Helliar, Fiona O’Loughlin, Nazeem Hussein, Frank Woodley, Sammy J and the duo we never knew we needed: Paul McDermott and Steven Gates. -
Pork Filled Productions, While Still Retaining Their Sketch Comedy Work Under the Pork Filled Players Name
PoprPoodrkrkuc Fitionlleds Asian American Theatre Pork Filled History The Pork Filled Players burst onto the Seattle scene in 1998, blending com- munity activism with theatrical passion. Founded by Wally Glenn, David Kobayashi, Roger Tang, and Ellen Williams (who later found TV sitcom stardom on such shows as How I Met Your Mother), the Players focused their efforts toward a (then) rarely seen medium in Asian American theater: Asian American comedy. The Players established a unique voice in the Seattle Asian American community, becoming artists in resi- dence at the Northwest Asian American Theatre, and writing and producing late night sketch comedy shows. They also spread into the wider sketch comedy commu- nity, as peers of such fabled groups as Mike Daisey’s Up In You Grill, Bald Faced Lie, and The Habit. They were charter performers at the first Seattle SketchFest, the nation’s longest-running sketch comedy festival, and hold the current record for the most return appearanc- es in the festival. During this time, they also toured throughout the Pacific Northwest, appearing in festivals such as Bumbershoot, the Seattle Fringe Festival, and Vancouver BC’s SketchOff@%#?, the first International Asian Canadian/American sketch comedy competition. Seeking new horizons to conquer, in 2007, the Players staged their first full-length play and went on to produce several more, including the Northwest premiere of Yellow Face, a timely farce of mistaken racial identity by Tony Award winner David Henry Hwang. Meanwhile, they still maintained their presence as Seattle’s longest-running sketch comedy group with regular full-length sketch comedy shows and hosting Spam*O*Rama, a comedy & music cabaret. -
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1 +\SHUDQGPLVXQGHUVWDQGLQJLQLQWHUDFWLRQDOKXPRU Geert Brône University of Leuven Department of Linguistics Research Unit &UHDWLYLW\+XPRUDQG,PDJHU\LQ/DQJXDJH (CHIL) E-mail address: [email protected] $ ¢¡¤£¦¥¢§©¨ £ This paper explores two related types of interactional humor. The two phenomena under scrutiny, K\SHUXQGHUVWDQGLQJ and PLVXQGHUVWDQGLQJ, categorize as responsive conversational turns as they connect to a previously made utterance. Whereas hyper-understanding revolves around a speaker’s ability to exploit potential weak spots in a previous speaker’s utterance by playfully echoing that utterance while simultaneously reversing the initially intended interpretation, misunderstanding involves a genuine misinterpretation of a previous utterance by a character in the fictional world. Both cases, however, hinge on the differentiation of viewpoints, yielding a layered discourse representation. A corpus study based on the British television series %ODFNDGGHU reveals which pivot elements can serve as a trigger for hyper- and misunderstanding. Common to all instances, it is argued, is a mechanism ofILJXUHJURXQG UHYHUVDO. Key words: interactional humor, hyper-understanding, misunderstanding, layering, mental spaces, figure-ground reversal 2 ,QWURGXFWLRQ Recent studies in pragmatics (see e.g. Attardo 2003) have shown a renewed interest in humor as a valuable topic of interdisciplinary research. More specifically, these studies have extended the traditional focus of humor research on jokes to include longer narrative texts (Attardo 2001a, Triezenberg 2004) and conversational data (Boxer and Cortés-Conde 1997, Hay 2001, Kotthoff 2003, Norrick 2003, Antonopoulou and Sifianou 2003, Archakis and Tsakona 2005). New data from conversation analysis, text linguistics and discourse psychology present significant challenges to linguistic humor theories like the General Theory of Verbal Humor (Attardo 1994, 2001a), and call for (sometimes major) revisions. -
Book Now Brisbanecomedyfestival.Com
BRISBANE POWERHOUSE + BRISBANE CITY HALL + SUNPAC BOOK NOW BRISBANEPAGEC OMED1 YFESTIVAL.COM Canned laughter. Brisbane Comedy Festival Partner newsteadbrewing.com.au Powerhouse Comedy Fest Ad.indd 1 15/11/18 5:16 pm Celebrate in Style! See our 5 new collections Bloom Breeze Cresence Outline Casablanca NSW | QLD | VIC Valiant.com.au | valiant.events PAGE 2 CONTENTS Brisbane Comedy Queerstories 29 Festival Opening Gala 02 Nath Valvo 30 Ross Noble 03 Alex Ward 30 Frocking Hilarious 04 Rhys Nicholson 31 Felicity Ward 05 Around the Campfire 37 Danny Bhoy 06 CONTENTS Class Clowns 38 Damien Power 07 Whimpy Chimpy 38 Tim Ferguson 07 The World According Ronny Chieng 08 to Farts 39 Mel Buttle 09 Stinky Silly Show 39 Welcome to Nazeem Hussain 09 Jeff Green 40 Dave Hughes 10 Georgie Carroll 41 Brisbane Comedy Luke Heggie 11 Breakout Showcase 41 FESTIVAL COMEDY BRISBANE Jan van de Stool 11 Neel Kolhatkar 42 Festival 2019 Lawrence Mooney 12 Nikki Osborne 43 DeAnne Smith 13 Ivan Aristeguieta 44 Brisbane Comedy Festival is turning double Dave Thornton 13 Brisburned 45 digits, and just like any pre-teen, we are Demi Lardner 14 The Elvis Dead 45 growing up before your very eyes…minus Corey White 14 Guy Montgomery 46 the awkward haircut and Justin Bieber Daniel Sloss 15 Charity Werk 46 fascination. We’re celebrating hitting the big Scared Weird Little Guys 16 Michael Shafar 46 1-OH with 75 hilarious comedy acts. From Paul Foot 17 ImproMafia 47 stand-up, sketch, improvisation and cabaret, Double Denim 17 Dusty Rich 48 we’re inviting you to get skit-faced with Becky Lucas 18 New in Town 48 Australia’s fastest growing comedy festival. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
The Joke's on Everyone with Brisbane Comedy Festival
MEDIA RELEASE For immediate release THE JOKE’S ON EVERYONE WITH BRISBANE COMEDY FESTIVAL RETURNING IN 2021! 2020 – Worst. Punchline. Ever. In news that’s sure to put a smile on your dial, Brisbane Powerhouse is tickled pink to announce Brisbane Comedy Festival will return in 2021. The three-week-long festival of laughs and live gigs returns to Brisbane Powerhouse, The Tivoli and The Fortitude Valley Music Hall on the new dates of 16 July to 8 August 2021. In a welcome boost for the Australian entertainment industry, Brisbane Powerhouse is calling for Expressions of Interest (EOI) from comedians and artists who want to join the star-studded 2021 line-up. Brisbane Powerhouse Artistic Director Kris Stewart said moving Brisbane Comedy Festival to the second half of the year allowed time to plan a huge return to the spotlight after the laughs were cut short when COVID-19 forced the cancellation of the 2020 Festival’s final week. “Let’s face it, after everything 2020 has thrown us, we need a laugh and more importantly, our top comedians need an audience – and an income – after months of venue lockdowns and cancelled gigs,” Mr Stewart said. “Border closures and travel restrictions mean international acts will most likely not tour Australia as part of the comedy festival circuit in 2021. “But as every Brisbane Comedy Festival demonstrates, year after year, some of the world’s best comedic talent is right here in Australia and we can’t wait to welcome them back to our stage.” Comedians keen to get audiences rolling in the aisles once again can submit an EOI via brisbanecomedyfestival.com.au. -
The Humour Studies Digest
27th AHSN CONFERENCE, 3-5 FEBRUARY 2021, THIS EDITION MASSEY UNIVERSITY, WELLINGTON, 27th AHSN Conference Update 1 NEW ZEALAND Call for Proposals – Still Open 2 Update from the Conference Convenor Message from the Chair of the AHSN Board 2 Dear AHSN Colleagues, Members’ New Publications 3 With the recent unfortunate news out of Victoria, the chances that a Trans-Tasman travel bubble will be in place for next Research Student Profile – Amir Sheikhan 4 February seem somewhat diminished. Our best wishes go out to our friends and colleagues in the Melbourne area. Research Student Profile – Matilda Knowles 5 Nonetheless, we remain cautiously optimistic, and encourage everyone interested in our event in Wellington next year to Researcher Profile - submit abstracts at the official website. Full details of the Call Dr Sarah Balkin 6 and the Conference theme are on the AHSN website at: https://ahsn.org.au/events/ Member’s News – Dr Matt Shores 7 We are also currently considering the possible shape of the conference, should we not be able to go ahead with the A Cultural History of physical event as originally planned, and are weighing up Comedy in Antiquity 11 different options. We intend to make our final call regarding the future of the conference later in the year and will not Understanding Conversational Joking 14 open registration until that is settled. Humour and the Holocaust 15 Update on ISHS Conference 2020-21 15 Call for Papers – The Sacred and The…Profanity 16 Call for Papers - Laughter / Le rire 17 Special (Covid-madness related) issue -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
Introduction: Performing Cosmopolitics Chapter 1 (Anti-)Cosmopolitan
Notes Introduction: performing cosmopolitics 1 Unattributed feature article, Australian, 16 September 2000, p. 6. 2 Although the riots resulted directly from a series of locally staged tensions revolving around beach territoriality and male youth culture, the anti-Arab sentiments expressed by demonstrators and circulated by the media tapped into a much wider context of racism provoked by Australia’s participation in the US-led anti-terrorism alliance, the bombings of Australian tourists in Bali by Islamic militants, and a high-profile case of the rape of Caucasian girls by a gang of Lebanese youths in 2002. 3 Federal Government of Australia. (1994) Creative Nation: Common- wealth Cultural Policy. <http://www.nla.gov.au/creative.nation/intro.html> (accessed 19 July 2005). 4 The Immigration Restriction Act of 1901 was the cornerstone of the ‘White Australia Policy’ aimed at excluding all non-European migration. The Act was enforced through the use of a dictation test, similar to the one used in South Africa, which enabled authorities to deny entry to any person who was not able to transcribe a passage dictated in a designated European language. The Act remained in force until 1958. 5 Many Australians who voted ‘no’ in fact supported the idea of a republic but did not agree with the only model offered by the ballot. For detailed analysis of the referendum’s results, see Australian Journal of Political Science, 36:2 (2001). 6 See Veronica Kelly (1998a: 9–10) for a succinct overview of significant studies in contemporary Australian theatre -
Defamatory Humor and Incongruity's Promise
JUST A JOKE: DEFAMATORY HUMOR AND INCONGRUITY’S PROMISE LAURA E. LITTLE* Can’t take a joke, eh? A little levity is good for body, mind, and soul, y’know. Suing over THAT little schoolyard jab? I say you’re either “thin- skinned or a self-important prig . .”1 I. INTRODUCTION At what point does a joke become a legal wrong, justifying resort to defamation law? And at what point must a lawyer tell his or her client to steer clear of humor—or at least keep jokes focused exclusively on public figures, officials, and matters of clear public interest? The challenge of drawing the line between protecting and restricting humor has dogged United States courts for years. And what a difficult line it is to chart! First, the line must navigate a stark value clash: the right of individuals and groups to be free from attack on their property, dignity, and honor versus the right of individuals to free expression. To make matters more complicated—in fact, much more complicated—the line must not only account for, but also respect, the artistry of comedy and its beneficial contributions to society. In regulating defamation, American courts deploy a familiar concept for navigating the line between respecting humor and protecting individual * Copyright 2012 held by Laura E. Little, Professor of Law, Temple University’s Beasley School of Law; B.A. 1979, University of Pennsylvania; J.D. 1985 Temple University School of Law. I am grateful for the excellent research assistance of Theresa Hearn, Alice Ko, and Jacob Nemon, as well as the helpful comments of my colleague Professor Jaya Ramji-Nogales. -
Accepted Version
Newcastle University ePrints Campbell E. The cultural politics of justice: Bakhtin, stand-up comedy and post-9/11 securitization. Theoretical Criminology 2011, 15(2), 159-177. Copyright: The definitive version of this article, published by SAGE, 2011, is available at: http://dx.doi.org/10.1177/1362480610387967 Always use the definitive version when citing. Further information on publisher website: http://tcr.sagepub.com/ Date deposited: 27th January 2014 Version of article: Author’s final accepted manuscript This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License ePrints – Newcastle University ePrints http://eprint.ncl.ac.uk THE CULTURAL POLITICS OF JUSTICE: BAKHTIN, STAND-UP COMEDY AND POST 9-11 SECURITIZATION Paper published in: Theoretical Criminology (2011) Volume 15(2): 159-177 Author: Dr Elaine Campbell Reader in Criminology School of Geography, Politics and Sociology Claremont Bridge Building NEWCASTLE UNIVERSITY Newcastle Upon Tyne NE1 7RU United Kingdom Contact details: Tel: +44 (0)191 222 5030 Fax: +44 (0)191 222 5421 E-mail: [email protected] Biography: Elaine Campbell is a Reader in Criminology in the School of Geography, Politics and Sociology at Newcastle University. She teaches courses in cultural criminology, transgression, visual cultures and methodologies, and researches and publishes on the emotionality, aesthetics and ethics of crime and punishment, with a focus on how these are visually and discursively mobilised. THE CULTURAL POLITICS OF JUSTICE: BAKHTIN DOES STAND-UP1 ABSTRACT For Rabelais, `folk humour’ and its boundless forms are far from frivolous, inconsequential aspects of the human condition, but are central to modes of critique and the formation of discourses which seek radical cultural transformation by evading, exposing, resisting, scandalizing and mocking `official culture’. -
American Comedy Institute Student, Faculty, and Alumni News
American Comedy Institute Student, Faculty, and Alumni News Michelle Buteau played Private Robinson in Fox’s Enlisted. She has performed on Comedy Central’s Premium Blend, Totally Biased with W.Kamau Bell, The Late Late Show with Craig Ferguson, Lopez Tonight and Last Comic Standing. She has appeared in Key and Peele and @Midnight. Michelle is a series regular on VH1’s Best Week Ever, MTV’s Walk of Shame, Oxygen Network’s Kiss and Tell, and was Jenny McCarthy’s sidekick on her late-night talk show Jenny. Craig Todaro (One Year Program alum) Craig performed in American Comedy Institute’s 25th Anniversary Show where he was selected by Gotham Comedy Club owner Chris Mazzilli to appear on Gotham Comedy Live. Craig is now a pro regular at Gotham Comedy Club where he recently appeared in Gotham Comedy All Stars. Yannis Pappas (One Year Program alum) Yannis recently appeared in his first Comedy Central Half Hour special. He has been featured on Gotham Comedy Live, VH1's Best Week Ever and CBS. He is currently the co-anchor of Fusion Live, a one-hour news magazine program on Fusion Network, which focuses on current events, pop culture and satire. He tours the world doing stand up comedy and is known for his immensely popular characters Mr. Panos and Maurica. Along with Director Jesse Scaturro, he is the co-founder of the comedy production company Ditch Films. Jessica Kirson is a touring national headliner. She recently made her film debut in Nick Cannon’s Cliques with Jim Breuer and George Lopez.