DOCSLIB.ORG

Slike Velikog Rata

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Slike Velikog Rata MJESEČNA REVIJA HRVATSKE MATICE ISELJENIKA BROJ / NO. 6 MONTHLY MAGAZINE OF THE CROATIAN HERITAGE FOUNDATION LIPANJ / JUNE 2014. SLIKE VELIKOG RATA Stota obljetnica početka 1. svjetskog rata u Hrvatskom povijesnom muzeju ISSN 1330-2140 Posjetite stranice web portala Hrvatske matice iseljenika! Mjesečna revija HRVATSKE MATICE ISELJENIKA / www.matis.hr Monthly magazine of the Croatian Heritage Foundation Godište / Volume LXIV Broj / No. 6/2014 Nakladnik / Publisher Hrvatska matica iseljenika / Croatian Heritage Foundation Za nakladnika / For Publisher Marin Knezović Glavni urednik / Chief Editor Hrvoje Salopek Uredništvo / Editorial Staff Željka Lešić, Vesna Kukavica Tajnica / Secretary Snježana Radoš Dizajn i priprema / Layout & Design Krunoslav Vilček Tisak / Print Znanje, Zagreb Web stranice HRVATSKA MATICA ISELJENIKA Trg Stjepana Radića 3, pp 241 10002 Zagreb, Hrvatska / Croatia HMI čitaju se diljem Telefon: +385 (0)1 6115-116 Telefax: +385 (0)1 6110-933 svijeta, dostupne su na tri www.matis.hr jezika (hrvatski, engleski, MJESEČNA REVIJA HRVATSKE MATICE ISELJENIKA BROJ / NO. 6 MONTHLY MAGAZINE OF THE CROATIAN HERITAGE FOUNDATION LIPANJ / JUNE 2014. španjolski) i bilježe stalan porast posjećenosti. SLIKE VELIKOG RATA Stota obljetnica početka 1. svjetskog rata u Hrvatskom povijesnom muzeju Budite korak ispred ostalih i predstavite se hrvatskim iseljeničkim zajednicama, uglednim poslovnim Hrvatima u svijetu i njihovim partnerima. Oglašavajte na web portalu ISSN 1330-2140 Hrvatske matice iseljenika! Internet marketing HMI osmislio je nekoliko načina oglašavanja: n BANERI n SPONZORIRANI ČLANAK n SPONZORIRANE RUBRIKE Naslovnica: Oton Iveković, Prijelaz 42. divizije Odjel za marketing i promociju HMI - Ivana Rora preko Drine kod Batara tel. (+385 1) 61 15 116 n fax. (+385 1) 61 11 522 (Hrvatski povijesni muzej) mob. 099 61 15 116 n E-mail: [email protected] SADRŽAJ 27 Intervju: Nenad Bach, hrvatski glazbenik u Ne w Yorku 30 Obljetnica kiparice Lily Garafulić 33 Zagreb: Izložba o I. svjetskom ratu 37 Matičin projekt HOLA u Argentini 42 Mladi povratnik Ante Lučić Pogled iz helikoptera na 48 Australija: Puharichi istaknuti poduzetnici poplavljena područja u županjskoj Posavini 4 53 Budimpešta: Izdavačko poduzeće "Croatica" 54 Zagreb: Smotra učeničkih zadruga 4 Katastrofalne poplave u Hrvatskoj i 57 Matičin vremeplov susjednim zemljama 58 Hrtkovčani sagradili crkvu u Kuli 7 Izbori za Europski parlament 62 Predstavljena monografija Željka Brguljana 8 HMI: Predstavljena knjiga Željke Lovrenčić 10 Misa i komemoracija u Bleiburgu 12 Otvoren muzej franjevačkog samostana u Fojnici 14 Kako se postaje Hrvat? 17 Knjiga "Ugledni hrvatski znanstvenici u svijetu" (7. dio) 20 Osmi susret Hrvata Italije u Padovi 21 Josip Leko posjetio karaševske Hrvate 22 46 Sabor hrvatske kulture u Ljubljani NAŠI GRADOVI Web stranice 24 Hrvatski glasnogovornik u mađarskom parlamentu KRAPINA HMI čitaju se diljem KOLUMNE svijeta, dostupne su na tri 11 40 46 50 62 60 Globalna Hrvatska (S)kretanja Naši gradovi Povijesne obljetnice Govorimo hrvatski Brooklynski zapisci jezika (hrvatski, engleski, (Vesna Kukavica) (Šimun Šito Ćorić) (Zvonko Ranogajec) (Željko Holjevac) (Sanja Vulić) Janka Deura španjolski) i bilježe stalan HRVATSKA MATICA ISELJENIKA porast posjećenosti. Trg Stjepana Radića 3, pp 241 Naručite i vi svoju MATICU jer 10002 Zagreb, Hrvatska / Croatia Telefon: +385 (0)1 6115-116 MATICA je most hrvatskoga zajedništva Telefax: +385 (0)1 6110-933 Želite li primati MATICU kao dar koji će stizati na Vašu kućnu adresu? Jedino što trebate učiniti jest poslati nam popunjenu E-mail: [email protected] Web: www.matis.hr narudžbenicu i uplatiti na naš račun odgovarajući novčani iznos koji pokriva troškove slanja. MATICA će potom svaki mjesec stizati u Vaš dom. Naručite, čitajte i preporučite MATICU Vašoj rodbini i prijateljima, kako biste aktivno sudjelovali u ostvarivanju GODIŠNJA PRETPLATA / ANNUAL SUBSCRIPTION MATIČINE misije: biti čvrsti most između Hrvatske i Hrvata diljem svijeta. Običnom poštom / regular mail: Hrvatska / Croatia 100 kn ostale europske države / other European countries 25 EUR Ime i prezime / Name and surname Zračnom poštom / airmail: SAD / USA 65 USD Adresa / Address Kanada / Canada 65 CAD Oglašavajte na web portalu Australija / Australia 70 AUD ostale prekomorske države / other overseas countries 70 USD Grad / City Hrvatske matice iseljenika! DEVIZNI RAČUN BROJ / FOREIGN CURRENCY ACCOUNT: Država / State Pošt. broj / Zip Code IBAN: HR06 2340 0091 5102 96717 SWIFT CODE: PBZGHR2X Tel. Fax. Privredna banka Zagreb, Radnička cesta 50 E-mail Odjel za marketing i promociju HMI - Ivana Rora ŽIRO RAČUN ZA UPLATU U KUNAMA / tel. (+385 1) 61 15 116 n fax. (+385 1) 61 11 522 DOMESTIC CURRENCY ACCOUNT (IN KUNA): IBAN: HR80 2390 0011 1000 21305 Datum / Date n mob. 099 61 15 116 E-mail: [email protected] Hrvatska poštanska banka KATASTROFALNE POPLAVE U HRVATSKOJ Hrvatska pomaže: humanost Pogled iz zraka na poplavljenu protiv potopa crkvu i katoličko groblje u Gunji Vodena stihija rijeke Save prijetila je istočnoj Hrvatskoj, od Rajeva Sela gdje je puknuo novi nasip, u dužini od 210 metara kroz općine Drenovci, Gunja i Vrbanja diljem Vukovarsko-srijemske županije, odakle su evakuirani desetci tisuća ljudi Napisala: Vesna Kukavica Snimke: Hina njive s netom izraslim usjevima žita, ku- VLADA PREUZELA kuruza, repe, uljarica... poljoprivredna ODGOVORNOST stočna Hrvatska, točnije županjska mehanizacija, gospodarski objekti, obi- Od proglašenja redovnih mjera obrane Posavina, pogođena je najtežim i teljske kuće... Riječju – katastrofa! Na- od poplave do proglašenja izvanrednog najvećim poplavama ikad zabilje- kon toga iskazano je jedinstvo i odanost stanja – prirodne katastrofe, nakon pu- ženima. Od 17. svibnja evakuira- ugroženome čovjeku, našim napaćenim knuća nasipa u Rajevu Selu izgrađenog ne su gotovo 32.000 ljudi, od ko- Slavonkama i Slavoncima, viđeno samo prije četiri godine, prošlo je samo 17 sati. jih je bez krova nad glavom ostalo više u obrambenome Domovinskom ratu Cijela Hrvatska u hipu se mobilizirala! Iod 15.000, a borba s podivljalom Savom devedesetih! Kako izgleda, o Bože, život Na izvanrednoj sjednici Vlade RH, odr- trajala je desetak dana – nakon čega će jednoga vrijednoga slavonskog seljaka u žanoj u Županji 22. svibnja, premijer Zo- uslijediti bitka za povratak. Izgubljeni su čiji je ljudski vijek, nakon razornog rata i ran Milanović zahvalio je svima u zem- i ljudski životi, a svi se pitaju je li se ka- tek dovršene obnove, stigao i potop!? To lji i inozemstvu koji pomažu građanima tastrofa barem djelomično mogla spri- je pitanje gotovo u trenutku, zahvaljuju- ugroženim poplavama u Posavini, ista- ječiti. Vodena stihija ranije je opustošila ći internetskim društvenim mrežama i knuvši da je cijela nacija na prekrasan goleme prostore u Srbiji i Bosni. medijima, ganulo cijelu naciju u zemlji način reagirala na nesreću koja je zade- Mučni prizori potopa: stradale do- i iseljeništvu diljem planeta - povezavši sila Slavonce, ali ne ponovilo se. Istaknuo maće životinje – krave, svinje, kokoši, gu- je u fascinantan lanac ljudske humano- je da je država, odnosno hrvatska Vlada, ske, patke – svekoliko životinjsko blago... sti. Hrvatska se ujedinila u pomoći sta- proglašenjem katastrofe na područjima kućni ljubimci, potopljene nepregledne novništvu na poplavljenim područjima. pogođenim poplavom preuzela na sebe svu političku i materijalnu odgovornost i u suradnji s lokalnim vlastima nastavlja raditi posao sanacije koji je težak jer je doista riječ o prirodnoj katastrofi. Prema riječima potpredsjednika Vlade i mini- stra unutarnjih poslova Ranka Ostojića poplave se protežu na 210 km, a u obra- ni od potopa angažirano je ukupno oko 4.000 ljudi i to: 872 pripadnika Hrvatske vojske, 750 pripadnika Hrvatskoga Cr- venog križa, 50 osoba iz Hrvatske gorske službe, 1.000 ljudi iz policije i Državne Evakuacija stanovništva u poplavljenim Strošincima službe za zaštitu i spašavanje. U ovome trenutku, poručuje potpredsjednik Osto- MATICA 4 lipanj/june 2014. www.matis.hr Građani pune vreće pijeskom za gradnju zečjih nasipa u Drenovcima jić, savski nasip je stabilan, ne očekuju se problemi s vodom, ali za sanaciju terena najavljuje - bit će još ozbiljnog i vrlo za- htjevnog posla mjesecima jer je više od 15.000 ljudi ostalo bez krova nad glavom. Ministar obrane Kotromanović stavio je na raspolaganje Hrvatsku vojsku te ista- knuo da su, u slučaju potrebe, spremni formirati namjenske snage za sanaciju, čišćenje terena i izgradnju. Ministar Želj- ko Jovanović obećao je ugroženim uče- nicima i studentima pomoć pri nabavi udžbenika i ostalih logističkih sredsta- va. Ministar rada i mirovinskoga susta- va Mirando Mrsić potvrdio je kako je u ovome trenutku za obavljanje komunal- nih javnih radova potrebno 975 radni- ka, a prijavilo se 3.325 osoba. OBNOVA OBITELJSKIH KUĆA i europskih poslova zaduženo je za for- Kad stigne Matica do svojih čitatelja Poplavljeno je 5.178 hektara poljopri- muliranje i podnošenje zahtjeva za po- u svijetu, već će na terenu u poplavljenim vrednih površina. Zakupnicima i kon- vlačenje europskih sredstava i sredstava mnogobrojnim selima u županjskoj Po- cesionarima poljoprivrednog zemljišta međunarodnih organizacija za pomoć u savini biti inženjeri i građevinski inspek- u vlasništvu RH zbog nastalih šteta od saniranju i obnovi područja pogođenih tori. Tužno je bilo čuti mještanku poto- poplava otpisuje se plaćanje zakupnine, katastrofalnim poplavama. pljene Gunje M. M., koja je s djetetom naknade za dugogodišnji zakup za rib- u naručju kroz suze rekla
Load more

Recommended publications
  • Het Hoofd Van Orpheus in De Spiegel
    Universiteit Gent Faculteit Letteren en Wijsbegeerte Vakgroep Kunst-, Muziek-, en Theaterwetenschappen Academiejaar 2006-2007 Het hoofd van Orpheus in de spiegel Een onderzoek naar de convergentiepunten tussen muziek en poëzie na 1945 Proefschrift ingediend tot het behalen van de graad van Doctor in de Kunstwetenschappen door Jelle Dierickx Promotor: Prof. Dr. Marc Leman Co-promotor: Em. Prof. Dr. Herman Sabbe 2 Het hoofd van Orpheus in de spiegel Een onderzoek naar de convergentiepunten tussen muziek en poëzie na 1945 Om eerder te beginnen met - 8 1) Inleiding 9 1.1. Het schijnbaar getemde onderwerp 9 1.1.1. Opzet, achtergrond en afbakening van het onderwerp 9 1.1.2. Waarom Orpheus opnieuw lastigvallen? 11 1.1.3. De structuur van het essay 14 1.2. Een web van definities 18 1.2.1. Eerder poëzie 18 1.2.2. Eerder muziek 20 1.2.3. Convergentiepunten? 21 2) Een beknopte geschiedenis van woord-toonverhoudingen 26 2.1. Inleiding 26 2.1.1. Getoonde woorden en woordelijke tonen 26 2.1.2. Homo ludens 26 2.2. Tot 1870 28 2.2.1. De orale dimensie van poëzie en muziek 28 2.2.1.1. Oraliteit 29 2.2.1.2. Poëzie, muziek en oraliteit 33 2.2.2. “Archaïsche vormen” 34 2.2.2.1. Inleiding 34 2.2.2.2 Glossolalie en orakeltalen 36 2.2.2.3. Onomatopeeën 41 2.2.2.4. Nonsensverzen 44 2.2.3. Het fenomeen mousikē 46 2.2.4. Ars trovare en cantus contra cantum 48 2.2.5. Van Vlaamse polyfonisten tot grammelot 52 2.2.6.
    [Show full text]
  • Inti Numéro 59-60 (Primavera-Otoño 2004)
    Inti: Revista de literatura hispánica Number 59 Cuba: Cien Años de Alejo Carpentier Article 1 2004 Inti Numéro 59-60 (Primavera-Otoño 2004) Follow this and additional works at: https://digitalcommons.providence.edu/inti Citas recomendadas (Primavera-Otoño 2004) "Inti Numéro 59-60 (Primavera-Otoño 2004)," Inti: Revista de literatura hispánica: No. 59, Article 1. Available at: https://digitalcommons.providence.edu/inti/vol1/iss59/1 This Complete Issue is brought to you for free and open access by DigitalCommons@Providence. It has been accepted for inclusion in Inti: Revista de literatura hispánica by an authorized editor of DigitalCommons@Providence. For more information, please contact [email protected]. Revísta de Literatura Hispánica Cuba: Cien Años de Alejo Carpentier Tomás Barceló Cuesta, "La bandera" NÚMEROS 59-60 PRIMAVERA 2004 - OTOÑO 2004 NORMAS EDITORIALES INTI aspira a recoger los resultados de la investigación académica reciente en todas las áreas críticas de las letras españolas e hispanoamericanas. También desea ser una vía de expresión para el quehacer creativo de la hora presente del mundo hispánico. Dos principios de la revista que determinan la selección del material a publicar son la calidad intrínseca de los trabajos y la variedad del espectro metodológico y teórico representado en los enfoques. Como INTI depende totalmente de suscripciones sólo se publicarán los trabajos de colaboradores que sean suscriptores en el momento en que sometan su artículo a consideración. En caso de no ser aceptados, sólo se devolverá el original y diskette si el autor envía sobre estampillado. Los autores se hacen responsables de las ideas expresadas en los trabajos por ellos firmados.
    [Show full text]
  • From Xibalbá to Twenty-First-Century Honduras: Transrealista Sketches of Power and Marginalization in Carlos Humberto Santos's Bocetos De Un Cuerpo Sin Forma ______
    From Xibalbá to Twenty-First-Century Honduras: Transrealista Sketches of Power and Marginalization in Carlos Humberto Santos's Bocetos de un cuerpo sin forma _______________________________________________________ ANALISA DEGRAVE UNIVERSITY OF WISCONSIN-EAU CLAIRE Lamentablemente, ya no caminamos al encuentro de estos animales sagrados, y es por eso que hoy los muertos merodean sin rumbo en nuestras calles ¡Bienvenidos al Xibalbá!— Bocetos de un cuerpo sin forma Abstract Examined through a transrealista lens, the “sketches” left by the poet traveler in Carlos Humberto Santos's Bocetos de un cuerpo sin forma (Esquisses d’un corps sans forme/Sketches of a shapeless body, 2018) testify to the expanse, depth, and contours of power and marginalization across time and space. Descending to the Mayan underworld of Xibalbá in a journey that recalls that of Dante Alighieri’s pilgrim through Hell in La divina commedia, the poet traveler moves through overlapping layers of time—pre-colonial, colonial, and neocolonial/contemporary—and in-between spaces of human diasporas and other geographies of oppression. Upon the layers of “sketches” created by other artists to represent places of death, fear, and torment on the “cuerpo” of the oppressed, Santos's Bocetos leaves testament to the dynamics of marginalization and power in twenty-first-century Honduras. Keywords: Dante Alighieri, arte comprometido, Sergio Badilla Castillo, censorship, colonialism, dystopia, Hell, marginalization, oppression, Popol Vuh, Carlos Humberto Santos, Roberto Sosa, testimonio, transrealismo, trasrealism, trauma, utopia, Anarella Vélez Osejo, Xibalbá. Whether scrambling to establish connections to find venues to read or publish their work, poets across the world, particularly in the Global South, encounter obstacles in making their art known in the public sphere.
    [Show full text]
  • UC Merced TRANSMODERNITY: Journal of Peripheral Cultural Production of the Luso-Hispanic World
    UC Merced TRANSMODERNITY: Journal of Peripheral Cultural Production of the Luso-Hispanic World Title From Xibalbá to Twenty-First-Century Honduras: Transrealista Sketches of Power and Marginalization in Carlos Humberto Santos's Bocetos de un cuerpo sin forma Permalink https://escholarship.org/uc/item/9d94z8jb Journal TRANSMODERNITY: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 9(6) ISSN 2154-1353 Author DeGrave, Analisa Publication Date 2021 DOI 10.5070/T49653485 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California From Xibalbá to Twenty-First-Century Honduras: Transrealista Sketches of Power and Marginalization in Carlos Humberto Santos's Bocetos de un cuerpo sin forma _______________________________________________________ ANALISA DEGRAVE UNIVERSITY OF WISCONSIN-EAU CLAIRE Lamentablemente, ya no caminamos al encuentro de estos animales sagrados, y es por eso que hoy los muertos merodean sin rumbo en nuestras calles ¡Bienvenidos al Xibalbá!— Bocetos de un cuerpo sin forma Abstract Examined through a transrealista lens, the “sketches” left by the poet traveler in Carlos Humberto Santos's Bocetos de un cuerpo sin forma (Esquisses d’un corps sans forme/Sketches of a shapeless body, 2018) testify to the expanse, depth, and contours of power and marginalization across time and space. Descending to the Mayan underworld of Xibalbá in a journey that recalls that of Dante Alighieri’s pilgrim through Hell in La divina commedia, the poet traveler moves through overlapping layers of time—pre-colonial, colonial, and neocolonial/contemporary—and in-between spaces of human diasporas and other geographies of oppression.
    [Show full text]
  • An Open Letter from the Poets World-Wide to the Hazara, Civil and Human Rights Organizations, Immigration Authorities, and World Leaders
    Tuesday, March 21, 2017 An Open Letter from the Poets World-wide to the Hazara, Civil and Human Rights Organizations, Immigration Authorities, and World Leaders We poets from around the world, proclaim to the Hazara people, that we are in full solidarity with your civic and cultural movements to protect your human rights. We are aware that you are victims of systematic crimes, including genocide, slavery, forced displacement, discrimination, and the invasion of your homeland, Hazaristan. However, like the movements that ended apartheid in South Africa, and the American civil rights movement, your movements such as the Hazara Enlightenment movement will also achieve success. We hear your voices, we reflect it in our poetry, and lift it into contemporary world literature. Today, the systematic crimes against the Hazara in Afghanistan and Pakistan are proof that the Hazara are being deprived of their human rights. In Afghanistan, where the Hazara are its native people, the government ignores the crimes against the Hazara, and misleads the international community by granting the Hazara a few insignificant government posts. Some of the most recent crimes against the Hazara are: • Ignoring demands for their basic rights and equal treatment • Attacks on peaceful Hazara protests, for example on July 23, 2016, a bloody attack on the peaceful protest of the Hazara Enlightenment movement killed and injured over 400 in Kabul. • Oppressive actions by the government against the Hazara Enlightenment movement including refusal to provide security for its gatherings and protests, isolating and blocking roads at protests, censoring, threatening the movement’s activists with detention, and firing on them from public institutions.
    [Show full text]
  • Presentación De Powerpoint
    1 EDITORIAL NEDAZKA PIKA EL DÍA DE LAS MADRES Este mes quise dedicar un poco a la investigación de la historia del día de las madres, considero importante conocer la historia del por qué existe, este sería un pequeño resumen del tema. Las primeras celebraciones del Día de la Madre se remontan a la antigua Grecia, donde se le rendían honores a Rea, la madre de los dioses Zeus, Poseidón y Hades. Posteriormente los romanos llamaron a esta celebración Hilaria cuando la adquirieron de los griegos. Se celebraba el 15 de marzo en el templo de Cibeles y durante tres días se realizaban ofrendas. Con la llegada del cristianismo se transformaron estas celebraciones para honrar a la Virgen María, la madre de Jesús. En el santoral católico el 8 de diciembre se celebra la fiesta de la Inmaculada Concepción, fecha que los católicos adoptaron para la celebración del Día de la Madre. En Inglaterra hacia el siglo XVII, tenía lugar un acontecimiento similar, también relacionado con la Virgen, que se denominaba Domingo de las Madres. Los niños concurrían a misa y regresaban a sus hogares con regalos para sus progenitoras. Además, como muchas personas trabajaban para gente acaudalada y no tenían la oportunidad de estar en sus hogares, ese Domingo se le daba el día libre para visitar a sus familias. En 1870 la poetisa y activista Julia Ward Howe escribió la Proclamación del Día de la Madre, un apasionado llamado a la paz y al desarme. Durante un par de años, Ward Howe empeñó sus esfuerzos en llevar a cabo un congreso de esta naturaleza.
    [Show full text]
  • Dossier Prensa 250815.Pdf
    Los Países Nórdicos (Dinamarca, Finlandia, Noruega y Suecia) llegarán a FILSA 2015 como Invitados de Honor, con una comitiva compuesta por escritores, ilustradores y expertos profesionales en diferentes materias como las bibliotecas del futuro, la literatura nórdica o el fomento de la lectura entre las generaciones más jóvenes. Habrá presentaciones de libros, firmas de escritores en el Pabellón Nórdico, teatro, coloquios, juegos infantiles y talleres, entre muchas otras actividades, que reflejarán la importancia que dan estos países a las generaciones jóvenes como lectores y receptores de una oferta literaria y cultural de calidad. Los Países Nórdicos concentrarán su exhibición cultural en los 600 metros cuadrados que dispone el hall principal del Centro Cultural Estación Mapocho, escenario donde desplegarán una serie de exposiciones relacionadas con 2 autores insignes de sus culturas y géneros literarios, además de diversas apuestas destinadas a reflejar la identidad y la cultura nórdica, a través de la gastronomía, artesanía, exposiciones y mucho más. El hall contará también con un espacio de debate, donde se llevarán a cabo la gran mayoría de actividades vinculadas a su participación. La programación principal de los Países Nórdicos en FILSA 2015 girará en torno a: · Novela negra y novela policial. · Literatura infantil y juvenil. · Jornadas Profesionales de Educación y Fomento Lector. · Festival “Días Nórdicos”. PRESENTACIÓN · PRESENTACIÓN DINAMARCA HANNE BARTHOLIN THOMAS BOBERG NIELS FRANK SISSEL-JO GAZAN ANNE HANSEN CARSTEN JENSEN
    [Show full text]
  • An Open Letter from the Poets World-Wide to the Hazara, Civil and Human Rights Organizations, Immigration Authorities, and World Leaders
    Tuesday, March 21, 2017 An Open Letter from the Poets World-wide to the Hazara, Civil and Human Rights Organizations, Immigration Authorities, and World Leaders We poets from around the world, proclaim to the Hazara people, that we are in full solidarity with your civic and cultural movements to protect your human rights. We are aware that you are victims of systematic crimes, including genocide, slavery, forced displacement, discrimination, and the invasion of your homeland, Hazaristan. However, like the movements that ended apartheid in South Africa, and the American civil rights movement, your movements such as the Hazara Enlightenment movement will also achieve success. We hear your voices, we reflect it in our poetry, and lift it into contemporary world literature. Today, the systematic crimes against the Hazara in Afghanistan and Pakistan are proof that the Hazara are being deprived of their human rights. In Afghanistan, where the Hazara are its native people, the government ignores the crimes against the Hazara, and misleads the international community by granting the Hazara a few insignificant government posts. Some of the most recent crimes against the Hazara are: • Ignoring demands for their basic rights and equal treatment • Attacks on peaceful Hazara protests, for example on July 23, 2016, a bloody attack on the peaceful protest of the Hazara Enlightenment movement killed and injured over 400 in Kabul. • Oppressive actions by the government against the Hazara Enlightenment movement including refusal to provide security for its gatherings and protests, isolating and blocking roads at protests, censoring, threatening the movement’s activists with detention, and firing on them from public institutions.
    [Show full text]
  • Contents Events
    1947 1947: January · February · March · April · May · June · July · August · September · October · November · December 1947 (MCMXLVII) was a common year starting on Wednesday of the Gregorian Millennium: 2nd millennium calendar, the 1947th year of the Common Era (CE) and Anno Domini (AD) designations, Centuries: 19th century · the 947th year of the 2nd millennium, the 47th year of the 20th century, and the 8th year 20th century · of the 1940s decade. 21st century Decades: 1920s · 1930s · 1940s · 1950s · Contents 1960s Events Years: 1944 · 1945 · 1946 · Births 1947 · 1948 · 1949 · Deaths 1950 Nobel Prizes References 1947 in various calendars External links Gregorian 1947 calendar MCMXLVII Ab urbe 2700 Events condita Armenian 1396 January calendar ԹՎ ՌՅՂԶ Assyrian 6697 January–February – Winter of 1946–47 in the United Kingdom: Worst snowfall in the calendar country in the 20th century, with extensive disruption of travel.[1] Given the low ratio of private vehicle ownership at the time this is mainly remembered in terms of the Bahá'í 103–104 [2] effects on the railway networks. calendar January 1 Balinese 1868–1869 British coal mines are nationalised. saka Nigeria gains limited autonomy before gaining independence in 1960. calendar The Canadian Citizenship Act comes into effect. Bengali 1354 January 3 – Proceedings of the United States Congress are televised for the first time. calendar January 10 – The United Nations takes control of the free city of Trieste. Berber 2897 January 15 – Elizabeth Short, an aspiring actress nicknamed the "Black Dahlia", is calendar found brutally murdered in a vacant lot in Los Angeles. The case remains unsolved to this day.
    [Show full text]
  • Carta De Los Poetas Por La Paz Y El Desarrollo a Los Presidentes Del Continente Americano
    Inti: Revista de literatura hispánica Number 59 Cuba: Cien Años de Alejo Carpentier Article 28 2004 Carta de los Poetas por la Paz y el Desarrollo a los Presidentes del Continente Americano Follow this and additional works at: https://digitalcommons.providence.edu/inti Citas recomendadas (Primavera-Otoño 2004) "Carta de los Poetas por la Paz y el Desarrollo a los Presidentes del Continente Americano," Inti: Revista de literatura hispánica: No. 59, Article 28. Available at: https://digitalcommons.providence.edu/inti/vol1/iss59/28 This Otras Obras is brought to you for free and open access by DigitalCommons@Providence. It has been accepted for inclusion in Inti: Revista de literatura hispánica by an authorized editor of DigitalCommons@Providence. For more information, please contact [email protected]. CARTA DE LOS POETAS POR LA PAZ Y EL DESARROLLO A LOS PRESIDENTES DEL CONTINENTE AMERICANO Mar del Plata, noviembre 2005 Estimados señores: La poesía es vida, imaginación, libertad, sentido estético de la existencia. Ella, nos guía por senderos diversos, ayudándonos a concebir nuestros anhelos más profundos y a concretar nuestro más alto sentir espiritual. La poesía es palabra encarnada, se nutre de la hermandad de los hombres y las mujeres de este continente, rico en recursos de toda índole, en el que, no obstante, millones de sus habitantes padecen la injusticia, el hambre y la enfermedad. La poesía abomina la muerte, las flores segadas, los campos arrasados. Descree del lenguaje de las armas, no confía en las políticas económicas, sociales y culturales de las instituciones transnacionales. Rechaza la imposición de conductas y costumbres que realiza el fuerte y poderoso sobre los más débiles.
    [Show full text]
  • Festival De Poésie Un Accès À Tous À La Poésie Est Favorisé Par La Gratuité Sète De Toutes Les Rencontres Poétiques
    couv-voix:Mise en page 1 05/07/10 08:43 Page1 23 > 31 juillet 2010 festival de poésie Un accès à tous à la poésie est favorisé par la gratuité Sète de toutes les rencontres poétiques. Spectacles au Théâtre de la Mer et au Jardin du Château d’Eau de 14 à 32 euros. Renseignements 04 99 04 72 51 de méditerranée en méditerranée Réservations 04 99 04 71 71 Office du Tourisme de Sète Billeterie Office de Tourisme de Sète : www.ot-sete.fr FNAC : www.fnac.com www.voixvivesmediterranee.com Soutiens médias : Radio Pays d’Hérault, Radio Lenga d’Oc, Aviva, Divergence, Saint Affrique, Radio Clapas, RFM couv-voix:Mise en page 1 05/07/10 08:43 Page2 L’INVITATION FAITE A LA POESIE... Voix Vives,partenaire de Méditerranée en Méditerranée de votre, c’est une événement invitation nouvelle faite au publicpartenaire de Sète de découvrir dela poésie votre et de s’emparer émotion de l’imaginaire poétique et littéraire attaché à des territoires qui nous sont proches, ceux de la Méditerranée. Nous avons souhaité cette manifestation singulière et unique en son genre afin de rappeler aux Sétois, aux habitants de la région, mais également au public de passage que Sète a toujours accordé une place particulière à la poésie, qu’elle soit celle des artistes natifs – Paul Valéry et Georges Brassens en premier lieu –, accueillis ou qu’elle naisse de la beauté des lieux et des paysages. Egalement terre d’accueil ouverte sur l’extérieur, Sète est une porte de la Méditerranée vers les Méditerranée.
    [Show full text]
  • Roberto Arlt Y El Teatro De La Crueldad: Convergencias En La Dramaturgia Rioplatense
    UNIVERSIDAD DE SALAMANCA FACULTAD DE FILOLOGÍA DEPARTAMENTO DE LITERATURA ESPAÑOLA E HISPANOAMERICANA Roberto Arlt y el teatro de la crueldad: convergencias en la dramaturgia rioplatense Spyridon Mavridis 2011 Directora: Dra. María Ángeles Pérez López ÍNDICE Tabla de contenidos Introducción ............................................................................................................................. 1 I. Hacia una semiología de la praxis teatral ............................................................... 23 I. 1. La funcionalidad de los signos en la comunicación dramática .......................... 23 I. 2. Características del signo dramático .................................................................... 49 I. 3. Categorías de signos dramáticos .................................................................... 52 I. 3. 1. Los signos en el actor ........................................................................... 55 I. 3. 2. Los signos fuera del actor: signos escénicos (semiología de la escena) 62 I. 4. El tiempo y el espacio: el cronotopo escénico .............................................. 69 I. 4. 1. El espacio o ámbito escénico .............................................................. 69 I. 4. 2. Formas de disposición escénica .......................................................... 76 I. 5. El tiempo dramático .......................................................................................... 81 II. La expansión de las perspectivas dramáticas: del convencionalismo escénico a la poética
    [Show full text]