Continuous Scanning Laser Doppler Vibrometry for Synchronized Array Measurements: Applications to Non-Contact Sensing of Human Body Vibrations
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Tattoos & IP Norms
Case Western Reserve University School of Law Scholarly Commons Faculty Publications 2013 Tattoos & IP Norms Aaron K. Perzanowski Case Western University School of Law, [email protected] Follow this and additional works at: https://scholarlycommons.law.case.edu/faculty_publications Part of the Intellectual Property Law Commons Repository Citation Perzanowski, Aaron K., "Tattoos & IP Norms" (2013). Faculty Publications. 47. https://scholarlycommons.law.case.edu/faculty_publications/47 This Article is brought to you for free and open access by Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Article Tattoos & IP Norms Aaron Perzanowski† Introduction ............................................................................... 512 I. A History of Tattoos .............................................................. 516 A. The Origins of Tattooing ......................................... 516 B. Colonialism & Tattoos in the West ......................... 518 C. The Tattoo Renaissance .......................................... 521 II. Law, Norms & Tattoos ........................................................ 525 A. Formal Legal Protection for Tattoos ...................... 525 B. Client Autonomy ...................................................... 532 C. Reusing Custom Designs ......................................... 539 D. Copying Custom Designs ....................................... -
Underwater Acoustic Wavefrontvisualization by Scanning Laser Doppler Vibrometer for the Characterization of Focused Ultrasonic Transducers
Sensors 2015, 15, 19925-19936; doi:10.3390/s150819925 sensorsOPEN ACCESS ISSN 1424-8220 www.mdpi.com/journal/sensors Article Underwater Acoustic WavefrontVisualization by Scanning Laser Doppler Vibrometer for the Characterization of Focused Ultrasonic Transducers Roberto Longo 1;2;3;*, Steve Vanlanduit 1;y, Galid Arroud 1;y and Patrick Guillaume 1;y 1 Vrije Universiteit Brussel, 1050 Brussels, Belgium; E-Mails: [email protected] (S.V.); [email protected] (G.A.); [email protected] (P.G.) 2 ESEO Group–GSII, 49107 Angers, France 3 LUNAM Université, LAUM–CNRS UMR 6613, 72085 Le Mans, France y These authors contributed equally to this work. * Author to whom correspondence should be addressed; E-Mail: [email protected]; Tel.: +33-2-4186-6783. Academic Editor: Vittorio M. N. Passaro Received: 15 June 2015 / Accepted: 6 August 2015 / Published: 13 August 2015 Abstract: The analysis of acoustic wave fields is important for a large number of engineering designs, communication and health-related reasons. The visualization of wavefronts gives valuable information about the type of transducers and excitation signals more suitable for the test itself. This article is dedicated to the development of a fast procedure for acoustic fields visualization in underwater conditions, by means of laser Doppler vibrometer measurements. The ultrasonic probe is a focused transducer excited by a chirp signal. The scope of this work is to evaluate experimentally the properties of the sound beam in order to get reliable information about the transducer itself to be used in many kinds of engineering tests and transducer design. -
The Bush Revolution: the Remaking of America's Foreign Policy
The Bush Revolution: The Remaking of America’s Foreign Policy Ivo H. Daalder and James M. Lindsay The Brookings Institution April 2003 George W. Bush campaigned for the presidency on the promise of a “humble” foreign policy that would avoid his predecessor’s mistake in “overcommitting our military around the world.”1 During his first seven months as president he focused his attention primarily on domestic affairs. That all changed over the succeeding twenty months. The United States waged wars in Afghanistan and Iraq. U.S. troops went to Georgia, the Philippines, and Yemen to help those governments defeat terrorist groups operating on their soil. Rather than cheering American humility, people and governments around the world denounced American arrogance. Critics complained that the motto of the United States had become oderint dum metuant—Let them hate as long as they fear. September 11 explains why foreign policy became the consuming passion of Bush’s presidency. Once commercial jetliners plowed into the World Trade Center and the Pentagon, it is unimaginable that foreign policy wouldn’t have become the overriding priority of any American president. Still, the terrorist attacks by themselves don’t explain why Bush chose to respond as he did. Few Americans and even fewer foreigners thought in the fall of 2001 that attacks organized by Islamic extremists seeking to restore the caliphate would culminate in a war to overthrow the secular tyrant Saddam Hussein in Iraq. Yet the path from the smoking ruins in New York City and Northern Virginia to the battle of Baghdad was not the case of a White House cynically manipulating a historic catastrophe to carry out a pre-planned agenda. -
2029 BBA Media Guide
2029 MBBWA MEDIA GUIDE – Page 2 EST. 1973 – 2029, WE VOTE NONE OF THE ABOVE LEADERSHIP Commissioner: Matt Rectenwald Vice Commissioner & Reviewer Extraordinaire: Aaron Weiner League Director & Chief Muckraker: Kyle Stever PR Director/Historian: Stephen Lane LEAGUE AFFILIATES North America Brewster Baseball Association CONTACT INFORMATION Primary Website:: http://mbwba.whsites.net/ Forums: http://montybrewster.net/MBBA/phpBB3/index.php Commissioner Email: [email protected] OOTP Forum Entry: http://www.ootpdevelopments.com/board/ootp-17-online-leagues/267282-monty- brewster-world-baseball-association.html Here’s a clue: don’t try to tell any of us here in the BBA that our Out of the Park Baseball world is anything but the real thing. At the time of this writing, we follow the church of version 17. No more. No less. 17, got that? Feel free to check out the forums or our website. Listen to whatever is going to happen with the Drew Zodcast. Partake of our world class writing, all of it except the Genius’s stuff. You really can’t take any of that for gospel, though it might be worth a spit take or two. Actually, we’re thinking he’s not actually real but no one can match his mental acrobatics yet, so we’re really not sure. 2029 MBBWA MEDIA GUIDE – Page 3 CONTENTS Brewster Strikes Again! An Inside Look at How Expansion Went Down (Rectenwaldr) 2028 in the rearview mirror 2028 Final Standings (Collins) EBA, The Demise of a perfectly Good Baseball League (Palin/Riddler) FEATURES One Last Ride On the Expansion Rodeo (Schmidt) Welcome to the Projection -
'"There's More Than One of Everything": Navigating Fringe's Cofactual Multiverse'
. Volume 13, Issue 1 May 2016 ‘There’s More Than One of Everything’: Navigating Fringe’s cofactual multiverse Casey J. McCormick, McGill University, Montréal, Canada Abstract: This article analyzes how viewers of Fringe (FOX 2008-2013) make sense of the series’ complex science fictional storyworld. It argues that Fringe presents multiple iterations of worlds and characters in a way that encourages ‘cofactual’ interpretation: rather than figuring parallel universes and alternate timelines as ontologically hierarchical, the narrative accommodates all versions of reality and invites viewers to participate in shaping the multiverse. The article offers a close reading of Fringe’s complex narrative structure alongside an exploration of how audiences responded to and impacted the series through fannish practices such as vidding and narrative mapping. It concludes that cofactual narration opens up an array of participatory practices that blur the text/paratext distinction and facilitate interactive storyworld building. Keywords: Complex TV, Fandom, Narrative, Paratexts, Counterfactual, Cofactual, Possible Worlds Cofactual Interpretation By the time viewers reach the series finale of Fringe (FOX 2008-2013), they have travelled across two spatially-distinct universes, three versions of the future, and at least four different timelines, with each world-iteration populated by different versions of the show’s central characters. Through its reinvigoration of science fiction tropes, such as time travel, alternate realities, and temporal resets, Fringe asks viewers to re-evaluate typical models of narrative world-building. The series constructs a multiverse comprised of what I deem cofactual diegetic worlds. I use the term ‘cofactual’ in contradistinction to the more common narrative term ‘counterfactual’ as a means of emphasizing the plurality and simultaneity of diegetic worlds in Fringe. -
THE ELEMENTS of STYLE' (4Th Edition) First Published in 1935, Copyright © Oliver Strunk Last Revision: © William Strunk Jr
2 OLIVER STRUNK: 'THE ELEMENTS OF STYLE' (4th edition) First published in 1935, Copyright © Oliver Strunk Last Revision: © William Strunk Jr. and Edward A. Tenney, 2000 Earlier editions: © Macmillan Publishing Co., Inc., 1959, 1972 Copyright © 2000, 1979, ALLYN & BACON, 'A Pearson Education Company' Introduction - © E. B. White, 1979 & 'The New Yorker Magazine', 1957 Foreword by Roger Angell, Afterward by Charles Osgood, Glossary prepared by Robert DiYanni ISBN 0-205-30902-X (paperback), ISBN 0-205-31342-6 (casebound). ________ Machine-readable version and checking: O. Dag E-mail: [email protected] URL: http://orwell.ru/library/others/style/ Last modified on April, 2003. 3 The Elements of Style Oliver Strunk Contents FOREWORD ix INTRODUCTION xiii I. ELEMENTARY RULES OF USAGE 1 1. Form the possessive singular of nouns by adding 's. 1 2. In a series of three or more terms with a single conjunction, use a comma after each term except the last. 2 3. Enclose parenthetic expressions between commas. 2 4. Place a comma before a conjunction introducing an independent clause. 5 5. Do not join independent clauses with a comma. 5 6. Do not break sentences in two. 7 7. Use a colon after an independent clause to introduce a list of particulars, an appositive, an amplification, or an illustrative quotation. 7 8. Use a dash to set off an abrupt break or interruption and to announce a long appositive or summary. 9 9. The number of the subject determines the number of the verb. 9 10. Use the proper case of pronoun. 11 11. A participial phrase at the beginning of a sentence must refer to the grammatical subject. -
US5495576.Pdf
||||||||| US00549.5576A United States Patent (19) 11 Patent Number: 5,495,576 Ritchey (45) Date of Patent: * Feb. 27, 1996 54) PANORAMIC MAGE BASED WIRTUAL Dennis Crawford REALITYFTELEPRESENCE AUDIO-VISUAL 57) ABSTRACT SYSTEMAND METHOD An improved panoramic image based virtual reality/telep 76) Inventor: Kurtis J. Ritchey, 26374 Tonganoxie resence audio-visual system and method includes panoramic Rd., Leavenworth, Kans. 66048 three-dimensional input devices, a computer processor, and a panoramic audio-visual output device. In one embodiment * Notice: The portion of the term of this patent of the system the input devices comprise a sensor assembly subsequent to Jul. 14, 2009, has been including a plurality of positionable radar, camera, and disclaimed. acoustical sensors for recording signatures of all sides of three-dimensional subjects simultaneously. The computer 21 Appl. No.: 2,582 processor integrates the sensor signals, processes signals as a virtual model, updates the model based on participant 22) Filed Jan. 11, 1993 interaction, and selects and distributes portions of the pro 51 Int. Cl. ...r. G06T 15/10 cessed virtual model for presentation on display units and 52) U.S. C. ......................... 395/125; 395/154 audio speakers. The processor includes participant interac 58) Field of Search ..................................... 395/119, 125, tive input devices for instantaneous interaction with the 395/130, 154, 50,902, 2.55, 2.6, 2.79, virtual model. The panoramic audio-visual output device includes a head-mounted display or a closed structure hav 2.85; 34.5/139, 158, 184 ing contiguous individual display units mounted in all References Cited viewable directions surrounding the participant. -
Literary Modernism, Queer Theory, and the Trans Feminine Allegory
UC Irvine FlashPoints Title The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory Permalink https://escholarship.org/uc/item/11z5g0mz ISBN 978081013 5550 Author Heaney, Emma Publication Date 2017-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The New Woman The FlashPoints series is devoted to books that consider literature beyond strictly national and disciplinary frameworks, and that are distinguished both by their historical grounding and by their theoretical and conceptual strength. Our books engage theory without losing touch with history and work historically without falling into uncritical positivism. FlashPoints aims for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how liter- ature contributes to forming new constellations of culture and history and in how such formations function critically and politically in the present. Series titles are available online at http://escholarship.org/uc/fl ashpoints. series editors: Ali Behdad (Comparative Literature and English, UCLA), Edi- tor Emeritus; Judith Butler (Rhetoric and Comparative Literature, UC Berkeley), Editor Emerita; Michelle Clayton (Hispanic Studies and Comparative Literature, Brown University); Edward Dimendberg (Film and Media Studies, Visual Studies, and European Languages and Studies, UC Irvine), Founding Editor; Catherine Gallagher (English, UC Berkeley), Editor Emerita; Nouri Gana (Comparative Lit- erature and Near Eastern Languages and Cultures, UCLA); Susan Gillman (Lit- erature, UC Santa Cruz), Coordinator; Jody Greene (Literature, UC Santa Cruz); Richard Terdiman (Literature, UC Santa Cruz), Founding Editor A complete list of titles begins on p. -
Terra Australis 27 © 2008 ANU E Press
terra australis 27 © 2008 ANU E Press Published by ANU E Press The Australian National University Canberra ACT 0200 Australia Email: [email protected] Web: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: McDonald, Josephine. Title: Dreamtime superhighway : an analysis of Sydney Basin rock art and prehistoric information exchange / Jo McDonald. ISBN: 9781921536168 (pbk.) 9781921536175 (pdf) Series: Terra Australis ; 27 Notes: Bibliography. Subjects: Rock paintings--New South Wales--Sydney Basin. Petroglyphs--New South Wales--Sydney Basin. Visual communication in art--New South Wales--Sydney Basin. Art, Aboriginal Australian--New South Wales--Sydney Basin. Aboriginal Australians--New South Wales--Sydney Basin--Antiquities. Dewey Number: 709.011309944 Copyright of the text remains with the contributors/authors, 2006. This book is copyright in all countries subscribing to the Berne convention. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Inquiries should be made to the publisher. Series Editor: Sue O’Connor Typesetting and design: Silvano Jung Cover photograph by Jo McDonalnd Back cover map: Hollandia Nova. Thevenot 1663 by courtesy of the National Library of Australia. Reprinted with permission of the National Library of Australia. Terra Australis Editorial Board: Sue O’Connor, Jack Golson, Simon Haberle, Sally Brockwell, Geoffrey Clark Terra Australis reports the results of archaeological and related research within the south and east of Asia, though mainly Australia, New Guinea and island Melanesia — lands that remained terra australis incognita to generations of prehistorians. -
CORRESPONDENCE/MEMORANDUM______State of Wisconsin
CORRESPONDENCE/MEMORANDUM________________State of Wisconsin Date: August 26, 2021 To: Users of the Traffic Engineering, Operations & Safety (TEOpS) Manual From: Bill McNary State Traffic Engineer Subject: AUGUST 2021 ISSUANCE Listed below and placed in the BTO Manuals Library website are changes and additions to the Traffic Engineering, Operations & Safety Manual. Please make your coworkers aware of the following changes and that they can be found at http://wisconsindot.gov/Pages/doing-bus/local- gov/traffic-ops/manuals-and-standards/trans.aspx. The Traffic Engineering, Operations and Safety Manual can be found at: http://wisconsindot.gov/Pages/doing-bus/local-gov/traffic-ops/manuals-and- standards/teops/default.aspx The following changes to the TEOpS Manual have been made: • 1-5-5 Table of Contents (UPDATED) • 2-4-43 Conventional Road Intersections (NEW) • 2-4-44 Conventional Roads on Approaches to Interchanges (UPDATED) Placed figures near references in narrative. • 2-4-51 Rustic Road Signs (UPDATED). Updated assembly codes and replaced Figure 1 with updated figure/codes. • 12-5-3 Intersection Conflict Warning System (NEW) • 12-5-4 Friction Surface Treatment (NEW) • 13-5 Traffic Regulations Speed Limits (UPDATED). All subjects were updated, 13-5-2 was created. o Pulled useful information from the Speed Management Guidelines into 13-5-1 and retired Speed Management Guidelines. o Improved the policy’s flow in hopes of making it more user friendly and understandable. o Created a speed study process flowchart to go along with the instructions for each step. o Added tabular comparison of data collection methods (from speed mgmt. guidelines) o Changed the way transitional speed zone limits were defined (instead of a set minimum limit, the length is based on the approach speeds) o Provided updated speed study examples and links to helpful templates and applications o 13-5-2 was created specifically for more information on speed limits for locals including how to determine outlying districts and semiurban districts both visually and written. -
TV Finales and the Meaning of Endings Casey J. Mccormick
TV Finales and the Meaning of Endings Casey J. McCormick Department of English McGill University, Montréal A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Casey J. McCormick Table of Contents Abstract ………………………………………………………………………….…………. iii Résumé …………………………………………………………………..………..………… v Acknowledgements ………………………………………………………….……...…. vii Chapter One: Introducing Finales ………………………………………….……... 1 Chapter Two: Anticipating Closure in the Planned Finale ……….……… 36 Chapter Three: Binge-Viewing and Netflix Poetics …………………….….. 72 Chapter Four: Resisting Finality through Active Fandom ……………... 116 Chapter Five: Many Worlds, Many Endings ……………………….………… 152 Epilogue: The Dying Leader and the Harbinger of Death ……...………. 195 Bibliography ……………………………………………………………………………... 199 Primary Media Sources ………………………………………………………………. 211 iii Abstract What do we want to feel when we reach the end of a television series? Whether we spend years of our lives tuning in every week, or a few days bingeing through a storyworld, TV finales act as sites of negotiation between the forces of media production and consumption. By tracing a history of finales from the first Golden Age of American television to our contemporary era of complex TV, my project provides the first book- length study of TV finales as a distinct category of narrative media. This dissertation uses finales to understand how tensions between the emotional and economic imperatives of participatory culture complicate our experiences of television. The opening chapter contextualizes TV finales in relation to existing ideas about narrative closure, examines historically significant finales, and describes the ways that TV endings create meaning in popular culture. Chapter two looks at how narrative anticipation motivates audiences to engage communally in paratextual spaces and share processes of closure. -
Production in "Paying Quantities" - a Fresh Look Patrick S
Louisiana Law Review Volume 65 | Number 2 Winter 2005 Production in "Paying Quantities" - A Fresh Look Patrick S. Ottinger Repository Citation Patrick S. Ottinger, Production in "Paying Quantities" - A Fresh Look, 65 La. L. Rev. (2005) Available at: https://digitalcommons.law.lsu.edu/lalrev/vol65/iss2/4 This Article is brought to you for free and open access by the Law Reviews and Journals at LSU Law Digital Commons. It has been accepted for inclusion in Louisiana Law Review by an authorized editor of LSU Law Digital Commons. For more information, please contact [email protected]. Production in "Paying Quantities"-A Fresh Look PatrickS. Ottinger* I. INTRODUCTION A. Preface It is the purpose of this paper to review in some detail the requirement under Louisiana law that, in connection with the maintenance of mineral leases by production under the usual habendum clause, such production must be in "paying quantities."' Although this doctrine has not been presented at this institute for about forty years, it has been examined in several fine papers to which the reader is referred.2 While this paper attempts to capture all significant Louisiana decisions on this topic, reference will also be made to certain decisions in other oil producing states, particularly Oklahoma and Texas. As noted in the Comment to Article 124 of the Mineral Code,3 Louisiana's current law on this subject is fashioned in large part on the4 pronouncements of the Texas Supreme Court in Clifton v. Koontz. The notion that production must be of a certain quantity in order to maintain a mineral lease is as old as the industry itself.