Opera in the Vernacular
Foreign Works and Translations . and. Composers Mme. Maria Barrientes, the Spanish "Tosca," with Mme. Farrar and Mesfti Singers . How Schools Are Created .. Concern¬ coloratura soprano wtio since she sang Lázaro and Scotti. the Diction with the Metropolitan Opera Company ing Study of last season has made a tour through th© West Indies, South America and Opera in Brooklyn Spain and back to New York by way "Cavalleria By H. E. Krehbiel In her hand she held the dagger, Rusticana" and "Le Co. And her of Cuba that in miles is almost equal d'Or" will be given as a We arc moved recurrent observa¬ anguish recommences. double bill by Wrctojied maid! She'd slain her hus¬ to s voyage around the world, will re¬ on Tuesday at the tions of evening Brooklyn ancient phenomena which arc band! join the company this week and re¬ Academy of Music. The former discussed as latter de¬ Gazing near, and from her lips a smile open periodically day broke forth. appear on Friday evening as Gilda in will be sung by Mro.es. Easton, velopments to add another to the many the season'3 first With perir.j Ah! Her spirit most unhappy, "Rigoletto." and Mattfeld and Messrs. Crimi and disquisitions which have appeared in Reason';! bonds' had cast away; her will sing the young American lyric Mr. Her Montesanto, Moranzoni conductine The Tribune on the subject of the use spirit unhappy, tenor, Carlo Hackett, as the Duke, Mr. while "Le d'Or" will Her spirit most Coq be sung Ù the vernacular in operatic per¬ unhappy, de Luca as the Jester and Mr. Rothier Mmes. Barrientes, Robeson formances. Recent have Reason's bonds, yes, reason's bonds and Sun- experiences had cast away. as Sparafucile. Others in the cast will delius and Messrs. Didur, Diaz, Anani&a. not been encouraging to those who Ah! Heaven in mercy the crime for¬ be Mmes. Perini, Egener and Mellish Reschiglian and Audisio ard been a her! danced by have indulging hope that one give and Messrs. Rossi, Bada, and Reschi- Misses Galli and Smith and result of the world war would be to Sad was her fate, cruel hatred's prey, Messrs Sad was her glian, Mr. Moranzoni conducting. Boim, Bartik, and the fate, cruel hatred's prey. Bonfiglio Agnini Mr stimulate production of operas Gazing forth with eyes all vacant. There will be a special Lincoln's Moranzoni conducting. composed to English words, nor to Ah! May heaven the crime forgive Birthday matinee of "Aida," on Wed¬ ho have cherished the belie«.' her; nesday, with Messrs. Caruso, White- musical culture would be Sad was her fate, cruel hatred's prey. Park Theatre pro¬ Sad was her fate, cruel hatred's prey, hill, Mardones and Mmes. Muzio, Claus- moted if operas of foreign origin were Sad was her fate! Ah, yes! Sad was sen and Sparkes in the cast. "Robin Hood* is her breaking the best sun;,' in the vernacular. What has fate; Other operas of the week will be as records of the season at the n done in both Ah, yes! Sad was her fate." Park directions at the follows: Monday, "Crispino e la Co- Theatre, where it will be presented House was Mr. Alfred Kaufman sang these Metropolitan Opera negli¬ mare," followed by "Petrushka," with every night this week and at a special gible, or almost negligible, in the solu¬ words and enunciated them with a dis¬ the usual casts; Lincoln's tinctness the Wednesday evening, Birthday matinee. Orville tion of what can be, or might be, looked painfulness of which "Faust," with Mme. Farrar and Messrs. Harrold and Craig Campbell alternate as a national made some of his hearers realize what upon problem. The Martinelli, Chalmers and Rothier; as Robin Hood; Anne Bussert was meant by him who said that words and Metropolitan company purged its ros- Thursday, "Bori^ Gudunow," with Mmes. Blanche Duffield as Maid Marian; John oí a number of German which were too foolish to be singers spoken Matzenauer and Delaunois and Messrs. Phillips and Rudolph Koch as Sir and a taboo the might be sung. But it really did not Guy placed upon lyric Didur, Althouse, Mardones, De Seguro- and James Stevens and John Quine as dramas of In seem to signify much so far as the Wagner. compensation la and others; Saturday matinee, ''Lo- Little John. Others in the cast are: it produced Mr. De Koven's "Canter¬ people who heard them on this occasion doletta," with Mme. Easton and Messrs. William Danforth, Herbert Waterous, bury Pilgrims" two years ago and Mr. were concerned. It was opera; it was Caruso. Chalmers and Didur; followed Cora Tracy, Kate Condon and Gladvs Cadman's "Shanewis" last year; pro¬ opera in English; it was opera at by "Petrushka;" Saturday night, Caldweil. duced them and then put them on the popular prices; that sufficed the audi¬ 10 doubt for the reasons which ence. To proceed with the argument: In the ave been compelling in the case of opera of to-day it is peculiarly wearing the golden comb of the Lore- Bouilliez, Gustave Huberdeau, Con¬ .' er works which were not of native essential that a fine regard for the ley. stantin Nicolay and Gustave Duprere. origin. It revived a work by one Ger¬ music be had in translating operatic In the second act, Walter and Anna, "La Traviata" will be sung at the Fit- man because it was composed in French texts into English. Addison thought on their way to the church to be mar¬ urday matinee, with Mine. Galli-Curci but chiefly because it offered an op¬ so as long as 200 years ago. He not ried, are confronted by Loreley, who and Alessandro Dolci. In the evening portunity agreeable to Mr. Caruso.a only pleaded for English opera and apeara in a mystic light and sings her the opera will be "Faust," with Yvonne reason sufficient in itself under the wrote the book of one, but he assailed song of love to Walter. He casts Anna Gall, John O'Sullivan, Marcel Journet present condition of affairs), and re¬ Italian opera whether in the original from him and, as he rushes to the and others. Mr. Charlier will conduct tained another because it was familiar or translated forms with his prettiest arms of Loreley, she jumps into the in its Italian dress and also contained wit. In one case he tells of an Italian river, leaving Walter on the bank. As a part for Mr. Caruso. It closed its line which read, literally, "And turns Anna falls lifeless, Loreley reappears MUSICAL INSTRUCTION eyes to the nationality of Liszt and my rage into pity," but for the sake oi on the rock. gave his German oratorio, "St. Eliza- rhyme was translated "And into pity The third net shows the obsequies turns "Infallible Method of Memorizing" th," in operatic form and with Eng¬ my rage." By this means, he of Anna. Walter, on learning that it T. ANTOINETTE the soft notes which were at¬ lish words; and has evidently rele- says, is she who is being buried, falls in a PIANO iifinn HARMONY tached to in the Italian fel «1 that to desuetude for reasons "pity" swoon by the river, and as he wakes CONCENTRATION»« BAÏ11J8 MEMORY the DEVELOPED ¦»¦«¦«"¦«¦^ hich may have been artistic, but were upon word "rage" in the English the same cast that he sees Loreley on her rock to TRAINED and the recently appeared singing The publàr is invite«! to attend the Studio assuredly not patriotic. This season angry sounds which were tune« in Chicago. Mr. Polacco will conduct. him. As she is about to embrace him Hochai« given by the urtint pupila of An- it has which to "rage" in the original were mad«, tninnette Ward on Fridaj» .il :i o'clock. produced '""Oberon," needs The ballet will be the occasion of the threatening voices from the deep re¬ Talks by Miss Ward on ce on-the score of its original to express pity in the translation debut of Sylvia Tell, premiere danseuse mind her of her oath to the river god. Concentration.Memory text and deserves no censure Are there versions of Training ;lish English foreigi of the organization. She tears herself from Walter and re¬ Tone Production-Technical Freedom because it was an scores which could stand such a tes composed by elo- Walter, Lord of be¬ turns to her rock. He, in a frenzy, German of Gorman to-day? I open some of the score! Oberwessel, Interpretation.Sight Reading champion trothed to Anna of Rehberg, niece of throws himself into the river, as Lore- Demonstrations ten German liberty was an most conveniently at hand. In th« the Margraf of Bieberich, meets Lore- ley sings her love song once more. l'LA VERS: HELEN lit I .S.MAN. CON- ideal whicli had the reverence of every English "Parsifal," in a passage o Massenet's "Le Jongleur de Notre STANCE HULSMAN, GORDON riHMJI't«, democratic soul in the world. Kundry's recital to Parsifal, "Th; ley wandering along the river bank. MODENA st OVILLE. KITH (OK, .UIE- sincerely fall in love. He confides in¬ Dame" will be revived on Friday night LAIDE MM ANT) OTHERS. suffice from one father's love and death" is a: They the That-may point of given cident to with Mary Garden in the title role. si.a vao Dyck studios, n. y. view for the situation at the Metro¬ "Thy father's death and love," whercb; his friend, Hermann, himself sa In love with but he Others in the cast will be Auguste politan House. At the Park a sweet consonant harmony falls upoi Anna, urges Walter pipera to be faithful. in re, an organization which was the word "death" and a poignant dis Loreley, coming MANHATTAN search of Walter, learns that he is be¬ S 'ounded for a laudable and specific sorance of "love." MUSICAL Director. trothed to another and swoons. Her¬ INSTRUCTION IRA B. ARNSTEIN, 62 W. 40 St. iV.Y. se has departed from it and be- In the old-fashioned operas there ar SOI/O that Instruction lu und OKi'HT.STRA PIANO not an English opera company many cases in which it is not onl; mann, lamenting he has yielded PLATING, COACHING. ACCOUPANT1KQ. Anna to ursea In tcariilng beginners or advanciMl pupils. te high type which the country the foolish repetition of words ah another, appeals to the God ¡LOUIS ASCKENFELDER Bight reading and harmony. PARENTS CAN AR¬ of the Rhine to RANGE FOR INSTRUCTION TO BE GIVEN AI knew throughout its length and phrases, illustrated in the above ex avenge Anna's wrongs. TEACHER OF SINGING f'IR HOMES. Supplementary courses in Ith (and not cerpt from "Lucia di Lammermoor, Loreley comes to the nymphs of the siitnt- very long ago, Miifrinft. phonotlc-dlctlOD, style MI'SIC but others in the o Rhine and the spirits of the who and Interpretation for concert it an operetta company not which coincidence individual path, which shall be allur- air, and opera. S C HOOL, of the long roulades »with are singing in praise of the god Thor, Studio: 161 West 71st St. INTERNATIONAL 247 \V. 34tta 6t, altoge'ther capable coping with inconsequent^ ing to his people and along which his Tel. 3375 Col. monthly recitals words an and the river her lost ne type of art exemplified by the becomes offence to the inte" conl ¡mporaries a 11 (i successors shall god, lamenting Partial rcbolarshlps C NICOSIA, Director lect. Addison honor and seeking to avenge the works of Gilbert and Sullivan Pace had such examples i gladly follow him, so that the*- ti wrong PIANO, VIOLIN AND VOCAL LESSONS. mind when he said: "It often done to her. The tell her that OPERA COACHING, the composer, we are certain that Mr happene may reap of his success and his glory. spirits IKIDATS. Gilbert likewise that the finest notes in the ai Al!%j;ich, King of the Rhine, can ac¬ TUESDAYS, THURSDAYS, would be horrified at some ol Two factors are here set down a es¬ Institute of Two operas new to New York will be Musical Art the things di>ne to his lines. In both fel! upon the most insignificant word sential; the genius who shall strike j she renuises him declares that Antoine complish this by making her irre¬ DONATO in features of the third week of the Chi¬ thinks she is sistible and of the City of New York. places old questions concerning th( the sentence. I have known th cut the national notion and the dead and will never re- thus capable of torturing A. .' the word 'and' the who! cago Opera Company's season at the turn to her. The stabs the faithless one with new of PARADISO of vernacular in perform pursued through geniuses who shall adopt the notion Queen Spakos. pangs Frank Damrosch, Director, 120 Claremonl Av. GRAND OPERA TENOR, anees have been to gamut, have been entertained wit Lexington Theatre. Antoine, who has stabbed himself on love. But she must swear to brought the fort and present .it again in their manner. fidelity Examinations for admission now in progress. in many a melodious 'the' and ha\ Leroux's "Le Chemineau" will be re¬ hearing of Alberich. This she does and her¬ VOICE SPECIALIST every intelligent listener. Leavins The imitation need not, indeed, it must Cleopatre's death, enters flings announces that he Is now located heard the most peated to-morrow evening with the wounded. self into the river. She 607-808 HALL. N. Ï. the contention, for which tin« beautiful grace -not, be slavish. one German mortally As he dies, Cleo- rises instant¬ CARNEGIE Only same cast as Yvonne TELEPHONE 1360 CIKCI.E. Metropolitan Opera House has stood quavers and divisions bestowe«! upo since has success¬ before, including patre presses the asp to her heart and ly, transformed, with golden hair and composer Wagner Alfred and Bak- that dramatic music is best servei 'then,' 'for' and 'from' to the etern; fully applied that great musical dra¬ Gall, Maguenat Georg dies before the entrance of the vic- MARIO CONCERT lanoff. . when it is left in association with th glory of our English particles." matist's system, and he. (llumporl- torious Octavius. SALVINI ííédTROEMEU'ís for There are other of Massenet's which was. On MUSICAL INSTRUCTION language which it was composed phases the que dinck) knew how to modify it so that "Cleopatre," Wednesday night "The Barber of VOICE PUPIL OF LEOPOLD ACER. introduced to America several 870 RIVERSIDE nr. Mtoti the question arises whether or no tion which invite consideration. It i; it might become subservient to the years Seville" will be given with Mme. Galli- 206 West 71st DRIVE, Apt, ..A, in will have first Street. New York all operas ought to be translated int volves not only a knowledge of the a individualism of his style and his sub¬ ago Chicago, its >jew Curci, Fernando Carpi and Riccardo TEACHER OF visible HARMONY tabtlatwi En? of singing, pure and simple, i. e., t^ All others have failed York presentation Tuesday night. Mary Stracciari. VOICE COMPLETE SCALE AND CHORD PEDTGREE jects. because & WRITE G. WARREN AMERIGE' "THE OAKS, it is art of but also a know Garden will sing the title r«">le, with The PIANO. FREMONT. NEW HAMPSHIRE. Assuming.that essential that th vocalization, they .could not mix original inspiration second novelty of the week, STUDIO: 121 CARNEGIE HALL. N. Y. MAE' the art Alfred as Marc BROOKLYN STUDIO: 99 EUCLID AVENUE. CCfläifftynfl Ooeratlc T-nnr words of an opera be understood, edge of of diction, and this c with reflection. the Maguenat Antoine, Catalani's "Loreley," will be S.° Tescn-r They copied body presented; F E. Si N A ft U U Si"9'"9 Lli Il/i i . 1- STUDIO: B44 SIXTH AV.. N.Y. fact that I am entirely t the part of the composer and mak< not Charles Fontaine as. Spakos, Anna on wfth Anna of San Carlos M iWrl i A »"no"« tiryint bW4. Piano, »a- willing only; they could copy the spirit. Thursday night Fitziu, Formerly assistant to tho IIUVIL.I.L. U do||n< V|0|ln (Ban)o, Msii4*Ni). so of the book as as Fitziu as Gustave Huberdeau famous Do Lucia, wILl admit, far, at least, as operas o well the singer. Fro Purcell had no successors in Octavie, Florence Macbeth, Alessandro Dolci, accept pupils for trainli.x in Grand Opera Reper¬ L'kujelo (Hawaiian liunarj, t-rirmi.- !»>««». England, as ¡?¿SMSP STILLENaS toire, etc. Perfect vocalization assured. Brooklyn Studio: 4 «3 3 65th St. TeL 53Î6-K. the most modern are the composer it exacts this Emnius, Constantin as Glacomo type concernée knowledj because before a capable man arose Nicolay Rimini and Virgilio Lazzari, Violinist soloist; LEOPOLD ATJBR. certificate. 2G7 \\. 70th St. Tel. Gramercy.3955 ..¦hat is to be done to make i plus the to the dran Amnhes, Marie Pruzan as Charmion, pupil student oí Boyal Conservatory. Petrograd, opera capacity give the Italian exotic had struck root in connection tu Now York with David Karelli as teaching the vernacular palatable? Shall w musical expression in the spirit of t' the soil of fashion and was Vallya Adamos and Desire Malinos, lias opened private studio, 937 MADISON T'KATZEiMRB[$;»''" English AVE. Tel. mornings. Khlnelander 613. VÏRG- F^f'v »"th Defrere as Severus. MUSICAL ¦ GVWbWIfl0LOtftBATIIs»**» I I BO CATHEDRAL TeL Acató»»* educate the public down to the lev« people for whom he writes and who as it has been ever Massenet's ballet INSTRUCTION IMA Metropolitan Co. PARKWAY. nurtured, since, by in of the mass of translated texts or r« language he employs. Our in this opera serves to again introduce SINGING TAUGHT KOl'K LANGUAGES singe the aristocracy. 7fiC PUÜQU1DÍC CELEBRATED. 58 WEST 37th ST. Tel. Greeley 3lbV form the repertory ab initio? If th have not been trained in English so: The foundation of all national the Russian "dancers, Andreas Pavley, NEW YORK ¿lit IntdniKt MAUD MORGAN harpist latter, what shall be done for the in the sense that the students Serge Oukrainsky and their ballet. AMERICAN INSTRUCTION hahpictII rl Í1 I I Ö AKTHU pe< schools I __ of music in Europe, with the INSTRUCTION. ST* who have a French have been trained sin Marcel who the STCDIO. 178 WEST 97TH ST. "The Rockingharn." 216 WEST S6TII pie acquired liking fc song exception of the French and Italian, Charlier, conducted SERVATORY OF MUSIC Sf°" WOODRUFF COR. BROADWAY. TEL. CIRCLE 1«* operas whose reasonable in th i the establishment of the French sehe first American performance of this llil! West 73<1 St. VOICE PLACING. BREATHING. texts, rests on folksong idioms, but the fouti- Oratorio, Preparation lor Choir. Concert and Oratorio. original tongues, become prosaic an of music, or the Germans since Wagn were work, will direct the performance. EXPERT Concert. STUDIO. 810 CARNEGIE HALL. NEW YORK. DE. dations laid by such forward men INSTRUCTORS Recital». ft. absurd in translation? "Carmen" gave them a national a Marc Antoine, in camp at is in all BRANCHES OK distinctively as the Scandinavians Gade and Grieg! Tarus, Terms MUSIC. Vocal Instruction. RIO Carnegie Hall, N. Y. Mon. Baritone ELSENHEHERggg an admired There was a brief of victorious of $12.50 per quarter upward. & Thur». Home. 142 Ciaremont Ave.. Mt. Vwnon. Rwirlrnc-e. 522 W. I36TH ST. Tel 4SM opera, deservedly so; y« blossoming El the Pole Chopin; the Russian Glinka, proclaimed general Rome SEND FOB CATALOGUE. Teacher of Business Addreas GRANBERRY PIANO SCHOOL«tag* ARTHUR PHILIPS Blngln-p, V r,. how many of us would preserve a ser lish art under Purcell, but a!! that h Preceded en¬ 639 CARNEGIE HALL, Ne« and the Bohemian Smetana. In each by Charmion, Cleopatre SOI CARNEGIE HALL. Circle ______ou8 frame of mind if we were to survived him (the ballad ters. Antoine _Tel. 135». of he: operas whi of cases was an yields to her fascina THE . ¦#¦ _u.a Coi ductor _ these there element of f. ART MUSIC STUDIO KINGMAN BLITZ Zuniga ask of Don Josó in melodioi rejoiced the souls of Englishmen a tion. from Romo ai /'.am 115«) Lexlnoton Av.. near -'HF* eugenKI FF^ n.i Envoys !)5th St. SCHOOL national character tvhich was imitated bring The ALICE S1EYER, ACCOMPANIST. i "Is yon the fa Americans in the eighteenth centu order for his but he refuses t< ^^p. most wondorfulj rapid ays- 713 MADISON AVE. Tel. 356fi Plaza. OF Coaching a spec altj "Tl North«!«. * building from the folksongs of the various return, "cm for teaching all musical In- Classes peo¬ Mondays and Thursdays, to 9 P M 851 WEST 181>t ST. St. Nicb. 9914. at which young girls are and the mongrel works of Balfc a leave. In the second act trumenta. violin. Piano, Cornet, 834 ' employi ples, but the force which impressed preparations Celio, Mandolin, etc. MODERATE Carneóle Hall. N. Y. at is found in the arc made cigarette-making?" Who that hi Wallace) operettas this element upon the artistic music being for the marriage o . RATES. TEL. LENOX 1>«j3ü. ANNA rd in has n Gilbert and Sullivan -works Octavie and ^PERFIELDggK-FREE GRACE DI PÎETRO "Lohengrin" English worthy of the world, which introduced the Antoine. On her way t( TRIAL BY APPOINTMENT QM|TUmxin *£ Conductor.Coach.Accompanljt Address St. James Hotel, 109 W. 45th St. I 403 Hall, Wed* Sat., P"*- smiled broadly at the climax of t! study by the creative as well as int characteristic flavor into the art works the nuptial chamber Octavie enter: STUDIO HALL: PAGELSÖM! 11--. Studio. CurnFile 220 Madison Avenus 644 RIVERSIDE DRIVE. Cor. l«d St. scene before the cathedral when tl pretative artists of to-day, from t' with who nsks new: New York written in classic forms, or modified Antoine, Emnius Phono Vl~ Solo Pianist. Recítala. of the of view as as Murray Illll I'MIKKNCKftil F PIano Knight Swan turns at the fo point well others. It those forms so that the vessel of Cleopatre. Learninrr that Spakos i E. rsf&L. C. Ensemble Clnsaei MRS. UHs.UHs.Lil.P&l nWI-i I In«t*nctlon. Children might W «TO Ba &» A G. a specialty. 76 W. 94ttl St. !:.'!¥¦ MÍTTELL "a r;e. and but specialty. step» rings out the que significant, humiliating, that t the better hold the contents, was the high in her favor, Antoine, torn witl THE rCPIL OF LESCHETIZKY nnci AUTHOR- BEST AND MOST SIMPLIFIED ^ETHCD. of at IZED OF "VAN DYKE." 93S EIGHTH AVE.. NEAR 581«- with whom converse singers English tho Metropolit individual of the men who jealousy, tells Octavie of his love fo AMERICAN TEACHER HIS METHOD. genius 'CELLIST Studio 140 WEST 69th ST. Tel. Columbus 3996. JANET BULLOCK WILLIAMS -.?" Perhaps the truthful relatii Opera House who have been most new His bride TEACHER- of SINGING, 122 struck out 'he paths. Cleopatre. falls faintinr- int' CONCERTS INSTRUCTION Carnegie Hall. of an incident of the telligible have hern ¡ Century coi foreigners, The American genius will come; but the arms of her women. 501 W. U7th St., N. Y. fel. Au.iuboti JÜ59. LOUIS STILLMAR a.son will this despite the of their f help elucidate th handicap will we stieed his coming by lyine The scene changes to an inn in Alex BERN- sü 1ÄRTINÖ ~3f THEO. VAN YORX TENOR PIANIST & Tradier of Piano Literat«*»* fin accent. TEACHER OF ROSA 72nd ST. Tel. G166 Colua*" November 4, 1913, at eign Moreover, it is the about mediocrity simply because it andria. Spakos and Cleopatre, dis THE PONCELLE, OF VOCAL STUDIO. 22 WKST S9TH 7t. 148 WEST o'clock ;'.; tho I fectation and conceit of HARD STEINBEHQ MKTROPOLITANOPERACOMPANY Hat in r so-cal afternoon, is American ? guised as a boy, enter. The crowd at OK STUDIO! 8 B. 85th ST., NEW YORK* at the theatre saw "grand BARITONE.TEACHER SINGING. grâce chair and liide-th opera" singers and compo temps to mock them when Spakos at S5 WEST 90th ST. Tel. Itlver. 9U2S. ANDERSON SÄ'1 WILLIAM EBANN SCHOOL lient enter a hail in the castle of í which has to mak«> them un 104 WEST ß.th ST. Circle helped To-night's "Opera Concert" tacks Adamos, a dancer, who has at Tel. 3306. Teacher of Many Promtnent Artist*. where a lot of weddi telligible in and c< 13 West 42d St.. Near 5th A«. Henry Ashton, English. Singers At to-night's "Opera Concert" a Verdi tracted Cleopatre. She removes he GEO.E.SHEa-..,rÄ,v,L...Vocal Instruction.Repertory.Operatic Nathan .s were a posers in the field of Aetlnj. making jubilation, a musical corned programme will be given as follows; head-dress and praises the crowd fo Home Studio: 545 W. 111TII ST., ¡V Y. GREENWÄLD l?\l*fä}Zll& .-med them that Ashton C and operettas have little Lucy difficulty Overture from "I Vespri Siciliani," or¬ having amused her. Charmion enter CiiernCDCCIlnll1'1-""-'-'-L Accompanist. Coach rather for themselves ¿^ntUiTIHniilst,.u,.,i,,i,. 223 Riverside Drlv» IïaDOOlittle js- Lucia, Lucy doesn't alwa making understood. chestra; aria, "Celeste Aida," Morgat with tho news that Antoine is aj CHARLOTTE SOPRANO 680 W. IMttl ST. T.l. fit the had killed We then, a national I.e.-iillng Tenor EtLfOTT Cathedral^*); music) her husba need, school ! Kingston; aria, "0, Cieli Azuri," fron proaching, and Cleopatra prepares t Voice TEACHER OF SINGING. CHILDREN'S CLASSES ICI CliCIf riunn Studio«. 207 W .-.»tu st nfter the composition an well as of I: ' SpeclnllBt Studio: 218 West S9lli St. Tel. Circle. 1716. JC.LCnS.ll N. Y and -'M UtiJeii are., Bklyt bdlately ceremony singing. "Aida," Miss liosa Ponselle; aria, "Er meet him. Special IniluccmiT.t» to luiente«! KLMA BJORCOri,^!nrÄbjg^c-c Pupils. »«TIfOT Both ».( ;r££ shall ¦ Volco trial st. -Phnn« S, huvlef marriage. It was startling nev it be created? Not by prize c< tu" from "Un Bullo in Maschera," Luig Act threo shows Antoine and Clo< iratls. Studio 111 WEST 80TH ST. J37;7 WEST 80th 'Phon« SchujMar»^ not SOT HARRY j. .gh no one would have thought positions; by subventions, priv Montesanto; aria from "Il Trovatore,' patre in the latter's garden. The H.'t.'ijo. Hawaiian Guitar. Ckulelo. CLARK MARTIN SMITH KÄV HENHv or not the quee Studio, 170 Madison Are. Mandolin Gu'tir LEFKOWITCH ír'¡m the conduct of the merry co; public] by piling up f Mme. Frieda fron offers to kiss tho man who 'Phono .Murray Hill 7850! 50 ST. MARK'S g_gggSt ££«_or. M **- Hempel; "Rataplan," will drin HAROLD GLEASON. »,ld PLACE, Sth nor nvi n from and tl RUTH CnillDL* Plan'*' Teacher: six yean pany, the words of t costly buildings dubbing "La I-'orza del Destino," Miss Sophii tho poison in the goblet she hold Fifth Ave. Presbyterian Church. New York City. A. ö.l.UlltE assistant to ltafarl Joseffy r, lo "national" opera houses; nor RECITALS 4i &m\ TE"_0B 310 West 95th Street. Phone Ulvor pTore7c7 -.-.hich, though they yet by ftruslau and chorus; "Miserere" from "I Antoine dashes tho goblet to tr INSTRUCTION MASTER OF 2632. McMillan '^EftSf somewhat establishment and maintenance : Miss CH0,R disjointed, ungrammatk Trovatore," Rosa Ponselle, Mor ground. She accuses him of cowardic JOHN f'O.MPOSER, VOICE PRODUCT^"" and repetition« in print, flowed gigantic Institutions, If these thi i gan and "Strid Octavie enters ADAM PIANIST, Studio 20 E. ¿3rd Si. Tri. tiramercy 32P. ^Ai.:.:poSNER joseph pizzarello qui Kingston chorus; aria, unannounced, begs Ai HUGO Studio: 2KU Fl IT 11 AVE,.SS$u§&¡¡N. Y. could a INSTKl (TION Teacher of studio ( placidly on a utream of tune nie« beget national art Engl la Vampa" from "Il Trovatore," Mis toino to return to Rome, and asks Clei 125 BAST 37th ST., N. Y. Slngtn*. iiruestej^' to Residence Studio, 40 t'animn St (Wedne«rUya) VICTOR P R A T«or «1 with reiteration» by t ought long ago have had it. Th Sophie Braslau; "Oh tu Palermo" fron patre's aid. Bridgeport, Conn N S K I BATCHELIER are but an- not VOCAL STUDIO: 07 WIST 49th ST. 5t HBUm LÜCIEN DE VANNOZ chorus. This in how liid<;-th»i-B«*nt co things helpful, they "I Vespri Siciliani," Josfi Mardones In tho last act Cleopatre is seen c 180 MADISON AVENUE. Tel. 69» Murray Hll . gg; SJföjjJS' Chollet." Quintero. -'!> veysd the tidings: terminative. The determinativ fa« "Avo Maria" from "Othello" and a terrace Concerts, IlecUala. Instruction.£Mf A.\ r,u;í-TRina nano, violin, INSTRUCTION. Wr*t "Sapo awaiting news of the battl Studio: 2,'jO West 72d Coach. ÜIUlfhiUM ousTAV nv.'pt-rn pianist anc 91f4«*__- is an answer to the that r St. Tel.. 5,-i.'lt l.'olumlm*.. yole«, Comuonltlon. o ye, Of ceftfte these word» question Vorreite" from "Un Bailo in Mas She has made preparations to kill he JOACHIM SYSTEM, 321 E. Ulli St., N. Y. L OIl.V_.lS.I-.t\. TEACHER. HEN- «^..TiiVlî Ari't'Taticgo- be ventured upon; it la the rf;rnin¡' < chera," Mine. Frieda marci self if she hears Eludió: Btelnwaï Hall. 10» Hast Hth Ht.. .\. Y. K1ETTV ^',*-'i~*vív,-'l'!:ino. C*OB0¡JR )>i Hempel; that Antoine is dea STUDIOS, «08 W. lBUth W. Tel. St. .ay, ye, a dire miafortune. creative genius who shall by conci scene from Act îl o' She has 34» Central Park Weit (Djlli) Mund huncaiuíin vjounmt Nlchoiaa_W^ - "Aida," Mme! tho MUSIC rnr.e^k'nDL' tttrtn I <¦ - fiamber sad a spread report that sho TEST RECORDS MADE. Phono COMPOSED~äT where, example point the. w;:y to the goal Cosa and R*«T»|rl« 3009. Prn« tli nl Harmony Lunaon« by Mall. fei ti,- bnUoonUrr lnsun-iion. ¡at Carnegie Hat BROOKLYN filmt, Ponselle Sophie Braslau nm already dead, nnd orders Spakos I«r A WOOLKB, 8S2 \V. To 'r