Terra Australis 27 © 2008 ANU E Press

Total Page:16

File Type:pdf, Size:1020Kb

Terra Australis 27 © 2008 ANU E Press terra australis 27 © 2008 ANU E Press Published by ANU E Press The Australian National University Canberra ACT 0200 Australia Email: [email protected] Web: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: McDonald, Josephine. Title: Dreamtime superhighway : an analysis of Sydney Basin rock art and prehistoric information exchange / Jo McDonald. ISBN: 9781921536168 (pbk.) 9781921536175 (pdf) Series: Terra Australis ; 27 Notes: Bibliography. Subjects: Rock paintings--New South Wales--Sydney Basin. Petroglyphs--New South Wales--Sydney Basin. Visual communication in art--New South Wales--Sydney Basin. Art, Aboriginal Australian--New South Wales--Sydney Basin. Aboriginal Australians--New South Wales--Sydney Basin--Antiquities. Dewey Number: 709.011309944 Copyright of the text remains with the contributors/authors, 2006. This book is copyright in all countries subscribing to the Berne convention. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Inquiries should be made to the publisher. Series Editor: Sue O’Connor Typesetting and design: Silvano Jung Cover photograph by Jo McDonalnd Back cover map: Hollandia Nova. Thevenot 1663 by courtesy of the National Library of Australia. Reprinted with permission of the National Library of Australia. Terra Australis Editorial Board: Sue O’Connor, Jack Golson, Simon Haberle, Sally Brockwell, Geoffrey Clark Terra Australis reports the results of archaeological and related research within the south and east of Asia, though mainly Australia, New Guinea and island Melanesia — lands that remained terra australis incognita to generations of prehistorians. Its subject is the settlement of the diverse environments in this isolated quarter of the globe by peoples who have maintained their discrete and traditional ways of life into the recent recorded or remembered past and at times into the observable present. List of volumes in Terra Australis Volume 1: Burrill Lake and Currarong: Coastal Sites in Southern New South Wales. R.J. Lampert (1971) Volume 2: Ol Tumbuna: Archaeological Excavations in the Eastern Central Highlands, Papua New Guinea. J.P. White (1972) Volume 3: New Guinea Stone Age Trade: The Geography and Ecology of Traffic in the Interior. I. Hughes (1977) Volume 4: Recent Prehistory in Southeast Papua. B. Egloff (1979) Volume 5: The Great Kartan Mystery. R. Lampert (1981) Volume 6: Early Man in North Queensland: Art and Archaeology in the Laura Area. A. Rosenfeld, D. Horton and J. Winter (1981) Volume 7: The Alligator Rivers: Prehistory and Ecology in Western Arnhem Land. C. Schrire (1982) Volume 8: Hunter Hill, Hunter Island: Archaeological Investigations of a Prehistoric Tasmanian Site. S. Bowdler (1984) Volume 9: Coastal South-West Tasmania: The Prehistory of Louisa Bay and Maatsuyker Island. R. Vanderwal and D. Horton (1984) Volume 10: The Emergence of Mailu. G. Irwin (1985) Volume 11: Archaeology in Eastern Timor, 1966–67. I. Glover (1986) Volume 12: Early Tongan Prehistory: The Lapita Period on Tongatapu and its Relationships. J. Poulsen (1987) Volume 13: Coobool Creek. P. Brown (1989) Volume 14: 30,000 Years of Aboriginal Occupation: Kimberley, North-West Australia. S. O’Connor (1999) Volume 15: Lapita Interaction. G. Summerhayes (2000) Volume 16: The Prehistory of Buka: A Stepping Stone Island in the Northern Solomons. S. Wickler (2001) Volume 17: The Archaeology of Lapita Dispersal in Oceania. G.R. Clark, A.J. Anderson and T. Vunidilo (2001) Volume 18: An Archaeology of West Polynesian Prehistory. A. Smith (2002) Volume 19: Phytolith and Starch Research in the Australian-Pacific-Asian Regions: The State of the Art. D. Hart and L. Wallis (2003) Volume 20: The Sea People: Late-Holocene Maritime Specialisation in the Whitsunday Islands, Central Queensland. B. Barker (2004) Volume 21: What’s Changing: Population Size or Land-Use Patterns? The Archaeology of Upper Mangrove Creek, Sydney Basin. V. Attenbrow (2004) Volume 22: The Archaeology of the Aru Islands, Eastern Indonesia. S. O’Connor, M. Spriggs and P. Veth (2005) Volume 23: Pieces of the Vanuatu Puzzle: Archaeology of the North, South and Centre. S. Bedford (2006) Volume 24: Coastal Themes: An Archaeology of the Southern Curtis Coast, Quuensland. S. Ulm (2006) Volume 25: Lithics in the Land of the Lightning Brothers: The Archaeology of Wardaman Country, Northern Territory. C. Clarkson (2007) Volume 26: Oceanic Explorations: Lapita and Western Pacific Settlement. S. Bedford, C. Sand and S.P. Connaughton (2007) Volume 27: Dreamtime Superhighway: Sydney Basin Rock Art and Prehistoric Information Exchange. J. McDonald (2008) . Volume 28: New Directions in Archaeological Science. A. Fairbairn, S. O'Connor and B Marwick (2008) Volume 29: Islands of Inquiry: Colonisation, Seafaring and the Archaeology of Maritime Landscapes. G. Clark, F. Leach and S. O'Connor (2008) terra australis 27 Dreamtime Superhighway Sydney Basin Rock Art and Prehistoric Information Exchange Jo McDonald Dreamtime Superhighway: an analysis of Sydney Basin rock art and prehistoric information exchange FOREWORD I remember the visit with clarity: it was 1991 and my first trip to Australia. One day was spent at Sydney’s West Head with the young and enthusiastic Jo McDonald, where we toured some of the rock engraving sites and the painted Great Mackerel rock shelter. I can still see the large flat curving rocks at West Head on which animals had been engraved - fish, kangaroos, a goanna. And, as is so often the case when I visit rock art sites, my imagination gets going as to the ‘how’s’ and ‘why’s’. I try to run some sort of a show in my head as to the people who produced these, viewed these, and what kinds of significations the images and their makings played in the lives of past peoples. At the time of this visit, Jo McDonald was well into her 1994 dissertation— the work upon which this monograph is based. Already, in that PhD dissertation, she was able to touch on some of the things that my imagination was searching for. Thus, it is with great pleasure and even more enthusiasm that I am writing this Foreword to a revised and thoroughly up-dated monograph based on that initial dissertation research. At the time of the 1994 dissertation, the anthropological and archaeological study of ‘rock art’ was really emerging into new trends and new prominence. Surely Australia was one of the leaders in the training of students and in the research that contextualized the images and ‘art’, thanks to such scholars as Andrée Rosenfeld, Robert Layton, and John Clegg among others. By this time, the work of David Lewis-Williams and colleagues in southern Africa had set off numerous studies world-wide into the relationship between the production of rock art images and altered states of consciousness and the role of shamans in image-making practices. But this was not the direction or focus of rock art studies in Australia, and McDonald’s original work would not be tempted either. Rather, she carried out an extensive project of contextualizing the rock art in question, and in two different ways. First, she wanted to give us an understanding of the rock art in its archaeological contexts—sheltered or open, dates and chronologies, site types and, in general, what the archaeology could inform on in terms of social and cultural lives associated with the image-making. This dimension is thoroughly expanded in this present monograph, a genuine testimony to precisely why so many insist on a true archaeology of ‘rock art’. Second, she wanted to try out a model that suggested the ways in which visual culture—such as rock art-making and its images and forms—could perhaps be understood as a system of communication, as a way of signaling, so–to–speak, among and between various social factions and groups. Could we gain some insight into the ‘why’s’ and ‘how’s’ by stretching our notion of context, meaning, and function? Was the image making itself part of the stretching—and marking—of social relations, which we knew were so crucial to the on-going-ness of Aboriginal society? These were solid and provocative questions of the mid 1990’s and McDonald rose to the challenge with an admirable array of data and a compelling conceptual framework that drew on the social communication/ information exchange models of the time. It is now nearly fifteen years later. Much has changed in archaeology and the study of the so-called rock arts; the landscape is ‘in’, the spirit world and shamanic practices are still with us, rock art has been attributed to even earlier time ranges of the Pleistocene in many parts of the globe, and more theoretical frameworks circulate widely—structuration, practice theory, agency, social memory, costly signaling, post-colonialism, to name but a few. Even the term ‘rock art’ itself has been subjected to critique and scrutiny, and it can be heard, from time to time, that there is not much to be gained from an archaeology of rock art: what, after all, might stone tools have to ‘say’ about the making and meanings of rock imagery? terra australis 27 vi Dreamtime Superhighway: an analysis of Sydney Basin rock art and prehistoric information exchange It is refreshing to read here that McDonald has not decided to publish her monograph by picking one from the list of the ‘new’ approaches. Nor has she tried out, as Chris Tilley has done in a unique and innovative comparative study of Scandinavian rock art, how the materials might be understood using several different interpretive frameworks to find out which one works the best–at least for now! Rather, this is a revised and updated study that draws forcefully on much richer data and interpretive source materials because so much fine and extensive new research has been carried out and made available—much of it by McDonald herself.
Recommended publications
  • Secluded Luxury Killcare Beach House
    132 Northern Advocate Tuesday, January 30, 2018 Travel JUSTINE TYERMAN finds a jewel on the New South Wales Central Coast. FACTBOX LOVE watching the sunrise at the beach, the ■ Justine Tyerman was a light creeping along the guest of Luxe Houses: Isand transforming it from www.luxehouses.com, at beige to gold. The early NSW Central Coast morning sun has a luminous property Killcare Beach effect on the sea and the surf SECLUDED House: sparkles with www.luxehouses.com.au/ phosphorescence. The holiday-house/killcare- smudged mauve horizon is beach-house/ edged in gilt as the fiery orb ■ Getting there: Air New leaps from night hiding. Sun Luxury Zealand flies direct to beams flood the house with Sydney from Auckland, dazzling light as I sit in the Wellington, Christchurch window seat watching the and Queenstown. early-bird surfers and www.airnewzealand.co.nz swimmers. ■ JUCY Rentals assisted Our family of four drove up with transport: from Sydney for a long www.jucy.co.nz weekend of R&R at Killcare ■ All reservations with Beach after a hectic week in Luxe Houses include the big city. We stayed at access to concierge Killcare Beach House, a services who can arrange beautiful, secluded vacation (at additional cost) private home overlooking the sea, charter jets, helicopter highly recommended by Luxe transfers, yachts, Houses. Much thought has launches, jet-boats, gone into the interior design private chefs, waiter staff and furnishing of this tranquil for guest occasions, retreat. The floor tiles are the butlers, drivers, bespoke colour of sand and the fabrics spa treatments, and textures echo the experienced nannies, landscape.
    [Show full text]
  • (In Adobe Acrobat Or Reader) Using the Menu Or the CRTL F Short Cut
    You can search for words in this file. First open the search box (in Adobe Acrobat or Reader) using the menu or the CRTL F short cut Then type the word into the search box A FORTUNATE LIAISON DR ADONIAH VALLACK and JACKEY JACKEY by JACK SULLfV AN Based on the Paterson Historical Sodety 2001 Heritage Address PUBUSHED BY PATERSO N HISTORICAL SOCIETY INC., 2003. Publication of this book has been assisted by funds allocated to the Royal Australian Historical Society by the Ministry for the Arts, New South Wales. CoYer photographs: Clockwise from top~ Jackey Jackey; Detail of Kennedy memorial in StJames' Church Sydney; Church ofSt Julian, Maker, Cornwall; Breastplate awarded to Jackey Jackey; Kingsand, Cornwall. (Source: Mitchell Library, Caroline Hall, Jack Sullivan) INDEX. (Italics denote illustration, photograph, map, or similar.) Apothecaries’ Compa ny (England), 82 Arab, ship, 197 A Arachne, barque, 36,87 Abbotsford (Sydney), 48,50 Arafura Sea, 29,33 Abergeldie (Summer Hill, Sydney), 79 Argent, Thomas Jr, 189-190 Aboriginal Mother, The (poem), 214,216-217 Argyle, County of, 185,235,242n, Aborigines, 101,141,151,154,159,163-165, Ariel, schooner, 114,116-119,121,124-125, 171-174,174,175,175-177,177,178,178-180, 134,144,146,227,254 181,182-184,184,185-186,192,192-193, Armagh County (Ireland) 213 195-196,214,216,218-220,235,262-266,289, Armidale (NSW), 204 295-297 Army (see Australian Army, Regiments) (See also Jackey Jackey, King Tom, Harry Arrowfield (Upper Hunter, NSW), 186,187 Brown) Ash Island (Lower Hunter, NSW), 186 Aborigines (CapeYork),
    [Show full text]
  • Tattoos & IP Norms
    Case Western Reserve University School of Law Scholarly Commons Faculty Publications 2013 Tattoos & IP Norms Aaron K. Perzanowski Case Western University School of Law, [email protected] Follow this and additional works at: https://scholarlycommons.law.case.edu/faculty_publications Part of the Intellectual Property Law Commons Repository Citation Perzanowski, Aaron K., "Tattoos & IP Norms" (2013). Faculty Publications. 47. https://scholarlycommons.law.case.edu/faculty_publications/47 This Article is brought to you for free and open access by Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Article Tattoos & IP Norms Aaron Perzanowski† Introduction ............................................................................... 512 I. A History of Tattoos .............................................................. 516 A. The Origins of Tattooing ......................................... 516 B. Colonialism & Tattoos in the West ......................... 518 C. The Tattoo Renaissance .......................................... 521 II. Law, Norms & Tattoos ........................................................ 525 A. Formal Legal Protection for Tattoos ...................... 525 B. Client Autonomy ...................................................... 532 C. Reusing Custom Designs ......................................... 539 D. Copying Custom Designs .......................................
    [Show full text]
  • Tasman Peninsula
    7 A OJ? TASMAN PENINSULA M.R. Banks, E.A. Calholln, RJ. Ford and E. Williams University of Tasmania (MRB and the laie R.J. Ford). b!ewcastle fo rmerly University of Tasmama (EAC) and (ie,a/Ogle,Cl; Survey of Tasmania (E'W) (wjth two text-figures lUld one plate) On Tasman Peninsula, southeastern Tasmania, almost hOrizontal Permian marine and Triassic non-marine lOcks were inllUded by Jurassic dolerite, faulted and overiain by basalt Marine processes operating on the Jurassic and older rocks have prcl(iU!ced with many erosional features widely noted for their grandeur a self-renewing economic asset. Key Words: Tasman Peninsula, Tasmania, Permian, dolerite, erosional coastline, submarine topography. From SMITH, S.J. (Ed.), 1989: IS lllSTORY ENOUGH ? PA ST, PRESENT AND FUTURE USE OF THE RESOURCES OF TA SMAN PENINSULA Royal Society of Tasmania, Hobart: 7-23. INTRODUCTION Coal was discovered ncar Plunkett Point by surveyors Woodward and Hughes in 1833 (GO 33/ Tasman Peninsula is known for its spectacular coastal 16/264·5; TSA) and the seam visited by Captain scenery - cliffs and the great dolerite columns O'Hara Booth on May 23, 1833 (Heard 1981, p.158). which form cliffs in places, These columns were Dr John Lhotsky reported to Sir John Franklin on the first geological features noted on the peninsula. this coal and the coal mining methods in 1837 (CSO Matthew Flinders, who saw the columns in 1798, 5/72/1584; TSA). His thorough report was supported reported (1801, pp.2--3) that the columns at Cape by a coloured map (CSO 5/11/147; TSA) showing Pillar, Tasman Island and Cape "Basaltcs" (Raoul) some outcrops of different rock This map, were "not strictlybasaltes", that they were although not the Australian not the same in form as those Causeway Dictionary of (Vol.
    [Show full text]
  • The Bush Revolution: the Remaking of America's Foreign Policy
    The Bush Revolution: The Remaking of America’s Foreign Policy Ivo H. Daalder and James M. Lindsay The Brookings Institution April 2003 George W. Bush campaigned for the presidency on the promise of a “humble” foreign policy that would avoid his predecessor’s mistake in “overcommitting our military around the world.”1 During his first seven months as president he focused his attention primarily on domestic affairs. That all changed over the succeeding twenty months. The United States waged wars in Afghanistan and Iraq. U.S. troops went to Georgia, the Philippines, and Yemen to help those governments defeat terrorist groups operating on their soil. Rather than cheering American humility, people and governments around the world denounced American arrogance. Critics complained that the motto of the United States had become oderint dum metuant—Let them hate as long as they fear. September 11 explains why foreign policy became the consuming passion of Bush’s presidency. Once commercial jetliners plowed into the World Trade Center and the Pentagon, it is unimaginable that foreign policy wouldn’t have become the overriding priority of any American president. Still, the terrorist attacks by themselves don’t explain why Bush chose to respond as he did. Few Americans and even fewer foreigners thought in the fall of 2001 that attacks organized by Islamic extremists seeking to restore the caliphate would culminate in a war to overthrow the secular tyrant Saddam Hussein in Iraq. Yet the path from the smoking ruins in New York City and Northern Virginia to the battle of Baghdad was not the case of a White House cynically manipulating a historic catastrophe to carry out a pre-planned agenda.
    [Show full text]
  • Factual Basis for Claimed Native Title
    Registration test decision Application name Ankamuthi People Name of applicant Larry Woosup, Beverley Mamoose (formerly known as Beverley Tamwoy), Richard Woosup, Charles Woosup, George Mamoose, Michael Toby, Asai Pablo, Tracey Ludwick, Ella Hart (Deemal), Nelson Stephen, Ben Tamwoy, Catherine Salee and Mark Gebadi NNTT file no. QC1999/026 Federal Court of Australia file no. QUD6158/1998 Date application made 15 July 1999 Date application last amended 12 February 2015 I have considered this claim for registration against each of the conditions contained in ss 190B and 190C of the Native Title Act 1993 (Cth). For the reasons attached, I am satisfied that each of the conditions contained in ss 190B and C are met. I accept this claim for registration pursuant to s 190A of the Native Title Act 1993 (Cth). Date of decision: 13 May 2015 ___________________________________ Radhika Prasad Delegate of the Native Title Registrar pursuant to sections 190, 190A, 190B, 190C, 190D of the Native Title Act 1993 (Cth) under an instrument of delegation dated 4 May 2015 and made pursuant to s 99 of the Act. Shared country, shared future Reasons for decision - Edited Introduction [1] This document sets out my reasons, as the delegate of the Native Title Registrar (Registrar), for the decision to accept the amended native title determination application made on behalf of the Ankamuthi People (the application) for registration pursuant to s 190A of the Act. [2] Note: All references in these reasons to legislative sections refer to the Native Title Act 1993 (Cth) which I shall call ‘the Act’, as in force on the day this decision is made, unless otherwise specified.
    [Show full text]
  • Adec Preview Generated PDF File
    Records ot the Western Alhtralian \luseunJ 24: Aboriginal engravings in the southwest of Western Australia: analysis of the Kybra Site Natalie R. Franklin School of Social Science, University of Queensland Brisbane, Queensland 4072, Australia. E-mail: Natalie.Franklin(uepa.qld.go\.au Abstract - This paper presents an analvsis of Aboriginal rock engravings in the far southwestern corner of Western /\ustralia that wen' first dc'scribed bv Clarke in 1983, the Kvbra Site. Comprising engravings of predominantly animal tracks, particularly bird tracks, on flat tabular limestone pavements, the site appeared to extend the known range of a group of rock engravings known as the I'anaramitee. Engraving sites of this tradition are widely distributed across Australia, and the Panaramitee has been represented as homogeneous at a continental level. A multivariate investigation using correspondence analysis and cluster analvsis was undertaken comparing the Kybra Site with other engraving sites in \Vestern Australia and elsewhere. The aim was to determine whether the Kvbra Site showed similarities with other Panara mitee engraving si tes, and whethc'r an ex plana torv fra mework. known as the Discontinuous Dreaming Network Model. could account for anv similarities or differences identified. I found that the Western Australian sit~'s are more different to each other than thev are to other sites in eastern Australia, and reveal similarities with engravings in Cape York Peninsula, the Carpentaria region and central western Queensland. This finding fits well with the tenets of the Discontinuous Dreaming Network Model, which holds that the similarities between engraving sites across vast distances of Australia reflect the widespread links forged Dreaming tracks and suggested by the trade and other social networks that sometimes spanned the continent.
    [Show full text]
  • 2029 BBA Media Guide
    2029 MBBWA MEDIA GUIDE – Page 2 EST. 1973 – 2029, WE VOTE NONE OF THE ABOVE LEADERSHIP Commissioner: Matt Rectenwald Vice Commissioner & Reviewer Extraordinaire: Aaron Weiner League Director & Chief Muckraker: Kyle Stever PR Director/Historian: Stephen Lane LEAGUE AFFILIATES North America Brewster Baseball Association CONTACT INFORMATION Primary Website:: http://mbwba.whsites.net/ Forums: http://montybrewster.net/MBBA/phpBB3/index.php Commissioner Email: [email protected] OOTP Forum Entry: http://www.ootpdevelopments.com/board/ootp-17-online-leagues/267282-monty- brewster-world-baseball-association.html Here’s a clue: don’t try to tell any of us here in the BBA that our Out of the Park Baseball world is anything but the real thing. At the time of this writing, we follow the church of version 17. No more. No less. 17, got that? Feel free to check out the forums or our website. Listen to whatever is going to happen with the Drew Zodcast. Partake of our world class writing, all of it except the Genius’s stuff. You really can’t take any of that for gospel, though it might be worth a spit take or two. Actually, we’re thinking he’s not actually real but no one can match his mental acrobatics yet, so we’re really not sure. 2029 MBBWA MEDIA GUIDE – Page 3 CONTENTS Brewster Strikes Again! An Inside Look at How Expansion Went Down (Rectenwaldr) 2028 in the rearview mirror 2028 Final Standings (Collins) EBA, The Demise of a perfectly Good Baseball League (Palin/Riddler) FEATURES One Last Ride On the Expansion Rodeo (Schmidt) Welcome to the Projection
    [Show full text]
  • THE ELEMENTS of STYLE' (4Th Edition) First Published in 1935, Copyright © Oliver Strunk Last Revision: © William Strunk Jr
    2 OLIVER STRUNK: 'THE ELEMENTS OF STYLE' (4th edition) First published in 1935, Copyright © Oliver Strunk Last Revision: © William Strunk Jr. and Edward A. Tenney, 2000 Earlier editions: © Macmillan Publishing Co., Inc., 1959, 1972 Copyright © 2000, 1979, ALLYN & BACON, 'A Pearson Education Company' Introduction - © E. B. White, 1979 & 'The New Yorker Magazine', 1957 Foreword by Roger Angell, Afterward by Charles Osgood, Glossary prepared by Robert DiYanni ISBN 0-205-30902-X (paperback), ISBN 0-205-31342-6 (casebound). ________ Machine-readable version and checking: O. Dag E-mail: [email protected] URL: http://orwell.ru/library/others/style/ Last modified on April, 2003. 3 The Elements of Style Oliver Strunk Contents FOREWORD ix INTRODUCTION xiii I. ELEMENTARY RULES OF USAGE 1 1. Form the possessive singular of nouns by adding 's. 1 2. In a series of three or more terms with a single conjunction, use a comma after each term except the last. 2 3. Enclose parenthetic expressions between commas. 2 4. Place a comma before a conjunction introducing an independent clause. 5 5. Do not join independent clauses with a comma. 5 6. Do not break sentences in two. 7 7. Use a colon after an independent clause to introduce a list of particulars, an appositive, an amplification, or an illustrative quotation. 7 8. Use a dash to set off an abrupt break or interruption and to announce a long appositive or summary. 9 9. The number of the subject determines the number of the verb. 9 10. Use the proper case of pronoun. 11 11. A participial phrase at the beginning of a sentence must refer to the grammatical subject.
    [Show full text]
  • Topographic Representations in Classical Aboriginal Traditions
    9 • Icons of Country: Topographic Representations in Classical Aboriginal Traditions PETER SUTTON INTRODUCTION tent of their classical tradition, however, even where little of it may be known to them through firsthand experi­ After more than two hundred years of colonial and post­ ence. 1 Indigenous Australian traditions are no more fixed colonial influence from a predominantly Anglo-Celtic or static than others, but they have been subject to greatly culture, Australian Aboriginal people have retained their accelerated changes in the colonial and postcolonial pe­ cultural identity as a group, comprising a large set of sub­ riod of the past two centuries. For this reason it is useful groups, across the Australian continent (fig. 9.1). At this to distinguish classical traditions from postclassical tradi­ time they are a small minority of between 2 and 3 percent tions within contemporary Aboriginal culture. in a nation of eighteen million people. In most regions Classical traditions are those that were practiced at the their ancient cultural traditions have been partly or heav­ time the first permanently dwelling non-Aborigines ar­ ily modified by a combination of forces, including an rived in Australia,2 and many of them have persisted early phase of scattered violent conflicts with colonizers, among certain groups. Postclassical traditions depart sig­ depopulation owing mainly to disease, compulsory nificantly from those of the ancient past. The most widely school education and institutionalization, and alcohol known and internationally acclaimed of the classical tra­ abuse. ditions is usually subsumed, in English, under the phrase In the more fertile areas of eastern and southwestern "Aboriginal art." For this category of representations Australia, many aspects of these classical cultural tradi­ tions have been seriously expunged.
    [Show full text]
  • Moullean Conservation Management Strategy 2017-2037
    The Moullean Conservation Management Strategy 2017 - 2037 October 2017 WWF-Australia PO Box 4010, Wembley, WA 6913 The project to develop this Conservation Management Strategy is supported by funding from the Western Australian Government’s State NRM Program, supported by Royalties for Regions. Prepared by Nathan McQuoid, Landscape Ecologist Editorial adviser Chris Greenwood, Words in Time. This Conservation Strategy was prepared with the assistance of the planning team: Merril Halley, Southwest Species Conservation Manager, WWF-Australia; Rebecca Boyland, Species Conservation Project Ofcer, WWF-Australia; Natasha Moore, Conservation Ofcer - Central Wheatbelt District, Parks and Wildlife Service, Department of Biodiversity, Conservation and Attractions (DBCA); Brett Beecham, Conservation Ofcer - Wheatbelt Region, Parks and Wildlife Service, DBCA; and David Jollife, District Nature Conservation Ofcer - Central Wheatbelt District, Parks and Wildlife Service, DBCA. The following people were consulted and contributed to the Strategy development process, and their assistance and input is acknowledged, in particular: • Rhonda Murphy, Aboriginal Heritage Unit of the Department of Biodiversity, Conservation and Attractions. • Rowan Hegglun, Wheatbelt NRM. • Reg Hayden, Njakinjaki Elder, Merredin. • Mick Hayden, Njakinjaki traditional owner and tour operator, Merredin. • Robyn McCarthy, Merredin Tourism Centre Manager. • Dr Jack Kinnear, Conservation Biologist, Perth. • Professor Steve Hopper, UWA Albany. • Dr David Pearson, Senior Research Scientist, Parks and Wildlife Service, DBCA. • Vaughan Smith, District Manager - Central Wheatbelt District, Parks and Wildlife Service, DBCA. • Jazmin Lindley, Nature Conservation Ofcer - Central Wheatbelt District, Parks and Wildlife Service, DBCA. • Phil Lewis, Ornithologist, Korrelocking. • David Collins, Greening Australia, Northam. • Landowners: Maxine Kerenyi, Malcolm French, John Hammond, Dr Tracey Moore, Laurie Shaw, Murray McDonald, and Barry and Maxine Cornish.
    [Show full text]
  • The Influence of Natural Geological Formations and Patterns on Contemporary Landscape Design
    Scientific Journal of Latvia University of Life Sciences and Technologies Landscape Architecture and Art, Volume 17, Number 17 DOI: 10.22616/j.landarchart.2020.17.05 Inspirative Geology - the Influence of Natural Geological Formations and Patterns on Contemporary Landscape Design Nawarah Al Basha, Anna Eplényi PhD, Gábor Sándor Szent István University, Faculty of Landscape Architecture and Urban Design, Hungary Abstract. Throughout the history of landscape design, we have witnessed many examples where natural features were used as symbolic elements of manmade landscapes and gardens. This influence of landscape geology had its impact on contemporary landscape architecture, resulting in diverse and innovative applications, which are the main topic of our discussion. The article is intended to demonstrate the trend of drawing inspiration from natural landscape features in contemporary landscape architecture in a new and complex way, focusing particularly on the influence of geology, geomorphology and tectonics. A study was conducted on twelve available, published contemporary landscape projects from the last two decades analysing the imitation of nature in the designs, with photo documentation and description. The aim is to identify how ‘native geology’ can influence today’s landscape architecture, which formations are inspirative, where and how they are integrated to the contemporary artistic design. Furthermore, in order to develop a complex understanding on how these references applied to the sites enhance the experience of the space. The selected projects are compared according to pairs of contrasting qualities that are related to measurable characteristics of a space. This will finally lead to identifying some common trends of today’s landscape architecture in applying this geology-inspired design approach.
    [Show full text]