Translating Puns
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alternative Heroes in Nineteenth-Century Historical Plays
DOI 10.6094/helden.heroes.heros./2014/01/02 Dorothea Flothow 5 Unheroic and Yet Charming – Alternative Heroes in Nineteenth-Century Historical Plays It has been claimed repeatedly that unlike previ- MacDonald’s Not About Heroes (1982) show ous times, ours is a post-heroic age (Immer and the impossibility of heroism in modern warfare. van Marwyck 11). Thus, we also fi nd it diffi cult In recent years, a series of bio-dramas featuring to revere the heroes and heroines of the past. artists, amongst them Peter Shaffer’s Amadeus In deed, when examining historical television se- (1979) and Sebastian Barry’s Andersen’s En- ries, such as Blackadder, it is obvious how the glish (2010), have cut their “artist-hero” (Huber champions of English imperial history are lam- and Middeke 134) down to size by emphasizing pooned and “debunked” – in Blackadder II, Eliz- the clash between personal action and high- abeth I is depicted as “Queenie”, an ill-tempered, mind ed artistic idealism. selfi sh “spoiled child” (Latham 217); her immor- tal “Speech to the Troops at Tilbury” becomes The debunking of great historical fi gures in re- part of a drunken evening with her favourites cent drama is often interpreted as resulting par- (Epi sode 5, “Beer”). In Blackadder the Third, ticularly from a postmodern infl uence.3 Thus, as Horatio Nelson’s most famous words, “England Martin Middeke explains: “Postmodernism sets expects that every man will do his duty”, are triv- out to challenge the occidental idea of enlighten- ialized to “England knows Lady Hamilton is a ment and, especially, the cognitive and episte- virgin” (Episode 2, “Ink and Incapability”). -
Evangelism and Capitalism: a Reparative Account and Diagnosis of Pathogeneses in the Relationship
Digital Commons @ George Fox University Faculty Publications - Portland Seminary Portland Seminary 6-2018 Evangelism and Capitalism: A Reparative Account and Diagnosis of Pathogeneses in the Relationship Jason Paul Clark George Fox University, [email protected] Follow this and additional works at: https://digitalcommons.georgefox.edu/gfes Part of the Biblical Studies Commons, and the Christianity Commons Recommended Citation Clark, Jason Paul, "Evangelism and Capitalism: A Reparative Account and Diagnosis of Pathogeneses in the Relationship" (2018). Faculty Publications - Portland Seminary. 132. https://digitalcommons.georgefox.edu/gfes/132 This Dissertation is brought to you for free and open access by the Portland Seminary at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Portland Seminary by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. EVANGELICALISM AND CAPITALISM A reparative account and diagnosis of pathogeneses in the relationship A thesis submitted to Middlesex University in partial fulfilment of the requirements for the degree of Doctor of Philosophy by Jason Paul Clark Middlesex University Supervised at London School of Theology June 2018 Abstract Jason Paul Clark, “Evangelicalism and Capitalism: A reparative account and diagnosis of pathogeneses in the relationship.” Doctor of Philosophy, Middlesex University, 2018. No sustained examination and diagnosis of problems inherent to the relationship of Evangeli- calism with capitalism currently exists. Where assessments of the relationship have been un- dertaken, they are often built upon a lack of understanding of Evangelicalism, and an uncritical reliance both on Max Weber’s Protestant Work Ethic and on David Bebbington’s Quadrilateral of Evangelical priorities. -
Discourse Types in Stand-Up Comedy Performances: an Example of Nigerian Stand-Up Comedy
http://dx.doi.org/10.7592/EJHR2015.3.1.filani European Journal of Humour Research 3 (1) 41–60 www.europeanjournalofhumour.org Discourse types in stand-up comedy performances: an example of Nigerian stand-up comedy Ibukun Filani PhD student, Department of English, University of Ibadan [email protected] Abstract The primary focus of this paper is to apply Discourse Type theory to stand-up comedy. To achieve this, the study postulates two contexts in stand-up joking stories: context of the joke and context in the joke. The context of the joke, which is inflexible, embodies the collective beliefs of stand-up comedians and their audience, while the context in the joke, which is dynamic, is manifested by joking stories and it is made up of the joke utterance, participants in the joke and activity/situation in the joke. In any routine, the context of the joke interacts with the context in the joke and vice versa. For analytical purpose, the study derives data from the routines of male and female Nigerian stand-up comedians. The analysis reveals that stand-up comedians perform discourse types, which are specific communicative acts in the context of the joke, such as greeting/salutation, reporting and informing, which bifurcates into self- praising and self denigrating. Keywords: discourse types; stand-up comedy; contexts; jokes. 1. Introduction Humour and laughter have been described as cultural universal (Oring 2003). According to Schwarz (2010), humour represents a central aspect of everyday conversations and all humans participate in humorous speech and behaviour. This is why humour, together with its attendant effect- laughter, has been investigated in the field of linguistics and other disciplines such as philosophy, psychology, sociology and anthropology. -
+\Shu Dqg Plvxqghuvwdqglqj Lq Lqwhudfwlrqdo
1 +\SHUDQGPLVXQGHUVWDQGLQJLQLQWHUDFWLRQDOKXPRU Geert Brône University of Leuven Department of Linguistics Research Unit &UHDWLYLW\+XPRUDQG,PDJHU\LQ/DQJXDJH (CHIL) E-mail address: [email protected] $ ¢¡¤£¦¥¢§©¨ £ This paper explores two related types of interactional humor. The two phenomena under scrutiny, K\SHUXQGHUVWDQGLQJ and PLVXQGHUVWDQGLQJ, categorize as responsive conversational turns as they connect to a previously made utterance. Whereas hyper-understanding revolves around a speaker’s ability to exploit potential weak spots in a previous speaker’s utterance by playfully echoing that utterance while simultaneously reversing the initially intended interpretation, misunderstanding involves a genuine misinterpretation of a previous utterance by a character in the fictional world. Both cases, however, hinge on the differentiation of viewpoints, yielding a layered discourse representation. A corpus study based on the British television series %ODFNDGGHU reveals which pivot elements can serve as a trigger for hyper- and misunderstanding. Common to all instances, it is argued, is a mechanism ofILJXUHJURXQG UHYHUVDO. Key words: interactional humor, hyper-understanding, misunderstanding, layering, mental spaces, figure-ground reversal 2 ,QWURGXFWLRQ Recent studies in pragmatics (see e.g. Attardo 2003) have shown a renewed interest in humor as a valuable topic of interdisciplinary research. More specifically, these studies have extended the traditional focus of humor research on jokes to include longer narrative texts (Attardo 2001a, Triezenberg 2004) and conversational data (Boxer and Cortés-Conde 1997, Hay 2001, Kotthoff 2003, Norrick 2003, Antonopoulou and Sifianou 2003, Archakis and Tsakona 2005). New data from conversation analysis, text linguistics and discourse psychology present significant challenges to linguistic humor theories like the General Theory of Verbal Humor (Attardo 1994, 2001a), and call for (sometimes major) revisions. -
Stand-Up Comedy in Theory, Or, Abjection in America John Limon 6030 Limon / STAND up COMEDY / Sheet 1 of 160
Stand-up Comedy in Theory, or, Abjection in America John Limon Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 1 of 160 Stand-up Comedy in Theory, or, Abjection in America 6030 Limon / STAND UP COMEDY / sheet 2 of 160 New Americanists A series edited by Donald E. Pease Tseng 2000.4.3 18:27 Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 3 of 160 John Limon Duke University Press Stand-up Comedy in Theory, or, Abjection in America Durham and London 2000 6030 Limon / STAND UP COMEDY / sheet 4 of 160 The chapter ‘‘Analytic of the Ridiculous’’ is based on an essay that first appeared in Raritan: A Quarterly Review 14, no. 3 (winter 1997). The chapter ‘‘Journey to the End of the Night’’ is based on an essay that first appeared in Jx: A Journal in Culture and Criticism 1, no. 1 (autumn 1996). The chapter ‘‘Nectarines’’ is based on an essay that first appeared in the Yale Journal of Criticism 10, no. 1 (spring 1997). © 2000 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Typeset in Melior by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 5 of 160 Contents Introduction. Approximations, Apologies, Acknowledgments 1 1. Inrage: A Lenny Bruce Joke and the Topography of Stand-Up 11 2. Nectarines: Carl Reiner and Mel Brooks 28 3. -
VPI June 2016
c/o sur la Croix 160, CH - 1020 Renens. www.villageplayers.ch Payments: CCP 10-203 65-1 IBAN: CH71 0900 0000 1002 0365 1 Village Players’ Information (VPI) June 2016 NEXT CLUBNIGHT: VILLAGE PLAYERS’ Annual General Meeting !!!! COME AND FILL THESE SEATS !!!! Thursday 16th June, 2016 At 20h00 Doors open at 19h15 Bar open 19h30 CPO - Centre Pluriculturel d’Ouchy Beau-Rivage 2, 1006 Lausanne PLEASE NOTE IN YOUR DIARIES – AND TELL YOUR FRIENDS AND FELLOW MEMBERS Come and have your say in the running of the club and our activities, and cast your vote for the new Committee. Of the present Committee, the following are willing to stand for (re)election for the following posts: Production Coordinator Daniel Gardini Events Coordinator Mary Couper Secretary Colin Gamage Treasurer Derek Betson Publicity Manager Susan Morris Membership Secretary Dorothy Brooks Technical Manager Ian Griffiths At the moment we have the proposal of Chris Hemmens for the post of Chairman but do not have candidates for the posts of Administrative Director and Business Manager. So before, or latest at, the AGM we will be looking for volunteers to come forward to fill these positions. Brief descriptions of these posts are: ADMINISTRATIVE DIRECTOR: Coordinates the running of the Society, guarantees its efficient administration, assists and deputises for the Chairman. BUSINESS MANAGER: Responsible for forward planning, negotiation for hire of theatres, rooms for productions and events; liaison with appropriate authorities for services, purchase of tickets, front of house, payment of dues and performance rights. THIS IS A VERY IMPORTANT MEETING – WE NEED YOU ALL TO COME ALONG. -
Defamatory Humor and Incongruity's Promise
JUST A JOKE: DEFAMATORY HUMOR AND INCONGRUITY’S PROMISE LAURA E. LITTLE* Can’t take a joke, eh? A little levity is good for body, mind, and soul, y’know. Suing over THAT little schoolyard jab? I say you’re either “thin- skinned or a self-important prig . .”1 I. INTRODUCTION At what point does a joke become a legal wrong, justifying resort to defamation law? And at what point must a lawyer tell his or her client to steer clear of humor—or at least keep jokes focused exclusively on public figures, officials, and matters of clear public interest? The challenge of drawing the line between protecting and restricting humor has dogged United States courts for years. And what a difficult line it is to chart! First, the line must navigate a stark value clash: the right of individuals and groups to be free from attack on their property, dignity, and honor versus the right of individuals to free expression. To make matters more complicated—in fact, much more complicated—the line must not only account for, but also respect, the artistry of comedy and its beneficial contributions to society. In regulating defamation, American courts deploy a familiar concept for navigating the line between respecting humor and protecting individual * Copyright 2012 held by Laura E. Little, Professor of Law, Temple University’s Beasley School of Law; B.A. 1979, University of Pennsylvania; J.D. 1985 Temple University School of Law. I am grateful for the excellent research assistance of Theresa Hearn, Alice Ko, and Jacob Nemon, as well as the helpful comments of my colleague Professor Jaya Ramji-Nogales. -
Download Adult Awards Nomination List
Running District Award Order Name Show Society Order 1 Stuart Sephton Baldrick Blackadder II SAM Theatre 2 Anthony Henry General Malchett Blackadder Goes Forth Poulton Drama 3 Roy Washington Danny Brassed Off Blackburn Drama Club 4 Gareth Crawshaw General Melchett Blackadder Goes Forth Carlton Players 5 Best Supporting Cameron Rowe Hugo The Vicar Of Dibley Tyldesley Little Theatre 1 6 Male in a Drama Steven Catterall Peter / Rugby Rep For The Love Of The Game Chorley Amateur Dramatic & Operatic Society 7 Ian Perks Saunders Lend Me A Tenor Crompton Stage Society 8 Bryan Higgins Harry Brassed Off Centenery Theatre Company 10 Marc Goodwin Hubert Bonney It Runs In The Family Whitehaven Theatre Group 11 Steve Dobson George Blackadder Garstang Theatre Group 1 Liz Hudson Pat Green Breaking The Code Sale Nomads 2 Beverley Thompson Baldrick Blackadder Goes Forth Poulton Drama 3 Annie Wildman Tweeney The Admirable Crichton Stage 2, Downham 4 Fran Harmer Doll Common Playhouse Creatures Ashton Hayes Theatre Club Best Supporting 2 5 Cathryn Megan Hughes Alice The Vicar Of Dibley Tyldesley Little Theatre Female in a Drama 6 Emma Bailey Queenie Be My Baby Chorley Amateur Dramatic & Operatic Society 7 Kate Davies Gwendolyn The Importance Of Being Earnest Crompton Stage Society 8 Maria Ames Amy Little Women Centenery Theatre Company 10 Caroline Robertson Eve Holiday Snap Carlisle Green Room Club 3 3 Best Poster Oswaldtwistle Players Four Weddings and an Elvis 1 Tom Guest Cornelius Hackl Hello, Dolly! South Manchester AOS 2 John Rowland Kevin In The Heights -
Come and Get
FRIENDS OF WILL MEMBERSHIP MAGAZINE patterns march 2013 your come and get it! TM patterns march 2013 Volume XL, Number 9 Membership Hotline: 800-898-1065 WILL AM-FM-TV: 217-333-7300 Campbell Hall for Public Telecommunication 300 N. Goodwin Ave., Urbana, IL 61801-2316 New ways of coming together Mailing List Exchange By Lisa Bralts, Marketing Director Donor records are proprietary and confidential. WILL will not sell, rent or trade its donor lists. If you’ve been to Urbana’s Market Patterns at the Square—our area’s largest Friends of WILL Membership Magazine Editor: Cyndi Paceley farmers market—you know that it Art Director: Michael Thomas seems like the entire community Designer: Laura Adams-Wiggs attends. The Market is an area Patterns (USPS 092-370) is published monthly at Campbell Hall for jewel—a place where people come Public Telecommunication, 300 N. Goodwin Ave., Urbana, IL 61801- 2316 by and for the Friends of WILL. Membership dues for the together and connect with farmers, Friends of WILL begin at $40 per year, with $7.62 designated for 12 their food and with each other. issues of Patterns. The remainder of membership dues is used for the support of the activities of Illinois Public Media at the University As I neared the end of my tenure as the Market’s of Illinois through the Friends of WILL. Periodicals postage paid at Urbana, Illinois, and additional mailing offices. director last September and told patrons about Postmaster: Send address changes to Patterns, my upcoming adventure as Illinois Public Media’s Campbell Hall for Telecommunication, marketing director, they got excited. -
Pun and Non-Pun Humor in Second-Language Learning
Pun and Non-Pun Humor in Second-Language Learning Kim Binsted and Ben Bergen Justin McKay University of Hawaii Binsted McKay LLC 1680 East West Road 45-180 Mahalani Place #23 Honolulu, HI, 96822 USA Kaneohe, HI, 96744 +1 808 956 6107 +1 808 235 3301 [email protected], [email protected] [email protected] ABSTRACT does not seem to distract users from their work - time We believe that the use of humor by conversational spent on assigned tasks was unaffected by the presence or software agents would significantly improve second- absence of humor in the interaction. However, the quality language learning. Puns help students to learn about of the humor does make a difference. Users who were homophony, and to distinguish between words with presented with unsuccessful humor (i.e. well-formed but similar sounds or spellings; idiom-based jokes provide unfunny jokes) were less sociable with the computer, and memorable contexts for idioms, which are notoriously also spent less time on their assigned tasks. difficult to memorize; and scalar humor introduces the Finally, there is the popular perception of computers as student to common comparisons in the target language, inflexible and uncreative thinkers. Even science fiction and helps them build networks of vocabulary, particularly artificial intelligences, such as Data in Star Trek, are between nouns and adjectives. In general, humor is likely typically portrayed as having no sense of humor, despite to motivate the student to study more often, and otherwise having superior cognitive skills. If we want to humanizes the interface, so that the conversational agent develop interface agents that are perceived to be is perceived as a worthwhile dialogue partner. -
Slippery Slopes and Other Consequences
Logic and Logical Philosophy Volume 27 (2018), 453–470 DOI: 10.12775/LLP.2017.028 Martin Hinton SLIPPERY SLOPES AND OTHER CONSEQUENCES “He that walks in slippery places is every moment liable to fall” ∗ Jonathan Edwards Abstract. The aim of this paper is to illustrate where previous attempts at the characterisation of Slippery Slope Arguments (SSAs) have gone wrong, and to provide an analysis which better captures their true nature. The first part describes Walton’s [10] arguments in support of his views on SSAs and also considers the characterisations put forward by other researchers. All of these are found wanting due to their failure to capture the essence of the slippery slope and their inability to distinguish SSAs from other consequen- tialist forms of argument. The second part puts forward a clearer analysis of what is special about SSAs and proposes an argumentation scheme which allows them to be easily distinguished from other arguments from conse- quences. Keywords: argument schemes; Douglas Walton; slippery slope arguments; arguments from consequences 1. Introduction Two things were said of the “Wise Woman” consulted by Lord Black- adder; first that she was a woman, and, as he correctly guessed, that she was wise1. And so it is with Slippery Slopes: they must be slopes and they must be slippery. A slope may lead up or down, but a slippery ∗ From Edwards’s famous sermon Sinners in the Hands of an Angry God (1741). 1 This encounter takes place in episode 1, series 2, of the popular BBC comedy “Blackadder” written by Richard Curtis and Ben Elton [2]. -
Disabling Comedy: “Only When We Laugh!”
Disabling Comedy: “Only When We Laugh!” Dr. Laurence Clark, North West Disability Arts Forum (Paper presented at the ‘Finding the Spotlight’ Conference, Liverpool Institute for the Performing Arts, 30th May 2003) Abstract Traditionally comedy involving disabled people has extracted humour from people’s impairments – i.e. a “functional limitation”. Examples range from Shakespeare’s ‘fool’ character and Elizabethan joke books to characters in modern TV sitcoms. Common arguments for the use of such disempowering portrayals are that “nothing is meant by them” and that “people should be able to laugh at themselves”. This paper looks at the effects of such ‘disabling comedy’. These include the damage done to the general public’s perceptions of disabled people, the contribution to the erosion of a disabled people’s ‘identity’ and how accepting disablist comedy as the ‘norm’ has served to exclude disabled writers / comedians / performers from the profession. 1. Introduction Society has been deriving humour from disabled people for centuries. Elizabethan joke books were full of jokes about disabled people with a variety of impairments. During the 17th and 18th centuries, keeping 'idiots' as objects of humour was common among those who had the money to do so, and visits to Bedlam and other 'mental' institutions were a typical form of entertainment (Barnes, 1992, page 14). Bilken and Bogdana (1977) identified “the disabled person as an object of ridicule” as one of the ten media stereotypes of disabled people. Apart from ridicule, disabled people have been largely excluded from the world of comedy in the past. For example, in the eighties American stand-up comedian George Carlin was arrested whilst doing his act for swearing in front of young disabled people.